Patriot Rebel – Cynics Playground

PatriotRebelPromo_RingMasterReview

With their first new slabs of muscle bound rock ‘n roll since the Two Worlds EP in 2013, UK quintet Patriot Rebel take another attention grabbing and impressive step to the fore of the British rock scene. Quite simply the Cynics Playground is a thumping collection of rousing incitements, a multi-flavoured EP that stirs up the spirit.

Formed in 2011, the Nottingham hard rockers have constantly honed their sound and lured greater focus the way of their ear pleasing creative roar. Drawing on inspirations ranging from Alter Bridge, Shinedown, Black Stone Cherry, and Avenged Sevenfold, Patriot Rebel poked at acclaiming attention with the aforementioned Matt Elliss (Black Spiders, Terrorvision, Skarlett Riot) produced Two Worlds. Live the band equally earned a potent reputation, taking in shows with the likes of Y&T, Tesseract, The Treatment, Jettblack, and Skarlett Riot along the way. Last year saw the release of the similarly striking video single Propaganda, a track taken from their first EP. Now with Ellis again at the helm, the band returns with Cynics Playground and a sound which has noticeably grown in maturity, power, and downright magnetism.

Patriot Rebel Cover Artwork_RingMasterReviewOpening up with Digital Mannequin, the EP hits the ground running. Led by the most irritably growling bassline to get an appetite for, the song is soon driving through ears with the riffs of guitarists Danny Marsh and Dave Gadd stirring the senses as vocalist Paul Smith roars. It is a thick and almost muggy assault with every element crisp and precise within the infectious tempest, throughout Marsh’s grooves entwining the imagination, binding the sinew swung beats of Aaron Grainger and the persistently grouchy tone of Will Kirk’s bass.

It is an outstanding start, with at times a whiff of System Of A Down to it, which leaves a lingering impression and pleasure before being matched in creative kind and potency by Self Hate. The second track similarly has ears and eagerness devouring its robust throes of riffs and rhythms, presenting another imposing yet inviting entrance which commands attention and enjoyment with swift success. Smith again stands magnetic within the boisterous energy and aggression offered, his delivery a fiery snarl with contagious prowess to match the virulent enterprise of the guitars and rhythms, which in turn means one stirring encounter.

Two songs in and the Patriot Rebel sound while never afraid to reveal some of its influences, shows itself to be at its most unique and individual yet, the emotive power balladry of Dying Breed continuing that welcome trend as it ebbs and flows with emotional and physical intensity amidst sonic invention. More a smouldering success than its predecessors, the track emerges as another highlight within Cynics Playground, being quickly equalled by the rhythm swinging, antagonistically riffed All I Wanted. It is a beast of a proposal, that irritability of bass in the opener fuelling every aspect of the mighty incitement. The song takes no prisoners, guitars and beats biting as they entice and land alongside the predatory nature of the bass which in turn courts the catchy lead of the vocals and the infection sharing instincts of the track itself. Equally though, there is room for some sonic and exotic melodic imagination to be seriously tempted by.

The EP closes with Miss-Guided, a song which reveals all the Patriot Rebel attributes with consummate ease while sharing the new depth and adventure in the band’s sound. Though it might not quite live up to those before it, the song is an impressing finale to a thrilling release. Cynics Playground is Patriot Rebel on a new plateau yet the feeling is that the band is still working towards their true creative heights; so happy days for UK rock ‘n’ roll ahead we suggest.

The Cynics Playground EP is out now through all stores.

https://www.facebook.com/patriotrebel    https://twitter.com/patriotrebeluk

Pete RingMaster 24/06/2016

Copyright RingMaster: MyFreeCopyright

Tyrannosaurus Nebulous – TLK/Straight Jacket

T REX_RingMasterReview

Tyrannosaurus Nebulous is a British hard rock roar which ahead of a highly anticipated new EP, have just uncaged a highly irresistible stomp in the shape of double A-sided single Straight Jacket/TLK. Two slices of multi-flavoured irresistible rock ‘n’ roll; the release marks all cards on a new spirit raising proposition very easy to find an eager appetite for.

