Sonic Tides: talking Oceans with guitarist Tom Hollands

The release of a new EP suggests 2018 is set to be a potent and busy year for Brighton, UK based Oceans. It is a multi-flavoured, ear grabbing incitement of the band’s post hardcore and alternative rock blended sound building on their previous encounters whilst venturing into new imagination. We recently had the pleasure to dive into Oceans and their new offering with guitarist Tom Hollands, exploring their beginnings, fresh endeavour and more….

Can you first introduce the band and give us some background to how it all started?

Much like the actual Oceans, we are a band made up of 5 mostly water based entities: Zach Silver – vocals, Conor Hyde & Tom Hollands – guitars, Jack Warren – bass and James Gillingham – drums. We all either lived, partied or performed alongside each other before the current line-up was formed, that and our shared desire to create made Oceans happen!

Have you been involved in other bands before? If so has that had any impact on what you are doing now, in maybe inspiring a change of style or direction?

Collectively we’ve all played in bands or made music of many different genres. Perhaps without being fully aware of it we draw on this when writing – We’re all quite different as musicians too so I think we’re bound to end up with quite an eclectic sound.

What inspired the band name?

We came to Brighton and based it on things we saw – So it was either something to do with seagulls, falafel (love it), or the ocean… No unfortunately that’s not true; our guitarist Conor got it from a Mallory Knox song!

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

The idea has always been to try to make music that we love and hopefully others do too, and to do this as a career – We always strive to be somewhat original yet familiar enough to still fit into a scene.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

Most of us didn’t have any real direction until we decided to pursue music. We also love playing live and like most bands can’t wait to hopefully play to bigger crowds and do more tours!

Since your early days, how would you say your sound has evolved?

We’re evermore critical with our songwriting and I’d say we’re starting to really refine our sound – The music has grown darker sonically and thematically and we’ve tried to strike a balance between more poppy hooks and heavier riffs.

This has been more of an organic movement of sound or more the band deliberately trying new things?

Although it’s felt like a natural progression, we’re actively trying to make the best songs we can and sometimes that means tearing apart or scrapping ideas we’ve worked on for ages and doing something completely new instead.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

We all have rather different tastes in music; artists that have had a considerable impact on us are Incubus, Don Broco, Black Peaks, Deftones, Marmozets… There’s so many. We’ve heard of some bands that will try dozens of different melodies or ideas before settling so we’re just trying to be as critical as possible!

Is there a regular process to the band’s songwriting?

We don’t have a set method, however it usually starts with guitar riffs written at home and then built upon bit by bit in rehearsals. We all have a say in every part of the process so it really is a collective effort. Now we do demos and backing tracks to try out synths and things like that.

Where, more often than not, do inspirations to the lyrical side of your songs come from?

Our singer Zach writes the lyrics – Subject matter is usually based on personal struggles or stories relative to what’s happening in our lives (get over ourselves, right?) – We try to leave things open to interpretation, we want our audience to be able to relate.

Could you give us some background to your latest release?

Our new EP, Far From Composure dropped on March 13th. It’s available on practically all platforms and we see it as a big milestone for Oceans.

How about some insight into the themes and premise behind it and its songs?

Thematically the EP spans elements of coping with mental instability and it’s causation due to physical condition, relationships with yourself/others, escapism… The premise of this EP was to really capture our progression as a band from previous works and most importantly create something very emotive that connects with listeners. We also wanted to write big riffs, hit stuff and make loud noises.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Our intention has always been to enter the studio with finished songs, however we always end up adding bits and pieces and coming up with extra ideas – We actually recorded a whole extra song last time!

Tell us about the live side to the band?

We play with a lot of energy and really like to throw ourselves about, I’d like to think if you don’t enjoy our recorded music at first our live set would… Captivate you… (Pun FFO Marmozets…)

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods? Are there the opportunities to make a mark if the drive is there for new bands?

