Roaring flames: Introducing This Burning City

This Burning City

One song does not make a band but it certainly is enough to pay close and eager attention upon one and so it is with Ignorance the debut single from Canadian hardcore rockers This Burning City. The teaser for an upcoming EP, the track is visceral and sonically compelling introduction with a vicious contagion to match. Not wanting to wait until the upcoming EP to learn more, we grabbed the chance to fire off a few questions at the band to discover their background, influences, and more….

Hi guys and thanks for talking with us.

Can we start by asking about the band and its background?

Hey there RingMaster. Thanks a lot for opportunity to chat. This Burning City is a hardcore band from the small town of Gananoque, Ontario. We all knew each other from school and came up with the idea of getting together and making noises. Nothing serious but as time went by we loved what we did and This Burning City formed. We’ve been together for roughly 3 years now, but have jammed together for longer.

You have had a few changes in personnel since forming, the norm for plenty of bands but how has that impacted on your hardcore fuelled sound along the way?

No major changes, but a few bumps in the road really. I think in the beginning we didn’t really have any direction or idea of what we wanted. We looked up to bands and said “We want to be THAT” and wrote what we could. After the line-up changes, I think everyone was finally on the same page on what we wanted and we finally could start writing the music that we really wanted to put out. So to answer your question I’d say yes, it has influenced our hardcore sound, but in a good way.

Who would you list as the biggest influences on the band’s sound and you as individual musicians?

It’s extremely safe to say that our biggest influences as a band are Ritual (Ex. Dead And Divine), Stray From The Path, and The Chariot. Other than these three, we all really take influence from Prophets, Holly Springs Disaster, Of Temples, and The Color Morale. You can hear most of these bands in our music, and the influence is pretty clear and direct.

Tell us about the single Ignorance which was released earlier this year, is it a thick example of your sound generally for newcomers to get an idea of what This Burning City is all about?

Ignorance was selected as our single to lead into the EP that we have in the works. When writing music for the EP, we made this song and absolutely HAD to put it out. It was designed to give people a taste of what we had to come, the new direction we were going in, and keep people waiting for the EP. It was recorded in a small basement by Jordan Bulhoes of Suns Of Static and it was mixed and mastered by Jordan Valeriote who has worked on some really huge bands such as Silverstein, Neck Deep, Structures and many others. It’s a very good example of what’s to come, but since writing the single, we’ve written some truly outstanding music that will blow away anyone who enjoys the single.

What about the EP, any info you can share?

We just finished some gruelling days in the studio with Zane of North Of Princess studio to put together a really, really amazing EP. Right now we’re waiting for some early mixes and then it’s off to become truly magical.

Can you give us a spoiler as to its sound and direction?

All I can say at this time is that the sound is going to be huge, the melodies are going to be magical, and to those who have heard us before, it is going to be unlike anything we’ve ever released. Honestly, we all couldn’t be more excited.

You seem to be getting a potent reputation for your live presence also and have played with a horde of bands including the likes of Horizons, Atlas, Fairview, End Of Crisis, and With Blood Drenched Hands. On stage is where the band is most at home?

The stage is definitely our home. When we entered the studio, we looked like deer in the headlights. We didn’t know what to do. But the moment we need to hit the stage, we’re like a well-oiled machine. It’s the place where we let loose, connect with the people we play with, and try our hardest to create a memorable experience. It’s all energy and smiles when we’re up there.

You have a show coming up with He Is Legend and Maylene & The Sons Of Disaster as well as others. How are feelings as it looms closer and this is one of your biggest shows to date?

Well first and foremost we are excited to be sharing the stage with such amazing bands. But at the same time, we are a bit nervous. Kingston, Ontario has the bad tendency to not give these bands the attention they really deserve. I hope the locals will come out and support them. I know we’ll be a bit nervous to open, but like every time, we’ll get over it and truly kick the shit out of the performance.

What else has the band in store for the rest of the year leading into next?

Lots of big plans! Once the EP is out, we’re going to do our best to get it into the hands of people we don’t know and get the name out. Touring is a definite possibility. And of course, we’re always looking ahead to the next big step: our album. The ball is always rolling with us.

Thanks again for sharing your time, anything you wish to shout out to finish off with?

Thank you again for the questions! All I have to say is we are This Burning City! Check us out at www.facebook.com/ThisBurningCity or go to our website at www.ThisBurningCity.com. Check us out at a show near you and listen to the newest single, Ignorance.

