Returning to the garden with Leaving Eden

Two years on we have linked back up with Leaving Eden songwriter/multi-instrumentalist Eric Gynan to catch up with the band. Already renowned for their ear grabbing, imagination stoking rock sound, the band is poised to release its new album this month. One highly anticipated release we join Eric to look into its body and character with more besides…

Hello and thanks for taking time out to talk with us.

Howdy Eric Gynan here from the band Leaving Eden, Boston Mass area USA. It’s great to talk with you again. I think it was a couple years ago when we chatted last.

To remind people can you first introduce the band and give us some background to how it all?

Myself and Eve are the co-founders of Leaving Eden We had some songs; I’ve always been recording so we wanted to play some of these live. I think one must make a choice as to what they want to do with their life. It takes sacrifice, let downs and one must have a thick skin. Let’s face it most artists are different than others, so not only is there issues with all the variables outside the band, but from within too. I think the current line-up is great where everyone sees the bigger picture.

What are the musical backgrounds to you all; previous bands, projects etc…

Yes myself and Eve were in a band before leaving Eden. The band was regionally successful, but it usually comes down to the members. I remember for instance the drummer wanted no part of having a female in the band. He just hated it. Well, I saw the bigger picture, and after the first 100 people came up to me and told me how great Eve was, I knew I had to really do something about it…Shortly after we formed Leaving Eden.

Tell us about the band name?

We thought that this planet being the entire Garden of Eden has become corrupt full of Deceit and Hate so we thought wouldn’t it be nice to go somewhere else that’s the name leaving Eden.

Did you have a particular aim for the band initially and also in what you wanted it and your sound to offer?

Originally we wanted two female singers that never seemed to work out. Eve was really 2nd to none when it came to a front person, so anyone else up there trying to almost compete was pretty much a ridiculous situation. Now we do have another female, but she plays keys and sings backup vocals so it’s different now. I can’t stress enough how important it is to have not only the right people for the right sound, but the right personalities for perseverance.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

I think so. I think we are a little more reality oriented and understand more the barriers and pitfalls associated with the business. I think more so now we’re happy doing what we’re doing instead of being unhappy about not achieving our goals to the fullest.

How do you see the evolution of the band’s sound since starting out?

I think first and foremost you must always be listening to what’s out there what’s current what’s new and changing with the times. Also, one must try and be a trendsetter. It’s the new artists that forge the future, the ones out there in the gutters so to speak who are really at the pinnacle. As I said, for me I listen and get these songs kind of fully produced in my mind’s eye and I just go with the flow.

So it is a more organic movement of sound than deliberately wanting to try new things or an equally sided process?

Good question maybe both. We always want to try new things but also I think organically speaking the band naturally moves in a particular direction.

You said you eagerly listen to the sounds out there; are particular inspirations which have impacted not only on the band’s music but your personal approach and ideas to creating music?

I think playing I’m sharing the stage with many of the best bands in the world has definitely been a great influence on us. Leaving Eden has toured the USA, UK and Canada sharing the stage with hundreds of the biggest national bands in the world including; Lacuna Coil, In This Moment, Black Sabbath (Heaven & Hell), Ronnie James Dio, Rob Zombie, 5 Finger DeathPunch, Disturbed, Marilyn Manson, Alice Cooper, Lynyrd Skynyrd, ZZTop, Puddle of Mudd, Korn, Killswitch Engage, Buckcherry (Jefferson Starship, Big Brother and The Holding Company, Country Joe, 10 Years After, 40th Anniversary Woodstock) Shinedown, Dropkick Murphy’s, Alice in Chains, Papa Roach, Bret Michaels, Halestorm,Theory of a Deadman, Avenged Sevenfold, Seether, Hell Yeah, Trapt, Dope, Soil, Fuel, Queensryche, Saving Abel, Hinder, Damage Plan, 7Dust, Sebastian Bach, SoulFly, Days of the New, NonPoint, DrowningPool, The Misfits, The Butcher Babies, Collective Soul, MushroomHead, Mudvayne, Chevelle, Godsmack, Powerman 5000, 10Years, Taproot, Gin Blossoms, Michael Schenker (UFO, MSG & The Scorpions) Herman Rarebell (The Scorpions), Nicko McBrain (Iron Maiden), Kittie, One eyed doll, Uncle Kracker, Tremonti (Creed/Alterbridge) Lamb of god, Slayer, Stone Sour, Motorhead, Blackstone Cherry, HOOKERS & BLOW Featuring GUNS N’ ROSES, QUIET RIOT, W.A.S.P. Members, Steven Tyler, Ted Nugent, Lita Ford, LA Guns, Trixter, Warrant, Apocalyptic Review (featuring members of Godsmack) Adelitas Way, Scott Stapp (The voice of Creed), Gemini Syndrome, Pop Evil, Ratt, Anthrax, Testament, Napalm Death & many more..

How does the songwriting work within the band; is there a particular process?

Yes I think it’s best for me as the songwriter to make a connection with the universe and listen because there’s always songs out there trying to come in; it depends if they come while I’m sleeping and I have the ability to wake up from that and go record something or if it comes while just almost meditating and communicating again with the universe and just listening.

How about the sparks to the lyrical side of your songs?

