The Classy Wrecks – Bedrocksteady

 

If you are looking to get the feel good factor whilst giving body, spirit and soul a good work out then we suggest the debut album from Canadian outfit The Classy Wrecks. A collection of ska/rocksteady bred tracks, Bedrocksteady effortlessly had the body swinging and pleasure flowing from its energising first listen proving itself a tonic for any dull day.

Hailing from Toronto, The Classy Wrecks was formed in 2016 and quickly had ears and attention on board with the release of their first EP, Songs for the Extinct, the release seeing some of its tracks featured on radio stations around the globe. This led to the quintet of Daniel Mager, Bobby Shaw, Ian Herold, Roy Zada, and Alex Rodriguez signing with Trouble Town Records last year who released the Sociopath EP earlier this year and now the rousing Bedrocksteady.

A boisterous blend of ska, rocksteady, and reggae, the band’s sound makes for a proposition both familiar and fresh, an incitement persistently leading hips and feet astray with lusty endeavour as proven within an album which swiftly got under the skin and into the bones. Bedrocksteady opens with In the Evening and instantly the party is in full swing, the song a quickstep of ska flirtation and rhythmic temptation. Featuring the guest vocals of Cassondra Marie, the track strolls along with a pop fuelled swagger wrapped in a whiff of The Toasters. Vocally magnetic and musically manipulative, the track kicks the album off to a great start but within moments gets eclipsed.

The following One Drop Blues teases with its initial jangle, brass flames swiftly warming its lure as a Specials like hue breezes through ears. Its own lively sway soon seduced the same from the body, the track one of those where instincts to move take over, inclinations on constant alert across the album and especially next up If I Were to Tell You. The best track on the album, it has an eighties indie pop colouring entangled in its modern ska punk antics; a collusion of flavours which caught the imagination and appetite full-on with increasing tenacity.

Across the boozy pop romping of Superman (Is Going to Hell) and Keep Your Head Up Girl with its sultry saunter, album and captivation became further entangled; guitar jangles and brass flames alongside pulsating rhythms seductive enterprise so easy to succumb to with pleasure and eager motion and in full swing again with the rockier Time Moves On.

Across the release there is a hint of old school rockabilly to the fun, the last track teasing as too its successor, Little Baby Blues, especially when making its entrance. Again there is no escaping the almost devious wiles of its swing and sounds, the body naturally swinging to its canter before Northern Reggae springs its ska and melodic fervour from the speakers to induce a zestfully bouncing body.

Bedrocksteady finishes with firstly the Hub City Stompers like Sociopath, another of the album’s major highlights, and lastly the unscrupulous instrumental carnival that is Does Anyone Have a Patch Chord where even a graveyard would be pulsating to its kinetic alchemy.

They provide a fine end to a release which seems to become more tempting and enslaving by the listen. The Classy Wrecks have already made a potent mark across Ontario and beyond, more treats like this and a far broader landscape will soon be swinging to their musical manoeuvres.

Bedrocksteady is out now via Trouble Town Records across most stores and @ https://theclassywrecks.bandcamp.com/

https://www.facebook.com/TheClassyWrecks/  https://twitter.com/theclassywrecks

Pete RingMaster 15/11/2018

Copyright RingMaster: MyFreeCopyright

Hub City Stompers – Caedes Sudor Fermentum: The Best of Dirty Jersey Years

hubcitystompers_RingMaster Review

It never takes much of a reason to get our stomp on here, any excuse to fling limbs and energy around like a headless chicken devoured. One band which has perpetually been a spark is Hub City Stompers but in collecting a horde of their horniest ska bred tunes for their latest album, the band has set the fuse to global skanking like no other.

     Caedes Sudor Fermentum: The Best of Dirty Jersey Years is an irresistible bundle of songs personally chosen by band founder Rev Sinister and taken from previous releases Dirty Jersey, Blood Sweat & Beers, and Mass Appeal. It is also offers a long awaited outing on vinyl from the band, its songs re-mastered by David Perez of Memphis Street Studios for the format.

