Goldsmack – Wild Season

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To be honest it is proving hard to describe the Goldsmack sound; certainly it is a blaze of sultry pop equipped with a potent glaze of psychedelia. But equally it delves into dark rock ‘n’ roll and blues bred exploits whilst casting a theatre of intimate drama amidst an evolving landscape of aural roars and smouldering emotions. Maybe the closest hint is to say that the Italian trio create something akin to Nick Cave and the Velvet Underground uniting in the seduction of My Baby and MGMT, but then again maybe not. There is also a familiarity to their music which makes accessibility very easy but as revealed by the diverse collection of adventures within their new debut EP Wild Season, it is once caught by that invitation that the real adventure and thrill actually begins.

Goldsmack consists of vocalist Georgia Minelli, guitarist Davide Tebaldi, and bassist/keyboardist Luca Bagatti, three childhood friends brought up “in the single most beautiful and boring place on earth”. It was a small village in the gentle hills of northern Italy where the trio nurtured their musical prowess and imagination, amongst many things to while away the hours. Their sound plays like the home of dreams and isolation bred from a similar source of inspiration in their remote upbringing whilst the band name, again to quote from the press release, “…refers not as much to real gold, but rather to an alchemical sort of gold, a chimera, a potent drug…a prismatic, paradoxical thought that becomes circular and obsessive.

Good Morning Star tantalises first, a monotone sonic lure the thread to a web of electronic beats and guitar cast spirals of melodic enticing. A thick bass tempting swiftly adds to the potent bait, the mix carrying a post punk air reinforced by the also singularly expressive tones of Minelli, an essence of the Au Pairs coming to mind at this early point. At the heart of the persuasion a brewing infectiousness grows, wrapping the increasing celestial pop and vivacious radiance of the encounter. Contrasting it though are prowling shadows courtesy of the bass aligned to a sonic predation, extremes colluding to offer their part in the exploration within the EP of “the impossible triangle between Love, Money and Spiritual Enlightenment”.

The captivating start is swiftly surpassed by A Wild Wild Season, a fascinating dark rock stroll seeing Bagatti bring his full vocal participation to the narrative alongside Minelli. A spicy melody winds itself around another darkly lit bass coaxing, beats resonating in the background as Bagatti’s equally shadowed Cave-esque tones cast the beginning of the evocative narrative. The song continues to saunter, merging lighter scenery into the sinisterly aired landscape, whilst both Bagatti and Minelli duet and entwine their compelling deliveries to enthralling success. The seduction gains even greater momentum as a croon of orchestral like coaxing reveals their provocative textures in another riveting and mouth-watering triumph to the release.

A feisty ambience of blues and psyche rock smothers ears next as Rites Of Spring takes over, that My Baby reference a perfect clue to the sultry and fiery shuffle of the encounter. Minelli is as much ablaze as the guitars, their individual tempestuous energies and impassioned creativity uniting in a fire of persuasion though one kept in check a touch by the great wandering tenacity of the sobering bass. Once more ears are glued and imagination ignited; their appetites hungry for more and straight away fed by the similarly caustic delta blues pop/funk of Kids with Guns. Feet and emotions are quickly recruited to the swagger of the song, ears seduced by the impressive and sizzling enterprise of Tebaldi’s guitar resulting in one more increasingly enjoyable and incendiary escapade.

The closing Of Human Bondage is an enthralling oddity, a turbulent experience of dark drama and emotional torment coloured by insightful references and samples. These alone reinforce the imposing theatre and power of the track but are matched just as potently by the menacing shadow coursing its sound. Within it all a dark beauty is at work too, a calm and hope which only accentuates the track’s absorbing provocative heart.

It is a gripping end to a thrilling introduction to Goldsmack. Wild Season is an infestation of the psyche which continues to work away even after its sound has left the body; a golden slice of psychedelic darkness and shadowed pop whose recommendation comes as a roar.

Wild Season is available now @ https://itunes.apple.com/us/album/wild-season-ep/id988821494

http://goldsmackmusic.com/   https://www.facebook.com/pages/Goldsmack/804817556212518

RingMaster 20/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Diamond Youth – Nothing Matters

dy Reputation Radio/RingMaster Review

It may be only thirty minutes in length but Nothing Matters, the debut album from US alternative rock band Diamond Youth, is jam packed with boisterously contagious songs to party hard and long to. It is a riot of fun seemingly bred on flavours inspired by the likes of Queens Of the Stone Age, Weezer, and Foo Fighters but with plenty of its own distinct characteristics and flavours to create something individual to Diamond Youth. For personal tastes the release is stronger and most tenacious in its first half but every offering within Nothing Matters is a compelling slice of pop rock equipped with feisty persuasion and a good strain of tenacious mischief.