Based in the Black Country, the foursome of Stourbridge hailing guitarists Matt and brother Paul Darby, their Dudley hailing cousin James Miles on drums, and South Wales (Caerphilly) bred Lee Jenkins draw on inspirations from 70’s hard rock and the likes of Budgie, Black Sabbath, Lynyrd Skynyrd, AC\DC, Status Quo, Led Zeppelin, Rush, and Thin Lizzy for their own adventurous proposals. As shown by their 2014 debut EP Never Gonna Be, which featured former vocalist Justin Catton, Tyrannosaurus Nebulous use all flavours in a sound crafted in its own identity. The new single continues that evolution, offering the band’s most unique sound yet without defusing what is an easily accessible and seemingly instinctively recognisable prowess. With a strong reputation building live presence across the Midlands and South Wales which has included shows with the likes of Captain Horizon, Twisted State of Mind, Buzzard, Vicious Nature, Sister Shotgun, Healer of Bastards, No More Numbers, The Delta Rhythm, Sour Mash, Swamp Donkey and numerous more, Tyrannosaurus Nebulous is ready to stoke up national fires with the upcoming Deal With My Evil EP in July and before it the fiery stomp that is TLK/Straight Jacket.

TLK comes first, a song introducing “the band’s very own T. Rex called Terence, sent to us from a faraway galaxy to teach us the ways of pure rock ‘n’ roll, so that we can defeat inferior talent show chart drivel and put hard hitting rock back on top where it belongs !!!” No matter the story, behind it, the track is pure rock ‘n’ roll which hits the ground running as riffs and rhythms entice and enslave with boisterous catchiness and chest thumping energy. It is no slouch in providing melodic temptation and spirit rousing virulence either, it all led by the dusty anthemic tones of Matt backed by the similarly potent tones of the band. As suggested there is something familiar about the song and the band’s sound yet it refuses to be pinned down while offering thickly fresh scented rock ‘n’ roll. Like its companion, the track feels like a returning best friend with a new line in fun and diversely flavoured rock devilry.

Whereas there is a great classic rock spicing to the track, Straight Jacket infuses some southern rock flavouring to its melody thick blaze. Within seconds guitars are spinning a web of juicy grooves and rampant riffs as bass and drums create heavy duty contagion. Again, it is a song which is infested with pedal to the metal energy but equally explores some just as stirring moments of smouldering melodies and sonic suggestiveness.

Both the Gavin Monaghan produced tracks hit the sweet spot with ease and are sure to please any hard rock fan with a taste for rock ‘n’ roll unafraid to show its influences whilst creating a new mighty roar.

TLK/Straight Jacket is out now @ https://tyrannosaurusnebulous.bandcamp.com/

Upcoming Gigs:

Saturday 16th July – E.P. Launch Party – Barge & Barrel, Tipton
Friday 18th November – Supporting ‘Children of the Gravy’ – Black Sabbath tribute – Roadhouse Birmingham

http://www.tnebulous.com/   https://www.facebook.com/TyrannosaurusNebulous   https://twitter.com/T_Nebulous

Pete RingMaster 16/06/2016

Copyright RingMaster: MyFreeCopyright

Growls and grooves: talking with The Devil In California

The Devil In California_RingMasterReview

“Hailing from the broad, cracked streets of West Oakland, California,” The Devil In California is a band uncaging rock ‘n’ roll which rumbles with attitude and adventurous enterprise. Since forming they have swiftly forged their own identity with a rousing hard/heavy rock sound which devours as it masterfully involves the senses and imagination. Currently working on their second album, we grabbed the opportunity to talk with the heavy rockers to explore The Devil In California past, present, and ahead.

Hi and many thanks for sharing your time to talk with us.

Can you first introduce the band and give us some background to how it all started and what brought you all together?

Tony Malson – We are The Devil In California; formed in 2013. Our drummer Eddie had an ad out that attracted Jamie (guitar), who brought in Matt (bass) to jam and see what was up. Eddie gave me a call and asked if I wanted to check out the project. I loved the tunes and The Devil was born. Snake was added to the project after mixing our first tunes. The line-up was then complete. We all share a passion for heavy hitting hard rock with influences galore.

