The Sourheads – Care Plan For The Soul

Since forming in the Spring of 2016, UK rockers The Sourheads has drawn increasing attention and support through their live presence, singles, and most of all their dirty, multi-flavoured rock ‘n’ roll. Now the band has added another accelerant to their emergence with the release of debut album Care Plan For The Soul. Offering nine slices of rowdy but skilfully woven incitement embracing classic and fresh rock diversity, the release thrusts the listener into a grubby cellar of salacious intent and irreverent sound; a temptation the body gets the urge to dance to and appetite the need to increasingly devour.

Hailing from Wakefield, West Yorkshire, The Sourheads embrace an array of inspirations in their sound ranging from Deep Purple, Kasabian and The Doors to Kyuss and Clutch. It is a web of punk and garage to psych and classic rock which is just as grungy as it is melodically enticing and within Care Plan For The Soul an incitement which makes a potent first impression but really grows in persuasion listen by listen. Mastered by Pete Maher (The Rolling Stones, Depeche Mode, U2), the album swiftly grabs ears and appetite with opener Demon. Straight away it is enticingly grumbling in ears, bass and riffs an irritable lure soon bound in sonic tendrils as familiar and new endeavours collude in the blossoming growl capped by the slightly gnarly tones of Jake Coxon. The bass of Ben Taylor continues to be a belligerent presence in the caustic captivation, guitarist Mik Crone and drummer Chris Lambert adding their bold touches to the ever evolving roar maybe best described as Turbonegro meets The Senton Bombs meets Guns n’ Roses.

It is a great start to proceedings which Morally High continues with its spicily grooved stroll. Carrying similar essences and flavours to its predecessor in its own individual way, the track is equally as infectious and magnetic with again classic and modern textures rubbing excitedly again each other within its controlled yet salacious swing. As the music, Coxon has a snarl to his croon, attitude dripping from every syllable and note before My Rock And Roll steps up to coax bad behaviour with its blues skinned devilry entangled in more of the great guitar enterprise which veins the whole of Care Plan For The Soul.

Power Of Addiction shares some of that psychedelic influence next; keys and melodies a sultry tempting while Rag And Bone Man has a great scruffy feel and character to its predacious gait and rhythmically rousing proposal. The song alone sums up the variety of flavours within The Sourheads sound, a host of rock bred essences embroiled in its inescapable command of body and imagination. It all adds up to one of the biggest highlights of the release, one quickly matched by the voracious punk ‘n’ roll of Don’t Get Caught (I Am The Lotus). Like The Stooges and Eddie and The Hot Rods caught in the act by The Vibrators as AC/DC hold the camera, the track is superb, taking best song honours with its manipulative temptations and craft.

Both Secret Cigarette and Warbird take a firm grip of release and listener next, the first an invasive but seductive fire of blues and classic grooves with punk bred kindling while its successor merges sullied rock ‘n’ roll with some of the most addictive melodic hooks and enterprise within the album for another pinnacle. As with many songs, it openly draws on some classic punk hooks and teases but equally shares psych rock imagination for the album’s most imaginative moment to stand alongside its best.

Care Plan For The Soul concludes with Mad Dog, a song rising from an initial Queen/Skid Row like invitation into an invasive and volatile ballad which becomes more captivating by the minute and listen, much as the album itself.  Indeed just as many will take to the release within seconds many others will need time to explore and discover its qualities; the big rewards for the attention we can vouch for as too the finding of a potential of even greater fun and adventure ahead with the Sourheads.

Care Plan For The Soul is available now through Oak Island Records on CD, Vinyl and Digitally.

https://www.thesourheads.com/    https://www.facebook.com/thesourheads    https://thesourheads2.bandcamp.com/

 Pete RingMaster 23/11/2017

Copyright RingMaster: MyFreeCopyright

Indigo Sixteen – Bring on the Rain

Not having previously come across their previous trio of singles, their new track Bring on the Rain is our long overdue introduction to Indigo Sixteen. It is a compelling jangle of indie/punk devilry from a band looking ready to step into the long line of unique and compelling Scottish propositions of decades past.