It can be tough for any new band to branch out from their hometown and it certainly hasn’t been any different for us. It helps being driven for sure – We lost count long ago of the amount of gigs we’ve played around trying to make a name for ourselves. We’ve had our fair share of bad luck but we’ve found that the harder you work the more chance of creating positive opportunities you have – Though there are many other factors to consider!

How has the internet and social media impacted on the band to date? Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

Social media has played a big part in enabling us to reach people we otherwise wouldn’t have been able to. However, working round changing algorithms and the like can be difficult when trying to connect with fans (Or gain new ones). It’s a big discussion, though now it’s pretty much a necessity for new artists to engage in social media. Like with anything, it’s really about figuring out how to utilize it most effectively for your band, we’re definitely still learning! I’d say do what you can without losing sight of what’s important, the rock and/ or roll (or whatever genre you play). Cliché I know…

For further dips into Oceans check them out @

https://www.facebook.com/pg/oceansukband   https://twitter.com/oceansukband     http://instagram.com/oceansukband   http://oceansuk.bandcamp.com

Pete RingMaster 13/04/2018

Copyright RingMaster: MyFreeCopyright

Noydem – A Time Will Come

A Time Will Come is the new EP from French outfit Noydem, a release coming three years after the band’s debut album. Formed in 2011, the Paris quartet create alternative rock which embraces an array of flavours for, as evidenced by their new release, a quite appetising adventure.

A year after emerging, Noydem unveiled their first EP in the shape of The Landing, its keenly welcomed release followed the next year by an even more eagerly received self-titled album. It is fair to say that the foursome of vocalist/guitarist Julien Prouveze, lead guitarist Gia Vcgr, bassist Jules Brosset, and drummer Joffrey Hebert has yet to awaken major attention outside of the French rock scene but an awakening A Time Will Come has a great chance of stirring.

Themed by “the feeling of people struck with ostracism in today’s society”, A Time Will Come offers five tracks of infectious rock starting with Welcome Home. A deep groan of bass and crisp percussion draws the equally alluring scythes of guitar and Prouveze’s strongly enticing vocals, it all uniting in a subsequent earthy stroll with flirtatious hooks entwined in infectious grooves. Immediately captivating and increasingly virulent by the second, song and sound tempt and seduce with lively enterprise, electronic additives adding to its inescapable contagion.

The excellent start is quickly matched by next up Bring Me Down. From its flirtatious start with seriously tempting rhythmic bait, the track catches alight with stoner lit grooves and industrial rock essences teasing a bold rock ‘n’ roll stroll. The electronic attributes of its predecessor come with greater voice, bringing a pop rock celebration sparking even greater infectiousness in the song’s character and antics.

The EP never quite reaches the heights of its first pair of songs again but only pleases and impresses as the likes of Stay with its calmer, reflective electronic/alternative rock grab attention. At times a suggestive simmer and in turn a dynamic blaze, the song is little short of an aural magnet with moments of major temptation.

The shimmering balladry of Your Other Self is more of a slow burner but never less than persistent captivation while closing track A Place to Live has the listener and EP bouncing with its own mix of emotive deliberation and physical dexterity. It too needs a touch more time to get under the skin compared to the first trio of tracks but worm into appetite and psyche it does.

Inspirations to Noydem include the likes of Red Hot Chili Peppers, Queens Of The Stone Age, Foo Fighters, Incubus, and Audioslave, spicing often easy to hear within A Time Will Come but theirs is a sound which is developing its own character very nicely with the prospects of major attention increasing release by release.

A Time Will Come is out now on iTunes and other stores.

https://www.facebook.com/Noydem/

Pete RingMaster 12/12/2017

Copyright RingMaster: MyFreeCopyright

Bad Llama – Apocrypha

UK band Bad Llama emerged early last year and swiftly poked eager attention with the release of first EP Shedding Skin and its lead single The Wolf You Feed from fans and media alike. Now ahead of their upcoming follow-up EP, Crooked Empire, the Burton upon Trent quintet ups the ante with the release’s first track, Apocrypha.