Diamond Youth hails from Baltimore, emerging around 2010 with a line-up featuring members of Trapped Under Ice, Terror, and Down to Nothing; all sharing a common background of art, design, skateboarding, and of course music. Influences range from band such as Pixies, The Nerves, and unsurprisingly Queens Of The Stone Age, and it is fair to say that the quartet has increasingly lured attention through a host of EPs starting with DMND and Don’t Lose Your Cool in 2011. It is Orange in 2013 and Shake a year later, both as the new album released via Topshelf Records, which provided the spark to greater focus and acclaim enveloping the band, in turn sparking strong anticipation for the band’s debut full-length. It will leave no one disappointed and is destined to not only recruit another wave of eager spotlights and fans whilst simply creating a fun time for all.

Recorded with engineer Dave Warsop, the album starts with its title track, swiftly entrapping ears and appetite with stirring rhythms and spicy hooks encased in vocal and melodic revelry. Quickly, especially as the vocals impressively cast their tempting on proceedings, that QOTSA air is an open breeze bringing even greater catchy bait to the vibrant persuasion. It is the tangy hook though which brings the biggest smile in the emotions, that and the adventurous ideation lining the song from first note to last.

Nothing-Matters-Cover Reputation Radio/RingMaster Review     The excellent opening to Nothing Matters is quickly matched by Thought I Had It Right, another song with thick hooks and entrancing harmonic tempting. Slightly more restrained in energy compared to its predecessor, the song saunters and sways with a rich Muse like sultriness to sound and voice. Every syllable comes coated with a spice of angst whilst melodies like a fine wine just become more seductive and effective on the senses with very passing moment. There is also a volatile edge to the contagion posing as a track, its sonic presence flirting with causticity as it forcibly infests and ignites ears through to the imagination.

Spinning steps up next with an even more reserved nature though melodic and vocal passion in turn create a blistering roar courted by a snarl of a bassline. Fair to say that it might be the least feisty song on the release so far but it is the most tempestuous and fascinating, and subsequently quite irresistible as also the following Far Away from Earth. Rhythms straight away lay down an anthemic potency before quickly finding themselves skirted by a deliciously grizzled bassline and a brewing sonic mist of guitar. The mellow croon of vocals does bring a magnetic tempering but ultimately only seems to inflame the growl and rebellious attitude of the song as it erupts in a cauldron of pop infectiousness and rock ‘n’ roll predation. Crunchy and warmly smouldering simultaneously, it teases the psyche like Josh Homme toying with Muse as it creates yet another instant pinnacle upon the album.

A more summery swagger comes with Succulent next, a surf rock/ garage pop colouring the sweltering climate of the bewitching instrumental. Its heated charm and warm elegance are emulated in next up In the Clouds, a bubbling shimmer of sound and harmonies which takes the listener by the emotions and leads them on a dance of addictive devilry. Six tracks in and five of them are easily single potential, an instrumental having little chance of being chosen let’s be honest.

From Riptide onwards, band and album seems to explore a different avenue with a lessening of the agitated sonic invention and an increasing of more immersive melodies and warm radiance. Tracks as this compelling ballad still have a fire in their belly but such the alchemy of virulence in earlier songs they just miss, and it is just, casting the same persuasive spark. Nevertheless the song has ears engrossed and satisfaction full whilst the static kiss and melodic coaxing of No Control and the post punk like rhythmic lure of The Nothing, ensure only the keenest attention is given. The second of the two especially has thoughts and enjoyment lit before Deep Love explores some dark pop beauty. It has a feel of UK artist Rooster Cole to it, with its sombre ambience encased in an excitable adventure of sound. The track is superb, a match for anything before and without doubt also a song on its own sure to trigger greedy reactions.

The album closes with The Difference, itself a humidly aired release of emotional and musical drama, and a fine end to an increasingly impressing encounter. Diamond Youth has taken the qualities nurtured in previous releases to new thrilling and at times spellbinding heights. Whether you want an out and out romp to party with or something with a melodic embrace to sink into, Nothing Matters delivers one very enjoyable time.

