Hailing from Colmar in France, it is fair to say that French metallers Khasm have introduced themselves in fine style with debut EP, Fenris. Consisting of four tracks sculpted from the emotional rancor and creative hostilities of old school thrash and death metal, with additional caustic essences, the recently released tempest is a compelling and increasingly rousing incitement for ears and the band’s already growing reputation.
A quartet made up of vocalist Christophe, guitarist Philippe, bassist Matt, and drummer Laurent, Khasm draw on inspirations which include the likes of Feared, Hatesphere, Six Feet Under, and Hatebreed for their own uncompromising sonic trespasses. As swiftly shown by Fenris, there is rawness to their sound which fits their lyrical confrontations but equally an inescapable if punishing virulence bred in the instinctive thrash side of their creative character.
They are essences which instantly grab ears in the Jocke Skog (Feared, Clawfinger) produced EP and its title track. Opening up the release with a great throbbing bassline, the song is soon backing up its coaxing with a tide of inviting riffs and biting beats. Almost as swiftly it hits its thrash driven stride, badgering and snarling at the senses with a repetitive wave of riffs and Christophe’s vocal hostility. There are no surprises with the track but plenty to get eager teeth into and find a hungry appetite for.
It is the same with No More Justice, the song needing mere seconds to whet ears and the imagination with its opening bait of Clawfinger-esque riffery. That passing lure is soon lost in the predatory prowl and rhythmic stalking of the song, an intimidating invitation in its own right which in turn twists and turns into a web of sonic enterprise and galvanic hooks within the track’s open discontent.
The already impressing nature of the EP continues with Nightwatch, a track featuring the guest sonic prowess of Scar Symmetry’s Per Nilsson. It is probably the most inventive and boldly diverse track on the EP without losing the hellacious nature fuelling those around it. The song savages and seduces across its brazen sonic landscape but does miss the final spark as found its predecessors. Nevertheless, satisfaction is thick and another aspect to the Khasm sound and character welcomed before the outstanding Turmoil brings it all to a thunderous end.
The closer opens on a lone reflective vocal, which soon provides the trigger to a senses harrying pressure of rapacious riffs and irritable rhythms, they matched in tone and presence by vocal rabidity and rebel rousing. Subsequent grooves only add to the thrilling drama and assaultive tenacity of band and track. It is a final addictive roar of punk ‘n’ thrash, the pinnacle of the EP and Khasm showing they can rock ‘n’ roll with the best of them.
Fenris is a powerful and memorable base for Khasm to spring forward from with anticipation for their next step already impatient.
The Fenris EP is out now on CD and digitally @ https://khasm.bandcamp.com/releases
Pete RingMaster 05/05/2016
Copyright RingMaster: MyFreeCopyright
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