Beth Blade And The Beautiful Disasters – Show Me Your Teeth

Show Me Your Teeth is a romping stomping slab of hard rock; a tenacious roar of defiance, attitude, and hungrily rousing rock ‘n’ roll. It is also the new album from UK rockers Beth Blade And The Beautiful Disasters proudly hollering out all the reasons why the band is riding a tide of success and plaudits.

Fan and critical acclaim are no strangers to the Cardiff bred quartet with previous debut album, Bad Habit, luring high praise and attention. Around and following its success, Beth Blade And The Beautiful Disasters have shared stages with a host of major artists such as Electric Boys, Dan Reed and Danny Vaughn among a great many and appeared on the KISS Kruise last November with the likes of KISS, Ace Frehley, Bruce Kulick, The Dead Daisies, Vintage Trouble, The New Roses as well as played Monstersfest with Dan Reed Network, The Dead Daisies and Tygers Of Pantang. The last year also saw the band concentrate on writing and creating Show Me Your Teeth, an offering which as potent and enjoyable as its predecessor was, leaves it waving from its wake whilst suggesting 2019 will be even busier for the foursome.

Show Me Your Teeth builds upon all the striking elements of that first album with relish whilst bringing its own individual enterprise and adventure to the fore. Swiftly it reveals the growth in the writing and imagination of the band and their prowess in casting boisterous riffs, inescapable hooks, and anthemic old school classic rock nurtured temptation; this fronted by the electrifying and hearty tones of Beth Blade.  It is a bolder affair with a breath suggesting the band has completely lost the shackles of trying to please and impress people and just go with their own hard rock passions and instincts. Certainly inspirations such as Halestorm, KISS, and Black Stone Cherry can be heard but Show Me Your Teeth embraces all familiar hues to its very own vociferous heart and roar.

The album opens with the outstanding Secrets and fair to say as its opening lung full sees Blade fronting up ears we were hooked. From there with the fuzz of guitar for company, she continues to coax the song to its feet, an air of menace surrounding its emergence before erupting in a contagious, attitude driven infestation of punk and hard rock. That raw edge continues to fuel its confrontation and rapacious catchiness whilst vocal harmonies seduce around the stirring tones of Blade. The track soon proved irresistible, increasing its enslavement as a delicious predacious bass growl and devious hues of unpredictable imagination became more vocal.

Such the first’s rousing and impressive tempting, the album’s following title track had a hard time to match its presence but with a teasing blues lilt, melodic wiring which just wrapped around eager ears, and the already predictable vocal dexterity and talent of Blade here was little to relinquish full attention to before Give It All You’ve Got shared its old school spiced rock ‘n’ roll. As the previous track, there was a strong familiarity to the encounter but equally an energetically passionate heart within just as open craft which manipulated and scooped up an already seriously contented appetite.

There is something of an early Pretenders-esque scent to next up On And On at times which combines well with its blend of nostalgic and hungrily fresh enterprise while You And I is a web of guileful hooks and melodic adventure around vociferously candid vocals which easily set another lofty peak in the album’s landscape.

From that incitement of controlled yet raucous persuasion, melodic calm accompanies emotive intimation hugs ears within successor Crazy. It is a simmering heart though as flames erupts around reflection and melancholic beauty. The track never erupts into a full blaze but boils over with stirring cunning as it too sets a major highlight within Show Me Your Teeth before I Ain’t Got Nothin’ (If I Ain’t Got Rock N Roll) provides everything you would expect from its title as it swiftly pulled our rocker instincts and animation into play.

Across the likes of Lost In You and Into The Light, the album only continued to tighten its hold even if neither track quite flattened the inhibitions of song and listener as those before them. Even so both are a tantalising and thickly satisfying fusion of melodic wine and barely restrained rowdiness which just hit the spot though the following 1974 soon eclipsed both with its virulent stroll and creative temptation. Its sound unsurprisingly echoes the rock ‘n’ roll era of its title’s decade but adds mouth-watering hues of punk and power pop which take it to another level of greatness.