It’s definitely drawn from reality; all the lyrics are based on what’s happening at the time. Good, bad or indifferent I’m constantly writing lyrics so it’s going back to those and using them for music that I may already have written or writing the music around those lyrics. The skies aren’t always blue, thus our song Skies of Grey. “It’s not too late to open your eyes and sail through skies of grey”. “We’ve been screwed overcharged underpaid and abused, we’ve been exploited avoided and falsely accused, we’ve been cut down let down fucked around, tied and bound but NOTHING could take the music away”. From our Tied and Bound album.

Tell us about the band’s latest release?

Our latest release would be our last album Out of the Ashes (Recorded/mixed By Johnny K. (Disturbed, Pop Evil, Staind, 3 Doors Down,) Mastered by Brad Blackwood (Sevendust, Dave Mathews, Adelitas way, Korn) and produced by myself reinterpreted by Leaving Eden.) We also released a single, Jailbreak and it is going to be on our new album to be released October 19th 2018 called Descending again through Dark Star Records/Sony Music worldwide.

Our new album to be released, Descending, I’m excited about this album because it was recorded at Leaving Eden Studios. We were able to take all the time we needed and really craft this album to exactly what we wanted it to be. I did a premix on it and sent it off to Bob St John for the Final Mix and Mastering. Bob is a Grammy award-winning engineer and has done bands like Duran Duran, Extreme, Collective Soul, Steven Tyler…Such a great guy to work with too.

Can you give us some insight to the themes and premise behind Descending and its songs.

The title Descending, is taken from a song off the album called Shallow Waters. Shallow Waters is very cool because it’s one of those songs where I woke up from a dream and the song was playing in my head; this happens a lot most of the time I can’t pull myself out but this time I was able to. It’s great when you can hear songs already produced in your dreams, takes a lot of work out of it. It definitely comes from somewhere else. We wanted to have different genres such as heavy, acoustic, different key changes and tempos, really trying to have such diversity. We even got some songs you can dance to the beat.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Yes because studio time is so expensive it’s really best to have it all complete so we have typically recorded the entire album in our studio first working out all the bugs and adding everything we want to add so that when it comes time in the studio we know exactly what we’re doing because there’s usually not as much time as you need, so you try to prepare for that. In the case of our Descending album soon-to-be-released we actually recorded this completely in our studio so we had the time to really craft what we believe is a great album.

 Tell us about the live side to the band, presumably the favourite aspect of the band?

Yes when I have always said that Leaving Eden is best seen and heard live. There’s a lot of energy sharing that goes on with the crowd. We don’t look at it like hey man look at me I’m a rock star check me out I’m too cool man, rather quite the opposite. It’s like hey we’re all here together all night to have a good time so let’s party together and let’s have some fun together. We are all involved in this.

You obviously know how hard it is for any new band to make an impact regionally let alone nationally and further afield. How have you found it with Leaving Eden?

Really I think with the onslaught of the internet anywhere you are you can really make a mark. I get it that making a mark by playing the venues that’s in your own region could make a difference. The reality is that if you’re good, fresh, have really put some time into the band look and made a great recording then it doesn’t really matter where you are. You can get it out there with a good publicist, good radio guy, good record label and good distribution also good management. We’ve pretty much always taken care of all of this on our own and hiring certain people and companies. I think it all works together. The most important thing for us is we will play anywhere anyhow anyway, so long as we can because this is what we love to do

You mentioned the internet. How do you work and weave your social media sites to use them most effectively?

The internet is very important to any band because that’s where people are getting most of their information now from and you can do it for free and make an impact on different social media platforms for sure. At the end of the day it comes down to a song, is the song good; is it one somebody wants to listen to? Our song Out Of The Ashes says digging deeper underground faster than the speed of sound. What that means is I feel we’ve always been an underground type band, you know really building its base of friends organically so an underground band able to, with the click of a mouse be in China for instance so that is faster than the speed of sound. It’s definitely referencing the internet and for that you can’t even quantify how important it is when talking about streaming on Spotify, iTunes, Amazon. You know that’s the way people are listening to the music they’re not going out and spending money to pay for music when they can listen to it for free or maybe $10 a month. Now this doesn’t really pay the artist much but if your song caught on and you had millions of listeners every day well then you would be making a lot of money so it’s really the same, only different is the means. People will still buy CDs more at a gig than anywhere else.

Once again a big thanks for sharing time with us; anything you would like to add?

Well, without our friends, we got nothing so we hope to make new friends here and hope they enjoy learning more about Leaving Eden. We definitely want to say Thanx Much and Peace!!

https://www.leavingeden.com/   https://www.facebook.com/bandleavingeden   https://www.instagram.com/leavingedenofficial/   https://twitter.com/Leavingeden   https://www.youtube.com/user/leavingedenband

Pete RingMaster 02/10/2018

Copyright RingMaster: MyFreeCopyright

 

Whirling hearts and joyous uprisings: exploring the world of Swirl

Photo by Neil Zlozower

There is an increasingly mighty roar coming out of California and it goes by the name of Swirl. This is a band really beginning to make a vocal name for themselves with their multi-flavoured, hard rock fuelled fusion of rock and metal. Welcomingly given the opportunity to get to the heart of the band with Swirl creator and guitarist Duane “DT” Jones, we talked beginnings, songwriting, successes and plenty more….