Have you been/are involved in other bands before?

Tony – I moved to the bay area in 94 and have been singing in Bay Area bands ever since. Bands like AngryInch, Fiksate, The Servants, Mavalour and played drums/sang in Insecto and Monte Casino to name a few; all an artistic pathway leading to The Devil In California.

Jamie Cronander – Most of us have played in quite a few bands. Some you’ve probably heard of. Some of us have side bands. Some rock bands, metal bands, industrial bands, tribute bands, even trumpet in a brass band. We prefer that the Devil be thought of in its own light.

Has past experiences had any impact on what you are doing now, in maybe inspiring a change of style or direction?

Tony – Every musical experience I’ve had in other acts has contributed to how I approach writing/singing in The Devil. And I’m still exploring different avenues and genres to broaden my musical horizons; so much to learn.

Jamie – TDIC is its own inspiration thing. We draw influence from a lot of things, and most importantly from each other. You’d probably find that all of our other music, be it present or past, does not sound like the Devil.

What inspired the band name?

Eddie Colmenares – I came up with it when doing the initial planning.

Tony – Eddie came up with the name and I liked it right away; perfect for this band.

DIC_RingMasterReviewWas there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

Eddie – There was. I really wanted to put together a heavy, hard rock band that had that southern, slide guitar vibe to it.

Jamie – Matt and I were working on a project that kept getting put on hold by the other members. We wanted to do something that was more heavy, old school, and southern influenced. Alice In Chains, Corrosion Of Conformity, Skynyrd, Pantera, Clutch, STP, Allmans, etc. We had plenty of time, so we started a couple ideas and were directed to Eddie’s ad almost immediately.

Tony – I think the idea of a swampy, heavy, melodic, hard rocking 5 piece was the idea from the beginning. I came in after Jamie, Eddie and Matt had jammed a bit so it changed a bit from there but we all have a similar vision.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

Eddie – It’s a mix. First, we aren’t that old of a band, so nothing is ‘too much of the same’ yet. And we are moving up pretty fast – it’s a lot coming at us at once, which in turn drives us more.

Tony – I’ve always been very musically driven personally. My passion to play music and get that music out to the world hasn’t really swayed in the last twenty plus years. I’ve always got the same vibe from the band in that regard. But you can’t grow without change and we tend to evolve in a very natural upward spiral. Has our music changed? Yes. Does it still encapsulate TDIC? Absolutely!

Since those first days, how would you say your sound has equally evolved?

Jamie – Definitely an evolution, but a young one; we have some prettier stuff coming, and some harder stuff coming. We’ve only got the one record out. But if you dig it, fear not. The next record will be just as hard hitting and sing-alongy, but will not be a repeat of the first.

Tony – I’ve always enjoyed the band “process” of learning to play with new musicians and finding that absolute sweet spot where everyone’s talents, technical abilities, and musical emotions come together as one. This process takes years and is a constant evolution. And in my opinion it’s really coming together with The Devil.

Has it been more of an organic movement of sound or more the band deliberately wanting to try new things?

Jamie – A lot of it is that Snake joined later in the process of the first record. He still had a heavy hand in the songs on the record, but the structure was mostly in place. Snake and I work VERY well together, so now that we’re able to do the whole process of guitars together, I think the band is really blooming into something better as we become one.

Tony – Definitely more of an organic flow towards our sound and what feels good.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

Tony – Everything from Prince to Pantera inspires me. I’m a huge fan of the Seattle sound that was so instrumental in the 90’s. Alice in Chains have always struck a deep chord with me; Soundgarden as well for that matter. Chris and Layne were and are my top vocal heroes.

Jamie – Alice In Chains is a big common thing for all of us. Their ability to be as pretty and acoustic as they get or ugly and heavy as they get, is intense and the vocal harmonies…so important. For me personally; Corrosion Of Conformity, Pantera, Stevie Ray, Nirvana, Sonic Youth, STP, Allman Bros., CCR. They’ve all changed the way I think about the guitar.

