The Emergency Please – Remember You

Having recently chatted to The Emergency Please founder and vocalist/guitarist Karan Master (ex A Gentleman’s Film) about his band and debut release, it was only right we also leapt into the Remember You EP from the UK outfit. Released a handful of days ago, the four track encounter is a spirited stroll of pop punk and funk infused alternative rock which needs little effort to have the body and imagination swinging.

Inspired by a varied host of artists headed by Jimi Hendrix, John Mayer, and The Smashing Pumpkins, Master has linked up with bassist Michael Hartley and drummer Sam Garnett to complete The Emergency Please line-up though Remember You was recorded with the aid of Sam West (drums) and Adam Porter (bass). Southampton based, the band has a sound which is maybe still in the brewing stages but as their first EP shows, it is already a flavoursome proposition with rich stock for future adventurous recipes.

Remember You opens with its title track, a magnetic affair bursting from an initial guitar jangle with energy and spirit in sound and vocals. Boisterous beats punctuate the melodic web cast by the guitar, the bass more moody but no less keen an ingredient in a song which second by second gets under the skin. A little folk pop, plenty indie rock with a pop punk lining, it captivates from start to finish, alluring ears and hips with equal dexterity.

The following I Can’t Stop is just as energetic and eager to tempt with funk infused hooks and a rhythmic shuffle which just swings along. Speeding up its lures at certain times, it is a great nag on the appetite with more controlled moments providing a tapestry of creative suggestion. Put all together it provides a shuffle which is as bold as it is accomplished, matching the heights of its predecessor to keep the release holding rich attention before Lost casts its calmer, melodically intimate caress on the senses. Melancholic but with heart felt light to its touch, the track provides its own captivation to complement its previous companions.

The EP closes with Clark Kent Syndrome, a song which begins with a mouth-watering temptation of guitar string picking and proceeds to seduce with rhythmic bait led by the pulsating yearning of the bass. With vocals as potent as ever, it continues to dance on the ear though it does not quite live up to its early promise for personal tastes. Nevertheless it is a thickly pleasing end to a release which grows and persuades with increasing prowess, its closing expulsions of vocal angst against the funk woven shuffle of the guitar epitomising its appeal.

Remember You is an introduction which makes you take notice; a strong first step from a band with plenty to discover in their imagination and on the evidence of the EP, plenty of tenacity and craft to bring it to our anticipating ears.

Remember You is available now @ https://theemergencyplease.bandcamp.com/album/remember-you

Read our interview with Karan Master @ https://ringmasterreviewintroduces.wordpress.com/2017/05/10/leaping-to-the-front-exploring-the-emergency-please-with-founder-karan-master/

https://www.facebook.com/theemergencyplease

Pete RingMaster 16/11/2017

Copyright RingMaster: MyFreeCopyright

Leaping to the front: exploring The Emergency Please with founder Karan Master

The Emergency Please is a Southampton based band which is making a real impact on the city’s live scene with their funk and neo-soul spiced alternative rock. As a greater landscape of attention is finding the band and its creatively energetic sound we had the chance to find out more with the band’s founder/vocalist/guitarist/songwriter Karan Master, finding out about its beginnings, inspirations, and other exploits…

Can you first introduce the band and give us some background to how it all started?

Hi my name’s Karan Master, I started The Emergency Please as a songwriting vehicle for music I’d been writing. Since then I’ve been working with a few drummers and bass player writing, recording, and gigging music for The Emergency Please. On the debut EP, Remember You, I worked with session players Sam West (drums) and Adam Porter (bass).

Have you been involved in other bands before? If so has that had any impact on what you are doing now?

I actually moved to Southampton with my old band, A Gentleman Film. We were a prog funk alt rock trio. There’s definitely a hint of that in The Emergency Please though the newer music I’ve been writing is more influenced by pop punk, which is what I grew up on.

What inspired the band name?

My old band when I was 14 was called Emergency Please. I always really liked the name so decided to stick with it since it wasn’t being used anymore.

Was there any specific idea behind the project and in what you wanted it to offer?

I really wanted to go back to my roots so to speak. I grew up on pop punk/emo bands like Funeral For A Friend, Paramore, and Fall Out Boy but also wanted to incorporate some of the other genres I love like, funk and Neo soul.

You are still inspired by the same things or have they evolved over time?

I think so, The Emergency Please is still relatively new but the drive is just to play music that we enjoy and get it out there the best we can.