Hello and thanks for taking time out to talk with us.

Hello to you too. This is ‘DT” guitarist and founder of the band Swirl out of Southern California. Thank you for your interest in Swirl! We are always grateful to anyone taking an interest in what we do.

Can you first introduce the band and give us some background to how it all started?

I started the band in the Pacific Northwest in a town called Mukilteo, Washington. I had 3 other members than the current line-up; we rehearsed, wrote songs and made plans to record our debut in Santa Monica, CA. About a week before we were to leave I got a call from the drummer saying he wasn`t going to make the trip. I called my brother, Brian “Bam Bam” Jones who was playing in a band in Arizona at the time and asked him to come out to California, learn the songs and track drums to which he was all too happy to help out. That version of Swirl toured the US and Japan on a full length release titled Out Of Nowhere that was produced by former Quiet Riot and now RATT guitarist, Carlos Cavazo with former Rough Cutt bassist Matt Thorr engineering or producing tracks as well.

After those tour dates finished the band parted ways with the original singer and touring bassist. By then Brian had moved to California so I joined him there. I was introduced to current Swirl singer Alfred Ramirez and bassist Shane Carlson by former Dio keyboard player Claude Schnell who was looking to produce a demo for a band they had, however they had parted ways with their guitar player and Claude asked me to write with them so he and I could get into a studio together. After a few writing sessions we decided to go play the songs live and it was there that a friend pointed out to me that Alfred would sound really good singing Swirl songs so I asked him to go into a studio with Cinderella drummer Fred Coury and I. The end result of those sessions were the two songs Mad Disease and Time To Fly with the latter being particularly well received so tour offers followed. The natural choice was then Shane Carlson and we have been together ever since. 2018 will mark the 10 year anniversary of this line-up for Swirl.

Have you been or are involved in other bands?

My only involvement with other bands was the above mentioned writing project that introduced me to Alfred and Shane as well as one other band in California that hired me as one of their touring guitarist for a self-produced disc. That was actually my first ever “bus tour”. Actually it was a converted mobile home, but still I got the rock star treatment on that tour. It was fun, but the band broke up. As that band had already recorded their disc when I joined and there were no writing opportunities I can`t say it had any influence on my writing direction, but it was a great series of lessons on things to not do when running a band.

What inspired the band name?

Usually one look at a picture of the band is all it takes to answer that question, but it goes deeper in that we all have different nationalities and personalities that come to together to create the Swirl music.

Photo by Neil Zlozower

Was there any specific idea behind the forming of the band in what you wanted it and your sound to offer?

No particular theme to starting the band. I just wanted to play in a rock band that wrote songs good enough to share stages with my idols. Some of those goals have been accomplished!

And that same intent drives the band?

Absolutely! At the end of the day we enjoy what we are doing and are hell bent on capitalizing on the success Swirl has had to date. We are not where we want to be, but clearly we are on our way. The crowds are getting bigger, the stages are getting bigger and the bands we have opportunities to work with are larger, more well know bands as well.

Since your early days, how would you say your sound has evolved?

While I am an 80s metal head guitarist at heart I have adapted my playing to a more modern approach when it comes to writing and guitar tones. I guess the best way to think of it is “what if you took a band like Shinedown, Seether, or FFDP and put a guitarist like Jake E Lee, Warren DeMartini or George Lynch in it.

As for the reason for the evolving sound?…The credit for that goes to Brian who wanted to push the music in a more modern direction, but knew I was still going to be me on guitar and have those moments. Our first attempts at this proved very successful with a self- produced EP titled SWIRL that wound up with 3 songs being featured in a full length, 2 time award winning film called Ditch Day. Those songs are Rise Up, Spell, and We Are Alive. That movie is now out in 6 countries with more to follow. Another indicator that Swirl made a smart move in terms of musical direction is the incredible social media success we have enjoyed while being an independent band. We have a very strong online presence.

Has it been more of an organic movement of sound or more the band deliberately wanting to try new things?

The change was very deliberate and I had to do my homework in listening to bands that normally I would not have given the time of day to, just to get a feel for what was going on with the guitar playing and production. I fought it at first, but in the end decided it couldn`t hurt to try. I am so glad I was open to the idea.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

Well I already touched on my 3 biggest influences on guitar and yes all four of us have very different influences that we bring to Swirl. Shane is the most “metal” of us all with his influences being bands like Korn and Metallica while Alfred cites David Bowie or Billy Idol as biggest influences for him. For Brian and I we started off as KISS fans, but he went in the direction of Rush and various jazz drummers.

For myself when producing Swirl music I lean a lot on Shinedown or Seether for production and “ear candy” ideas, but since I am not the only one working to produce/ mix the songs I am sure the other guys have their influences well represented in the final product that you hear from Swirl.

Is there a particular process to your songwriting?

Normally we start with a guitar idea that is almost a complete song then I get together with Brian to work on the arrangement before presenting it to Shane and Alfred who then add their influences to the arrangement and of course the vocals. Alfred creates them almost exclusively.