Who Do You Love Now? with its own multi-flavoured mix of styles and decades is just as expert in persuasion and adept at casting a spell of enterprise and sound; another seriously captivating moment set down and one more than matched by the muscular, predatory almost grumpy stomp of album closer Jack And Coke. Inescapably enticing riffs and grooves collude to enslave ears, each seemingly knowing personal wants in rock ‘n’ roll whilst the song growls with infectious savvy and anthemic irritability.

As it started, Show Me Your Teeth ends with one of its most inspiring and thrilling moments and with so many more in between it is an album which we can only forcibly recommend. It is classic and hard rock, it is punk and pop rock all bound into one roar; quite simply rock ‘n’ roll at its and most electrifying best.

Show Me Your Teeth is out January 25th.

https://bethbladeandthebeautifuldisasters.com/   https://www.facebook.com/BBATBDofficial/  https://twitter.com/BBATBDofficial

Pete RingMaster 26/01/2018

Copyright RingMaster: MyFreeCopyright

Beth Blade And The Beautiful Disasters Interview

Our friend Elliot Leaver returns with another interview with one of rock’s most exciting bands, Beth Blade And The Beautiful Disasters

For those who may not know who you are, introduce yourselves quickly.

I’m Beth Blade from Beth Blade And The Beautiful Disasters and we are based out of Cardiff. We play Hard rock and roll.

Describe your sound in as few words as possible.

Monster riffs, huge choruses and a dose of old school rock and roll attitude. Just good old Hard Rock.

Who are your three biggest influences as a band?

KISS, Halestorm, Gun n Roses

What’s the meaning behind your band name?

Beth Blade is obviously my name. The Beautiful Disasters part comes from ‘World On Fire’ by Slash. The name itself is a tribute to Joan Jett And The Black Hearts.

Tell us about your latest release; did you try anything differently this time around than with previous efforts?

So on our new album ‘Show Me Your Teeth’ it was no holds barred. On our debut album I was very concerned with what I thought people wanted to hear from us. I learned that I needed to not be scared to be vulnerable with the music so everything went on this album; it is completely transparent and personal, a lot more mature but still really fun and rocking.

What was it like to work with producer Nick Brine?

Nick Brine is honestly one of the best people I know; He knows how to get the best performance out of you and also thinks outside the box in terms of what you can add to a song. He also has the cutest studio assistant, Kenny Dogleash (Yes he’s a dog) who is famous in the record making world. He also spend a lot of time getting the right sounds and that really shows in how sonically good the album sounds.

Do you have any personal favourite songs on the release?

Honestly I love every single song but my personal favourite are ‘On and On’, ‘Lost In You’, ‘You and I’ for the string section and ‘Jack and Coke’.

Explain the meaning behind the album title.

‘Show Me Your Teeth’ is a multifaceted title. It’s fighting talk and baring your teeth at the world and saying ‘Here I am, take it or leave it, I am who I am’ whilst delivering the goods. But it’s also showing your vulnerable side and the bones of you, all the things that are underneath the surface.

Do you have any dates lined up at present?

We’ve just announced SOS festival in Manchester in July and we open the main stage at Hard Rock Hell next November which is exciting, we have tour dates and some festivals in the works but we want to get to every part of the UK and hopefully over to Europe too!

What are your favourite songs to perform live?

At the moment I really love playing ‘Down and Dirty’ but also the new songs from the new album as it’s great to see peoples reaction to them.

What are the best and worst shows you’ve played to date?

Best show would have to be our last gig on the KISS kruise; the room was packed and the atmosphere was absolutely electric! Everyone was into it and having a great time, singing along and really getting involved. I’ve never had so many people want a picture after a show and I could truly feel the love in the room. And no show has ever been the worst. As long as one person has a good time we are happy!

If you could open for anyone, who would it be?

We just played with KISS which has been my goal since I was five so I guess Halestorm would be the next on the bucket list.

Any comical stories from your time as a band you can share with us?