Since your first days creating, how would you say your sound has evolved?

It’s got a bit more groove to it and a little more rawness.

Are any changes more of an organic movement or you deliberately wanting to try new things?

I’d say it’s been pretty organic.

Presumably for you and across the others involved in the band there is a wide range of inspirations; are there any in particular which have impacted not only on the music but your personal approach and ideas to creating and playing music?

Haha this could be a long list. My top three inspirations are Jimi Hendrix, John Mayer, and The Smashing Pumpkins. Honestly don’t know if I’d be doing this without them. There are a lot of others though such as Funeral For A Friend, D’Angelo, and Darwin Deez to name a few.

Is there a particular process to your songwriting?

I usually like to start with the guitar and lay down the music first before the vocals. Though I’ve had a few vocal ideas first that inspires me to write a song…they always seem to happen in the shower haha.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

It’s mostly about personal experiences or topics that are important to me.

Would you give us some background to your latest release?

Remember You is our debut EP. It has 4 tracks each of which is unique in its own way but still carries our sound. It’s an introduction to The Emergency Please and shows the sound we plan to build on.

How about some insight to the themes and premise behind it and its songs?

The first song is the title track of the EP and is an upbeat pop punk song about running into an ex that you weren’t quite sure why it ended. The second track, I Can’t Stop is a more grooved based song; I especially enjoyed working with Sam and Adam on this one. The following track Lost is more slow and melancholy than the others. It’s a song I had written over a year ago about the toll personal issues and baggage can have relationships. The final song Clark Kent Syndrome is groove based emo track. It’s probably my favourite track on the EP (can’t decide between it and I Can’t Stop). It’s about how people can lose themselves when they become attached to the outcome of something they want and the irony of it.

Do you go into the studio with songs pretty much in their final state or prefer to develop them as you record?

We come to studio with everything written and rehearsed but also with an open mind. It’s great to have an external input and working with the right producers makes a real difference.

Tell us about the live side to the band, presumably the favourite aspect of the band?

We’re pretty hectic on stage. I think live shows are where you get the full experience of a band. We really like to get into it and give it as much energy as we can.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it in what seems from the outside, a vibrant musical city?

Southampton definitely has a thriving music scene though not what it used to be; there is still plenty of love for artists. It’s actually got a great scene for jam nights which is how we all met.

How about the internet and social media, how has that helped the band to date or not? Some see it as something destined to be a negative for bands.

Social media and the internet are great ways to get out there but because they’re so widely accessed it makes most bands a drop in the ocean. It’s definitely hard but it’s something we’re working on and plan to keep working on.

I don’t see it as negative; it’s just kind of become a part of the game we all have to play.

Once again Karan, a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thanks for taking the time to talk to us! If anyone brings me a chocolate macaroon or any memorabilia of The Flash we will be best friends 4 lyf!

Find out more about The Emergency Please @ https://www.facebook.com/theemergencyplease/

Pete RingMaster 10/05/2017

Copyright RingMaster: MyFreeCopyright

Marley Blandford – Feel The Rain

Marley Blandford pic

Nineteen and already inspiring a healthy buzz with his sound through his previous unveilings, British singer/songwriter/multi-instrumentalist Marley Blandford now unleashes new single Feel The Rain, and though it is only one song and our first introduction to the Portsmouth hailing musician, it is easy to see why loud whispers are brewing up about his talent. The release is an enchanting warm fusion of indie pop and folk rock with reggae colour, a mix which saunters and smoulders across the senses and imagination like a summer sunset over emotively exotic scenery. It seduces and dances with the emotions and though we often prefer a riot to a love-in, it is hard not to be immersed in the single’s imaginative embrace.

With inspirations from the likes of Cas Haley, Sting, The Police, Ben Howard, and John Mayer spicing his creativity, Blandford first made an impression with his live performances and subsequent the single Midnight To Paris which came out last year. It led to a new wealth of attention and acclaim upon the artist with Roger Pope, the session drummer for Elton John who sadly passed away last year, describing Blandford as “the most talented young songwriter I have ever heard”. A recent appearance of a charming acapella take on Pharell Williams’ Happy drew an eager spotlight upon Blandford which the new single, taken from his debut album Shine On, is sure to build on. Featuring, as the album, brass arrangements from Martyn Ford (Of Led Zeppelin, Elton John, The Beatles) and guest musicians Jamie Talbot, Mike Lovatt, and Richard Edwards who provide captivating blazes of brass, the song is a delight as it caresses the imagination.