Where do you, more often than not, draw inspirations to the lyrical side of your songs?

I would like to start by saying that when I write lyrics it’s usually tied to a personal experience of mine or one that I have witnessed in the world we live in. I also feel what’s most import is not so much what my lyrics mean to me, but more importantly what my lyrics mean to the listener. I want the listener find their own story within the lyrics. To me that means the listener can interpret and apply them in any way they choose.”- Alfred Ramirez

Give us some background to your latest release.

The Lift is a departure in some ways from the typical writing pattern for Swirl songs and given the new heights of success we are having with it this may become the way we do things going forward. Again I had the basic structure and worked on the arrangement with Brian, before bringing it to Alfred and Shane. However Alfred and I had a separate writing session to make changes to the verse and bounce other ideas off each other. Then we got back together as a band and went from there.

During the final mix sessions Shane Carlson made some more brilliant suggestions to improve the song to let it become what you hear from us now.

Here is the lyric video for The Lifthttps://www.youtube.com/watch?v=xaBMGg0ACYo

As Alfred is the songwriter he sets the tone for the theme of the songs. If there is one constant I have noticed when I look at the reviews we get it is that the bands “message” is a positive one. A lot of life affirming, motivational and inspirational themes go into his work and I am very happy about that. I am pretty positive person most days!

Here are some samples of reviews we have received whether they are for The Lift single…

“…everything possesses a joyous, downright celebratory spirit…the track positively teems with life”- Skope Magazine

or the SWIRL EP

“An uplifting vibe…” The Happy Headbanger

“After listening to Swirl in its entirety it has lifted me up mood wise!!”- Metal Temple

“…if you are looking for a really sweet hard rockin’ melodic band that will have you humming along and singing with the CD in just a few listens than make this new SWIRL release yours. 9/10 Stars”- The Examiner

Here is a link to our reviews- https://www.reverbnation.com/socalswirl/press/

Give us some insight to the themes and premise behind it and its songs.

What The Lift means to me is that we all need help sometimes, be it an emotional lift or a physical lift. We shouldn’t be afraid to ask for help when we need it. We also shouldn’t be afraid to offer to help when were able to. We are all on this planet together and we are all connected, so let’s help one another.

My personal Lift was given to me by “The Minor Goddess” who lifted me out of a depressed and stressed out anxious time in my life. Thank you MG! “Your words will always stay with me “. – Alfred Ramirez

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

We like to have the song pretty much done by the time we go into the studio so we can be more efficient with the recording process, but of course we leave room for those “happy accidents” that happen when tracking that are unique to a session.

One of the unique things about the sessions for The Lift is the process we used to get into the studio. We were introduced to producer Emad Alaeddin at Granted Records by Ditch Day producer Megan Waters. He suggested the band use “crowd funding” to cover the cost of the sessions. This was a first for the band and it was very successful. As an unsigned band who happens to be self- managed as well as our own booking agents we wear many hats to make Swirl the known name that is it becoming. Our fans are our record label and they decide how often we make new music and release videos or tour. We weren`t sure what to expect, but with this first attempt and the success of the campaign (we had enough money donated to book our first session in just 48 hours of activating the page at https://www.gofundme.com/launch-new-music-by-swirl-the-band ). The page will remain active. To be clear we are not opposed to record labels, management or booking agencies….we just refuse to wait on one to discover the band when we can get our music and band out to the people who support us!

Tell us about the live side to the band, presumably the favourite aspect of the band?

We are a band that thrives on stage! We love being out there. Swirl is a high energy show with emphasis on the word “show”. There is always “someone doing something”. It`s actually the only way the band “fights”….we fight for the attention of the audience and are quick to let the others know who won the night after our set. It`s all in good fun and ultimately the audience is the winner.. We have been able to tour with established bands like RATT, Cinderella, Extreme, Red Dragon Cartel, LA Guns, Lynch Mob, and Slaughter just to name a few. We also headline shows in Southern California. In fact the first stop on “The Lift” tour will be in Hollywood, CA at the Whisky A Go Go on Saturday February 3, 2018.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods? Are there the opportunities to make a mark if the drive is there for new bands?

We firmly believe that you create your own luck so yes you can make your mark. The real question is how bad do you want it? We are, have been and remain hungry to succeed! We were recently listed by Gerry Gittleson, a writer for Metal Sludge in Los Angeles as one of three local bands that actually draw a crowd when we play.

Another way Swirl has separated itself to a degree is getting involved in licensing our music into movies and television. For example Swirl has 3 songs in the 2 time award winning Ditch Day movie that stars Emmy award winner Bill Oberst Jr. The songs are Spell, We Are Alive and Rise Up (https://www.youtube.com/watch?v=6_RhbgL5Cv0&t=11s ).  So far that film is available in 6 counties. We are working on more licensing deals for our music from the SWIRL EP as well as The Lift.

 How has the internet and social media impacted on the band to date? Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

I have no complaints about social media! Swirl is doing very well with it. We also spend quite a bit of time and effort marketing our band globally. Again it`s a how bad do you want it situation. We didn`t wake up knowing what we know and have made mistakes along the way, but we learn, we grow and we apply lessons to the next venture for the band whether its online, in the studio or on stage.