Recently on the KISS kruise we were celebrating with some friends who had free champagne. And me, being drunk and a barmaid, thought I’ll open another bottle. American corks are plastic and automatic, I didn’t know this so as soon as I broke the seal the cork shot off, missed my guitar players face by an inch, nearly hit the singer of The New Roses and hit the ceiling with a crack which made everyone jump and stop and stare at me. There was a moment of silence and then everyone cracked the hell up and the icing on the cake was that the cork hit the ceiling so hard that it left a huge dent! There is photographic evidence to prove it. I will forever be known as Corky.

What’s the plan for the rest of 2018?

We have one last show and then we are focusing on getting our album out which is happening on January 25th!

Any closing comments?

Please check out our pledge music campaign for album number two at www.pledgemusic.com/projects/bethbladealbum2  and thank you for having us!

Questions by Elliot Leaver

18/12/2018

Chasing Dragons – Faction

There is no doubt there has been plenty of eager anticipation for the debut album from British rockers Chasing Dragons, especially since the release of their last EP, Faction: Prologue, a couple years back. It was a kind of teaser for the band’s first full-length, unsurprisingly called Faction, which built on their earlier offerings and successes whilst peering into a whole new landscape of sound and imagination, indeed intimation now fully explored and expanded within the new encounter where we would suggest, the Chasing Dragons sound has come of age.

The time since the last EP has also seen the Leeds outfit truly establish themselves on the UK live scene with a big reputation to match, Chasing Dragons sharing tours and stages with the likes of Stone Broken, The Qemists, Skid Row, SikTh, InMe, Diamond Head, Aaron Buchanan and The Cult Classics, Courage My Love, Skarlett Riot, Theia and many more. Featuring nine new songs along with re-recorded versions of the three tracks from the Faction: Prologue EP, the album swiftly ignites attention and imagination with opener Factionless. Part intro part full intimation, the track stretches up from its initial arousal on the ever striking tones of vocalist Tank. Like a flame within unsettled atmospherics, her potent presence is a rich lure and spark for the outstanding piece’s subsequent shadow bound predacious stroll. Portentous yet virally inviting, the track masterfully erupts before making way for the melodically inflamed How The World Went Black. Guitarist Adam quickly spins a web of metallic temptation woven with melodic rock enterprise whilst the track bites through the determined beats of Katie, they courted by the dark rumble from Murf’s bass. Progressive hues emerge as the song evolves, technical craft lining its invention as all the while Tank radiates with her powerful and impressive delivery.

Amongst the band’s influences stand artists such as Halestorm, Avenged Sevenfold, and Bullet For My Valentine, all open spices to the band’s individual recipe as proven again by the melodically vociferous roar that is Parasite and the dramatic exploits of Like Gravity. The latter is a tempest of textures and flavours carrying a volatility which accentuates its warmth and elegance rather than devours them. As many tracks, it is a proposition which grows by the minute through new twists and avenues, all unpredictable and each an imaginative turn along the track’s magnetic journey.

 Through the equally tense Bareknuckle Lover, the mercurial attack of the track as alluring as it is resourceful, and the lively emotive roar of For Kingdom For Glory, Chasing Dragons continue to add fresh adventure to their release. The second of the two in some ways promises more than it delivers, certain inventive moments not exploited as much as personal tastes wished yet is still a gripping snare of sound.

The calmer climate and croon of This Time Is Ours allowed a breath as it simply enthralled though it too has a sprightly nature which eventually catches fire with Adam casting another striking blaze veined with mazy temptation before the riveting Devil In Her Eyes wound eager attention around its tantalisingly creative fingers and in turn The Connection takes ears on a saunter through gothic lined shadows and emotionally suggestive caresses before subsequently erupting into a furnace of muscular sonic theatre. The second of the trio is especially irresistible, every moment a clever thread into the next unexpected and virulent turn of the song though then pretty much matched in glory by its successor.

