Mate’s Fate – A Home For All EP

As the French metal scene continues to impress with the quality of bands and releases coming forth in recent times, metalcore quintet Mate’s Fate join the expanding list of goodness with their debut release. The A Home For All EP is a ferocious and eventful slab of tenacious metal, five hungry slices of sound and aggression catching the imagination with a blend of fresh and familiar resourcefulness. Loaded to the brim with just as potent potential, it is an introduction already pushing the band beyond local borders towards European and broader spotlights.

Formed at the end of 2015, Lyon hailing Mate’s Fate instantly tempt attention with a reflective melody as the EP, crowd-funded with fierce success, opens up with its title track. With beats for company , that first enticement draws ears into a waiting wall of rapacious yet controlled riffs, that the plateau for an opening web of wiry grooves.  Guitarists Quentin Reberat and Yoan Larme continue to spin their respective lures and designs as vocalist Matthieu Delage roars with great and potent variety backed by other members of the band. There is no escaping a Bring Me The Horizon influence at play with the track not dropping many big surprises yet such the craft and passion involved with Mate’s Fate’s own invention, the song leaps boldly from the speakers to ignite thick pleasure and enjoyment; its melodic and calmer flames along with a want to stretch the track’s creative landscape especially pleasing.

The following Souvenirs had ears hooked from its first Korn like breath, a sonic spiral and breathless vocal bait the seed to an antagonistic stalking of the senses swiftly accelerating into a predatory tempest again mixing a great blend of varied vocal assaults and guitar spun adventure fuelled by hostility. There is a touch of now sadly expired Irish band iBurn about the track but it soon boils up its own creative and invasive character as the swinging beats of Nicolas Ammollo incite and punish alongside the equally carnivorous groan of Thibault Chemineau’s bass.

Closing on a swirl of suggestive melodic toxicity, the song is instantly followed by the opening mists of Hopeway, the crystalline glimmer remains a persistent glaze even once accompanied by an ever enjoyable span of vocals it is interrupted and inflamed by ferocious strikes of sound and intensity. There is a rawness and volatility to the song which potently tempers the melancholy and unsettled calm, eventually sparking even more tempestuous traits across the excellent encounter. The captivation of its creative enterprise is matched within the more primal but no less resourceful Undercover. Featuring additional vocals from Florent Salfati, who also mixed and mastered the EP, it’s every taut sinew, savage riff, and venomous syllable is a magnetic trespass and only equalled in strength and appeal by each citric melody and hope lined harmony that surfaces. Once more, it is probably fair to say that uniqueness is not as forceful but it matters little in, as the EP overall, a proposition as unpredictable and imaginative as it is irresistibly compelling.

Prison Of Silence brings the release to a close, its voice sharing many attributes of its predecessors like a linked story yet sharing individual twists and turns to ensure just as eager and persistent attention; every steely tendril of guitar and rapier thrust of rhythm an incitement to vocal and sonic dexterity.

It is no surprise that A Home For All is waking up the metalcore scene, for a debut it pretty much wipes the floor with anything out there right now but with the potential also in its ranks and the band’s future imagination, it is easy to suspect that we have seen and heard nothing yet.

A Home For All is available now @

Pete RingMaster 30/03/2017

Copyright RingMaster: MyFreeCopyright

Onoma: All Things Change

When recently reviewing the excellent From Israhell With Love compilation, a release which highlighted the strength and diversity of metal bands coming out of Israel, one band stood out over what was an impressive line-up of bands and songs. The band was Onoma, a Tel Aviv based alternative metal quartet whose track Bug was an instant addiction with its vibrant and fresh sound, ideas, and energy. Their contribution ensured the need to hear more and the opportunity came when guitarist Asaf Keidan from the band approached The RR for a review of their album. Obviously being professional we deliberated and thought about the offer…for all the time it took to type yes please… and what emerged was an album which excited and thrilled like so few other releases have in recent months. All Things Change is outstanding, an album which took no time in entrenching itself in the imagination and heart.

