Meter Bridge – It Was Nothing

Meter Bridge _RingMaster Review

It Was Nothing is the new single from Canadian duo Meter Bridge and a song which again shows the ability of the band to create a sound seeded in eighties synth pop but equally revelling in the genre’s modern invention. It is a quality which was already in evidence and acclaimed in the band’s debut album Slow Motion, from which It Was Nothing is taken, but it never does any harm to remind especially with virulent infestation of ears like this.

Meter Bridge single cover_RingMaster ReviewMeter Bridge is the pairing of Richard Kleef and Jill Beaulieu, a Nelson based duo which came together in 2011 and quickly began picking up a keen following. 2014 saw the release of their self-titled debut EP with Slow Motion coming a year later, both stirring up potent attention on the international electronica scene. The twining of their vocals within rich electronic caresses alone had ears enticed whilst the melodic simmers and livelier eruptions explored only added to the inviting drama of sound in especially the latter release, as now epitomised by It Was Nothing.

References to bands such as Kraftwerk and Ladytron are seemingly a regular comparison to the band, and understandable as the single strolls in with dour yet smiling bass pulses aligned with a flowery breeze of melodic tempting. The contrasting yet potent pairing of Kleef’s dark tones and Beaulieu’s warmer vocal caresses makes for quick magnetism, they enhanced further by a spice of variety which also tempts from within the music as a touch of Landscape smoulders alongside a Human League like air which bridges the two eras of the Sheffield band. Throw in a splatter of Thomas Dolby and Hot Chip and you get a scent of the rich enticement of It Was Nothing.

The single comes with a remix by Rodney Cromwell; a version which in many ways gives It Was Nothing a new side to its character rather than just a makeover. It opens with an Altered Images like electro shimmer which soon takes on a more Visage like nature musically and a Calling All Astronauts sounding adventure to the leaner vocal mix and rawer textures. Though not a big fan of remixes, the track certainly held the ears and appetite as firmly as its source and helps give a new nudge to those still unaware of the band’s synth pop adventure.

It Was Nothing is available now as a name your price download @ https://meterbridgeweatnurecords.bandcamp.com

http://www.meterbridge.ca/   https://www.facebook.com/meterbridgeband

http://twitter.com/meter_bridge

Pete RingMaster 05/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Dollhouse – Dawning and Rolling Around/Laudanum

Dollhouse_RingMaster Review

Allow us to introduce you to UK band Dollhouse, a quartet from Stroud with a sound that whilst still brewing and evolving is already showing the potential of becoming something special. To be fair, as the pair of newer songs we are looking at show, there is a compelling imagination and potency to the band’s music already. It is a sound bred from potent essences from Krautrock and garage rock but again on the evidence of Dawning and Rolling Around and Laudanum alone, the prime heart of their creativity is post punk.

There is little background we can offer about Dollhouse, except that the band consists of vocalist Zak Thomas-Akoo, guitarist/backing vocalist Will Ainsley, bassist Nick Browning, and drummer Tom Stevens. Inspirations to the band include the likes of Massive Attack, Groove Armada, Portishead, Can, Hot Chip, and Joy Division, the latter and similar genre influences the most open flavouring to certainly this riveting pair of songs, though a look at the band’s SoundCloud account sees those other spices woven into a handful of diversely sounding songs.

   Dawning and Rolling Around quickly grips ears and our ever ready appetite for post punk with its opening resonance of beats aligned to a brooding bass lure. As a slim and potent sonic lure of guitar joins the plain but effective vocals, there is no escaping the feel of Ian Curtis and co, a swiftly enjoyable haunting which only increases its grip as rhythms twist and the guitar moves through its shades of melodic colour and emotive expression. At the same time an infectious swing grows, emerging halfway with an Artery meets Crispy Ambulance like temptation, hooks and bass bait still undeterred in their creation of aural addiction. The track is outstanding, the recommended doorway into the emerging adventure of Dollhouse, though Laudanum is strong on the art of tempting too.

Again beats and guitar make an early beckoning but with them comes a slightly warmer and alluring air which further opens up as a catchy hook lined stroll breaks out along with a less intensive, compared to the other track, flow and tone of the vocals. Keys suggest as they caress the imagination with mellow vocals and restrained but potent rhythms fuelling the sonic web increasingly wrapping ears and appetite. Like a chilled mix of Modern Eon, The Associates, and OMD, the song enthrals and intrigues, and though it takes longer to ignite the same level of greed in body and thoughts as Dawning and Rolling Around, it too becomes a lingering slice of thorough enjoyment.

It is only the beginning for Dollhouse, and as their SoundCloud shows there is plenty of experimentation going on as the band develops into their own sound. With more propositions like this pair of tracks though, they are certainly heading towards stirring up strong attention with a following to match, for sure amongst post punk fans.

Explore the Dollhouse sound @ http://www.soundcloud.com/bewildereduk

https://www.facebook.com/thedollhouseband

Pete RingMaster 11/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/