It is a powerful and rousing encounter which demands attention whilst revealing a new maturity and intensity in the band’s multi-flavoured sound. A list of Bad Llama’s inspirations reveals an eclectic mix ranging from Red Hot Chili Peppers, Incubus, and Tool to Korn, Faith No More, Rage Against The Machine and Bring Me the Horizon; a mix equalled in the metal and heavy rock bred enterprise of a sound also bearing the spices of progressive and industrial nurturing. As previous releases suggested, what emerges is a sound distinct and becoming more unique to the band; Apocrypha another definite potent step towards that originality.

Recorded with producer Gavin Monaghan, Apocrypha moves in on ears with an almost predacious atmosphere and similarly swinging beats, its threat dissipating slightly as Kyle Jordan’s expressive tones step into the web of suggestion cast by the guitars of Dan Houlbrooke and Sam Wyatt. The gnarly snarling bass of Lewis Hutchings though keeps the intimidation flowing; a delicious texture prowling the sonic temptation continuing to entangle the imagination of song and listener as Gaz Waddell’s beats bite.

It is a captivating mix in a song which grows and blossoms in thought and enterprise with every passing second. Apocrypha is a masterful proposition, skilfully crafted and emotionally intense which it is hard to see not stoking up attention for Bad llama and anticipation for that forthcoming EP.

Apocrypha is self-released November 10th.

https://www.facebook.com/Badllamaofficial    https://twitter.com/BadLlamaBand    https://www.instagram.com/badllama_/

Pete RingMaster 04/11/2017

Copyright RingMaster: MyFreeCopyright

White Noise Radio – Cosmos

Offering an eagerly tenacious union of hungry riffs and resourceful grooves, Cosmos is the second EP from UK outfit White Noise Radio. The band’s ear catching alternative rock owes plenty to inspirations ranging from Porcupine Tree and Karnivool to Incubus and Opeth but proven across four eventful tracks to carry a host of distinctive and potential carrying attributes likely to set the Bristol quintet a couple of steps  aside from the crowd.

Formed in 2014, White Noise Radio has forged a potent reputation and stature across the South-West, pushing broader awareness with their self-titled debut EP last year. Recorded at the legendary Sawmills Studio in Cornwall, Cosmos is poised to draw greater attention the way of the band with its captivating tapestry of melodic and sonic enterprise around a clutch of choruses which simply demand involvement.

The EP opens with the excellent Siren, a song instantly baiting ears with a fine percussive lure, their clipping touch an inviting dance to which melodies and the dark throb of Mark Detre’s bass add even greater potency. Soon the song opens up a teasing web cast by the guitars of Antoine Maas and Ben Lampard, a draw intensifying in weight and trespass before the lead vocals of Lampard grace a mellow breath coming forth within the encounter. There is still a dark edge to the song, the rhythms of drummer James Gill and Detre almost as portentous as they are progressively funky. It is a bold and compelling mix, only increasing its snarl and draw as the song blossoms across a more tempestuous yet controlled and always evolving landscape, with adventure in its creative hills.

Without knowing their influences it is not too difficult to guess the touch of bands like Karnivool and Incubus but similarly that individual character of the White Noise Radio sound is apparent and just as vocal within the equally striking Gone Inside. The wiry riffs of its entrance again make for a richly appetising lure, the guitars and bass seductive and sinister as they continue their invitation whilst subsequent mystique lined grooves flirt alongside before a heavier breath sweeps through it all. As its predecessor, the track twists and turns through a revolving spiral of aggression and intensity, each bringing new textures and drama to easily embrace as the five-piece technically and creatively weave with increasing dexterity.