Creating a sound which by design or chance embraces the essences of classic bands like Scars and Josef K as well as British outfits like The Libertines and Skellums, Edinburgh hailing Indigo Sixteen emerged in 2013. Leaning on inspirations ranging from Kasabian, The Smiths, and Joy Division to The Jam, Daft Punk, Kraftwerk, and Nirvana, Indigo Sixteen previously released the singles Decide (2014), And What? (2014/15), and Come and Go (2016). Now it is Bring on the Rain ready to stir greater attention the way of the quartet and as it plays in the ears it is hard to imagine it not rousing up a host of new fans.

The vocals of guitarist Stephen Mallin pull the song into view, the equally alluring creative clamour of fellow guitarist Matt McPherson adding its melodic jangle to his and the rhythmic shuffle of drummer Callum Davidson and bassist Andrew Stears. Carrying an energetic and virulent swing to its gait and spirited tenacity to its character and enterprise, the song reveals its punk and indie sides with zeal, merging them into a proposition maybe not yet truly distinct but as gripping and exciting as you could wish for.

Those earlier suggested flavours swiftly come to mind in the song to add to its appeal and a quickly bred anticipation for the next band’s next steps.

Bring on the Rain is out now.

https://www.facebook.com/IndigoSixteen/    https://twitter.com/IndigoSixteen   https://www.instagram.com/indigo_sixteen/

Pete RingMaster 21/11/2017

Copyright RingMaster: MyFreeCopyright

Cat Lundy –Triggerman

If like for us Cat Lundy is a new name and adventure for you, let us give some background. She is a singer/songwriter from Dublin; a classically trained vocalist from the Royal Academy of Music and a self-taught guitarist. Inspired by sixties blues, her songs often themed by tales of love and relationships, Cat has performed across London and as far as New York’s The Bitter End venue and Los Angeles famous House of Blues.

With her new single Triggerman though, she is about to call out to a whole new wave of attention. It is drama in the ear; a haunting and dark theatre of love and fear which offers more than a mere temptation for the debut album Cat is currently recording with producer Ger McDonnell (U2, Kasabian, The Cure, Martha Wainwright).

Instantly the alluring tones of Cat has ears awake, acoustic guitar stroking her suggestive words and expression before the single truly comes alive with brass and keys splintered by wonderfully spiky rhythms for a chorus which simply sparks body and spirit. Like a mix of a blues bred Sandy Shaw and Wanda Jackson, Cat simultaneously seduces and challenges; her bold presence cradled by calmer but similarly suggestive textures of sound. The brass flames are especially bewitching, matched by the Hammond scented keys but none as magnetic as the vocal theatre of Cat herself.

As mentioned, Triggerman is our first outing with Cat Lundy but it will definitely not be our last.

Triggerman is released August 25th.

https://www.facebook.com/CatLundyofficial

Pete RingMaster 02/08/2017

Copyright RingMaster: MyFreeCopyright

Escapade – Red Sky

With the attention and praise grabbing success of their debut EP, Stepping Stones, still fresh as that of its title track as lead single, British rock band Escapade have given their strong emergence a new potent boost with their new track. Second single Red Sky is a rousing slice of melodic rock bred on the mix of Brit pop and psychedelic rock which lit up its predecessors. More than that though, it is the Leicester outfit hitting a new plateau in sound and creative energy while dishing up their most potent and rousing song yet.

Emerging from the creative linking up of singer/songwriter Sam Wyatt and guitarist/songwriter Adam Bailey, Escapade stepped forward in the autumn of 2015 with the band growing from an acoustic pairing of the two with the addition of bassist Jordan Alleston and drummer Martin Wenham the following year. Their first EP and its single stirred up a wave of praise and support the way the band, including that of Kasabian’s Tom Meighan, and is sure to be matched and easy to suspect eclipsed by the reaction to Red Sky.