For those new to Hub City Stompers, the band was as mentioned, formed by Rev Sinister, the former vocalist for NJ Ska band Inspecter 7. When that band went into a kind of hibernation around 2001, Sinister searched out to like-minded musicians and by the following year, Hub City Stompers, with a line-up consisting of ex-members of bands such as Inspecter 7, Bigger Thomas, Professor Plum, Predator Dub Assassins, Bomb Town, and The Heavy Beat, was unleashing irrepressible creative romps. Infusing essences from styles such as reggae, punk, oi!, and hardcore amongst a few others into an array of ska flavours from the 60’s through to the 80’s, the band quickly bred a unique voice to their music which took little time in awakening greedy appetites, as shown by the success of 2004 debut album Blood Sweat and Beers and the Mass Appeal EP a year later. Both the Dirty Jersey and Ska Ska Black Sheep full-lengths of 2006 and 2009 followed suit before the band took a year out on hiatus as Rev Sinister members returned to help revive Inspecter 7. Last year though saw the frontman quit the band and return to Hub City Stompers, bringing it back to raucous new life as evidenced by their last album Life After Death which came out last December. It was of course a heftily welcomed return with their new compilation alone holding all the reasons as to why.

HCS Cover low_RingMaster ReviewThe twelve-track escapade opens with the epic sounds of Wtfiu, ears instantly under a cascade of roving rhythms and sultry brass whilst keys seduce and romance the imagination. Soon into a trampoline like gait, every beat and riff a bold bounce, the track is quickly the puppeteer to the body and soul of the listener, its contagion and energy aural addiction and merciless incitement. Uncaging a scuzzy intensity in its climax, the glorious opener sets release and ‘victim’ off in insatiable style before Bumbl-B is allowed to swarm over ears with its choppy stride and infesting key bred melodies. Vocals snarl and invite whilst the bassline coring it all, is heavy nectar, just two aspects colluding to stir up air around and the passions of all in close proximity in an encounter reminding of the UK’s own King Prawn at times.

Both the smooth skinned, Scarlet & The Harlots meets The Beat like Skinhead Boi and the ska ‘n’ roll canter Johnny Date Rape, captivate with their individual swaggers, both enticing as masterfully through the voice of Jenny Whiskey as they do with their ever tenacious weave of sounds whilst Chatterbox swings with reggae hips as the flirtatious clipping of the guitar aligns with hypnotic beats and another juicily moody bassline. Again the two tone elegance of The Beat comes to mind as the song seduces feet and sparks thick attention but once more Hub City Stompers employ all spices in their own renowned inventive and hungry adventure.

Trojan Night lifts bodies and dance-floors with its insatiable infection of sound and revelry next, early Specials a scent within its romping body, whilst a great Hub City Stompers infested version of The Cure’s Boys Don’t Cry hits the passions in the form of Skins Don’t Cry which hounds and brawls with ears; its punk toned sound and words twisted with Hub City Stompers warm irreverence.

A sixties smooch comes with the lively dance of Leave Me the F**k Alone after that thrilling pair, its own body a mischievous and flirty tempting sure to ignite everything from toes to voice in all to fall under its spell. Another exciting physical workout is guaranteed by band and song, a promise pretty much applying to all songs on teh album let us be honest, the following I’ve Got a Boot even in its belligerent and rawer ramble, a tonic to enliven the body, its relaxed and resourceful hooks and boozy brass lures especially intoxicating.

The magnetic punk irritability of F**k You, You’re Irish hits the spot with ease, its Dropkick Murphys like bar-room tromp a grin inciter matched in fun and unique persuasion by the jazz lined, blues charmed Little Julie Swatstika before the album is closed off by Mass Appeal and one last undiluted swing of sound and energy.

     Caedes Sudor Fermentum: The Best of the Dirty Jersey Years  is the cream of Hub City Stompers in the ears and thoughts of the band. Sometimes it is easy to forget the power of a band in consistency and evolving adventure over time and a good Best Of as here, can bring that home. This is simply a brilliant compilation which excites whilst igniting even greater and eager anticipation of the band’s exploits ahead.

Caedes Sudor Fermentum: The Best of Dirty Jersey Years is available from September 30th as a co-release between Rebel Sound on 150x White Riot Vinyl, Crowd Control Media on 150x Clear Vinyl, and Not Dead Records on 150x Green Goblin Vinyl, each colour exclusive to the individual label with 50x Classic Black Vinyl versions also available.

https://www.facebook.com/hubcitystompers

Pete RingMaster 30/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Immoral Discipline / Dead On The Streets Split EP

IM DOTS 7 Inch Artwork FRONT

This week Rebel Sound unleash the 7” Split between Immoral Discipline and Dead On The Streets, two US bands raging with Oi punk voracity joining for one raw and enjoyable fury. Uniting a band born in the heyday of the genre with a new protagonist for an uncompromising rapacious front, the release makes a proposition which does not push boundaries or hold startling surprises but certainly brings forward another thoroughly satisfying and invigorating slab of street punk to stomp along with.