Onoma, the Greek word for ‘Name’, were formed in 2007 by Keidan, vocalist Elad Koren, and drummer Saggi Chen. Early demo recordings during the first couple of years led to songs like My Drug, Twisted, and the aforementioned Bug, gaining strong attention and praise across the internet and web radio whilst the next two years saw not only an ever increasing interest and following as the band gigged across Israel, but also the addition of bassist Andrei Aframov (ex-Phantom Pain) to the permanent ranks. Last year the band ventured into the studio to begin the album alongside famed producer Sylvia Massy (Tool, System Of A Down, Skunk Anansie, Deftones) who mixed it and James Murphy (Death, Obituary) who handled the mastering, with the band itself doing the production work. What emerged is a release is quite stunning.

All Things Change is an album which incorporates a multitude of sub metal genres to conjure up distinct brews of alternative and nu-metal driven goodness. The band state their influences as bands like Alice In Chains, Korn, Deftones, and Meshuggah, all clear to hear at times, but their spicery does not stop there as at times the likes of American Head Charge, (Hed) P.E.,  Watcha, Marilyn Manson, and Scars On Broadway to name a few, shoot through thoughts as the tracks unleash their inventive craft.

The album starts with Lauds, a short track come intro, which heightens the anticipation of what is too come with its chilling ambient and slightly distressed breath. The release is soon into its stride with Dear God and its military welcoming beats and abrasive riffs. Within moments it settles into a tight heated groove and djent toned rhythmic badgering. The vocals of Koren pick and chew at the lyrics delivering them in a Jonathan Davis like style which is as punchy as the jabbing and combative sounds. Once the melodic whispers turn to shouts there is a Drowning Pool like aggression added to further ignite the senses, the track climaxing on a belligerent and compulsive swagger.

The outstanding start is easily matched by the following Cannot Go and Loser Friendly. The first stalks the ear with tempting riffs and intimidating rhythms, its prowl a disruptive pattern of challenging and deeply rewarding invention. The song stomps and musically curses the ear with an angry intensity and deliberate antagonistic air whilst soothing its wounds with melodic enterprise. The second of the two is a heavy and shadowed Deftones like gaited piece of emotive expression. It has its moments charging with incendiary bursts of energy but at its core is an enveloping provocative slab of passionate might which bruises as much as it exhilarates.

The brilliant Bug ensures there is no dip in excellence or power, though all songs ensure the same. It is one of the most additive songs heard in a long time and a track which only takes one listen to become a best friend. The track is a tempest of melodic and discord driven wonder which captivates and riles up the emotions with equal effect. It has the melodic grace of Absolace, the creative imagination of iBURN, and the mischievous invention of System Of A Down, all driven by the spinal corruption of Periphery. Immense is the only word for it, and as you may have guessed we quite like it.

With the magnificent Animal coming at the ear with the same venomous conjuration as Bug, and the great closing pair of Fight Myself and Nothing Right offering a final ferocity and towering mix of melodic intrusion and muscular violation, All Things Change is easily one of the best things heard this year. Earlier this year we declared nu and alternative metal had been revitalised with the ingenuity of the release from Irish band iBURN now Onoma have shown it is truly thriving and more imaginative than ever.

Ringmaster 30/08/2012

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The Bone Orchard Show 34

The Reputation Radio Show has a well established recognition and notoriety for finding, championing and promoting the best of the independent artists and sounds around the globe. Unrelenting and tenacious the promotions company/radio show is acknowledged as the prime source for finding the best talent of all genres with the introduction of the same followed closely. The intense and heavier world of sound is discovered and unleashed through The Bone Orchard, a show where anything with muscle and a riotous tendency is eagerly presented. From all forms of metal and industrial/harsh electro through punk and psychobilly on to noise and psyche with all in between, The Bone Orchard bears their individual shadowed fruits eagerly.

This past week saw the latest episode bringing six of the most impressive and exciting bands around as well as bringing a debate on some aspects of music. Hosted by the blue hued Pete Ringmaster and Reputation Radio Show CEO and mastermind Johnny Summers, the show cleared the sinuses and lit up the ears of all those with urges to match and compliment the great sounds played.