As the classic seeds of the similarly impressing I’m No Devil (I’m Just A Girl) catch fire within its metal/heavy rock drama and Whitehorse teases and fascinates, the album continues to reveal new aspects in sound and craft; the latter’s haunting opening passage an especially mouth-watering incitement for ears and imagination which hints at new corners and corridors for the band to explore ahead.

We Are The Wall concludes the release, the track a ravenous onslaught of sound and intent driven by rapacious rhythms and coloured by wiry grooves and rich melodies as Tank for a final time powerfully incites thoughts as she potently roars.

It is a fine end to an equally ear-catching album which as suggested declares Chasing Dragons at a new level in songwriting, sound, and performance, a plateau teasy to suspect the metal/rock world will be unable to ignore.

Faction is available now across most online stores.

Chasing Dragons November 2018 Faction Headline Tour

 2nd – Manchester – Satan’s Hollow – support Ward XVI, Soul Desire, Fear Me December

3rd – Croydon – Croydon Rocks Fest

4th – Southampton – Joiners – support Novacrow + TBC

6th – Norwich – Brickmakers  – support The Killing Culture + TBC

7th – Birmingham – Hammer & Anvil – support Novacrow + TBC

8th – Nuneaton – Queens Hall – support Novacrow + Simai + Fleer

9th – Stamford – Mama Liz’s – support Synthetic + Black Hawk Down

10th – Wakefield – Black Mass – support Novacrow + The Sourheads + Seas Of Scarlet

https://www.chasingdragons.co.uk/   https://www.facebook.com/chasingdragonsuk/   https://twitter.com/xchasingdragons

Pete RingMaster 18/10/2018

Copyright RingMaster: MyFreeCopyright

Returning to the garden with Leaving Eden

Two years on we have linked back up with Leaving Eden songwriter/multi-instrumentalist Eric Gynan to catch up with the band. Already renowned for their ear grabbing, imagination stoking rock sound, the band is poised to release its new album this month. One highly anticipated release we join Eric to look into its body and character with more besides…

Hello and thanks for taking time out to talk with us.

Howdy Eric Gynan here from the band Leaving Eden, Boston Mass area USA. It’s great to talk with you again. I think it was a couple years ago when we chatted last.

To remind people can you first introduce the band and give us some background to how it all?

Myself and Eve are the co-founders of Leaving Eden We had some songs; I’ve always been recording so we wanted to play some of these live. I think one must make a choice as to what they want to do with their life. It takes sacrifice, let downs and one must have a thick skin. Let’s face it most artists are different than others, so not only is there issues with all the variables outside the band, but from within too. I think the current line-up is great where everyone sees the bigger picture.

What are the musical backgrounds to you all; previous bands, projects etc…

Yes myself and Eve were in a band before leaving Eden. The band was regionally successful, but it usually comes down to the members. I remember for instance the drummer wanted no part of having a female in the band. He just hated it. Well, I saw the bigger picture, and after the first 100 people came up to me and told me how great Eve was, I knew I had to really do something about it…Shortly after we formed Leaving Eden.

Tell us about the band name?

We thought that this planet being the entire Garden of Eden has become corrupt full of Deceit and Hate so we thought wouldn’t it be nice to go somewhere else that’s the name leaving Eden.

Did you have a particular aim for the band initially and also in what you wanted it and your sound to offer?

Originally we wanted two female singers that never seemed to work out. Eve was really 2nd to none when it came to a front person, so anyone else up there trying to almost compete was pretty much a ridiculous situation. Now we do have another female, but she plays keys and sings backup vocals so it’s different now. I can’t stress enough how important it is to have not only the right people for the right sound, but the right personalities for perseverance.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

I think so. I think we are a little more reality oriented and understand more the barriers and pitfalls associated with the business. I think more so now we’re happy doing what we’re doing instead of being unhappy about not achieving our goals to the fullest.

How do you see the evolution of the band’s sound since starting out?

I think first and foremost you must always be listening to what’s out there what’s current what’s new and changing with the times. Also, one must try and be a trendsetter. It’s the new artists that forge the future, the ones out there in the gutters so to speak who are really at the pinnacle. As I said, for me I listen and get these songs kind of fully produced in my mind’s eye and I just go with the flow.