Is there a process to the songwriting which generally guides the writing of songs?TDIC_RingMasterReview

Tony – In this band the riffs usually come first. We formulate the tune based on that then I begin to add lyrics and melodies. I prefer to wait until I hear a song and digest the riff before I start to head in a lyrical direction. You never know where inspiration will come from so you can’t fall in love with a preconceived idea.

Jamie – Usually it stems from me and Snake bringing in riffs we’re having fun with. We’ll hash them out at home a bit, record the ideas, send it to the guys on line, and then bang on it all together in the studio.

How about the lyrical side of your songs, where do you, more often than not, draw inspirations from?

Tony – My lyrics are largely derived from the life experiences of myself and those that surround me. Inspiration can take many forms. I’m always open to a new vibe or sound or riff. It’s kept me coming back for years on end. I love writing and recording new material.

Can you give us some background to your current release, Longer Ride Down?

Eddie – We only have the debut release out, so really, the background is “we formed, and wrote a record in a year”. We go back into the studio this winter for the follow-up.

Tony – It’s a hands down, kick ass, hard rockin’, heavy grooved, melodic, ear bender. If you dig heavy riffs with harmony and soul all wrapped up in emotion then you’re in!

Can you give us some insight to the themes and premise behind it and its songs.

Tony – I’ve always gravitated towards the darker side of musical tastes. The beauty in expressing that space is undeniable. It can be very moving and haunting at the same time. That being said, positivity needs to reign supreme in your approach to life as well as music. You usually have to traverse the darkness to see the light.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Eddie – Oh lord, hahaha… they are final final final, and then we still change things. All songs are prepped long before we are in the studio.

Tony – We always do a pre-production round of recording before we do the final tracking. 99% of our changes to our songs happen in prepro. Then we are super close to the final product when doing the final version in the studio.

Jamie – We usually end up pre-producing songs in full three times at least. The first takes are to nail tempos, and see if we feel like they need anything, like additional breaks, leads, backups, etc. As for the finals, we record them just guitar, bass, and vox, lay drums over them, then redo the instruments over the drums.

Tell us about the live side to the band, presumably the favourite aspect of the band?

Tony – We want you to walk away from our live show saying, “That was one of the best bands I’ve ever seen”. So our approach is filled with intensity and vigor. We all have a professional approach to our live show but realize that without a little danger and spontaneity it’s hard to take it to the next level.

TDIC_RingMasterReviewIt is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it?

Tony – We have made a good splash in the Bay Area. It’s not an easy place to play music as the people and crowds are so diverse. This diversity is what we love but it also lends to many different kinds of music being played out live. There is no “one scene” in the bay so you have to fight a little harder for your rock and roll piece of the pie; which only makes you a better act in the end.

Eddie – The San Francisco / Bay Area is a fickle place. If you want to do well locally, you better be really good out of the gate, and then keep it coming. Fortunately we have some great, loyal fans. We’re at that stage where when we are playing and I look out at the audience, I don’t even know 70% of the people. That’s awesome.

Are there still the opportunities to make a mark there if the drive is there for new bands?

Tony – Absolutely! There are always opportunities to take advantage of. No excuses. Get out there and attack the scene. Write good tunes, play a great live show, and leave it all on the stage. You will see results.

Eddie – Yes, but it’s a whole new paradigm now. Be ready to work your ass off if you want to do anything other than play your local bar. Nobody is going to come along and hold your hand these days. No label is going to show up at your local show and whip a contract out of their suitcase to hand you. That is absolutely over – doubly so if you are not in an “urban” act, or are a rapper. We do pretty much everything in house, and it’s a just as much a job as it is a band.

How has the internet and social media impacted on the band to date?

Tony – The music industry is an ever changing beast due to the internet and social media today. You have to get on board and ride that bitch to your benefit or it will leave you behind in an instant. There is always more to be done but we are benefiting from it for sure.

Eddie – I think social media was far bigger of a deal just a few years ago than it is now. The stream of having said that, at least 80% of our exposure is through some sort of social media interaction.