Opening with the traditional opening intro provided by Mr Strange of The Shanklin Freak Show, a band the hosts would talk about at length within the show giving the audience the latest developments from their carnival, the show immediately treated the eager crowd to a track from the debut album Defaced from UK rock band The Self Titled to be released June 18th. Mr Nobody is a stunning track, a metal and rock fusion with stirring vocals from frontman Mark Campbell over a brew of inventive and powerful sounds. With an insatiable thirst for gigging and an equal demand wanting them for shows, The Self Titled are one of the best bands in the country right now, their sharing of stages with the likes of Forever Never and Sarah Jezebel Deva as well as acclaimed festival appearances, leaving nothing but devoted fans in their wake.

Next there was a burst of real punk rock from another band from the UK in the mischievous bruising shape of Dirt Box Disco. With self declared influences ranging from Kerbdog, The Damned  and the Ramones to The Bonzo Dog Doodah Band and Showaddywaddy, the quintet from Burton on Trent make music which is honest, feisty, and insatiably infectious. The contagious track played, I Am Rock n Roll, was an exclusive from Legend another album to be released June 18th. The song played and the album the song comes from is one which revives the true 1977 spirit of punk meshing it with rock sounds as anthemic and voracious as you could wish for.

Before a lively debate about bands including cover songs in their live sets which saw the hosts at opposing lecterns but ultimately ended in the blue man being right, so he claims, things became intensified with the devastating aggressive sound of Amongst Carrion. From South Wales the five piece metallers woke up the airwaves with their track The Fear In Her Eyes taken from their latest EP We That Should Not Be. With a melodic groove recalling In Flames and the brutal riffage of an August Burns Red, the track easily declares the band as an emerging force in UK extreme metal. They have definitely moved on fully from their early days as a cover band, the point which inspired the following discussion.

Continuing the UK theme Leeds band Ourfamous Dead provided the next outstanding track with their forth coming single Claws At The Door. A rampant brew of hardcore, punk, and electro the song is the latest step in the vision of band founder and song writer AJ Reeves. Fresh off a UK tour with another Bone Orchard favourite The Sun Explodes, the quintet are a band on an accelerated rise pulling in acclaim and fans with each show and release persistently. Having supported the likes of The Blackout, Funeral For a Friend and Gallows, the band is fast approaching the point where others are eager to share stages with them.

As the final featured band of the night, US melodic metal band Vajra stunned and thrilled the listeners with their epic masterpiece Inside The Flame. Taken from their forthcoming album Pleroma, to be released in July, the song is a hypnotic and powerful example of the darkly melodic progressive rock fused with Eastern Indian influences which they inventively create. Led by the glorious voice of founder/producer/keyboardist/songwriter Annamaria Pinna, the band is one with a craft and imagination which is sure to find a feverish demand over the months ahead.

Closing out with Irish metallers iBURN, a band which is frequently requested since the debut of their song Where It Begins taken from their new EP of the same name, and another band which leaves you wanting more, The Bone Orchard dished up another formidable dose of new and impressive music. If anyone tells you there is nothing good or new coming out, place them in front of the podcast of the show, and they will soon be put right by this group of bands alone.

With the show primed to unveil more outstanding artists and sounds across the weeks ahead you can catch this, previous and future shows over at The Bone Orchard page at The Reputation Radio Show site as well as watching a selection of videos from a host of the bands featured on the show.

Get in touch with the show via

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Interview with Matt Sheedy of iBURN

Immediately we heard it the new EP from Irish alternative metal band iBURN has us at The Ringmaster Review drooling and shouting its merits to all and sundry. Already fans of the band from their debut EP of last year, the new release Where It Begins with its fresh, aggressive and infectious melodic interaction alongside adrenaline fuelled intensity shows iBURN has emerged as one of the most striking and inventive bands in European metal. We had the pleasure of having vocalist Matt Sheedy from the band to tell us more about the release and the band.

Hi Matt welcome to The Ringmaster Review and many thanks for talking with us.

First question is…… is it iBurn, IBURN, or iBurN, we ask as we have seen it written all ways haha.

Haha…I don’t think we know either! I reckon it’s iBURN and before you say it, yes I know there’s a whiff of  plagiarism there but sadly we haven’t been sued by a certain American multinational corporation, I don’t even know if I like the name of the band but how ever written or whatever name it could have been it’s the music that matters to us.

photo Michael Wall

Please introduce the band members and how did you all meet?