So it is a more organic movement of sound than deliberately wanting to try new things or an equally sided process?

Good question maybe both. We always want to try new things but also I think organically speaking the band naturally moves in a particular direction.

You said you eagerly listen to the sounds out there; are particular inspirations which have impacted not only on the band’s music but your personal approach and ideas to creating music?

I think playing I’m sharing the stage with many of the best bands in the world has definitely been a great influence on us. Leaving Eden has toured the USA, UK and Canada sharing the stage with hundreds of the biggest national bands in the world including; Lacuna Coil, In This Moment, Black Sabbath (Heaven & Hell), Ronnie James Dio, Rob Zombie, 5 Finger DeathPunch, Disturbed, Marilyn Manson, Alice Cooper, Lynyrd Skynyrd, ZZTop, Puddle of Mudd, Korn, Killswitch Engage, Buckcherry (Jefferson Starship, Big Brother and The Holding Company, Country Joe, 10 Years After, 40th Anniversary Woodstock) Shinedown, Dropkick Murphy’s, Alice in Chains, Papa Roach, Bret Michaels, Halestorm,Theory of a Deadman, Avenged Sevenfold, Seether, Hell Yeah, Trapt, Dope, Soil, Fuel, Queensryche, Saving Abel, Hinder, Damage Plan, 7Dust, Sebastian Bach, SoulFly, Days of the New, NonPoint, DrowningPool, The Misfits, The Butcher Babies, Collective Soul, MushroomHead, Mudvayne, Chevelle, Godsmack, Powerman 5000, 10Years, Taproot, Gin Blossoms, Michael Schenker (UFO, MSG & The Scorpions) Herman Rarebell (The Scorpions), Nicko McBrain (Iron Maiden), Kittie, One eyed doll, Uncle Kracker, Tremonti (Creed/Alterbridge) Lamb of god, Slayer, Stone Sour, Motorhead, Blackstone Cherry, HOOKERS & BLOW Featuring GUNS N’ ROSES, QUIET RIOT, W.A.S.P. Members, Steven Tyler, Ted Nugent, Lita Ford, LA Guns, Trixter, Warrant, Apocalyptic Review (featuring members of Godsmack) Adelitas Way, Scott Stapp (The voice of Creed), Gemini Syndrome, Pop Evil, Ratt, Anthrax, Testament, Napalm Death & many more..

How does the songwriting work within the band; is there a particular process?

Yes I think it’s best for me as the songwriter to make a connection with the universe and listen because there’s always songs out there trying to come in; it depends if they come while I’m sleeping and I have the ability to wake up from that and go record something or if it comes while just almost meditating and communicating again with the universe and just listening.

How about the sparks to the lyrical side of your songs?

It’s definitely drawn from reality; all the lyrics are based on what’s happening at the time. Good, bad or indifferent I’m constantly writing lyrics so it’s going back to those and using them for music that I may already have written or writing the music around those lyrics. The skies aren’t always blue, thus our song Skies of Grey. “It’s not too late to open your eyes and sail through skies of grey”. “We’ve been screwed overcharged underpaid and abused, we’ve been exploited avoided and falsely accused, we’ve been cut down let down fucked around, tied and bound but NOTHING could take the music away”. From our Tied and Bound album.

Tell us about the band’s latest release?

Our latest release would be our last album Out of the Ashes (Recorded/mixed By Johnny K. (Disturbed, Pop Evil, Staind, 3 Doors Down,) Mastered by Brad Blackwood (Sevendust, Dave Mathews, Adelitas way, Korn) and produced by myself reinterpreted by Leaving Eden.) We also released a single, Jailbreak and it is going to be on our new album to be released October 19th 2018 called Descending again through Dark Star Records/Sony Music worldwide.