We have been able to reach people that would otherwise have had very little chance of discovering our music so we are very grateful for social media. It is a big part of the music business now and I don`t see that changing any time soon.

See for yourself here-

SWIRL website- http://www.swirltheband.com/

SWIRL Instagram- https://www.instagram.com/swirltheband/

SWIRL Twitter- https://twitter.com/Swirltheband

SWIRL Facebook- https://www.facebook.com/swirltheband

SWIRL Soundcloud- https://soundcloud.com/swirl-dt

SWIRL YouTube- https://www.youtube.com/swirlgtr

SWIRL Reverbnation- http://www.reverbnation.com/socalswirl

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thank you for your time and interest in Swirl. Look for the band to be on tour in and out of the United States in every country where the music making an impact on radio or through movies released that feature Swirl music.

Pete RingMaster 17/02/2018

Copyright RingMaster: MyFreeCopyright

On Top – Top Dollar

It might be valid to say that you pretty much know what you are going to get from US hard rockers On Top but just as truthful to say that you are equally guaranteed a thoroughly enjoyable and rousing time with the Philadelphia hailing trio. The proof of both comes across a trio of EPs, one stomping debut album, and is evidenced again in their new offering, Top Dollar. The EP is another body rocking, spirit lighting romp of eighties inspired rock ‘n’ roll with the band which maybe shares few major surprises but offers plenty of satisfying goodness.

Recorded with Joe DeLuca at Why Me Recording in Gibbsboro, NJ, Top Dollar also sees the first recorded outing of the band’s newest member in guitarist Ric Haas alongside vocalist/bassist Jaron Gulino and drummer Danny Piselli. Whether it is partly due to his individual style or natural evolution, there is a fresh almost raw edge to the band’s sound certainly in comparison to predecessor Topless. Opener Lovin’ The Devil quickly confirms that suggestion, its tone and air a fiery proposal driven with a new hungry urgency which instantly has the feet tapping and hips rocking. Haas quickly makes his mark as a melodic flame escapes his guitar, the moment a trigger for a heated escapade around the bracing swings of Piselli and vocal enticement of Gulino. Teasing with LA Guns meets Mötley Crüe like hues; the track is one fiercely enjoyable stomp.

The following Walk The Walk shows a bit more restraint in its attack as a Rage Against The Machine scented grooving and attitude swiftly hits the spot. Grooves again entice and rhythms snap, Gulino’s bass a prowling incitement within the sonic blaze as his vocals heartily roar. The anthemic prowess of the On Top writing and sound has never been subdued but is fully uncaged within the second track and in turn its successor Everything. The track is simply balls swinging, chest thumping rock ‘n’ roll; an almost punkish assault so unite one’s eager energies with.

The EP concludes with This Way, track which may not quite live up to the heights of its companions for personal tastes yet burns its persuasion into ears and thoughts with increasing potency by the second. Again the raw air the band has found enhances song and pleasure; a trait hopefully they will continue to pursue ahead especially as the final song shows it works so well with their instinctive creation of melodic enticement.

Once more On Top give us a rich dose of what they do best, unleash familiar but freshly designed rock ‘n’ roll, and once more the threesome leave ears drenched in pleasure.

Top Dollar is out now on Horror Pain Gore Death and available @ http://www.horrorpaingoredeath.com/store/hpgd154.html and https://hpgd.bandcamp.com/album/top-dollar

https://www.facebook.com/ONTOPOFFICIAL    https://twitter.com/ONTOPROCK

Pete RingMaster 22/08/2017

Copyright RingMaster: MyFreeCopyright

Contemplating Leaving Eden

le-3-11-16_RingMasterReview

It is quite simple. Leaving Eden is a band which demands attention with a sound and creative flair that persistently captures the imagination drawing an ever growing following simultaneously. Their ear catching and thought provoking music has help lead the band to sharing stages with hundreds of the biggest national bands in the world and tours across numerous countries. We managed to grab some time with Eric from the band to learn more about Leaving Eden and what makes them tick…

Hello and thanks for taking time out to talk with us.

Can you first introduce the band?

Hi, great chatting with you also.

Eve: Lead Vocals

Ryan: Manning Drums

Johhny V: Bass

I’m Eric Gynan: Guitarist, vocals, Keys.

Have you been involved in other bands before? If so has that had any impact on what you are doing now?

Yes we’ve all been in various bands along the way and learning from the past always gives you a jump on the future.

What inspired the band name?

Leaving Eden came to be simply that this planet is like the Garden of Eden right, with all of its corruption; wouldn’t it be nice to take off and go somewhere else to visit? Lol.

Was there any specific idea behind the forming of the band and also in what you wanted it to offer and does that intent still drive the band or has it evolved over time?

Definitely we have evolved. I think you have to in order to change with the times so long as it’s better. It’s important though to maintain your individuality. For us we set out to be different. Quick story here, we went to this huge studio once where bands like Seven Dust, The Rolling Stones and Boston recorded. The person there brought out a white board in the conference room and drew a box. They said you are here, pointing outside the box and you need to be here, pointing inside the box. I immediately said wait, are you telling us we need to be in that box?  They said well yes I guess I am. I said thank you very much and got up and walked out. I get it, if you wanna ride a wave and be like everyone else on that moment of time, they can easily slip you into a genre. For us though it’s hard to just slip us in to any particular genre. We won the best Hardcore act in New England and I thought that was funny because they couldn’t find the appropriate Genre for us. We stay true no matter what the times may change to our roots, Rock Music.

