Elements – Where We Once Begun

Elements Promo Shot_RingMaster Review

The band’s bio states that this year a line-up change for UK alternative rockers Elements has coincided, maybe sparked, a new sound from the band. With their new EP Where We Once Begun our introduction to the Southampton hailing quintet, we cannot say if the shift is dramatic or subtle, but for sure thanks to five tracks of rousing rock ‘n’ roll, their new release shows it has been a potent one.

Formed in later 2013, Elements quickly made a mark locally with their self-titled debut EP and a live presence which has earned them a reputation as one powerful proposition and seen the band share stages with the likes of Bad Rabbits, The Afterparty, DEAD!, Ashestoangels, The Hype Theory, and Public Service Broadcasting. As mentioned the band has recently undergone a personnel change which, taking the Phil Gornell (While She Sleeps, Bring Me The Horizon, Me Vs Hero) produced Where We Once Begun as our evidence, seems to have lit a fire in the creative belly of the five-piece.

Elements Cover Artwork_RingMaster Review   Once EP opener Shaman storms through ears, rapidly stirring up enjoyment and appetite, the band without being wholly unique, reveals freshness and adventure to their music which just grabs attention and sets them apart from the masses. Fair comparisons have been raised to bands such as early Biffy Clyro, YouMeAtSix, and Don Broco but there is plenty more rippling through songs suggesting something individual to Elements. The first track aligns winey blues wrapped tendrils of guitar with a flirtatious almost electro shuffle which is not too far away from the persuasion Blondie once blossomed. It blends well, the song brewing a virulent tempting to which the skittish beats of Ash Martin and the dark lures of Max Bakker’s bass add their own potent seduction. Vocalist Graham Rogers is just as vibrant and inviting, his powerful tones backed well by those of Bakker and guitarist Ollie Butler who alongside fellow string craftsmen Robin Small spins a web of hooks and melodic spicery to match. It is a contagious riot of sound and energy, and a quite irresistible start to the release.

High Time For Being Free comes next, emerging without a breath from its predecessor with its own brand of sinewy riffs and heavily coaxing grooves ridden by the vocal roar of Rogers. As the first track, it leaps on and bounces through ears with an infectiousness which is muscular and tenaciously anthemic, whilst showing a different shade of colour to the band’s sound. Major surprises, as across the EP, are not open bait yet there is again that fresh air and rich enterprise to it which only lures you in deeper before Plotting Treason Or Saving The World uncages its own chest beating anthem littered with blues honed grooves, merciless hooks, and a sultry air which dynamically ignites in a blaze of the chorus.

Up next is the melodic shimmer and emotive energy of Make It Out Alive which takes release and listener into another new landscape of sound and adventure. Again the imposing strength and sonic muscle of the band is a heady proposal but employed in a new strain of sonic fire and provocative drama. The track does take a little longer to grip but leaves a flavoursome and inventive taste in the mouth before Torchlight brings the EP to a fine close with captivating and aggressive melodies courted by tangy grooves and flaming vocals.

Where We Once Begun is not going to set the alternative rock world back on its heels but it does announce Elements as one of its more exciting emerging bands, so much so that already there is a tingle of anticipation for their future something akin to that felt when Jimmy Eat World first broke.

The Where We Once Begun EP is available from August 17th through all stores.

RingMaster 17/08/2015

Copyright RingMaster: MyFreeCopyright

Celeb Car Crash – ¡Mucha Lucha!

CCC_RingMaster Review

Fusing a great blend of nineties rock and pop punk into a modern alternative rock invention, Italian quartet Celeb Car Crash have a sound which feels simultaneously fresh and familiar. It is a mix which makes their latest EP, ¡Mucha Lucha! an adventurous but equally, an instinctively enticing proposition. Bringing three varied and fiercely magnetic slices of melodic rock ‘n’ roll to bear on ears and appetite, the release alone suggests that Celeb Car Crash are pushing towards major attention.