First of the antagonists Immoral Discipline is a quintet from Washington D.C. which formed in 1986.From their first days the band was making a strong imprint on the Oi punk scene with their presence and sound, one which has still lingered over the years since their break up in 1989. Their demo Boots and Braces, Stars and Stripes in 1987 set a marker for the band and following genre bred bands, which in the following year the EPs Battlefield and a self-titled successor replicated. Live the band also earned a formidable reputation as they played with the likes of Agnostic Front, Half Life, The Adolescents, Leeway, Biohazard, Forced Reality, Best Defense, Uniform Choice, Warzone, Black Market Baby, Youth of Today, The Exploited and many more. Several line-up changes occurred across the years before the band called it a day, that was until founding member Shawn Garard Leahy brought Immoral Discipline back in 2011 as attention and a potent buzz around the release of a retrospective CD continued to grow. With past members placed in different parts of the country, Leahy with their blessing recruited a new line-up going on to play festivals and shows with band such as Stormwatch, Steel Toe Solution, Broken Heroes, Hub City Stompers, Pharmacists, Unit Six, The Traditionals, Iron City Hooligans, Warrior Kids, and Offensive Weapon. Currently working on a new album, the band uncages a couple of new tracks for this release, two shots of caustic might which shows they have returned harder and fiercer than ever.

     Riff RAF hits ears first, the bleating of sheep within a sonic swarm the key to a belligerent stride of snarling riffs and thumping rhythms. It is prime punk rock, the vocals of Leahy a raging protagonist which rile against thoughts whilst inciting great anthemic lures of group shouts. Production wise it could have been kinder to the frontman’s attack, it lacking the depth of bite expected, but it does not prevent his incitement hitting as hard as the irresistible hooks and the perfectly stirring basslines which course through the tempest. The song feeds expectations yet opens up a freshness and voracity in sound which makes their forthcoming album something to keenly anticipate, something the following Stay at Home Skinhead adds to. Once again the guitars surround ears with a sonic breeze before striking the flint to a stomping rampage of rabid beats and scarring riffs speared occasionally by searing melodic enterprise. It is a full-on punk anthem taking no prisoners as it ignites the passions. Listening to the two songs it is easy to understand that though they did not get the full recognition at the time how Immoral Discipline has inspired future Oi sounds and bands since, Dead On The Streets we would suggest one example.

Hailing out of Pittsburgh, Dead On The Streets emerged with their animosity last year, thus a band as fresh as newly baked bread and just as flavoursome. They also enrich their invention with the origins of the genre, creating honest and straightforward contagiously potent incitements. Early Grave is their first offering, a track which beats out a rhythmic coaxing before spreading out a bruising of coarse riffs aligned with catchy hooks. Walking with a more punk rock fuelled gait, the track merges old school simplicity and again raw snarling vocals to dirty rock ‘n’ roll revelry. It also is not a surprising encounter but a thrillingly magnetic one left in the shade a little by America Today. Stabbing riffs and a delicious almost psychobilly like bass bait opens up song and eager attention initially, before the song casts a masterful blaze of grazing persuasion and virulent hooks. The bass constantly seduces across the song, its charm and growl irresistible, but equally the guitars flirt and enthral ears with an adventurous flame of enterprise. Whereas its predecessor was pleasingly yet predictably sculpted the second of their songs is a thrilling intrigue and imaginative fired riot showing more of the diversity and strength of the band’s sound.

Dead on the Streets is a band to keep a close excited eye upon and Immoral Discipline an inspiration which has returned to more than likely set new seeds down for future emerging artists. Together they make for a highly enjoyable and enthralling encounter with their split, of which more of the same would be very welcome.

Immoral Discipline / Dead On The Streets Split EP is available now via http://www.rebelsoundrecords.com/ on 7” vinyl (300 Black vinyl, 100 Red vinyl, 100 Milky Clear vinyl with Blood Red Splatter) and digitally (including an extra track from each band).

https://www.facebook.com/ImmoralDiscipline

https://www.facebook.com/DeadOnTheStreetsOi

8.5/10

RingMaster 01/07/2014