Since your early days, how would you say your sound has evolved and has that been an organic movement or you guys deliberately heading in certain directions?

I think being a recording artist, endlessly recording and working with some incredible recording engineers like Johnny K (Disturbed, Pop Evil) you learn what it really takes. When they say they will go through your music with a fine tooth comb, they mean that literally that down to the 64th beat your music will be scrutinized for perfection. Ya know good bad or indifferent, when you listen to the radio, you may not like the band you’re listening to but aside from that, you will NEVER hear something that’s not polished. It’s gotta be perfect or you’ll never make it to the radio. With this on mind, you take this knowledge of being tight to the live performance and it makes all the difference in the world. This is why some bands may record a great album but when you see them live, it’s just not the same. We try and stay true to our recordings.  We also evolve in that area after the recording we may change it up live where we may think we’ve built upon that foundation.

art_RingMasterReviewPresumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

I think all of us are inspired by what we like as far as taste in other bands music. For us what greatly inspires us is that organic sound that manifests itself in a way that is kind of like connecting the dots. We feel that Leaving Eden learns from the past, encompasses the present and forges the future. Any band that has been in the gutters not in the limelight, they’re the ones whom always forged the future. This is why we named our last album Pinnacle…Because it’s at that pinnacle where trends will be forged.

Is there a particular process to the band’s songwriting?

Sure. For me I connect with the Universe in a way that opens my mind to listening. I use my fingers as kind of line antennas to pick up the frequencies, as strange as that sounds, if you listen, you can hear the music that lyrics, melodies and harmonies completely produced. Just gotta transfer that info to the recording. Then the rest of the band puts their stamp on it and presto, there’s a new song. I’ve even felt the influence of dead poets coming through. Sometimes I feel like I really can’t even take credit for the songs as they’ve come from somewhere else. It’s a deep meditative state of mind that brings these ideas into fruition.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Great question… Our songs speak from experience, life’s experiences…Sometimes good but mostly bad lol. Bad in the way of getting screwed, for instance our song Tied and Bound comes from the frustration of the music industry; “We’ve been screwed overcharged underpaid and abused, exploited avoided and falsely accused, we’ve been cut down let down fucked around tied and bound, but nothing can take the music away”

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Pinnacle released by Rock Avenue Records USA, was completely written before we got to the studio. We like to do pre-production first, be prepared so to speak, so that we aren’t wasting valuable time and money. Pinnacle is really an eclectic array of song themes and music. We tried to keep it again organic so you won’t hear all these extra vocal harmonies for instance that we could never do live. Yes there is harmony, but it can be done live.

Tell us about the live side to the band, presumably the favourite aspect of the band?

That is where one should shine right?  I feel it is our live sound which is one of our trade marks. It’s so hard in the studio to capture that live performance primarily because it’s a one sided energy exchange. When you have a crowd, that’s where the sharing of the energy happens, therefore it really helps to put you on top of your game. You can’t see the band for instance when listening to an album, so that performance is so necessary.  Can the band reproduce that sound live? With Eve in front, she is clearly universal and really takes control of the room or festival, really just connecting with the crowd.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?14195978_1274693589207580_3294288122701219788_o

Correct. We’ve been fortunate, lucky, graced, whatever you’d like to call it. Our motto has always been that we will play anywhere, anytime, any way we can so long as we can. This philosophy has led us to share the stage with some of the biggest bands in the world with;  Lacuna Coil, In This Moment, Black Sabbath (Heaven & Hell), Ronnie James Dio,  Rob Zombie, 5 Finger DeathPunch, Disturbed, Marylyn Manson, Alice Cooper, Lynyrd Skynyrd, ZZTop, Puddle of Mudd, Korn, Killswitch Engage, BuckCherry (Jefferson Starship, Big Brother and The Holding Company, Country Joe, 10 Years After, 40th Anniversary Woodstock) Shinedown, Dropkick Murphy’s,  Alice in Chains, Papa Roach, Bret Micheals, Halestorm, Theory of a Deadman, Avenged Sevenfold, Seether, Hell Yeah, Trapt, Dope, Soil, Fuel,  Queensryche, Saving Abel, Hinder, Damage Plan, 7Dust, Sebastian Bach, SoulFly, Days of the New, NonPoint, DrowningPool, The Misfits, The Butcher Babies, Collective Soul, MushroomHead, Mudvayne, Chevelle, Godsmack, Powerman 5000, 10Years, Taproot, Gin Blossoms, Michael Schenker (UFO, MSG & The Scorpions) Herman Rarebell (The Scorpions), Nicko McBrain (Iron Maiden), Kittie, One eyed doll, Uncle Kracker, Tremonti (Creed/Alterbridge) Lamb of god, Slayer, Stone Sour, Motorhead, Blackstone Cherry, HOOKERS & BLOW Featuring GUNS N’ ROSES, QUIET RIOT, W.A.S.P. Members, Steven Tyler, Ted Nugent, Lita Ford, LA Guns, Trixter, Warrant, Apocalyptic Review (featuring members of Godsmack) and many more..  This has led us to Winning The New England Music Awards & The Pulse Magazine Worcester MA Music Awards and Touring The USA, UK & Canada. If we didn’t get out there we would have never found these opportunities. There’s usually someone there that can help move you forward.