The opening guitar coaxing is instantly magnetic, it’s evocative plucking a sure lure swiftly accentuated and inflamed by the sultry tones of Blandford. His voice kisses the air, syllables floating down upon ears with an open radiance as expressive mellowness coats the surrounding words in a seductive yet feistily vivacious character even when his voice smooches with the senses. With those elements alone the song would be a treat but add the glorious flames of brass and the keen stroll of the song which develops across its body the track easily slips into the imagination and emotions. A great design of guitar enterprise and emotive trumpet only add to the rich potency of the song but truthfully it is the voice of Blandford which brings it all together for a highly satisfying temptation.

It is hard not to have a sense of anticipation for the forthcoming album after Feel The Rain. The single may be does not light a major fire in the appetite for its arrival but certainly it has it simmering nicely whilst the ears feast on a thoroughly enjoyable appetiser.

Feel The Rain is available via Silentrooms Records on May 5th.

http://marleyblandford.co.uk/

8/10

RingMaster 05/04/2014

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The Heights – Drag Race On The Moon

the heightspromo1

Hailing from Toronto, Canadian pop rock band The Heights are set to make the summer a warmer and more melodic place with their new EP Drag Race On The Moon. Made up of five vibrant and enterprising alternative/melodic rock songs which flirt with the ear from start to finish, the release is sure to bring the band to a stronger and wider spread attention.

Initially a solo project for Gavin Sutton (vocals / guitar / piano), The Heights soon expanded to a full encounter with the addition of guitarist Nick Dooley, bassist Colin Jacques, and Tyler Jones on drums. The self-titled and Bonacres EPs from the band set appetites alight but it is Drag Race On The Moon which looks set to make the quartet a name on a greater array of lips and passions. Employing inspirations from the likes of Coldplay, City and Colour, and John Mayer, which are open whispers in their clean cut and honed sound, there is a freshness and invention to the band which is impossible to dismiss even if they do not find the spark to ignite your passions. Earning further acclaim for their live performances which has seen them play with bands such as Set Your Goals, Silverstein and Fireworks to name a few, The Heights with the release of the EP stand at the door to greater recognition, whether it is the actual key the next months will tell but certainly the band offers everything available within them to provoke success with their new offering.

Opening song Soldier is an immediate rich attraction, its initial atmosphere brewing behind the emotive and excellent vocals of drotmcoverSutton as intriguing as the keys which also add their voice. Those impacting lures open up a deeper bait for the senses as drums and bass walk around and cage the melodic flames beginning to lick at the ear. Once its chorus erupts for the first time there is a contagion at large which wraps tightly around thoughts and emotions and continues throughout the rest of the song. Reminding of UK band Candidate23 though arguably not quite as virulently addictive, band and song add further drama and energy to the excellent track and secure certain acclaim well before its final note kisses the ear.

The following Some You Give Away has a sense of The Wonder Stuff to its first melodic caresses but then evolves into a boisterous and energy fuelled pleasure complete with jangly guitar strokes and evocative keys. Again the vocals are outstanding and ably aided by the rest of band in voice and inventive sound. A track which prods and leaps through the ear at times,  it is a heated blaze of melodic imagination and impressively crafted songwriting continuing the strong start with ease.

Both Devil and Spinning Webs unveil their feisty yet elegant depths, the first another song with punchy rhythms and sonic crescendos which ignite around the chorus as the keys spread a resourceful and smouldering ambience to the emotive tones of vocals and words. With an element of Doves to it the track passes the baton on to its successor who runs with a piano led narrative which is coated in a melodic beauty which demands total clarity. That the band gives as harmonies lead in sultry bass persuasion and rhythmic tenderness to support another great vocal and keys invitation. Maybe not as impacting as previous more energy driven songs it is still a treat of honed and sculpted excellence.

Closing song You Make Me is the weakest on the release, though still a more than satisfying encounter, which lacks the individuality of earlier songs to set the band and release apart from the rest but with strong craft and passion coaxed enterprise it makes a more than decent conclusion to a fine EP nevertheless. It is hard to say that Drag Race On The Moon got our passions excited enough to ignite any lingering ardour but undoubtedly it got feet dancing and sparked lively reactions in its eager company which is not a bad thing.

www.theheightsofficial.com

8/10

RingMaster 09/07/2013

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