Nothing Matters is available now via Topshelf Records @ http://www.topshelfrecords.com/products/545159-diamond-youth-nothing-matters or https://topshelfrecords.bandcamp.com/album/nothing-matters

https://www.facebook.com/dmndyouth   http://www.dmndyouth.com/

RingMaster 20/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

We-Are-Z – Walkaway

pic by@AndyWillsher

pic by@AndyWillsher

The song might be about “taking a journey into the recesses of consciousness, exploring perceptions and angles that don’t add up”, but musically Walkaway is just one inescapable funk ‘n’ roll devilment of indie pop come new wave virulence. The song is the new single from We-Are-Z, a UK band which on the evidence of their new release, springs a sound on the senses as agitated and warped as it is infectiously magnetic. It incites body and imagination with tribal like rhythms amidst paranoia kissed sound, each racked with St. Vitus dance like activity within theatrical melodies and mellow washed vocals. The track is pure temptation, like Shriekback meets Late Cambrian in a Two Door Cinema Club embrace, yet different again.

The London based Anglo/French quintet formed in 2012, with its line-up already seasoned musicians bringing experiences of playing with the likes of Beyonce, The Waterboys, and James Morrison into the mix. Debut track Airbrush swiftly drew strong attention and support from media and fans alike, whilst the band since then has lured in diverse comparisons from Vampire Weekend to Devo and Franz Ferdinand to XTC. Inspirations are equally varied within We-Are-Z, the likes of David Bowie, Serge Gainsborough, Talking Heads, Blur, The Clash, and Static cited but as their new single shows, the band ultimately emerges with something yes a little familiar but perfectly peculiar to them.

Walkaway from its first touch is a rampant shuffle of jabbing beats and a dark flirty bass lure from Guillaume Charreau and Marc Arciero respectively. The guitar of Drew Wynen adds a lively temptation to the attention grabbing start also, little but gripping hooks and slithers of melodic spices a flirtatious tempting adding to the instant magnetism. Seductive and quirky keys are colouring the song further next, Clement Leguidcoq bringing a smouldering coaxing seeping around and within all the other tenacious textures at play whilst vocalist Gabriel Cazes has a drama and flirty quality to his insatiably vibrant tones and harmonies. There is no escaping the enslaving effect of the song, the puppeteer like lure of rhythms on limbs and the addictive contagion of everything else on voice and emotions, a proper feel good treat.

According to reliable sources, with an energetic and irrepressible live presence to match the adventure of their new single alone, it is easy to suggest we will all be hearing and devouring a lot more of We-Are-Z from hereon in.

Walkaway is available via Sputnik Records from May 18th

http://we-are-z.com/   https://www.facebook.com/WeAreZmusic

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Glenn Hodge Banned – Family Man

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Awoken to the punk folk, to give it a name, prowess of Glenn Hodge Banned through the outstanding Iconoclast EP last year, it is fair to say we had a tingle of excitement going into the London based musician’s new single Family Man. Carrying on the infectious adventure crafted by the previous release, the new song is an equally irresistible stroll of lyrical and creative revelry taking another honest and striking look at a slither of life.

Originally from Ashford in Kent, Hodge was brought up in East Anglia but it was once moving to the capital that his musical adventure really began. Surrounded by inspirations to breed his catchy and often mischievous folk seeded songs, the singer songwriter soon built a potent reputation on the city’s live scene before releasing the well-received single Faces on Tables in February of last year. Its success led to keen anticipation of the acclaimed Iconoclast EP, a collection of magnetic songs from Hodge looking at city life and personal relationships with honest social commentary, an exploration as mentioned continuing in Family Man.

cover     The single opens with a strum of guitar which quickly becomes a constant coaxing as Hodge begins his magnetic narrative. It is a lively acoustic start with voice and lyrics easily the focal point but wrapped perfectly in the lean sounds around them. Things expand and reveal greater colour when harmonies caress a moment of calm with their enticing presence whilst after another inviting passage like at the start, the rigorous chorus adds a moment of boisterous energy to the already gripping persuasion. Things continue to ebb and flow in energy but not in magnetism, the song musically and lyrically taking an increasingly tighter hold on ears and imagination as it explores the protagonist of its title and dark secrets.

Family Man just lights up the senses, reinforcing the impact of the last EP and confirming Hodge as one of UK’s brightest and resourceful songwriters/musicians. If the likes of Billy Bragg, Ste McCabe, and Frank Turner catch your ears then Glenn Hodge Banned is an exciting must.

