Ape Rising – Self Titled

It is hard to believe that it is five years and a few months ago that we were tantalised and hooked on the melodic dexterity and acoustic mischief of The Radioactive Grandma and their debut album, the fact that numerous of its tracks from it are still a regular part of our intimate listening for pleasure moments. Ready to re-energise that playlist, the outfit has returned with a new offering to grip ears and seduce the imagination.

It is not quite as simple as that though. Firstly the Co Cavan and Maynooth hailing band is now called Ape Rising and where once a trio it is now a tenaciously inventive quintet. Band originals in vocalist/guitarists Johno Leader and Peter Donohue are still there leading the way in melodic enterprise and lyrical suggestiveness but now joined by keyboardist Peter Denton, drummer Fran Mc Donnell, and bassist Jimmy Deface who is/was also one half of the excellent duo Juggling Wolves alongside Leader. Whether it was the need to recruit new members or the evolution of their sound which inspired the new moniker, or as hinted at elsewhere a dubious porn site taking their previous domain name, it certainly comes with a fresh wind of invention and a broader array of sound with the outfit; a blend simply lighting up their new self-titled treat.

Their acoustic prowess is still in evidence but embraced by a new indie/progressive/math rock venture which truly refuses to sit in any camp but embraces plenty of styles and flavours within its retro kissed synth inspired adventure. To say it is magnetic from start to finish does not do the increasing irresistibility of the album justice. It swiftly gets under the skin and engagingly niggles away whether with or without its company. It all starts with In Their Masses, the song rising from an initial ignition sparking sample in a melodic haze before guitars begin weaving their suggestive enterprise around the vocal prowess of Leader and the assisting tones of Donohue and band. Perpetually blossoming second by second as melodies and harmonies cluster, a seventies synth essence brings its flowing colours to the creative canvas. It is just one of the emerging traits though, a raw alternative growl having its moment in voice and sound too before things settle back into the track’s gentler yet still fiery seduction.

The song is pure temptation sparking things off and setting the heart of the release in fine style before being eclipsed by the following Oddysee. Straight away a great nagging hook is at work, its touch part celestial part espionage like resembling one of the teasing attributes of those classic sixties/seventies spy/sci-fi TV show themes. From its intrigue, a strolling body of infectious energy and endeavour surges, spun by guitar and keys as rhythms dance boisterously around zeal fuelled vocals. There is theatre in its nature, adventure in its heart; a combination with individually cast bold invention unites to simply hit the spot.

There is a bit of early Jimmy Eat World to next up King Of The Universe, Denton’ s keys bubbling with that ever present seventies  revelry alongside the irresistible acoustic craft of the guitars. Incessantly catchy to feet, neck muscles, and appetite, the song whisks the imagination away into its own climate of warm temptation; a plateau frequented just as captivatingly by Divide where imagining Young Knives and KingBathmat fused together gives an idea of the enticing progressive hug of the song and its graceful voice.

Keeping Me Away is a slice of indie rock ‘n’ pop which has the body bouncing with just its first eager strum, and swinging by the time keys swarm poetically across high-spirited rhythms.  Of all the songs within the album, this has the boldest Radioactive Grandma feel to its swinging body but it comes with the organic infectiousness which made eighties outfit The Woodentops so glorious, and now adds the same addictive quality to Ape Rising.

The calmer reflection of Medicine Part 1 shares a poetic suasion which reminds of songwriter/composer/musician John Bassett while Medicine Part 2 loads all of its predecessor’s assets into its own rousing sortie on ears and imagination, at times bewitching like a hybrid of Yes and Voyager. Numerous tracks make a play for best honours but this always stands at the front of the pack with every listen.

It is probably fair to say that To Daze The Day I borrows something of Juggling Wolves for its emotive canter but a stroll which bubbles with an energy which borders on raucous as keen invention simply lights up ears and the passions with an unrelenting imagination.