Latest single, Dawning is next, the song a calmer proposal with a celestial tone to its melodies and bouncy energy to its rhythmic enticement. Vocally Lampard again swiftly impresses, his guitar play also engaging alongside the suggestive flare of Maas. A mellower encounter in comparison to the first pair, it too has a fire in its belly which erupts in sonic bursts and though for personal tastes lacking the final bite and boldness of the first two songs, the encounter has ears and appetite bound in no time.

Wires bring things to a similarly collected close, its Tool-esque tranquillity almost deceitful of the emotional and fiery energy waiting to break at certain times. Throughout there is a dark almost predacious edge to the bass and riffs, a fine tempering to the spiralling sonic lights of the guitar and the ever harmonious and inviting tones of Lampard just as magnetically backed by Maas. With a Bush like scent also seeping from the song, it makes for a fiercely gripping conclusion to a firmly pleasing release.

White Noise Radio has not quite found their unique voice yet but Cosmos suggests it is coming whilst offering songs which quickly get their highly enjoyable hooks into the psyche. The fact the EP only gets stronger and more impressive over listens just adds to the fun.

The Cosmos EP is out now and available @ https://whitenoiseradio.bandcamp.com/album/cosmos

https://www.facebook.com/WhiteNoiseRadioRocks/    http://whitenoiseradio.rocks/

Pete RingMaster 18/07/2017

Copyright RingMaster: MyFreeCopyright

Figures – Chronos

Barely giving the acclaim laden dust time to settle after the release of their self-titled debut EP this past February, Australian outfit Figures have just unleashed its predecessor in the similarly striking and fiercely enjoyable shape of Chronos. Offering five more slices of the Melbourne quintet’s alternative rock/melodic metal blend, the EP also has a new fresh breath and seeming richer maturity which defies the mere four months between releases. Obviously we cannot say when the songs of either release were written but the step is maybe surprising but greedily taken as Chronos eclipses the equally outstanding first offering from the band.

Formed as 2013 turned into its successor, Figures has risen up the ranks of attention with notably increasing success in recent times due to that critically acclaimed first EP and a dynamic live presence which has already seen the band  share stages with the likes of Caligula’s Horse, Twelve Foot Ninja, and Superheist. Broader focus and support for the band has without doubt been aroused these past handful of months and is sure to escalate again as Chronos is discovered by more and more. Instantly it has ears and attention in the palms of its creative hands as opener Recoil raggedly simmers into view and proceeds to uncage a gnarly groove as primal as it is magnetic. The guitar continues to growl and tempt as the lively rhythms of drummer Josh Sforzin and Jen Fletcher’s moody bassline join the blossoming affair; vocalist Mark Tronson soon in the mix with his agitated roar. Predatory and magnetic, the track needs mere seconds to entrap the senses and imagination, sealing the deal as Tronson’s melodic prowess unites with his rawer tones as steely metal and melodic rock textures equally collude.

The stunning start is matched by the equally dramatic and even bolder exploits of Alpha. Guitarists Paul Callow and Simon Edgell spring a lure of wiry riffs and sonic temptation around the harmonic delivery of Tronson, though as the music he allows harsher textures to escape his throat to keeps things unpredictable. Virulently infectious and persistently imaginative, the song is pure captivation; its heart earnest and body a tapestry of melodic and sonic intrigue with just the right richness of volatility to keep things intensely fascinating.

Tied Around follows, winding brooding grooves around ears as Fletcher’s bass groans with matching seduction while again Tronson enthrals with his impressive vocals. There is an agitation in the riffs and beats of Sforzin which is transferred to the steely grooves but tempered by the elegant beauty of melodies and harmonies floating across the song’s inner oasis. As with the first pair, creative magnetism is at play sparking an elevated greed which Point of Doubt feeds with its cosmopolitan almost shamanic nature. Sultrily exotic melodies align with anthemic rhythms within the song’s fiery blaze, its riveting landscape tempestuously sharing warm and irritable climates.