Jamie – The internet is basically the only way to discover music these days. If you’re not on FB, YouTube, Twitter, Instagram, and everything else, you’re not putting in the work. People do still buy physical CDs, but usually they’ve been watching your video before that.

Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

Tony – It’s a positive in the end. It has to be. You need to make it so and will it to be. Even a bad situation offers lessons towards a positive outcome. Ask questions. Investigate all the solutions. If you’re not failing in some arena then you’re not trying hard enough.

Once again guys, big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Tony – Thank you! And yes, our new album is in the works and due out this winter. We have some more touring this summer going down as well. Keep an eye out for some new videos and some surprises from The Devil. Let’s Rock!

Eddie – Thanks! And please stay tuned – more is coming!

All – Please follow us on your favorite social media site!

https://www.facebook.com/thedevilincalifornia   https://twitter.com/eldiabloencali

https://www.instagram.com/thedevilincalifornia   https://www.youtube.com/thedevilincalifornia

Pete RingMaster

The RingMaster Review 10/06/2016

Copyright RingMaster: MyFreeCopyright

The Senton Bombs – Train Wreck

The Senton Bombs_RingMasterReview

The rise of British rockers, The Senton Bombs, has been the complete opposite to the title of their new single Train Wreck, yet like a runaway locomotive it has only picked up steam and intensity. Formed in 2004, the band swiftly made an impact but since the release of their album Chapter Zero in 2013, and even more so over recent times, the Blackpool hailing hard rockers have simply become one of the UK’s most thrilling incitements.

Their latest track comes from the recently released critically acclaimed album Mass Vendetta, the band’s most diverse and boldly adventurous offering yet. It is the latest landmark in their attention grabbing ascent, with third single Train Wreck, epitomising its raw energy and devilish fusion of rock ‘n’ roll with a broad array of styles from classic rock to punk, metal and country; all conjured with inventive imagination.

The Senton Bombs art_RingMasterReviewTrain Wreck hits the groove from its first breath, pulsating rhythms providing the hypnotic rails for spicy grooves and feisty riffs to roll along. Within seconds, body and spirit are as compelled to get involved as ears, the dusty tones of vocalist/bassist Joey Class leading the way as spirals of bluesy flaming infects grooves and flirtatious melodies cast by guitarists Damien Kage and Johnny Gibbons.

Throughout, drummer Scott Mason is the instigator to the rockabilly courting swing of the song, the incessancy of his rhythm and prowess pushing the song towards the rock ‘n’ roll of bands like The Pirates as a Turbonegro like blaze filling the rest of the track’s rousing persuasion.

Mass Vendetta is an album which embraces numerous songs which can push it and the band’s stature to new heights; Train Wreck is just one of the very best.

Train Wreck is available for free download right now via The Senton Bombs’ website @ http://sentonbombs.com/

https://www.facebook.com/thesentonbombs    https://twitter.com/thesentonbombs

Upcoming Live Dates:

02.07 MAD FERRET, PRESTON

09.07 LINCOLN IMP, SCUNTHORPE

14.07 GRAND CENTRAL, MANCHESTER

15.07 ROCK & BLUES BAR, BARNSLEY

17.07 VAN JAMBOREE FESTIVAL, PETERBOROUGH

30.07 WITCHWOOD, ASHTON-UNDER-LYNE

06.08 JOLLY BREWER, LINCOLN

12.08 IMPERIAL HOTEL, STANLEY

13.08 TRASH, BRADFORD

20.08 GRINGOS TEQUILLA BAR, NORWICH

09.09 BOOTLEG SOCIAL, BLACKPOOL

14.10 ALLEY CAT, LONDON

Read our review of Mass Vendetta @ https://ringmasterreviewintroduces.wordpress.com/2016/04/05/the-senton-bombs-mass-vendetta/

Pete RingMaster 26/05/2016

Copyright RingMaster: MyFreeCopyright

Harmonic Generator – Flesh EP

HG_RingMasterReview

Providing the second part in the Heart, Flesh, Skull and Bones concept, 4 EPs uniting to form one whole album, the Flesh EP is another rather tasty slice of rock ‘n’ roll from French band Harmonic Generator. Offering four lively and creatively dynamic tracks, something now pretty much expected from the hard rockers, the release is also a fresh step in the maturity of the Marseille quintet’s songwriting and sound.