New single, The Model Prime skips in next; its melodic dance and harmonic sways animatingly lighting the song’s retro tone and mesh of glowing flavours. Like a siren it calls on ears and the spirit, unafraid to add unpredictability to its warmly cast temptations before the shuffle of the album gets even more kinetic within Joysticks & Stones, a song which at times has a touch of eighties band Furniture to it and in other moments the more hot-headed devilry of someone like Bloc Party.

The album finishes on the lustfully simmering progressive pop of Flicker and finally the pop rock beauty of 6 Eight 7. Both tracks simply match the pleasures before them with their own ear stroking, spirit stirring enterprises with the stunning first again having a great KingBathmat vibe which can never do any harm while its successor offers an acoustically nurtured samba which excites the senses with its unrelenting and greedily accepted infection.

The Radioactive Grandma will never be forgotten here or lose their spot on for pleasure only listening but now they are joined with equal zeal by Ape Rising, a proposition sure to drive you to highly pleasurable distraction.

The Ape Rising album is out now @ https://aperising.bandcamp.com/ and through other stores.

https://www.aperising.com/     https://www.facebook.com/ApeRising/    https://twitter.com/Ape_Rising

Pete RingMaster 02/10/2017

Copyright RingMaster: MyFreeCopyright

The Top Twenty Noise/alternative releases which had The RingMaster Review lustful in 2014

2014 saw a torrent of creatively inspiring and dramatically thrilling encounters from the inventive realms of noise and alternative incitement, a host of triumphs from which The RingMaster Review picks out twenty releases covered by the site which ignited the greatest hunger in our ears and imagination.

 

GPFB-FRONT-COVER

01. The Mobbs – Garage Punks For Boys

https://ringmasterreviewintroduces.wordpress.com/2014/11/21/the-mobbs-garage-punk-for-boys/

02. Solar Halos – Self Titled

https://ringmasterreviewintroduces.wordpress.com/2014/01/01/solar-halos-self-titled/

03. Slug Comparison – Self Titled

https://ringmasterreviewintroduces.wordpress.com/2014/10/24/slug-comparison-self-titled/

04. Heavy Hand – Nothwoods Knives

https://ringmasterreviewintroduces.wordpress.com/2014/08/27/heavy-hand-northwoods-knives/

Juggling Wolves Album Cover

05. Juggling Wolves – Self Titled

https://ringmasterreviewintroduces.wordpress.com/2014/12/10/juggling-wolves-self-titled/

06. Damn Vandals – Rocket Out Of London

https://ringmasterreviewintroduces.wordpress.com/2014/04/07/damn-vandals-rocket-out-of-london/

07. Pink Tatami – Chapter and Verse

https://ringmasterreviewintroduces.wordpress.com/2014/04/17/pink-tatami-chapter-verse/

08. Denim Snakes – Self Titled

https://ringmasterreviewintroduces.wordpress.com/2014/10/26/denim-snakes-self-titled/

sf_pokie_eye_front

09. Snack Family – Pokie Eye EP

https://ringmasterreviewintroduces.wordpress.com/2014/12/05/snack-family-pokie-eye-ep/

10. The Black Black – Boogie Nights

https://ringmasterreviewintroduces.wordpress.com/2014/12/12/the-black-black-boogie-nights/

11. Norm & The Nightmarez – Psychobilly Infection

https://ringmasterreviewintroduces.wordpress.com/2014/07/29/norm-and-the-nightmarez-psychobilly-infection/

12. In Love Your Mother – The Great Ape Project

https://ringmasterreviewintroduces.wordpress.com/2014/10/10/in-love-your-mother-the-great-ape-project/

BloodMaker_1600

13. Wild Throne – Blood Maker

https://ringmasterreviewintroduces.wordpress.com/2014/03/06/wild-throne-blood-maker/

14. John Bassett – Unearth

https://ringmasterreviewintroduces.wordpress.com/2014/03/30/john-bassett-unearth/