The EP concludes with Crying Door, a mellow melancholy lined croon shaped by keys and voice and their suggestive beauty, Tronson again a magnet in its midst. Darker hues walk the song’s edge, bassy shadows lurking as skittish beats court a more portentous edge. It is an entrancing close to a second seriously striking encounter with Figures. Musically the band has been compared to the likes of Incubus, Deftones, and Karnivool, all justified but add a touch of Voyager and possibly even Porcupine Tree and you get a fuller impression of what, to be honest, is a sound distinct to one truly exciting proposition.

Chronos is out now @ https://figuresbandofficial.bandcamp.com/album/chronos and other online stores.

http://www.figuresband.com/    https://www.facebook.com/figuresbandofficial

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

Figures – Self Titled EP

Figures_RingMasterReview

Melbourne is one of those cities persistently producing exciting new musical proposals and another to strongly add to the long list is Figures. Firmly established and acclaimed in the Australian rock scene, the quintet now have their sights on much broader attention with their self-titled debut EP leading the way. Offering four tracks of melodic/alternative metal with numerous other strains of rock involved, the release is a striking and seriously accomplished encounter with a sound very easy to find a healthy appetite for.

Formed in 2014, Figures has shared stages with the likes of Caligula’s Horse, Twelve Foot Ninja, Superheist and many others since then, luring heavy praise along the way. Their first single Filter equally courted acclaim and attention the way of the band, it taking them across to the US to perform at MUSEXPO’s Global Rock Summit in Los Angeles. Taken from the EP it made for an attention poking lead and gets the release off to a mighty start.

The song’s first touch is a gentle melodic caress, Filter coaxing ears as the guitars of Paul Callow and Simon Edgell wind up their energy and enterprise for the subsequent fire of riffs and grooves. Quickly the swiftly impressive vocals of Mark Tronson shine in their midst as the similarly enticing groan of Jen Fletcher’s bass and the swinging prowess of drummer Josh Sforzin add darker depth and texture to the already compelling blaze. The band has been compared to the likes of Incubus and Karnivool and in some ways you can suggest Circles, Voyager, and to a lesser extent Shattered Skies too though Figures quickly establish their own character in song and release.

cover_RingMasterReviewEqually fiercely robust and enticingly elegant, the song is a formidable introduction strongly backed by its companions starting with Desolate. Quickly the second song sounds very familiar though we cannot remember hearing it prior to the EP yet it cannot stop the fiery serenade of the track seducing ears and passions. Its melodies and harmonies caress the senses, its snarling riffs and boisterous rhythms raising the spirit and though it takes a touch longer to tempt as its predecessor, it blossoms into its equal.

Again making initial contact with a warm lure, Vice soon looms over ears with a web of wiry grooves and intrusive hooks as raw riffs and rapacious rhythms court the ever impressing mix of vocals and harmonies. There is aggression fuelled attitude at the heart of the song, giving it great underlying irritability as its mellower textures spread their charm, a blend sublimely igniting all four songs in varying ways with the closing Emoticonic no exception.

It gets straight down to offering growling confrontation though it is quickly interrupted and thereon in interspersed by washes of melodically inflamed imagination. The spiral of metallic tendrils really hits the spot though from start to finish, the whole song only feeds an already hungry appetite bred by the EP for what Figures have on offer right now and anticipation for their continuing growth.

Already 2017 is proving to be an exciting and impressive surge of emerging bands tempting bigger spotlights with Figures right there on the frontline.

The Figures EP is out now and available @ https://figuresbandofficial.bandcamp.com/releases

http://www.figuresband.com/   https://www.facebook.com/figuresbandofficial

Pete RingMaster 01/03/2017

Copyright RingMaster: MyFreeCopyright

Hidden Pleasures: getting Under The Skin with Angie Joseph

under-the-skin_RingMasterReview

Hailing from Paris, Under the Skin is a new alternative rock band already beginning to turn heads and lure real attention. Consisting of Angie Joseph and Yann Brandon, the band released their first EP earlier this year, quickly stirring unsuspecting and eagerly receptive appetites to their refreshing sound. We had the pleasure of discovering more about the band and the creative forces behind it thanks to Angie, exploring its origins, that debut EP and much more…

Hi Angie and many thanks for sharing your time to talk with us.