Are there the opportunities to make a mark if the drive is there for new bands?

Absolutely…In fact I believe bands who haven’t “made it” have more of an opportunity. Let’s take a band that has made it whether it was one song or many. As time passes, for whatever reason, they stopped making hits. It’s very rare for them to have another hit song or even get on the radio. It’s very strange but true. As a new artist you have more of a chance because again you’re at the pinnacle forging ahead.

How has the internet and social media impacted on the band to date?

I find this very interesting. In a moment you can be heard all over the world. It’s absolutely amazing. Back in the day I feel bad for the artists before the internet that never had that chance. Shit, back then you couldn’t even stay connected with different states via phone. It was too expensive to make a phone call so you were quite limited as far as how far you could reach. Now, our music is flying through the airways, our unreleased song Out of the ashes says; digging deeper underground faster than the speed of sound

I can see the light of day, darkness fades away”. This just says as a band that’s not superstars, they are basically underground in the gutters spreading like swill in the harbor of slime lol. God some of the venues we’ve played have been the scum of the earth. Shit when we went to UK, there was a dirt floor. But in order to really appreciate where you may end up you’ve got to crawl through the slime in the gutters. If I for instance just started a band, had lots of money, related to someone big in the industry, getting signed immediately and becoming famous overnight, how then could I appreciate where I came from? When you come from the bottom of the barrel and make your way to the top, you never forget where you came from.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers

This was fun. Please excuse my unorthodox replies here and appreciate your time. Leaving Eden will be touring the USA, Canada and Europe. Hopefully South America as well, where our management/touring Co. Alpha Omega/Darkside Entertainment has offices in Europe, USA and South America we feel honored to be part of the family there. We hope to see all of you soon!! For all Leaving Eden Info go to http://www.leavingeden.com

And see us on Facebook Leaving Eden and Peace and Harmony to all!!  I say harmony because this planet, the universe, everything in it works in perfect harmony accept one species, Humans. WTF is that about right? Let’s make it happen.

https://www.facebook.com/bandleavingeden

Pete RingMaster

The Ringmaster Review 01/12/2016

Copyright RingMaster: MyFreeCopyright

Damn Dice – The Great Unknown

Damn Dice Promo Shot_RingMaster Review

If some new metal infused hard rock ‘n’ roll is on the agenda then checking out the debut album from Damn Dice would not be a bad move. Unleashing twelve tenacious slices of hard rock, a dozen slabs of fiery, adrenaline fuelled stomps, The Great Unknown easily suggests the London based rockers are a band to keep a close eye on. It starts with a bang, ends with another invigorating stretch of songs, and though for personal tastes its middle section ebbs and flows in persuasion a touch too much, the whole album leaves full enjoyment as its prime legacy.

Damn Dice began in 2011 and quickly made a potent impression and impact with a live presence which in no time had a UK and European tour supporting LA Guns on its CV. The next couple of years saw the band reinforce their strong emergence whilst luring increasing acclaim through impressing headline shows and the release of their Wild ‘N’ Ready EP in 2013. It soon had the likes of Classic Rock AOR, Powerplay, Black Velvet, and Music Week offering eager praise whilst the single/video from it, Take The Fight saw the band regulars on Scuzz TV and indeed radio. Now the band is ready to make a hefty nudge on broader attention with The Great Unknown, an encounter as rousing as it is skilfully crafted, as riotous as it is familiarly infectious.

Recently Damn Dice has grown to a quintet with the addition of Diego, but it is the foursome of vocalist Alex, guitarist Wallis, bassist Marco, and drummer Fransoa who has ears ringing with opener Power. From a controlled and sonically suggestive start, the track is soon living up to its name with a charge of bone splitting beats and hungry riffery. Aligned to the quickly impressing tones of Alex, he supported as strongly across the rest of the band, and featuring an already grouchy presence by the bass, band and song is soon a virulent anthemic temptation. Bands such as Skid Row, KISS, and Hardcore Superstar are suggested as references to the Damn Dice sound, and certainly essences of them and others are open hues in the character and energy of the song though it matters little within the rampant fun of the encounter.

Damn Dice Cover Artwork_RingMaster Review   The seriously enticing start to The Great Unknown continues with What Now? and its initial rhythmic coaxing which courtesy of the bass, borders bestial. Its growling is the spark to a great contrast of niggling hooks and infection spewing grooves with vocals and melodies just as magnetic in one of the band’s previous singles. It springs a web of addictive enticement and inventive enterprise though again there is something recognisable to the encounter which fair to say only add to its allure before Driven brings its antagonism lined classic hard rock resourcefulness to court ears. Not as immediate in its persuasion as the first two, the song eventually proves to be just as inescapable for body and voice, as too the following Down, both songs easy to lock on to anthems sure to inflame any hall or speaker over time. The fourth track has an even more old school colouring to its fresh romp but as enjoyable as it proves to be, it is from here that The Great Unknown struggles for a while to match its early prowess.