Taking their name from a single by The Datsuns, Harmonic Generator emerged in 2005. They potently awoke attention to their presence with their debut EP three years later and even more so with their well-received first album When the Sun Goes Down in 2013. Since their first days, Harmonic Generator has had a live hunger taking in hundreds of shows across the years including European tours with Girlschool, Jeff Scott Soto, and Skintrade alongside their own ventures. The December of 2014 saw the first part of the Heart, Flesh, Skull and Bones project unveiled to strong praise. Recently the follow-up to the Heart EP was uncaged; Flesh like its predecessor recorded with Julien Liphard and mastered Logan Mader (Gojira, Dagoba) and showing the rich steps and evolution fuelling the second decade of the band.

art_RingMasterReviewOpening up with Dance On Your Grave, the EP quickly has ears attentive with the opening challenge of vocalist Quentin Barthes-Villegas within a controlled mesh of sound. There is a sense that things are itching to erupt even in those first seconds, and so they do as swinging grooves and rhythms unite with feisty riffs and the thick beats of Alex Roussel. Like a punk infused mix of Foo Fighters and Velvet Revolver, the song snarls and bites with its virulent catchiness and Barthes-Villegas’ rousing vocal delivery around which guitarists Charl’ Roussel and Renaud Satre cast an infectious web of hooks and grooves perfectly tempered by the throbbing strings of bassist Nico Helinger.

It is an irresistible anthemic start to the EP, a spirit and appetite rousing proposition eagerly backed by Secret Garden. The band’s latest single; it makes a more restrained start though vocals again stand bold in the midst of reserved riffs and crisp beats. Things never quite erupt as in the first track yet the song quickly shows itself a forcibly infectious incitement  with harmonies and melodic enticement warm addictive lures in old school hued classic rock ‘n’ heavy roll.

Something You Need To Know is next, it also a tempered surge into ears with the alluring bassline of Helinger a potent coaxing as guitars almost teasingly dangle their melodies and sonic enterprise for keen consumption. The beats of Alex Roussel equally have a rein on them matching that of the vocal incitement, it all working though as an increasingly tempting proposal. A slow burner in many ways to those before, the song certainly develops a drama which blossoms with every minute, engaging and richly satisfying ears and imagination especially as strings and bluesy endeavour provide a final layer of temptation to eagerly embrace.

Bringing the EP to a close, Flesh top and tailed by its best tracks, The End is another blues rock scented proposition which easily slips through ears as the track expands and reveals its multi-flavoured rock ‘n’ roll landscape. As with the first song, everything about the encounter has a contagious and adventurous air to its creative mischief. Certainly, as in all songs, there are many familiar hues and textures involved but all honed into something tenaciously and refreshingly Harmonic Generator.

The Harmonic Generator sound has come a long way over the past ten years or so with plenty of potential for even greater exploits to outshine what are thoroughly enjoyable temptations of the Flesh.

The Flesh EP is out now across most online stores.

https://www.facebook.com/HarmonicGenerator   http://twitter.com/HarmonicGen

Pete RingMaster 05/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Waste Pipes – Fake Mistake

WastePipes2016_RingMasterReview

According to bassist Lava, “Our history is in this record; the story of five kids who become adults unwittingly, beating harder and harder on their instruments.” Going by new album Fake Mistake, it is a history which has seen Italian rockers Waste Pipes embrace a web of varied inspirations and flavours in their own hard rock bred rock ‘n’ roll. Their ear grabbing full-length is a tenacious proposition in sound and energy, an encounter which will not be the most unique proposal heard this year but will be one of the most enjoyable.

