City Of Thieves – Incinerator

CoT_RingMaster Review

We just cannot say no to a rousing slab of rock ‘n’ roll at The RR and that is exactly what UK hard rockers City Of Thieves uncage with their debut EP, Incinerator. It is five tracks of varied, no frills heavy rock which may not carry too many big surprises but potently feeds the instincts to roar and brawl with revelry. After the first minute of its opener you will kind of know and certainly welcome what you are going to get thereon in, but with a formidable freshness and passion to it too, it quickly shows why there is a thick buzz brewing up around the band; Incinerator inciting heavy satisfaction as it sonically lives up to its name.

The London quartet emerged in May of 2015 and as soon as their sounds hit ears and their feet stomped on stage, City Of Thieves began stirring up rich attention. Their live debut was an acclaim awarded introduction at his year’s Camden Rocks Festival, whilst debut single and now EP title track Incinerator, saw the band play listed on the New Rock Show on Planet Rock Radio for 7 weeks. Since then the band has found itself booked for this year’s Hard Rock Hell, Legends Of Rock, and Rockstock Festivals, played Bloodstock, and seen their EP already covered in plaudits.

EP Artwork_RingMaster Review     Recorded with producer Toby Jepson (Little Angels, The Answer, The Virginmarys), mixed by Mike Fraser (Metallica, AC/DC, Slipknot, Aerosmith), and mastering by Simon Francis (Kodaline, Kaiser Chiefs, Primal Scream), the Incinerator EP starts with a bang and never looks back. That first single opens things up, enticing ears and teasing an instant appetite with its initial predatory prowl of riffs, they courted by the swiping beats of drummer Will Richards and the gnarly tones of Jamie Lailey’s bass. Pretty soon things have ‘relaxed’ into a fiery stroll as the guitars of Ben Austwick and Adam Wardle spin a melodic web of grooves and spicy riffs , and Lailey unveils his sandy, slightly grizzled vocal tones. Like an old buddy, a familiarity entwines with the sonic enterprise and stalking rhythms, and like a returning friend it only pleases as it comes further alive with individual prowess and a creative energy which many bands never ascend to, especially within a debut.

The great start continues with Buzzed Up City, a mellower and warmer grab of the senses but one not scrimping on vociferous snarls within its fiery heart as the band embraces a more classic rock tone with eighties hues in its infectious rock ‘n’ roll. It hits the spot with accuracy though is still eclipsed by its predecessor and the following Lay Me To Waste, the best track on the release. From the almost carnivorous tone of the bass, the rebellious nature of drums and riffs, and grooves which flirt like a lithe seductress, the track smoulders and blazes with a virulence and enterprise which swiftly captures the imagination, and of course greedy ears.

Here Comes The Shot is more of the same infection in its individual way. Its bluesy air and rumbling rhythms also immediate persuasion as vocally again Lailey, like the song and indeed EP, brings a ‘this is how it is, take it or leave it’ attitude and the taking is the only reply possible to the rousing anthem.

A live acoustic take of Mr 50/50 brings the release to a fine end, the song a closing reminder of the core craft and qualities of City Of Thieves always lying beneath the full on riotous sound of other tracks whilst providing a last shot of aural liquor complete with boozy harmonica.

The bottom-line here is that there are few BIG surprises with Incinerator but an unbridled dose of fun and rousing rock ‘n’ roll, and who is never up for that?

The Incinerator EP is available now via Townsend Records / Monster Box Music

Pete RingMaster 23/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Abel Raise the Cain – Black Swans

Picture 31_RingMaster Review

With its video already hitting number one in the Beat 100 music chart, Black Swans, the new single from British indie band Abel Raise the Cain, is already making a potent teaser for the band’s upcoming debut EP, For Strangers Only. The song is an atmospheric embrace but one with a bubbling underbelly and raw intensity which potently captivates. The Northeast band has already lured strong praise and support through their previous release and fair to say, Black Swans is going to do their ascent no harm either.

Picture 33[1]_RingMaster Review   Formed towards the end of 2012, Abel Raise the Cain quickly took inspirations from the atmospheric and epic soundscapes of bands like Arcade Fire, Sigur Ros, and Editors into their own immersive weaves. The double A-sided single Too Late/The Promise in 2013 grabbed the attention of fresh fans and radio stations across the UK, subsequently backed by second single Waiting later that same year. Live the Teeside seven-piece has bred a strong reputation playing with the likes of Happy Mondays, Primal Scream, Dexy’s Midnight Runners, Spiritulized, Kodaline, and Skaters alongside their own successful shows. Now with its video as mentioned already setting down a marker, Black Swans, ahead of a highly anticipated EP confirms Abel Raise the Cain as a band destined to welcomingly hit your radar at some point.

The single gently but keenly sweeps in with synths and keys a provocative coaxing around the plain but inviting tones of vocalist and rhythm guitarist Sean Crichton. As the anthemic beats of drummer Adam Hicks stirs things more energetically and the violin seducing of Saerla Murphy adds more emotive and suggestive hues, the song becomes a compelling fusion of different and you would imagine conflicting textures but everything unites and flows seamlessly. The track continues to roar with melancholic emotion and lively passion with each passing minute, the keys of Gaz Murray a warm and emotive incitement to the sonic enterprise cast by guitarists Phil Bailes and Andy Grange whilst the bass of Gary Hughes tempers it all with a dark tone which reflects the heartbreak fuelled the lyrical and emotive hue.

The track is a symphony of sound and emotional turbulence; not a song which initially grabs as potently as it eventually grows to do and one maybe missing a moment or two of wrong-footing the listener to bring further drama and strength to an already climatic presence. To be fair though that is just nit-picking to please personal tastes, for Black Swans only and increasingly satisfies, suggesting the forthcoming For Strangers Only is going to be something well worth checking out.

Black Swans is available from July 27th

http://www.abelraisethecain.com/   https://www.facebook.com/AbelRaiseTheCain

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net