The single makes a low key start, sweeping in from distance with a great flirtatious bassline and angular swipes of guitars as percussion and beats dance. Wyatt’s vocals are just as enticing, his delivery lively as the sounds around him and like them carrying an instinctive catchiness which flows from song to imagination with energy and adventure. Though inspirations to the band spring from the sixties to bands such as Oasis, The Stone Roses, Nirvana, Green Day, and Black Sabbath, Red Sky soon has thoughts casting back to eighties bands like The Mighty Lemon Drops and The House Of Love during its adventurous canter; every passing second of the song seeming to draw a new twist and flavour of sound; psych and indie rock conspiring with mod and Brit pop in a web of stirring and melodically inflamed enterprise.

Listening to Red Sky, there is a realisation that as enjoyable and striking as they were, previous tracks were missing a certain spark, one Escapade has found and ignited within their new and seriously impressive single.

Red Sky is out June 2nd

Upcoming Escapade live shows:

June 10th – The Shed, Leicester

July 28th – The Music Cafe, Leicester

http://escapadeband.co.uk    https://www.facebook.com/escapadeuk/

Pete RingMaster 02/06/2017

Copyright RingMaster: MyFreeCopyright

Escapade – Stepping Stones

Escapade_RingMasterReview

Wearing its Brit pop inspirations on its sleeve while providing a fresh breath to embrace, Stepping Stones is the new single from British quartet Escapade. The title track from their recently released EP, the single also shows the flavoursome essence of psychedelic rock which the Leicester quartet weave into their infectious sound. It makes for an invitation to newcomers easy to get hooked by and confirmation for fans that the band is worthy of the fuss brewing up around them.

Emerging from the creative union of singer/songwriter Sam Wyatt and guitarist/songwriter Adam Bailey, two musicians meeting on Facebook after the latter replied to a message placed by the former and subsequently becoming an acoustic duo playing around Leicester, Escapade stepped forward in the October of 2015. With a line-up completed by bassist Jordan Alleston and drummer Martin Wenham, Escapade soon lit up the local live scene, making their debut at two charity music festivals followed by a slot at the Salford Music Festival. This year has seen the band take their Oasis, The Stone Roses, Nirvana, Green Day, Black Sabbath and Kasabian influenced sound to Liverpool’s Cavern Club among many eagerly welcoming venues and spark rich interest with Stepping Stones, EP and now single.

Escapade artwork_RingMasterReviewFrom an initial guitar lure wrapping its melodic tendrils around ears, the song swings into vibrant action as crisp beats and a sultry guitar jangle align to the darker hues of bass and the catchy tones of Wyatt. The prime hook cast by Bailey throughout the track steals the appetite with ease, its bait spiced by the rousing exploits around it as song takes ears and hips in hand.

There are no major surprises within Stepping Stones yet it is one of the freshest slices of Brit Pop heard in a long time and easy to breed a want for more, which the EP it comes from certainly supplies. Escapade is a band already noticeably going up through the creative gears with the potential of major things within their horizons

Stepping Stones, the single, is released August 5th via Fin Records with the Stepping Stones EP out now.

Upcoming Live Dates:

19/08/2016 – O2 Academy 3, Birmingham

20/08/2016 – 229 Club, London

02/09/2016 – Sumo Bra, Leicester

17/09/2016 – Finfest, Abbots Bromley

20/10/2016 – Nottingham University, Sutton Bonnington

http://www.escapadeband.co.uk/   https://www.facebook.com/escapadeuk

Pete RingMaster 04/08/2016

Copyright RingMaster: MyFreeCopyright

Luna Rosa – This One (High On The Groove)

Luna Rosa pic_RingMasterReview

When a song and band has you fervently singing along midway into the first listen it is a safe bet you are on to something special and so it is with Luna Rosa and their new single This One (High On The Groove). Taken from their self-titled six-track debut EP, an encounter now unerringly in our sights, their latest single makes an almost laid backed entrance but before you know it has burst into a virulent infection and seduced body and imagination.