Consisting of vocalist/guitarist Nicola Briganti, drummer Michelangelo Naldini, guitarist Carlo Alberto Morini, and bassist Simone Benati, Celeb Car Crash emerged at the end of 2012 and quickly set about recording their first encounter. Ambush! was unveiled in the April of 2013, backed by the video /single Dead Poets Society. Gaining strong attention from fans and media alike, the album was supported by an extensive tour across Italy, Switzerland, France, and the UK and shows supporting bands such as Gotthard and Coheed and Cambria, all reinforcing the emergence of record and band. After another well-received single the previous year, 2014 saw the band again concentrate on tours and shows, ending with Celeb Car Crash winning the Red Bull Tourbus contest against 1700 other entrants, resulting in the band playing three shows as support to Lacuna Coil and the chance to record a new single. That was to be Because I’m Sad, the opening song and lead to the ¡Mucha Lucha! EP.

celeb-car-crash-300x300Celeb Car Crash - ¡Mucha Lucha!     Backed by two unreleased tracks on the EP, the Olly Riva and Mario Rice produced Because I’m Sad gets things off to a gripping start. From its opening coaxing of acoustic guitar and the swiftly magnetic voice of Briganti, the song has ears in the palm of its hands, especially as the gentle opening soon sparks a feistier burst of rhythms and riffs. Quickly blooming greater colour and richer tempting through spicy hooks and anthemic enterprise, it continues to evolve, breaking into a tenacious canter reminding of bands like Everclear and Jimmy Eat World. It is a recognisable essence though which only adds to the potency and arousing drama of the song, and indeed its virulent infectiousness.

The following Next Summer has a more hard rock endeavour to its character but also a rhythm and blues spicing which has thoughts of Graham Parker hinting as it continues to explore its wiry walls and throaty canvas. Sharing the same boisterous energy as its predecessor and ripe with melodic flames and catchy hooks, the song shows another hue to the songwriting and sound of Celeb Car Crash, a raw and dirtier toning bred from more fresh and varied sources of rock ‘n roll gripping the imagination.

The EP is completed by ¡Adiós Talossa! (tututu), a sultry seductive affair from the off with warm emotive coaxing cast from the trumpet of Damiele Ravaiolli. Growing and blossoming with every passing minute, the bewitching track grows into a grungy pop punk affair around a compelling rhythmic stomp. Whispers of Green Day, Nirvana, The Mighty Mighty Bosstones, and again Graham Parker all seem to collude as a thicker aural colour continues to enrich a captivating encounter spawned from the band’s own invigorating ideation.

The opener and closer definitely steal the show upon ¡Mucha Lucha! but the thoroughly enjoyable Next Summer also shows that Celeb Car Crash have real variety and depth to their music and writing. A little late to the party, the EP is actually our introduction to the band but one which has sparked a keen appetite to see where they go next. An intrigue we will surely not be alone in.

¡Mucha Lucha! is available now via Sliptrick Records through most digital stores.

http://www.celebcarcrash.com/ https://www.facebook.com/CelebCarCrash/

RingMaster 22/07/2015

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Brightlight City – Adventures EP


The Adventures EP is a proposition which might not be going to set the rock world ablaze but with three tracks of virulent alternative/melodic rock, the new release from Brit tunesmiths Brightlight City is still likely to be a greedily devoured feel good encounter. It is one of those incitements easy to turn to for an energetic and feistily contagious time. It is not changing the landscape of rock ‘n’ roll but definitely the release gives it a healthy dose of feisty enterprise.

The Surrey quintet began in 2014, swiftly releasing a trio of songs and embarking on mini tours across the UK. Inspirations come from the likes of Hundred Reasons, Million Dead, Foals, Yourcodenameis:milo, At the Drive-In, Refused, Biffy Clyro, and Jimmy Eat World, spices evident in the band’s debut EP Breaking Straight Lines which was recorded with producer Jason Wilson (You Me At Six, Fightstar, We Are The Ocean, Reuben) and released last October. Now the band unveils its successor, Adventures, which was also recorded with Wilson. As its title hints at, the new EP explores new aspects to the band’s sound; the band recently commenting on the release with “Adventures is an EP, as the title suggests, that takes the listener on an adventure; stories of late nights, life, death, love and society all set against the instrumental back drop of a massive alternative rock sound.”

Adventures Artwork iTunes    The release opens with new single The Finish Line, and instantly sparkling guitar bait is sunning itself in the imagination as rhythms provide a sturdy and darker company. The vocals of Jamie Giarraputo similarly are a warm and vibrant invitation, nestling perfectly in the weave of enterprise cast by guitarists Justin Giarraputo and Jono Staunton. The track strolls along with an endearing quality and a catchiness which really sparks in the addictive chorus whilst the resonating bass of Dan Stubberfield adds further potent magnetism alongside the punchy beats of Ben Bell which punctuate all the hooks and melodies with relish.