15. Fossils – Flesh Hammer

https://ringmasterreviewintroduces.wordpress.com/2014/03/03/fossils-flesh-hammer/

16. In The Whale – Nate & Eric

https://ringmasterreviewintroduces.wordpress.com/2014/06/27/in-the-whale-nate-eric/

Artwork by Katie Buckett

Artwork by Katie Buckett

17. Jingo – The Art Of loving

https://ringmasterreviewintroduces.wordpress.com/2014/09/01/jingo-the-art-of-loving/

18. Body Futures – Brand New Silhouettes

https://ringmasterreviewintroduces.wordpress.com/2014/08/13/body-futures-brand-new-silhouettes/

19. Death and the Penguin – Accidents Happen

https://ringmasterreviewintroduces.wordpress.com/2014/05/04/death-and-the-penguin-accidents-happen/

20. The Duel – Waging War

https://ringmasterreviewintroduces.wordpress.com/2014/05/21/the-duel-waging-war/

Juggling Wolves – Self Titled

JW promo2

With first single Mercury an impressive, thickly flavoured appetiser a few months back, anticipation for the Juggling Wolves debut album has been eagerly building as the weeks passed by. The song was a potent and fascinating encounter, its potential and tapestry of sound and emotion alone enough to awaken a keen appetite, but now in hindsight it was only a mere whiff of the majesty that is Juggling Wolves the album.

Every track upon the album is an immersive exploration, a kaleidoscope of invention and fluid evolution of sound which takes ears and thoughts on a transfixing melodic flight. The band cast a sonic narrative which can be described as progressive rock and pop, but there is wonderfully no exact label to be put upon music and album just a long list of hinting references and whispers as colours to describe the albums unique exploits. Consisting of Jimmy Deface from folk/blues rockers Rufus Coates & the Blackened Trees and Johno Leader of acoustic indie rock band The Radioactive Grandma, Juggling Wolves has spent the past two years working on their first album, creating and recording it at their own studio in Co Cavan. Mastered by Fergal Davis, the release is now having its dawning with the deserved broadest spotlight hopefully beckoning.

From its first breath, opener Deadmans Strings is crooning and potently serenading the senses and imagination, a lone guitar amidst an embrace of keys a potent texture for the instantly magnetic vocals. It is a riveting start, a gentle invitation which is soon erupting with an appealing dark bassline and crisp rhythms. Bolting on a vivacious rock ‘n’ roll adventure, the track proceeds to twists and flirt with various textures and swathes of invention, harmonies as bewitching as the sparkling melodies and muscular energy as compelling as the unpredictable imagination of the encounter.

From a head start the album only gains in temptation and captivation as Mercury steps up next. Radiance smothers ears from a distant entrance, swiftly consuming ears with harmonies and a tangy tease of guitar. Almost from its first second there is a drama to the track, a theatre to its chords and cinematic air to the vocal and emotional investigation. As agitated beats and dark bass tempting joins its melancholic yet fiery heart, the song ebbs and flows like the sea, its intensity lapping the beaches of ears and thoughts with relentless but intermittent tenacity. As in all songs though, any moment is just a character in a broader waltz of sonically poetic enterprise and melodically fuelled invention.

Tow pushes things up another level again, the engrossing proposition basking in a Faith No More like ingenuity and drama with flights of spellbinding progressive flirtation adding intriguing Juggling Wolves Album Coverand mesmeric hues. Grooves and rhythms provide a sturdy almost imposing edge and core to the song throughout, the offering a merger of light and shadows which is almost sinister in its transfixing elegance and charm before following instrumental One Trick Pony brings its almost portentous melodic haunting to ears and psyche. A sombre track which sparks new thoughts and discoveries with every fresh listen, it leads the listener towards the outstanding Daze Unknown. The track’s warped twang of a start is an immediate seduction, a glorious discord kissed bait which evolves into a spicy web of guitar and vocals within a slightly deranged ethereal haze. It is soon spreading its dramatic narrative and musical croon across the imagination with bordering on unhinged guitar endeavour contrasting and complimenting the warm breeze of keys and harmonies. Intimate yet also spatial in its presence, the song is sonic magnetism, bringing a craft and bold inventiveness which rests potently alongside that of musician John Bassett and especially his band KingBathmat.