Can you first introduce the band and give us some background to how it all started?

HI! We are Under the Skin…A French alternative rock band based in Paris. This band is a duo fuelled by Yann and me. We have additional musicians on stage but we really create the songs together. We used to work together in another project before and when it stopped, we have started to work alone… Yann was making me listen to his songs and I was doing the same… one day we decided, as we love each other’s work, to work together again.

Have you been/are involved in other bands together or singularly before?

Yes, Yann has been in few bands before. I’m in different bands since I’m 16. But I was in the same band with Yann for 7 years (2007-2014). When this band (WISHES) split up, I didn’t want to join another band, never… I had enough! So I’ve started to work alone and tried to found my own sound. I needed to prove something to me. I didn’t wanted to be involved in something where you have to convince or to hear the opinion of 4 or 5 musicians. But Yann and me are very close friends, so naturally I made him listen to my songs, and he did the same… we have decided to work together because we wanted the same things and most of all, we knew what we didn’t want anymore. We compose each at home on the computer, we record a demo and then we meet to listen and choose what we like or not.

What inspired the band name?

I wanted something with a meaning and also a name composed, because …hey, why not? Yann wanted the same, that’s why I love to work with him. Most of the time we want the same things and we don’t even have to talk about it, some people think that we are clones.

We’ve chosen this name because we are convinced that ‘Under the skin’ we are all the same, we don’t really like labels. So let’s break the fences and just make music.

Angie

Angie

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

I don’t know if we can call it a specific idea but we wanted to make music in the most peaceful way possible… so from the creation of the band, to the songwriting process, we only do things if it’s cool and if we really love it. It’s easier because we are only 2 to decide… if it’s not 100% ok we don’t keep it. We never have a third person to choose between him and me. Maybe it’s something that our fans can feel… I don’t know. But we are more relaxed that’s obvious.

Since your early days, how would you say your sound has evolved?

It’s too soon to tell… the only thing we know is that we have found our sound… we know how we want the drums or the guitars sound… same thing for the mix…etc.… but for the songs themselves, we have not explored all the things we wanted, we don’t want to stay in one direction so, it’s too soon to tell.

Have any changes that have occurred in your sound been more organic than you deliberately wanting to try new things?

I feel that we always want to try new things because we have not explored all the things we wanted to as I said before… there is so much we want to try, we got so many ideas that this organic movement is more the way we work in general than something we could force… Yann and I came from different music styles so both of our influences feeds us… this give us a ton of opportunity and the band is too new to know where we could go yet. Every time I try to compose a song and I think of the way I want it to sound, I end in a totally different style, so not really. We do what we love. And we let the magic happen.

You mentioned influences, are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

We do have a wide range of inspiration, really different… I know that Yann really love bands like ‘Incubus’,‘Skunk Anansie’ or ‘Faith No More’, and I’ve heard people say that they can feel this but really as an influence and not like a copy or anything. It’s difficult to explain… We do have a lot of bands or artists in common  but I do listen to more punk music or loud rock, not like metal bands or heavy bands but bands from the 90’s or 70’s, raw, simple and most of the time with a woman behind the mic… Yann listens to different stuff so when I bring an idea he‘s the one that “arranges” the song and when he brings a song I try to find something to make it sound “simpler” … so we really complete each other in the way we write music.

Is there a process which generally guides the writing of songs?

