In music the imagination needs feeding as much as ears and that is certainly what Involves masterfully achieves. The new album from the dark cinematic invention of Inwolves, the release takes the listener on a host of individual journeys and sonically eventful adventures which, whilst carrying their own suggestive dramas, sparks the mind to create its own imagined exploits in tandem. It is one of the most fascinating and provocative collections of aural experiences and sonic explorations for thoughts and emotions to immerse in, and in turn one of the most beguiling listens in a long time.
The project consists of Karen Willems, previously a drummer for a.o. Yuko who has also worked with Dirk Serries on Cycle and the Zita Swoon Group among several side projects, alongside Jürgen De Blonde and Ward Dupan. Their sound draws on the inspiration of seventies “kosmische musik” as it ventures into explorations of electronic and spatial soundscapes drawn from the predominant palette of drums, guitars, and synths textures. To be honest listening to Involves shows that any attempted hint to their music is persistently redundant as each track comes, infests, and seduces the imagination with its own uniqueness. To put it simply, the band creates expansive tapestries of sound and styles which certainly our interpretations can only attempt to provide a clue to.
Involves opens with I Va Va Vimedoom, an initially shadow wrapped persuasion swiftly engaging ears and thoughts with its melancholic synth cast entrance. There is a childlike innocence to the single melody courting the darker hues, though it soon, as the senses, enveloped by the portentous electronic smog that rolls in like stormy invasive clouds. Peace becomes tempestuous, emerging finally again to stand as that lonely initial charm within an absence of everything which shaped its birth.
It is a magnetic thought provoking start, though further contemplation is put on hold as Minimal steps forward next to bewitch and seduce. From its post punk scented electronic opening, exotic melodies and rhythms jostle for attention; eventually sharing ears as a south west Asia flavoured tempting wraps the senses and imagination. Closing eyes and allowing thoughts to wander brings a personal flight across Abyssinian and Mesopotamian landscapes but one surrounded by lurking dangers and encroaching dark times which in turn leads to thoughts to the destruction of ancient sites by modern terrorism.
The track is irresistible, as too is the following sinisterly toned Vladimir. The track is again an imagination nurturing episode on the album’s creative narrative. It easily incites mental and emotional involvement as its popping beats become entangled in a dark web of sonic and suggestive intrigue which blossoms around them. There is a kinetic virulence to the rhythmic shuffle also gripping attention before the track suddenly turns on its head and swims with synths into a dark bluesy and increasingly intensive devouring of the senses. There is a sixties hue to its controlled yet intimidating new tempestuousness, Procol Harum coming to mind initially as streams of orchestral and gothic flames rise up to evoke further persuasion upon the listener.
Strange Waltz provides exactly what its name implies; its opening muggy sonic climate eventually descending into clarity and a slow and flirtatious but again sinister three step shuffle as darkly romantic as it is emotionally apocalyptic, and ridiculously compelling. Maybe not the intention but the instrumental plays like a death dance within the imagination, suggesting and enthralling before the cosmopolitan business of Intown takes the listener down a whole different highway. Krautrock and slimline but pungent industrial essences converge on ears, the analogue embraced romancing of the recording, as across the album, memory provoking as too the bordering on obsessively rhythmic prowess which invites thoughts of bands like Kraftwerk and Neu! to the hypnotic endeavour.
Involves is completed by firstly, the invasively dark and increasingly distressed and psychotic Dirty Monks, a track unleashing a maelstrom of tortured voices and souls within its cathedral spawned ravenously shadowed depths. Its suffocating majesty subsequently makes way for the closing suggestive alchemy of Be Kind. The track is a cosmically spiced venture with Devo-esque tones to its electronics and Landscape like mystique to its discord and melody woven spatial drama. It is also another enslaving attention as it leads ears into a revolving flight of intimate and broad aural stimulation, every turn fresh from the previous with vocals an extra stirring spicing to the array of captivating textures.
It is hard to accurately describe Involves or its individual temptations but fair to say each will feel a unique experience for every singular exploration into a band which specialises in creating, to borrow the last words of their press release, “a world of endless possibilities.”
Involves is out now via Consouling Sounds and @ http://inwolves.bandcamp.com
Pete RingMaster 30/03/2016
Copyright RingMaster: MyFreeCopyright
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