Formed in 2003, the Rivoli hailing Waste Pipes soon began drawing attention and support with their live presence which over the years has seen the quintet share stages with the likes of Elio E Le Storie Tese, D-A-D, Meganoidi, Perturbazione, Thunder Express (ex The Hellacopters), Adam Bomb, Octopus, and Fabio Treves Blues Band amongst many more. A trio of EPs starting with Begin To Grow in 2004 also invited attention; Let Blood Boil in 2006 and Make A Move four years later pushing the band into broader spotlights within the Italian and European rock scene. With shows and tours across the likes of France, Switzerland, Germany, the Netherlands, and Slovenia now also under their belts, and the recent signing with Atomic Stuff Promotion for the promotion and distribution of their new album, Waste Pipes is ready to break even bigger spotlights with the pleasure giving rock ‘n’ roll of Fake Mistake.

Co-produced by Federico Puttilli (Nadar Solo) and mixed by Gianni Condina, Fake Mistake opens up with Headstrong. Straight away riffs and a throbbing bassline has ears attentive, their bait swiftly supported by the potent tones of vocalist Chris and the jabbing beats of Boe. The appetite igniting start relaxes into a more familiar hard rock stroll eventually, a presence equipped with enticing hooks and melodies though it is the eruptions of explosive energy and sonic confrontation which especially brings the song alive.

WP_Fake Mistake_cover_RingMasterReviewIt is a potent beginning to Fake Mistake more than backed by Fire Below, a track veined with the sonic and melodic enterprise of guitarists Kina and Guarro. Embracing blues and classic hues in its hard rock canter, it also slips into unpredictable moments of imagination to add further appealing spice to its body before Stay The Night provides a seventies scented melodic rock shuffle. Highly infectious in no time, the song swings and seduces with increasing adventure and individual craft, Lava’s great dark basslines the thick constant veining it all.

Three tracks in and the album is already showing track by track growing steps in adventure and variety, as well as impressiveness. The Loser Song is no exception; its magnetic body a weave of punk hooks, grunge melodies, and richly varied rock ‘n’ roll imagination. At times it seems to touch on Cheap Trick/ZZ Top like essences, in other moments more Houston/ The Cult flavoured mixes; it all colouring another inescapably highly satisfying encounter.

Chaos comes next, offering a melody strong tapestry of temptation over an anthemic rhythmic spine. As its flavours are broad, the song’s energy and aggression is a vibrant mix of intensity too, the song as at ease seducing ears as it is invading them with a physical hunger. It is captivating stuff instantly matched by For All The Time We Waste, a rousing stomp of blues and heavy rock with a spikiness as indie and punk as it is raw rock ‘n’ roll. Between them, the pair are the pinnacle of the album with the latter stealing the biggest plaudits.

The compelling Not Enough opens with a melancholy spiced coaxing before building up into feisty passages of energy and emotion, switching between the two contrasts throughout whilst adding further imaginative twists and turns with keys a great additive. Its healthy array of styles and creative spices is matched and eclipsed by the excellent Little Devils Scratched My Ears, another spirit and imagination rousing proposal whipping up eager involvement from the body too. Proving a creative buffet of blues grooves and sonic tendrils around catchy hooks and rhythms as Chris continues to vocally entice, the track hits the sweet spot for another highly memorable moment within Fake Mistake.

The album closes on the emotive flame of Bad Growing, a potent croon which might not have the same dramatic spark of other tracks but soon reveals its own dynamic canvas of imagination and adventure to fascinate and strongly please.

The song is a potent end to one highly enjoyable album; a release which only leaves pleasure strong and ears wanting more. A success anyone can take a shine to.

Fake Mistake is out now with promotion and distribution on all major digital platforms through Atomic Stuff Promotion and physical distribution by Andromeda Dischi.

http://www.facebook.com/Waste-Pipes-20325293369   http://www.atomicstuff.com/wastepipes.html

Pete RingMaster 04/05/20156

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Dead Man’s Hand – Till Karma Forgets

DMH_RingMasterReview

Not to be confused with seemingly many other bands with the same moniker, Dead Man’s Hand is a band bred in the Seattle music scene but it is fair to say really hit their stride once its founders relocated to Kansas City. Now they are poised to release their new album Till Karma Forgets, a twelve song strong slice of raw rock ‘n’ roll which maybe does not leave ears awestruck but certainly provides them with a thoroughly enjoyable time.