No there is not a process. We really have a total freedom in the songwriting. Sometimes Yann brings a riff or a full song (just music or melodies, not lyrics), sometimes it’s me… sometimes we’ve just got an idea for a chorus or a verse. But we record anything we’ve got. Guitars, basses and drums before we share it and our ideas are full… and then we choose, we rearrange it or we put it in the “ideas box” … that’s what I like with our process… there is no waste.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

I write all the lyrics… I take inspiration from my life, the world, my feelings… sometimes it’s exaggerated sometimes not… Then I try to find a melody, record a first idea and make him listen… and we refine the melody together, but most of the time I speak with him about the idea of the lyrics and he’s agree …

Would you give us some background to your latest release?

Well, our latest release was also the first one. At the end of our previous band, we’ve been solicited separately by people who wanted to make music with us… for a song, a new project … some people  were waiting and wanted to see what we were going to do after this stop. But we wanted to work without pressure so we didn’t tell that we were working together on something new. When nobody is waiting for you, you got all the time you need and no one interfere, or push you. We’ve worked on few songs and have recorded them. We’ve also worked on a video clip that we had made few months before the release, always in secret. We’ve opened a Facebook page without showing our identity… and we’ve started to share it and the whole thing came out at the same time. It was a pretty good idea because a lot of people were not waiting for anything and suddenly a new band was here with a full pack. It was also very exciting and scaring but we definitely don’t regret it. We really had amazing returns from people everywhere. Radios, webzines, from our fans from our previous band, our family, friends…

Give us some insight to the themes and premise behind it and its songs.uts2_RingMasterReview

I would say… love, friendship, sadness, happiness, anger… feelings.

Ego‘ talks about all that people that need to have lights on them without doing nothing, most of the time they do it to feel surrounded but that kind of friendship is fake, and it never last and they ‘re alone at the end of the journey.

‘Fever’ is about a poisoned relationship where love and hate are equal… and your mind about to break…

Good enough‘ is about being present for someone as a friend…even if at the end we are the only one that decides to bounce back when it comes to a rough time that we live.

‘Witness’ is about one of my friends… it’s hard to see someone dealing with a pain and feeling helpless… only time can heal that kind of drama…

Do you enter the studio with songs pretty much in their final state or leave room to develop them as you record?

We go in studio with the songs done at 96% because of our way to work… so the only things we do in studio are some arrangements. We only record the drums and the voices… Everything else is already recorded at home… it’s faster.

Tell us about the live side to the band, presumably the favourite aspect of the band?

We’ve got a pretty good team for the live side. All the musicians are really good and they are also good friends of us. We also have a wonderful light engineer that works with us for years now, Bertille Friedrich. She has a lot of ideas, she’s young and she’s definitely a band mate. I think that what you see on stage is as important as what you hear. We try to create a very personal environment and a full universe. Like a story.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it?

It’s really hard… we try to do everything ourselves… from the recording to the graphic designs and video clips… so it takes a lot of time. The good thing is that we have experience and competence… But I think there is not magical recipe except working hard, with passion and staying true. But if you’ve got the magic formula in your pocket, you have all my attention.

uts_RingMasterReviewHow has the internet and social media impacted on the band to date?

If social media and internet didn’t exist, our entire plan for the release of the band would have been screwed up. We work with it… it’s important to see social media as a platform that helps you to keep in touch with people… for a band… not when you need to find new friends 😉 but it also forces a band like us, to rethink the way we communicate… we must feed this media with anything we have because people behind their screens are starving and everything goes really fast… that’s a full time job… People that keep social media or internet aside, loose something important that could help them, I think.

Once again Angie, my big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thank you for having us. We have recorded a new song called ‘State Of Mind‘… I think this song is a good cure to the mood of the dark days that we are all living all around the world…it makes you smiles, and makes you happy. We’re going to release also a new video for this song… So keep in touch!  It’s going to be amazing!

We are going to work with our friends from the band ‘Dry Can’ for this video… Anne and Antoine are really good friends and they were already working with us on the video clip for the song ‘Fever’.

https://www.facebook.com/undertheskinband

Pete RingMaster 07/12/2016

Copyright RingMaster: MyFreeCopyright