The following I’m Only Good At Adventures backs up the impressive start to the EP with its own infectious swing and dance on ears. Once more hooks and melodies seduce, though with less impacting bait than found in its predecessor. Nevertheless the song is an easy to consume and get involved with proposal of rock ‘n’ roll warming up ears and appetite for the outstanding closing track.

Reaction is superb, from its opening earthy groove and dirty riffs attention seizing bait which never loosens its grip even when slipping into a slow caress of voice and melodies. It is just the teaser though for the contagion to follow, bass and beats prowling with a glint in their eyes as guitars spin a web of imaginative melody clad temptation. Vocally Jamie Giarraputo is just as magnetic, his delivery carrying a gentle swagger to match the bass groove and sonic devilry seducing ears and imagination. Jimmy Eat World is mentioned as an inspiration and there is no escaping the similar potency of hooks and enterprise within the song to the US band’s greatest moments.

The track is irresistible and brings an excellent release to a masterful close. Listening to the Adventures EP, it does feel like Brightlight City is still searching for their truly unique sound. When it happens though and if songs carry the same qualities discovered on this new encounter, it is hard to imagine anything stopping a global success.

The Adventures EP is out digitally from May 11th and physically on the 15th May.

http://www.brightlightcityofficial.co.uk/   https://www.facebook.com/brightlightcityofficial

RingMaster 11/05/2015

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Diamond Days – We’ve Come A Long Way


Swiftly proving the growing buzz around them is bred from rich potential and an invigorating sound, UK alternative rock band Diamond Days are poised to release their We’ve Come A Long Way EP. Made up of four songs which burst with creative vitality and exuberant invention, the encounter is a captivating proposition which reveals there is still plenty more to uncover within the band but that they are knocking on the broadest spotlights already.

Bursting out of Liverpool, Diamond Days took time from forming to hone their sound before unleashing debut single Start It From The End. It was from there that the clamour over them began, the track drawing over 60,000 views and more than 20,000 followers across YouTube and Twitter swiftly from its unleashing. Backed up by a hunger to play live and just as potent stage performances, the band has earned a growing fan base and acclaim, being compared to the likes of You Me At Six and Fall Out Boy. Diving back into the studio to record their EP alongside producer Seb Berrios, Diamond Days have taken the next impressive step in their ascent, a rise which though still early days you can see finding rich horizons.

The EP opens with the outstanding Let Go, a track emerging from a distant and potent enticing to stride with sinew driven rhythms and drama clad riffs. It is soon exploring inventive scenery as electro spiced keys and sonic intrigue lurk to tease the imagination as the impressive vocals of guitarist Alex Fearn open up the narrative. He swiftly proves himself to be a stylish and accomplished provocateur as he leads the senses into a virulently catchy chorus, whilst his and the guitar of Tom Shepherd continually provide a fiery weave of melodies and sonic intrigue across the track which the rhythmic enticing of bassist TJ Jackson and drummer Mark Highdale punctuate and spear with skilled and energetic tenacity. The track, which has to be a single at some point, is an inescapable contagion for feet and emotions, its blend of ferocious and seductive adventure superbly marshalled by the vocals and crafted by the invention of the band.Diamond Days

The following Home (A Million Miles Away) also has a punch to its entrance and body though it is not quite as instantly commanding as its predecessor. With electro essences around a spicy and wiry tapestry of guitar endeavour, the song is soon taking its share of attention and emotions though. It has a bounce and confident swagger in all aspects which shines like a beacon in the heart of the encounter, whilst its infectious character is as sublimely persuasive as the song’s melodic textures and theatre

Featuring Harry Radford of Yashin, I Rewind lays down its own striking slice of melodic incitement and addictive vivacity next. Evolving around a great throaty bassline, the song flames and soars with vocal and sonic voracity, exploring new flavours and creative shades along the way. It creates a compelling web which is like Dead Til Friday meets Always The Quiet Ones, whilst is pop punk dynamics have a spice of Jimmy Eat World to them. Its rampant enticing leads into final song You’re Not Alone, an undemanding but again intriguing pop rock escapade revealing more of the inventive and melodic resourcefulness of the band. Though it does not quite have the spark of its predecessors, due to their impressive qualities, the track still leaves appetite wanting more and anticipation boiling up for the next encounter.

We’ve Come A Long Way is a treat of a bigger introduction to Diamond Days which without quite showing the band with a distinctly unique voice right now, has all the evidence to suggest it is coming and that we are set for more hunger feeding adventures ahead.