Formed in 2012 by vocalist/guitarist Kasey McGrew when he teamed up with guitarist Bret Palmer, Dead Man’s Hand struggled with finding the right line-up initially; that was until the pair moved to Kansas City the following year where they found bassist Jeffery Kent and drummer James Aguiar. Soon the band found itself sharing stages with the likes of HURT, PopEvil, and The Dreaming at venues such as The Voodoo Lounge and Granada. 2014 saw Dead Man’s Hand touring with Burning and win Best New Artist in the Midwest Music Awards. Last year saw a second tour for the quartet, plenty of radio play, and more nominations at the 2015 Midwest Music Awards. Now following up an earlier demo EP with the same name, the band is poking at broader awareness for their accomplished and fiery rock ‘n’ roll with The Pavement Entertainment released Til Karma Forgets.

The album opens with the groove bound Hangman, a track making a controlled entrance before sauntering into the imagination with mellow lures entangled in more incendiary strikes of guitar. The vocals of McGrew, potently backed by Palmer’s strong tones, emulate the sound around them, crooning at certain moments and roaring with thick emotion in the songs eruptions of intensity. Easily revealing the unmistakable craft and skills of the band whilst pleasing ears, it is a great start to Til Karma Forgets backed as powerfully by the excellent Lock & Key. Grungier hues crowd the hard and melodic rock body of the song, all magnetic spicing adding to a great stock in grooves and rhythmic enticement around another catchy chorus. Whilst eclipsing its predecessor, a touch of southern goodness also comes out with the song overall reminding a touch of fellow US rockers Resin.

DMHart_RingMasterReviewPaint A Picture is a calmer emotive proposition next, vocals and melodies wrapping ears as feistier flames occasionally rise up around them whilst So What offers a grittier tempting of blues and hard rock which prowls ears with expressive guitar and vocals taking the lead. Its snarl only increases in its rousing chorus where the irritability, which seems to fuel bass and riffs throughout, adds more oil to the blaze.

Through the spicy grooving of Veto and the attractive intimidation of Wash Away, band and album keeps pleasure and appetite as keen as ever. The first of the pair is an especially unpredictable and magnetic affair as at ease aggressively growling at the senses as it is seducing them. Its successor evolves from a seriously coaxing lure from Aguiar into a predator with hungry riffs, and the still boldly rolling bait of beats, courting a less imposing vocal delivery. It is a great mix with the dark shadows and the song’s natural predation alone whipping up the passion as it steals best song honours on Til Karma Forgets.

Its title track comes next and it too marks a particularly memorable peak in the landscape of the album, carrying a slight Life Of Agony feel to particularly its more emotive and restrained moments. Despite its grouchiness and aggressive elements, there still feels like there is beast still trying to escape, and if there is any moan about the album it is that it does not fulfil the great and open potential to unleash this instinctive ferocity. Nevertheless, the track rocks like a disturbed bear before a milder but no less resourceful stroll with Slide Of Hand leaves ears thickly satisfied; guitars especially spicy and flavoursome within the encounter.

Another inviting strain of blues rock colours the swiftly infectious Beneath The Dirt next, where whiffs of Nirvana and Sick Puppies tempt thoughts. The track is yet another addictive episode in the album; a track, which like Til Karma Forgets as a whole, might not be venturing into unique pastures or setting the world on fire but without doubt leaves the listener gripped and hungry for more of its unbridled rock ‘n’ roll.

Through the scorching blaze of Masquerade and the emotively melodic Broken Ground, things continue to richly entice and firmly please; the first of the two another notable proposition, with Not For Nothing closing up the album in fine style too with its captivating, impassioned, and tempestuous balladry.

Though the album is missing that last spark or bite of intensity to really ignite the passions, it is not too hard to expect Dead Man’s Hand finding a host of new fans and plaudits with Till Karma Forgets, a release which offers honest rock ‘n’ roll with heart and quality.

Till Karma Forgets is released April 29th via Pavement Entertainment through most online stores.

https://www.facebook.com/DMHMUSIC

Pete RingMaster 29/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com