Our new album to be released, Descending, I’m excited about this album because it was recorded at Leaving Eden Studios. We were able to take all the time we needed and really craft this album to exactly what we wanted it to be. I did a premix on it and sent it off to Bob St John for the Final Mix and Mastering. Bob is a Grammy award-winning engineer and has done bands like Duran Duran, Extreme, Collective Soul, Steven Tyler…Such a great guy to work with too.

Can you give us some insight to the themes and premise behind Descending and its songs.

The title Descending, is taken from a song off the album called Shallow Waters. Shallow Waters is very cool because it’s one of those songs where I woke up from a dream and the song was playing in my head; this happens a lot most of the time I can’t pull myself out but this time I was able to. It’s great when you can hear songs already produced in your dreams, takes a lot of work out of it. It definitely comes from somewhere else. We wanted to have different genres such as heavy, acoustic, different key changes and tempos, really trying to have such diversity. We even got some songs you can dance to the beat.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Yes because studio time is so expensive it’s really best to have it all complete so we have typically recorded the entire album in our studio first working out all the bugs and adding everything we want to add so that when it comes time in the studio we know exactly what we’re doing because there’s usually not as much time as you need, so you try to prepare for that. In the case of our Descending album soon-to-be-released we actually recorded this completely in our studio so we had the time to really craft what we believe is a great album.

 Tell us about the live side to the band, presumably the favourite aspect of the band?

Yes when I have always said that Leaving Eden is best seen and heard live. There’s a lot of energy sharing that goes on with the crowd. We don’t look at it like hey man look at me I’m a rock star check me out I’m too cool man, rather quite the opposite. It’s like hey we’re all here together all night to have a good time so let’s party together and let’s have some fun together. We are all involved in this.

You obviously know how hard it is for any new band to make an impact regionally let alone nationally and further afield. How have you found it with Leaving Eden?

Really I think with the onslaught of the internet anywhere you are you can really make a mark. I get it that making a mark by playing the venues that’s in your own region could make a difference. The reality is that if you’re good, fresh, have really put some time into the band look and made a great recording then it doesn’t really matter where you are. You can get it out there with a good publicist, good radio guy, good record label and good distribution also good management. We’ve pretty much always taken care of all of this on our own and hiring certain people and companies. I think it all works together. The most important thing for us is we will play anywhere anyhow anyway, so long as we can because this is what we love to do

You mentioned the internet. How do you work and weave your social media sites to use them most effectively?

The internet is very important to any band because that’s where people are getting most of their information now from and you can do it for free and make an impact on different social media platforms for sure. At the end of the day it comes down to a song, is the song good; is it one somebody wants to listen to? Our song Out Of The Ashes says digging deeper underground faster than the speed of sound. What that means is I feel we’ve always been an underground type band, you know really building its base of friends organically so an underground band able to, with the click of a mouse be in China for instance so that is faster than the speed of sound. It’s definitely referencing the internet and for that you can’t even quantify how important it is when talking about streaming on Spotify, iTunes, Amazon. You know that’s the way people are listening to the music they’re not going out and spending money to pay for music when they can listen to it for free or maybe $10 a month. Now this doesn’t really pay the artist much but if your song caught on and you had millions of listeners every day well then you would be making a lot of money so it’s really the same, only different is the means. People will still buy CDs more at a gig than anywhere else.

Once again a big thanks for sharing time with us; anything you would like to add?

Well, without our friends, we got nothing so we hope to make new friends here and hope they enjoy learning more about Leaving Eden. We definitely want to say Thanx Much and Peace!!

https://www.leavingeden.com/   https://www.facebook.com/bandleavingeden   https://www.instagram.com/leavingedenofficial/   https://twitter.com/Leavingeden   https://www.youtube.com/user/leavingedenband

Pete RingMaster 02/10/2018

Copyright RingMaster: MyFreeCopyright

 

Beth Blade & The Beautiful Disasters – Bad Habit

Gaining an increasing reputation and support for their hard rock nurtured sound, South Wales hailing Beth Blade & The Beautiful Disasters raise the ante with the release of debut album Bad Habit. It offers a lively and tenacious roar, already drawing comparisons to artists such as Halestorm, Joan Jett, and Heart, which swiftly has the body and appetite eagerly involved in its instinctive rock ‘n’ roll.