Hailing from Corby in the UK, the quartet of vocalist/guitarist Rory McDade, guitarist Darren Myles, bassist Kieran Maguire, and drummer Cole O’Neill quickly hit their stride live and in sound, drawing suggestions of bands like Primal Scream, Kasabian, and Arctic Monkeys their way. As shown by This One (High On The Groove) though, Luna Rosa has nurtured a character and spicing to their sound which already escapes the crowd with the potential of bigger and bolder things within.

The single strikes ears with a feisty flame of guitar initially, it the spark to a lure of garage rock riffs and exotic electronics which in turn is kindling to a sultry stroll with psych and nineties alternative rock colouring. It is easy to hear why those above references are used, but for these ears the song ventures into something akin to Stone Roses meets Birdland with a touch of House of Love to its melodic jangle too.

As mentioned, the first moments or so saw the song first time around simply settling in our ears, though it certainly raised a healthy appetite for its lively presence and imagination. It was at the point where the song relaxes further and McDade finds a spicy twang to his voice that we realised we were inescapably hooked. That spark opened up attention to the hungry prowl of the bass and the swinging beats of O’Neill, they aligning with the jangle and fuzz of guitars which had already found success with their bait.

Continuing to incite hips to swing and the imagination to dance with its evolving decade crossing escapade, This One (High On The Groove) is a song which has the listener like a puppet on the end of its creative string. Some bands just inspire a belief they are made for greatness and if they can back up this gem, Luna Rosa is one refreshing example.

This One (High On The Groove) is released 3rd June.

Up Coming Live Shows:

14th May – Notting Hill Arts Club, London

20th May – Charles Bradlaugh, Northampton

21st May – Scary Canary, Stourbridge

27th May – Lamplighter, Northampton

28th May – Café Indiependent, Scunthorpe

https://www.facebook.com/Lunarosapinkmoon   https://twitter.com/lunarosax   https://www.instagram.com/lunarosapinkmoon/

Pete RingMaster 10/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.c

The Phantoms – Wasting Time

Picture 148

Enveloped in an eager buzz of attention in their Scottish homeland, West Lothian quartet The Phantoms make a potent play for ears and imaginations further afield with new single Wasting Time. It is a song which does not make a startling impression or impact initially but sneaks into the psyche whilst pleasing ears, finding a potent nestling place to nudge thoughts and imagination time and time again.

Formed in May 2012, The Phantoms were soon stirring up a local following with a sound bred on the inspirations of bands such as Kasabian, Royal Blood, Catfish and the Bottlemen, and Arctic Monkeys and their energetic live presence. Their debut EP This Is How It Should Be worked away on the Scottish media and fans whilst the following single Revolution took the band to a broader British spotlight, in no small ways helped by successful tour and support slot with Catfish and the Bottlemen and We Were Promised Jetpacks. Now the Broxburn band is aiming for greater success with Wasting Time, and it is hard to expect anything less than continued success upon its anticipated release.Picture 108

The guitars of Colin Simpson and Colin McKillop bring the song into view, their melodic enticing an instant magnet which increases its pull once the dark sultry tones cast Peter Stewart’s bass emerge in hand with the firmly delivered beats of drummer Blair Cullen. It is not an explosive entrance but a seriously compelling one which only intensifies once bass and drums spin their dark web around the strong vocals of Simpson. Electronic flirtation also sizzles and teases within the song, at times a corrosive whisper and in other moments a vivacious breath from them attaching to the melodic tenacity of McKillop. The track continues to hint that it might erupt into a massive anthem or contagion but never goes that extra step, retaining an infectious yet reserved energy which leaves ears and thoughts satisfied if hopeful for that extra missing spark.

Nevertheless the track is a captivating proposition alerting the country and beyond to another emerging and potentially mighty Scottish proposal. There is certainly no element of wasting time with The Phantoms new single.

Wasting Time is available from March 9th via https://itunes.apple.com/gb/album/wasting-time-single/id959093527

https://www.facebook.com/TMATW

RingMaster 09/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/