The We’ve Come A Long Way EP is available from 17th November via http://diamonddaysuk.bigcartel.com/


RingMaster 16/11/2014

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Larusso – Life in Static


Immersed in a mixture of creative alternative rock and contagious pop punk, Life in Static the new album from US band Larusso is one healthily appetising proposition. Not a release to set crowds screaming from rooftops maybe but one to bring energetic life to any solitude drenched night or raging festivity, the album is a thoroughly engaging proposition with some quite tasty encounters within its vibrant walls.

Hailing from Salt Lake City, the quartet of vocalist/guitarist Aaron Condrat, drummer/backing vocalist Justin Trombetti, guitarist Nick Sasich, and bassist Tyler Grundstrom have earned and built up a potent fan base and attention through a series of self-released EPs and albums, as well as their live performances which has seen the band play with bands such as The Almost, Go Radio, Transit, The Ataris, Finch, Dance Gavin Dance, and Cartel. Also regulars at local festivals and having played the Ernie Ball stage at Warped Tour, Larusso finds itself with a lively buzz around them to which their new album will certainly do no harm.

Chase the Sun starts the album off in vivacious style, hooks and melodies an instant coating to keen riffs and jabbing rhythms. Vocally too the song shines immediately, the tones of Condrat backed by Trombetti, smooth and harmonious. It is not a startling encounter but one showing the musical strength and songwriting craft of the band as more than accomplished and seriously catchy. The track strides with ripe enterprise before making way for The Voice. As its predecessor, it too carries no real urgency in its gait and attack but makes for a catchy and captivating slice of rock pop with excellent vocal prowess and tidy hooks within a melodic breath.

Things suddenly spark more thrillingly with Drifter, a track offering irresistible hooks from its first touch and unpredictable endeavour throughout. Like a mix of Jimmy Eat World and Brand New, the song flows and strides with a Life in Static Cover Artdelicious creative appetite to the vocals and swinging grooves to the sound. The bass of Grundstrom brings a snarl too which adds to the appetite awakening potency of one of the album’s most impressive propositions. Its triumph is not quite matched by the next up Daniel with an L, but with its emotive melodies and almost melancholic air the track still captures the imagination with ease. As evidenced by it alone, there is nothing flamboyantly excessive about the band and its songs but they push do push an eager invention across increasingly persuasive and riveting exploits.

The evocative caress of Living Proof comes next with guitars casting a weave of expressive chords and melodic colour as Condrat adds an emotionally intimate lyrical narrative. The track is more a lead/intro to the current single The Recovery than a standalone prospect, its successor a crooning incitement which makes for a warm and skilful if not a passion stirring companion. Again it shows the impressive craft of the band in composing, playing, and imagination though but lacks a spark to make it more than a pleasing encounter, certainly when up against the more impacting tracks on Life In Static. Nevertheless ears are satisfied before turning to Places and Set Phasers to Fun for more adventure. The first of the two has an underlying swagger to its pop lit composure and intent, but tempers it with an evocative smoulder of emotion and sonic intrigue whilst the second shows another fun side to its sound and band with its acoustically led playful romp. In the hands of other bands, the song might feel like a filler but Larusso give it a smile and grace which makes a very worthy and enjoyable inclusion to the release.

Collision Course is another big highlight with its feisty riffs, mightily swinging rhythms, and agitated yet contagiously coaxing grooves. As across the album it is fair to say there are few real surprises, the song no exception but the band does dig out and explore essences of sound and familiar ideation which is fresh and invigorating. The superb offering is followed by the emotive balladry of Take Me Away where keys, orchestral strings, and vocals impress even if overall the track simmers rather than flames, something Dear Pandora manages to achieve with addictive tenacity. Thoughts of Amberlin edge forward as the song stomps with acidic grooves and biting hooks whilst melodies and harmonies make another inescapable lure. It is an enthralling success setting up the finale of Chemical. Also acoustically sculpted, the closer is a mesmeric piece of design and expression, and a much more potent and gripping encounter than Take Me Away which lingers and shows another corner and depth to the band which would be good to see explored more in the future.

Life In Static is a richly enjoyable and magnetic release which shows why the buzz around Larusso in their homeland; a spotlight easy to imagine broadening dramatically with the album. It is not setting new templates but for melodic rock with a pop ingenuity, band and album is well worth a long look.