To be fair though with The Way To Go from a sizzling electro touch going on to offer a bouncing boisterous shuffle of riffs and rhythms whilst Caught In The Ride and Words uncage a snarling catchy canter and evocative flame of emotion respectively, satisfaction is left smiling and the body catching its breath in their wakes. The latter two songs also unveil a spicy sonic enterprise and melodic imagination which only lures ears before Bang Your Head hits the album’s earlier plateau again next, its full throttle charge equipped with commanding rhythms and rip-roaring riffs and enslaving vocals. Once more Damn Dice are not exactly tapping into the hard rock unknown but its weighty slavery of ears and thick tempting is unavoidable before it quickly moves over for the equally dramatic and incendiary rampage of No Fear. As a few songs on the album, its start is thrilling drama but whereas others at times never manage to live up to their entrance in the rest of their bodies, the song continues to build a theatre of craft and adventure, not forgetting an invigorating anthem that only leaves a hunger for more and more you get with the outstanding Take The Fight. Unafraid to throw in a dose of rock pop for its contagious chorus, it takes little time to see why the song raised such enthusiasm and focus when released previously, its potency just as fierce and forceful now.

The album is brought to a close by the sinew built, rhythm swinging Rock (Like You Mean It), a song which arguably feeds expectations a touch too much yet still grows to be a more flavoursome beast with every listen, and lastly the compelling croon and passion of the excellent Home, where musically and vocally Damn Dice just reinforce the diversity of their sound to give a last treat for ears.

The Great Unknown is nothing less than thorough enjoyment from start to finish with certain stretches where it really gets to grips with wants and tastes. Different songs will work for individual appetites but if hard rock and metal infused rock ‘n’ roll hits your sweet spot then Damn Dice and their album is well worthy of an hour of your time at the very least.

The Great Unknown is released August 24th through most stores.

RingMaster 24/08/2015

Copyright RingMaster: MyFreeCopyright

DAMN DICE unleash ‘The Great Unknown’, on 24th August

damn dice

London-based Hard Rockers DAMN DICE release their explosive debut album, ‘The Great Unknown’ on Monday 24th August.

With their high energy blend of Hard Rock and Metal, DAMN DICE unveil their high octane debut album to the world this summer.

Together since 2011, DAMN DICE started with a flurry of live shows, including a UK and European tour supporting LA Guns. During 2012 and 2013 the band continued playing a number of profile headline shows and released their 6 track EP whose sound was described by Classic Rock AOR magazine as being ‘like a punch in the balls from a spiked glove’.

Their video clip for ‘Take The Fight’ received rotation on Scuzz TV and the band have appeared in various publications including Classic Rock AOR, Music Week, Powerplay and Black Velvet, as well as tracks from the EP having radio airplay.

Damn Dice now return with their blistering new album ‘The Great Unknown’, which contains twelve slabs of hard hitting rock and metal. From the explosive beatings of the aptly named ‘Power’, to the anthemic guile of their past single ‘What Now?’, the colossal drive of ‘The Way To Go’, and the contagious vigour of their current video ‘Take The Fight’, the album is destined to pull in an army of new followers. With a hefty touring schedule planned for the rest of the year, big things lie ahead for Damn Dice.

== DAMN DICE NATIONALLY RELEASE ‘THE GREAT UNKNOWN’ ON MONDAY 24th AUGUST ==

www.damndice.com https://twitter.com/damndice

DAMN DICE ‘Take The Fight’‏

Damn Dice Online Promo Shot

High-Octane London Hard Rockers ‘Damn Dice’ have just released their brand new and riveting video ‘Take The Fight’.

Go Check it out at: https://www.youtube.com/watch?v=KqPqjLBTSZY

 

Playing a hard-hitting cross of infectious Rock and Metal, Damn Dice are standing poised to unleash their brand of high voltage Rock ‘n’ Roll on the masses.

Based in London  and together since 2011, Damn Dice are: Alex (vocals), Wallis (guitars), Marco (bass), and Fransoa (drums). From the get go, the four piece hit the ground running and it wasn’t long before fans were drawn in by their adrenaline-fuelled performances and larger than life stage shows. After an express invitation, the rising quartet successfully supported US heavyweights LA Guns on their UK and mainland European tour.

 

Throughout 2012 and 2013, the energetic rock n rollers continued to play a series of headline shows. By the end of last year, the band played their biggest show to date supporting Tigertailz at a sell out show at the Camden Underworld.

 

Damn Dice then went on to release their debut EP ‘Wild ‘N’ Ready’, which received critical acclaim from publications including Classic Rock AOR, Music Week, Powerplay and Black Velvet, as well as being well received throughout the underground. The band have also notched up praise and glowing feedback from many big names, most notably Vince Neil (Motley Crue), Beau Hill (producer Ratt, Warrant, Europe), and members of L.A. Guns.

 

Damn Dice are currently in the studio recording their debut album, and with the launch of their banging new video single ‘Take The Fight’, the UK rockers are set for another busy year so don’t miss out, and in the meantime, check out the new video!

 

www.damndice.com