Through the fascinating realm of Lonely Gold, a track sharing melodic elegance and reassuring calm with a darker, emotionally distraught sonic discovery, and the immersive hug of Wither, Juggling Wolves simply entrance ears and emotions. The first of the two is a startling dive into the unknown and quite invigorating whilst its successor sultrily smoulders as it expels emotionally evocative and vocally provocative beauty which recalls singer songwriter Colin Vearncombe, especially in his Black guise; a comparison which can also be applied to How to Salvage a Failing Butterfly, though across its numerous aspects and ingenious turns, the song defies everything apart from inescapable attention. Though may be not our favourite as magnificent as it is, the track has to be the pinnacle of the album with its climatic structures and busy but relaxed twists. A melodic emprise to soundtrack any emotional and intimate adventure, the song is simply sublime, just as the album to be honest.

The closing instrumental Terms & Conditions makes the perfect epilogue to the album, a luminousness weave of evocative sound and emotive intrigue capping off an increasingly impacting proposition. Hopes were high, and may be expectations too, of the Juggling Wolves album but it left those looking meagre within mere minutes of its exhilarating presence. This is a band creating musical alchemy and their album their first creative hex on the passions.

Juggling Wolves is available now via iTunes and all other digital outlets and @ https://jugglingwolves.bandcamp.com/

http://www.jugglingwolves.com/

RingMaster 10/12/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

 

Juggling Wolves – Mercury

945350_194981830649334_1250972460_n

Ahead of their debut album, UK rock band Juggling Wolves unveil first single Mercury to spice up a definite anticipation for its full-length source. A merger of alternative and progressive rock with experimental hues and striking ambient colours, the track is a captivating proposition which alone ensures that How To Salvage A Failing Butterfly upon its release in October will get keen attention.

Hailing from Ireland, Juggling Wolves is the creative alternative experimental adventure of Jimmy Deface from folk/blues rockers Rufus Coates & the Blackened Trees and Johno Leader of acoustic indie rock band The Radioactive Grandma. It is a very different proposition from the pair’s other exploits but just as rich with earthy melodies and organic breath. In late 2012, the duo united in The Beast-Suite Studios in Co Cavan, combining their skills and ideas for what would become How to Salvage a Failing Butterfly. One track does not make an album but taking Mercury as evidence and a potent teaser, the album is destined to be a provocateur for the imagination and seduction to the ears.

The single opens with a distant caress of keys and radiant yet fiery harmonies, the song drifting in keenly but with restraint as a guitar circles ears with its resourceful coaxing. It is not long though before rigorous stabs of sound break through, sinew crafted rhythms and sturdy strokes of guitar splicing the air. The union of both calm and fire entwine as an atmospheric wind of melodic expression and percussive agitation unite for a milder but no less pungent flight of endeavour. With keys bringing an emotive drama as bass shadows surround the slow vocals tones with a melancholic hug, the song evocatively glides across senses and thoughts. It is a masterful incitement, a waltz which seamlessly either flirts with emotional intensity or dances with vivacious appetite whilst leading the imagination into a poetic landscape of suggestion and reflection.

As unpredictable as it is enthrallingly mesmeric, Mercury is a thick yet smoothly flowing sunset of emotions and sound. The track constantly surprises as it relentlessly wraps inspirationally textured ingenuity around ears. If this is a hint to what we should expect with the band’s first album then roll on the short weeks to its arrival.

The self-released How to Salvage a Failing Butterfly is available worldwide from mid-October and Mercury on August 7th.

http://jugglingwolves.com

https://www.facebook.com/jugglingwolves/

9/10

RingMaster 02/07/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com