The self-released Life in Static is available now @ http://larussorock.com/product-category/all/albums/



RingMaster 15/08/2014

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A New Day – Forever Tonight

A New Day Online Promo Picture

Though a bit of a mixed bag, Forever Tonight the second EP from UK melodic rock band A New Day, offers more than enough to ensure the quartet is well worth keeping a close eye on. Consisting of three tracks which vary in success but all showing a potent promise to healthily flirt with the imagination, the release is a solid and intriguing encounter. It is not going to set the melodic rock/pop punk world alight but does give it something new to contemplate and take a determined interest in.

Hailing from Basildon, A New Day formed in 2013 taking inspirations from the likes of Blink 182, All Time Low, Simple Plan, and Jimmy Eat World into their own evolving sound. Honing their sound, the band took its time before hitting stages and subsequently lighting up a torrent of venues across the South East of the UK. Debut EP Now It’s Our Turn made a swift impression with fans and the underground scene which Forever Tonight can only reinforce. Made up of Chris Tunnicliffe (vocals/rhythm guitar), Glen Hearn (lead guitar), and brothers Scott (backing vocals/bass) and Sam Johnson (drums), A New Day is at that point where they are ready to catch the ears of the country, though whether the new EP is the key is arguable but you sense it is on the cards at some point.

Forever Tonight opens with its lead track, which is accompanied by a video, but also its weakest proposition. Boyfriend opens with a coaxing melodic guitar expression which instantly engage ears but in many ways that is as good as it A New Day Cover Artworkgets, its reoccurring lure the potent call within an otherwise limping song. From a dull production to unsure vocals, muted rhythms to a relatively lifeless breath, the song fails to find its ignition in presence and colour. It is surprising in many ways as the guitar weaves of Hearn are inventive and the craft of the band open but there is little which sparks and up against the stronger more vibrant songs which follow, the track is underwhelming.

That disappointment is soon forgotten as Faith In Me swiftly romps in ears. From a vocal draw, the song is soon a punchy stride of pop punk energy and melodic enterprise with eager rhythms and engagingly spiky hooks. The song is like night and day to its predecessor, though again the production is a dulled touch to the life and potency of the song. Harmonies add promising hues to the track as it strolls engagingly whilst rhythms and a deliciously shadowed bassline flirt with the imagination. It is a strong and rampant slice of pop rock which pushes the potential of the band to the fore as it excites ears, though it too is left in the shadow of final track Call You Mine (I Don’t Want To).

Starting with a blaze of guitar and a potent rhythmic lure as the strong tones of Tunnicliffe croon out the narrative, the track makes an impressive entrance elevated by another rich and throaty bass roaming. The song does not have the fevered urgency of the previous song but feels livelier and melodically hungry at its core. The guitar weaves of Hearn again impress with their enterprise whilst vocally Tunnicliffe and the band find their strongest blend and suasion yet. The best track on the release, it is a highly satisfying end to an encounter which at its start left more doubts than answers about its promise.

Whether A New Day is able to grab the UK in its melodic hands with Forever Tonight is debatable but taking the last pair of songs and especially Call You Mine (I Don’t Want To) as suggestive evidence, it is hard not to expect the four-piece to set tongues wagging far and wide some when ahead. They certainly know how to keep ears happy with a resourceful blend of pop punk/rock and that is always a good base to grow from.

The Forever Tonight EP is available now



RingMaster 04/08/2014

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Versus You – Moving On


Since forming in 2005, Luxembourg’s Versus You has become one of Europe’s most captivating and hard- working pop punk bands, as well as the source of much anticipation when news of a new release comes to light. The release of new album Moving On has been no different in raising a keen appetite and equally does not detour from the band’s knack at providing a thoroughly enjoyable romp of punk rock at its most accessible and infectious. The album does not set a new trail for the genre or band come to that, instead it simply parades twelve songs which just do what Versus You does best, capture the imagination with virulent hooks and melodies whilst thrilling thoughts and emotions with superbly crafted and lyrically insightful songs.

With a decade of stirring up audiences and fans on the impending horizon, Versus You has kept the energy and passion of their presence and intent alone impressively high over the years. Renowned for their hunger to tour and take their sound to fans, the band has been a regular attack of gigs and tours across their homeland, as well as East and Western Europe, sharing stages with the likes of NOFX, Alkaline Trio, Rise Against, White Flag, The Casualties, Bayside, Jimmy Eat World and many more. Equally their previous trio of albums as well as EPs and an outstanding split release with White Flag, has thrilled and helped thrust the band to the fore of Europe’s punk scene, even with a spate of line-up changes especially in the sticks swinging department. Fourth full-length Moving on is another commanding and deeply satisfying proposition, as said not one to change the face of pop punk but easily reinforcing Versus You as one of the leading lights.