Pete RingMaster

The RingMaster Review 14/11/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

 

Lucid Skies – Hounds EP

Credit - Tyler Frith

Credit – Tyler Frith

Though seemingly tagged as metalcore, Canadian fury Lucid Skies has a presence which primarily forges ferocious hardcore with metallic spite and melodic enterprise, the resulting sound which not only grabs attention but gives it an exhausting uncompromising examination which veers from imaginative seduction to unbridled and bruising antagonism. The Hounds EP is the impressive second release from the Edmonton quartet, following the Grudge Match EP of last year, and though it is not faultless it is promise soaked and strikingly invigorating.

Formed in 2009, Lucid Skies took little time in drawing notice their way with a sound inspired by the likes of Hatebreed, Comeback Kid, and Holly Springs Disaster. Started by guitarist Jesse Berger, the band was soon at full complement as Berger enlisted vocalist Nick Ogden, bassist Sam Jackson, and drummer Justin Smith. With impressive live performances seeing the band share stages with bands such as with Fall City Fall, Blind Witness, Fall In Archaea, and Breaking Fourth Wall, the foursome has continually enhanced their reputation, the debut EP sparking additional  keen attention which Hounds can only accelerate as the band continues its emergence.

The self-released Berger produced EP, opens with Shotgun Mouthwash and immediately has ears and senses up for its raucous Lucid Skies - Hoods Album Artworkconfrontation. A guitar grazing behind a vocal sample makes the first move before expelling a sonic breath around inviting crisp rhythms and the snarling vocals of Ogden. Group shouts pounce to back up the frontman to great effect and with riffs grilling the senses and rhythms building their punchy commanding presence the track sears the air with metal bred sinews and punk spite. Musically the song sees the band play with their intent and ideas to make for an appealing if restrained adventure, certainly compared to other tracks on the release, whilst the breakdowns and predacious attack of the riffs only add to the lure of the strong if unspectacular starter.

As soon as Left Hook makes its presence known you sense that something extra is at work, an indefinable essence maybe but one which adds an experimentation and bravery absent from its predecessor. The artillery of drum invention from Smith is an instant contagion whilst the grazing riffery only adds to the developing drama and intrigue. Into its muscular and provocative stride, grooves mark the heavy charge of the song whilst the vocals bring the expected venom with relish and power. The bass of Jackson is a throaty bestial stalking within this mix adding to the impressive incitement, though the breakdown to the back end of the song is clumsy but as the promo used was digital one wonders if it might have been a glitch in the transfer. Nevertheless the closing straight hardcore rage brings a great track to a healthy finale and a certain hungry appetite awoken for the EP.

With Eyes is the best song on the release and the most inventive, its body a continual movement of ideas and bold design. Its opening is straight forward enough, a decent hardcore raging but once it drops into a djent inspired prowling of the senses with the guitar a savage provocateur it ignites, grooves and hooks taking us on a keener escapade. Like in the previous songs things wait until the second half to whip the ground from under the feet and light up the imagination with unexpected skilful quests of exploration. The bass is unleashed to intimidate the ears alone, apart from the corruptive influence of the excellent beats of Smith, it developing a delicious groan to its notes which is matched and accentuated by the guitar to addictive effect, so much so that as the track returns to its initial fiery foraging of the ears it is at first a disappointment, but one soon forgotten as the track unloads the rest of its excellent bruising.

Hounds does not venture into the unknown or the band’s imagination enough for personal tastes, that shown up by the third track and its success when doing so, but also the vocal delivery of Ogden is something needing some enterprise too. His attack is excellent and tones as nasty and corrosive as you would wish but also needing some variation to really shine. It is a genre thing, hardcore and metalcore, to unleash one directional squalls so it is hard to be too critical but it is no accident that the best bands do find a vocal diversity to join a musical variation, something Lucid Skies certainly owns.

Completing the EP is Count Me Out, a track with mountainous rhythms and a spiralling sonic beckoning which is soon badgering the ear with intensive and merciless voracity. A metal seeded antagonist with a tempestuous appetite and combativeness, the song like the opener does not sparks the fires as the other two making up Hounds but undoubtedly continues the marking out of Lucid Skies as a stirring force to keep a close eager eye upon. The potential and existing promise of the band is impossible to ignore and their suspected ascent one which will have a hungry audience in times ahead with the Hounds EP, a name Your Own Price release at the band’s Bandcamp profile, an excellent place to climb on board the ride.

http://lucidskies.bandcamp.com/

https://www.facebook.com/LUCIDSKIES780

8/10

RingMaster 03/12/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com