Well myself (vocals) and Dave (guitar) did a mini tour with Dagoba a few years back  we were in different bands at the time and just found out we were into the same music and eventually we got this band together, Mark (guitars) was a good friend of Dave’s so he got him in and he tore it up so he got the job,  we have had a couple of different bassists along the way that had to leave the band but Shelley (bass) stepped in and secured that spot and we know her  through Mark and as for  the human drum machine Marek he jammed with Dave a good few years ago and his skills were remembered so we had to have him in the band.

How long has the band been going?

Since June 2008.

What were the inspirations and influences that brought the band into being?

To be honest we were into heavy shit! I just left a Hardcore Metal band and Dave just left a Death Metal band, so if you listen carefully you’ll always hear those two elements somewhere in the music, but  I think on top of that we really loved bands like Deftones, Tool, Slipknot, Pantera…ya know bands that bring power, groove and a big sound!

You have just released your brilliant new EP Where It Begins which we will get on to properly shortly, but since then the line-up has changed to the one listed above. Is this one of those things that bands, which have to fight and claw their way to attention in the world of music today and usually for a very long time, have to deal with more and more as frustrations and maybe disillusionment affect members?

Well the internet is the music hub for so many young bands to get their music out to the world and how and where it trends isn’t going to pay the bills so for some I guess it can be an uphill struggle in that respect but that’s only for those who want things too quickly… you have to realise it’s always been that way for bands but you share a vision and try to see how far you go with the band, I think the main reasons for a member becoming  frustrated or disillusioned are the same as they have always been…artistic differences and big ego’s!

As an emerging band you know there now is going to be a struggle and many walls you come up against on the journey for the band, how do you keep your enthusiasm and determination going? There must be times where it makes one think is it work it?

Yeah that’s gonna happen, that’s just life in general but we love music and playing live and that’s not gonna change.

You are from Dublin and surrounding areas, which seems from the outside to be enjoying a vibrant metal/rock scene right now. Is this how you find it being in the middle?

I wouldn’t say vibrant. It can come and go in waves.

We and a great many others discovered you with your great self titled EP of last year but with Where It Begins the band has really grown with a maturity and fully evolved sound. How do you feel the band has grown between the two releases?

Well we rushed the first EP, we got the band together in June ’08 and had to have the album written and recorded by August ’08, so the band has changed a lot in that time, these days we’re challenging each other a lot more and everyone is writing music that just keeps getting better.

As mentioned there are multiple frustrations for bands in trying to reach audiences, finding opportunities to play etc, how easy or hard is this to turn into a positive energy and force to add to the music?

It’s Easy.

Where It Begins contains seven intense, fresh, and aggressive tracks that hit hard and deeply. What do you hope most of all people get from the release?

Whatever they want, there’s many layers.

Is there anything particular about the release that brings you the most satisfaction and excitement?

Positive Energy.

Where It Begins is distinctly varied in sound and creative structure to songs; you have really worked with thought and intent to make the release the best of iBURN?

Nope, never any intention to our songs, we just play what we like.

How long has it taken from first song to now to make the release?

Too long! We wrote and recorded it in just a few months but due to a few stumbling blocks the release date got pushed back several times.

 Tell us about the inspiration to some of the powerful and instinctive slices of metal on the release?

Again we just went with riffs and vocals we like, never much focus on where it’s coming from or what inspired it.

What fuels and inspires your lyrics predominantly?


Are there a lot of personal experiences that come into the lyrics?


How does the songwriting start and work within iBURN?

There’s no one way we write songs.

Do your songs continue to evolve until the final recorded result or do you seal their form before going into the studio?

Right to the end, that’s what you pay a producer for, it’s always good to have someone with a good ear who could spot something that needs to be changed for whatever reason.

The production on Where It Begins is especially understanding to the creativity and persistently changing sounds and ideas within the songs. Who handled that on the EP?

Charles ‘Kallaghan’ Massabo produced both iBURN EP’s, he’s on top of his game and not afraid to try different ideas in most genres.

What comes next for iBURN?

It’s all about playing shows at the moment but we will always be working on new ideas and working towards something bigger and better.

Are we looking at a possible album this year or do you find mini album/EPs a better way to release new material?

Not this year, when you’re a new band you’re better off with an EP to see what the feedback is like.

Once more thank you for talking with us.