From Cardiff, Beth Blade And The Beautiful Disasters have quickly recruited and built upon an eager and loyal local following since emerging. The time since has seen them stomping across the UK with their own tours and with the likes of Marco Mendoza (Thin Lizzy, Whitesnake, The Dead Daisies) as well as sharing stages with others such as Ricky Warwick and Damon Johnson of Black Star Riders. Recorded with Nick Brine (Thunder, The Darkness, Bruce Springsteen) at the legendary Rockfield studios and Leeders Vale, and mastered by Pete Maher (The Rolling Stones), the crowd funded Bad Habit is a hefty poke at bigger national attention with success an easy to assume expectation.

Opener Hell Yeah swiftly has ears grabbed, its opening lure of riffs accompanied by the moody tone of the bass; instinctive attention inviting by them well before the fiery flames springing from Chris Gould’s guitar ignite with classic rock spicing. As rhythm guitarist Beth Blade brings just as tasty riffs into play, her vocals command even greater focus while giving richer strength to the song. Like a mix of Suzi Quatro and Cherie Currie, she stands bold with a tenacity matched in the infectious sound hollering around her.

It is a great start quickly matched by the album’s title track; a slice of foot stomping, chest beating heavy rock led by the swinging beats of drummer Sam Brain. Its forceful attitude is epitomised by the brooding tone of Nicko Goodwin’s bass, its menace tempered skilfully by the wiry melodic tendrils of guitar similarly coming at ears with a touch of discontent. Its rousing qualities are swift incitement to physical and vocal participation before Beautiful Disease offers its own potent blend of catchiness and predacious threat. Muscle and melody unite across the menacing prowl of a song which shows the band as adept at creating more composed and moody proposals as they are at flying at the jugular in spirit rousing charges.

Down And Dirty lives up to its name next, its bluesy grooves tonic for hips as rhythms and riffs surround the increasingly impressing tones of Blade with their grungy antagonism while Poster Girl For Pain reveals another aspect to the Blade’s songwriting and the band’s sound with its power driven balladry and emotive intensity. It is a slowly burning encounter compared to the hungry exploits of its predecessors but a temptation becoming more potent and irresistible with every passing minute and listen.

The heart bred snarl of This Bitch Bites fuels both vocals and music, Blade a spiky treat within the track’s quarrelsome nature. Again attitude soaks every strain of sound and intent escaping the excellent song, its defiance and combative contagion equally lining successor Hell In High Heels though its blues rock inflamed body has a ‘lighter’ and more keenly catchy nature which might not impress as addictively as the antics of the previous track but leaves pleasure in another lofty place soon reinforced by the classic rock ‘n’ roll nurtured romp of If You’re Ready To Rock. Carrying no real surprises, the song lacks the spark of its companions for personal tastes yet easily keeps enjoyment and feet firmly involved.

The album is brought to an end by firstly the heated beauty of Angel With A Dirty Face, Blade sharing a croon as magnetic and captivating as her rebel rousing deliveries elsewhere, melodies simmering and boiling up with equal elegance, and lastly through the ballsy, swagger loaded rock ‘n’ roll of Legends Never Die. It encapsulates all the galvanic and creatively vociferous qualities of the Beth Blade and The Beautiful Disasters sound and indeed Bad Habit itself in its bones, leaving instincts aroused and a hunger for more leading fingers keenly back to the start button.

Beth Blade and The Beautiful Disasters might not be the most unique proposition around right now in sound but for a fiercely enjoyable and raucous holler easy to get off on, they set a mighty example.

Bad Habit is out now @ https://bethbladeandthebeautifuldisasters.com/store

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Pete RingMaster 23/05/2017

Copyright RingMaster: MyFreeCopyright

The sparks of change: exploring the adventure that is Nocean

Last year saw a change of line-up spark a new evolution in the sound of emerging and exciting rockers Nocean. It was as if everything fell into place for the Swedish quartet, evidence coming with their subsequent single. Time to find out more we thought when the chance to talk with Nocean arose. So with thanks to vocalist Hanna, we peer into the origins of Nocean, those changes and a new direction in sound and much more…

Can you first introduce the band and give us some background to how you all together?