Produced by Chips Kiesbye, the album opens with the immediately rigorously coaxing When It All Goes Down, its initial scrub of guitar an intriguing irritant to awaken attention and appetite alike. The song is soon into a feisty stroll Versus You Moving On Packshot 960x960with the rhythms of drummer Jerry Kirpach punctuating the mesh of caustic riffs conjured by Eric Rosenfeld and Dario Bruno. It is not an unrelenting attack though, the song respectful in its aggression and open in its web of easily snagging hooks with the bass of Giordano Bruno adding its own throaty lure to add extra bait to the first easily addictive blaze of sound from the album. Lyrically the song is one of many looking at band life, whilst other Rosenfeld penned themes include traveling, making friends, relationships, and life’s issues, songs never afraid to deal with unexpected things directly.

The following If The Camels Die, We Die makes the strong start look like a mere appetiser, its eager energy and urgent enticement of catchy melodies and deeply hooking snares impressively catchy. The bass finds an extra snarl to its tone which hits the spot perfectly whilst the slightly grizzled vocals of Rosenfeld only add to the raw and honest edge of the encounter. The guitar designs also standout with their imagination within the narrow but full flight of the track, a success emulated and more by the next up A Way With Words. The song is a real pop song, its compelling power pop radiance irresistible to feet and voice. Essences of its sound remind of Good Charlotte and Smashmouth, these spices teasing thoughts pleasingly whilst around them riffs and rhythms cast a more sinew tempting to the potent revelry.

Both On The Town and Be Better Than Me gets the fire in the belly raging, the first a terrific stomp of grazing riffs cut across by flames of acidic melodies as the excellent vocals explore relationships. Its successor is a mellower enticement but no less riveting in its punchy beats and rock ‘n’ roll bred suasion which brings a touch of Pinhead Gunpowder as well as irresistible unpredictable twists and excellent additional female vocals to its glory. The pair push the rising stature of the album up another step, the first especially a highlight of the album with its dramatic air and ridiculously contagious incitement musically and lyrically. Their success is matched easily by Skinny And Distracted, roguish rhythms and stabbing hooks uniting for a Boxcar Racer like treat. At ease persistently changing its urgency and sinew built gait, the track is another anthemic coaxing impossible to resist joining in with but just as strongly brings new thought provoking adventure and imagination to its body.

One That Can See is a resourceful and adventurous romp for ears and emotions, though not finding the same heights as previous songs even with its appealing sonic endeavour, whilst Stay Down, Stay Strong also lacks that same passions igniting spark though it provides a fiery rock song which is as infectiously binding as it is evocatively coloured by a melodic rock intensity. Both tracks leave appetite and reactions well fed nevertheless before Kitchen-sink Drama leaves them bloated and blissful from its insatiably contagious and bruising stomp. There is an antagonistic and defiant edge to the song which emulates from the vocals and lyrics to inspire a strong drama and depth to its presence, whilst hooks and melodies complete the enslavement with masterful and instinctive invention.

30 Pills unveils another big highlight within the album, the provocative song themed around somebody being HIV positive. Hard hitting lyrically and musically, Rosenfeld alone bringing a deeper growl to his narrative, the track roars and incites yet still employs some of the juiciest hooks and melodically drenched chords to persistently inflame ears and emotions. It is a glorious strike leaving the final pair of Still I Persist and You Are My Friend a hard task to follow. They make valiant attempts though, the first a vigorously solid slab of muscle driven punk rock with passion fuelled intensity and the closing song a slower slice of punk balladry which with Green Day like melodic potency, brings a smouldering and evocative finale to greedily embrace. It is a fine end to a great album.

Moving On is arguably a release which delivers what you expect from Versus You without the band making great strides forward but with songs that simply fill every need and want of a pop punk enticement, and with plenty of extra thrills included, it is a release which simply leaves pleasure and contentment the overriding result and that is more than good enough to unreservedly recommend the album.

Moving On is available now on Bomber Music @ http://bombermusic.limitedrun.com/products/528789-versus-you-moving-on-cd-and-vinyl-lp-and-dl in download, CD, black vinyl, and Ltd Ed vinyl versions.



RingMaster 21/07/2014

Copyright RingMaster: MyFreeCopyright

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