Family Man is available now @ https://itunes.apple.com/gb/album/id990246719

http://www.glennhodge.com/   https://www.facebook.com/GlennHodgeBanned

Upcoming live shows:

11th June      Upstairs at the Ritzy, Brixton, London
4th July        The Spice of Life, Soho, London
17th July      Brentwood Festival, Brentwood, Essex
23rd July     Ambition Festival, Matthews Yard, Croydon, supporting Beans on Toast
23rd August Beautiful Days Festival, Devon

RingMaster 06/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

The Shy Lips – Bahia Part II

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Their name might be The Shy Lips but there is nothing reserved or timid about the band’s energetic and captivating sounds. Theirs is an almost feverish invention and adventure which fuels the music, and already the Gothenburg based rockers have stirred up strong attention and eager appetites with previous songs, but it is with new single Bahia Part II that the band looks set to breach the broadest recognition. The song is an infection soaked slice of rock ‘n’ roll drawing from various flavours past and present for its own intoxicating romp.

Picture 4   The Shy Lips began in 2012, created by vocalist Adam Benrahmoun Johansson and bassist Victor Pettersson. The idea of the band sprung up during travels in Europe and South America where the two met and bonded, the creative thoughts bred becoming a reality once the two moved to Gothenburg and recruited drummer Anton Ekedahl and guitarist Alexander Lisinski to their musical cause. Band members come from the differing climes of Morocco, Poland, and Sweden, and bring an eclectic mix of inspirations and ideas which openly add to the variety and drama of the band’s sound. The Shy Lips were soon luring in potent and loyal support once emerging, an increasing fan base growing up around them through their live presence backed by eagerly devoured songs such more recent singles She was Born in Bahia and That’s Where I Belong. A pair of EPs have only reinforced their impressive emergence and striking sound too, luring in attention from fans and media alike not only at home but across a trio of continents. Now it is the turn of Bahia Part II to awaken another breath of hungry reactions, a done deal here sure to be emulated far and wide.

A lively stroke of guitar is soon bolstered by rumbling rhythms and the expressive tones of Johansson as the song starts its persuasion, a swiftly engaging mix equipped with a great blues air and sixties scented garage rock tenacity to it. Feet and emotions are soon locked into the smiling energy and stroll of the song, its revelry increasing in a ridiculously infectious chorus. The bounce of the song is just as irrepressible whilst the vocal and melodic enterprise shows a touch of Babyshambles and The Sonics to its irrepressible devilry, again eras blending into a distinctive shuffle of beats and the ever spicy melodies.

Bahia Part II will only relentlessly linger once infesting ears and psyche, we can vouch for that, sparking up at will to reinforce the creative potency and impressive arrival of its creators on the indie/rock scene. Time for an album me thinks.

Bahia Part II is available now.

http://www.theshylips.com   http://www.facebook.com/theshylips

RingMaster 05/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

The Jade Assembly – One Last Time

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The best singles are those which leave you emotionally and maybe physically (behave) aroused by their conclusion, songs which take the listener on emotional and musical rides with lingering effects. They vary from ear to ear, heart to heart of course but a few manage to tap into a potency and energy which captivates the broadest landscape of eager appreciation. One such proposition is One Last Time, the new single from UK rockers The Jade Assembly. The song is a rousing incitement of passion and energy which from a strong and inviting start simply soars with anthemic and dramatic majesty. It leaves bodies breathless and emotions fired up ready to take on anything, whilst thoughts just want to know and hear more.

The Bolton hailing quartet of vocalist/guitarist John Foster, lead guitarist Gareth Smedley, drummer Andy Watson, and bassist Danny Hayes, has taken the Manchester scene by the scruff of its neck in recent times with their blend of alternative, indie, and melodic rock. They have frequently lured acclaim and support with their fiery impassioned songs, Clint Boon of Inspiral Carpets describing The Jade Assembly as the ”Best Guitar band since Kasabian”. With a song like One Last Time pounding away in ears it is hard to make any counter argument, instead a nod of the head and repeat play of the single the response.

The voice of Foster cupped by a melodic caress of guitar opens up One Last Time, his expressive delivery instantly impressive. A bass tone almost rumbles with resonance next as the song entices with increasing strength, spicy hooks soon emerging alongside firmly jabbing beats and the infectious exploits of Forster’s vocals. The cap on the bottle of the song is soon off, riffs and rhythms suddenly strolling rigorously through ears led by equally fiery vocals and badgering rhythms. Another relaxing emotive breath is taken before things once again erupt into a stirring contagion fuelled canter, the full anthemic force of band and song a raging/seductive persuasion. Riffs and even more tempting hooks explode on the senses whilst the passion of the band drives the heart of the creative and emotional roar of the track.