Would you like to end with a message for your current fans and who will become such after hearing your new release?

Hope to see you out on the road!

Download the Where It Begins EP for free @

Read the Where It Begins EP review@

The Ringmaster Review 26/04/2012 Registered & Protected

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iBurn: Where It Begins EP

Though only the fourth month in we can announce the winner of the EP of the year award. Where It Begins from Irish alternative metal band iBurn takes the honour with an intensity that snatches the senses from within your very soul to stomp all over them with adrenaline driven power and simultaneously revitalise them with ingenious and infectious melodic interaction. The release is immense and has surpassed the already strong promise the early sneak of two of the songs we had the pleasure of hearing gave up.

From Tipperary the quintet first drew eager attention and threw the senses into a blissful state of disarray with their debut self titled EP of last year. Eight tracks that took a dying genre in nu-metal into a revitalised and adventurous arena. The band now returns with seven more songs within Where It Begins that takes the genre even further forward but also declares iBurn as a band that feeds off and thrives across multiple influences and styles. They are fresh, aggressive, and the creators of metal that envelopes and excites every one of the senses whilst setting the heart aflame with invention and innovation.

From their debut iBurn has evolved as musicians and in sound from a band offering excellent exciting sounds into a very important one that is forging new avenues and taking European metal by the scruff of the neck to send new energy through its tired frame. They and this release really are that good. One hoped for something special having fallen for its predecessor but Where It Begins simply blows that out of the water.

The EP starts with Chase It and immediately snatches away the breath. Riffs finger the senses like a demented conjuror sending emotions into overload from blistered chords and groove veined meanderings. As the head becomes disentangled from the body under the intrusive yet delicious manipulations vocalist Matt Sheedy brings his perfect vocals in to calm the situation with harmonies and a clean flowing delivery. Of course he is no innocent and soon adds twisted growls and intent to join the irresistible guitars of Dave and Chuck in a wicked examination of the emotions.

The title track seizes the opportunity to further mesmerise and disable the senses next, a magnificent blend of urgent and dehabilitating riffs behind graceful keys and melodic ingenuity from the band. The drums drop kick with precision and accuracy whilst the bass pulsates with a darkened sinister tone throughout aiding what again is an immense piece of music and exhilarating songwriting. There has always been a Korn feel to the early iBurn songs and that, especially here is still very apparent but it has evolved into a spice that adds a flavour to a very distinct and unique beast. At times on the release one is reminded of other bands too, as on this song where one can hear touches of American Head Charge but iBurn has evolved into a band that when one hears a song they know it is them.

Diversity is rife on the EP to add an even further impressive element. Before Tomorrow has a industrial thrust to its soul, the band bringing a taste of Fear Factory to their creative and beautifully crafted invention. Coarse and smooth the song rips straight through to the heart leaving scorch marks from its infectious melodic teasing and the high intensity disruption of one’s safety zone. If spiteful yet innovative music was a crime the band would be the lead suspect.

The venomous Get It Right leaves one writhing on the floor, the song taking great pleasure from alternately flaying its recipient’s body to within an inch of its endurance and pulling them back up with regenerative melodic skill and sounds. It is as siren like as it is intimidating and further proof that the band has set up its own personal corner of metal to set the genre and other bands on a new course.

The crushing Lashing Out destroys the synapses next, the song bullying with more intensity than the likes of Machinehead have brought in a long time to be followed by the brilliant Human Nature, its Faith No More/Dub War greased metallic drive a staggering result of a band on a march to reshape not only nu-metal but metal on the whole. The continued mix of electronics with the nerve wrenching intensity and power is simply irresistible and alone would ensure attention was permanently but add the sheer invention, thought, and craft placed in each song from composition to ideas from each member and you have music that sets new levels.

Ending on Signs, yet another titanic song of power and imagination, one is grateful for the respite as the EP takes its leave but is soon diving back into the maelstrom of blistering and inspiring sounds. It is impossible to imagine anyone rivalling Where It Begins but one never knows, as to beating it in quality and satisfaction that is one hell of a long shot. iBurn are the future of metal and a band everyone needs to go find out about and as the band have released the EP as a free download you have no excuse not to go straight there right now.

Get the Where It Begins EP via either or

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