Obviously one song does not mark a band but a look at other songs soon reveals the creative weight and inventive prowess of the band with One Last Time, The Jade Assembly’s finest moment yet.

One Last Time is available now

http://www.thejadeassembly.com/   https://www.facebook.com/thejadeassembly

Upcoming live shows:

Saturday 9th May – Midland, Rochdale (Acoustic)

Saturday 16th May – Sound Control, Manchester with Danny Mahon & Friends

Friday 22nd May – Maida Vale, Sheffield

23rd/24th May – Liverpool Sound City (not yet announced)*

Saturday 20th June – Cadence Festival, Tyldesley

RingMaster 05/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Rooster Cole – More Than You EP

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If you had to choose one word to describe the music of Rooster Cole it would have to be dramatic. Given a couple more to use then evocative and spellbinding would be next in line. As evidenced by recent debut single More Than You, the band’s sound and presence is pure aural theatre, transportation to sultry and emotional adventures which simply seduce ears and imagination. Now a four track EP with the last single as its title track has been unveiled to declare Rooster Cole as one of the most exciting and magnetic propositions in the British music scene today.

Rooster Cole is the solo project of Black Black Hills frontman Mark S. Aaron, a band itself igniting the music landscape before seemingly going on a hiatus. With a sound described as Bluesman Mariachi Soul, hard to think of a more accurate description either, Aaron unveiled a couple of songs last year to whet the appetite before releasing, as mentioned, his first single a few weeks back. It was a song which not only expanded on the potential of those early tasters but opened up a new web of intrigue and promise which now the EP has been taken to even greater depths and thrilling exploits.

MORE THAN YOU EP blue     The EP opens with Up To The Teeth and swiftly with its spicy caress of guitar and more sombre bass tone, has ears alert and the imagination intrigued, especially when the expressive drama lined vocals of Aaron begin the narrative. Only a few seconds in and a swarthy climate soaks the senses and song whilst a spicy flavouring spills from the melodic enterprise of the guitar and an evocative tang seeps from the keys. Its ambience is just as humid and provocative whilst vocally Aaron paints a potent picture for thoughts and emotions to embrace. His voice and presence is pure magnetism, as his songwriting and musical craft, and imagining Nick Cave and Roy Orbison as one unique person will only take you closer to the impact and qualities of the man. For all its shadowed feel and dark drama there is catchiness to the song which is just as gripping, its chorus especially magnetic with its melodic and vocal roar.

     More Than You steps up next and from its first breath has the listener under a sweltering sun scorched sky, a Tarrantino meets Morricone ambience colouring the broad yet intimately suggestive soundscape of song. It is exotic in air and rousing in touch but equally with discord lined sonic winds also bringing their temptation, the track is an unpredictable and compelling adventure. Aaron once again croons ears into submission, every word and syllable a conjuring of the imagination with his distinct and mesmeric delivery; if there is a finer descriptive and evocative vocalist right now we cannot think of them.

Whereas the first two songs are gentle immersions, even if each also brews stirring and intoxicating crescendos, third track River Deep strolls in on an immediately lively swing and energetic shuffle. The sway of the song is simply hypnotic and the rhythmic enticement a lure to listener involvement in feet and body. Thoughts and emotions are in turn taken care of by the voice and rich melodic enterprise of Aaron, aided by the feel of eighties bands like Heaven 17 in the feisty pop energy of the song. As always, Rooster Cole songs are a blend of light and dark and the latter, with its bluesy rock embrace, offers up The Doors and Bernaccia like whispers, though it all emerges as one unique Rooster Cole emprise.

Final song Evelyn is a ballad of haunting emotion and beauty, an inescapable magnet for ears and unbridled seduction for the imagination. Strings caress the senses with their melodic croon whilst Aaron strokes thoughts with every line of the dark romance, it all gently prowled by the throaty tone of the bass. Brief but sending a tingle down the spine, the song is a glorious end to a stunning release.

Aaron had us awoken to his voice and songwriting with Black Black Hills, further impressed and excited with his recent single and now lustfully inflamed through the More Than You EP. Rooster Cole is now on course to be the future of dark mournful rock ‘n’ roll.

The More Than You EP is out now @ https://roostercole.bandcamp.com/

http://www.roostercole.com/     https://www.facebook.com/roostercolemusic

RingMaster 30/04/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net