Nocean is a rock band from Sweden (Stockholm) that plays alternative rock with metal influences and electronic elements. We are four members: Hanna (vocals), Patrick (drums), Ozzy (guitar), and Sara (bass). The band started back in 2013 as a classic hard rock band, but has switched some members and developed the sound towards alternative rock. Me (Hanna) and Ozzy has brought the band forward since some members quit last summer and so we found Patrick through a Swedish site called “band finder”. We knew Sara a bit from before and she joined the band last fall. They both saved us back then, and we started something fresh and great.

Have you been involved in other bands before? If so has that had any impact on that change of style or direction within the band?

We have all been in other bands before, in different genres from hard rock to extreme metal. It can of course have an impact on what we are writing now, we blend our references together. It’s important for us to have the same musical taste in rock/metal.

What inspired the band name?

Nocean is a play with words – Notion – Nocean!

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

When I first started a band called Lobos Libre (before Nocean), I was very inspired by The Runaways and the spirit of pure rock n roll. But that has changed over time; when we wrote our debut album we played around a bit in the rock/metal genre and we found out more about which direction we wanted to go – more towards a modern, alternative rock sound in the style of Thirty Seconds To Mars, Muse, and Paramore.

Are you still driven by those same core aims or have broadened them as Nocean has grown?

We have come to a new level and with each level you get your motivations from different things of course. In the beginning our main goal was to play as much live as possible, in any venues. Now our goal is to focus on the recordings, social media and to play at larger stages. This summer we are playing at Sweden Rock Festival!

Since your early days, how would you say your sound has evolved?

It started as a classic hard rock band, blending in some metal and our debut album is a mix of different kind of rock/metal styles. So during this past year we have developed and streamlined our sound to alternative, modern rock and we also added some backing tracks/synthesizers and electronic elements to create a heavier, more massive sound.

Has it been more of an organic movement of sound or more the band deliberately wanting to try new things?

I would say both. Since some members quit and left me and Ozzy alone with this ship last summer, our new sound is now based on me and Ozzy’s personal musical taste of course. And it’s based on what we like nowadays of course, since I was more of a classic hard rock girl before and Ozzy was only listening to metal core for some years ago. As Patrick and Sara joined the band, they were all in for this sound and we even found out that we have a heavier reference as well in common – Devin Townsend. And so Sara and Patrick also add their influences to our new sound and that becomes what Nocean is today.

As you have suggested there is a wide range of inspirations across the band; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

In the start it was The Runaways/Joan Jett (for me) and Halestorm. Halestorm is still there as I found Lizzy Hale being a great inspiration and their music is also still quite similar to ours. Then a year ago me and Ozzy found Thirty Seconds To Mars and smaller bands in the same genre and got amazed. Muse has always been one of my favorite band, but it wasn’t obvious to have a band inspired by them because I wasn’t sure of what I could or could not sing. Straight forward hard rock is for me an “easier” genre; both in the writing sometimes and with the vocals since it suits me well and I know how to master it. What we are doing now is more challenging in some ways and for me that is awesome.

Is there a particular process to the songwriting within the band?

We put together the songs in the rehearsal room. But me and Ozzy often write some foundations to the songs that we bring to our rehearsal. Patrick adds his cool rhythms and details to the songs and Sara adds her dynamic thinking. I write the lyrics and Ozzy produces and writes the songs at home in his home studio.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

I write what is true for me right now and I often describe my lyrics as letters to people who need to hear them. It’s very often about change and going in a positive direction with yourself.

Can you give us some background to your latest release?

We have released two songs since the new line up was formed and with our new sound. The first one – The Change – was released in October last year along with Sweden’s first rock video filmed in 360 degrees. It went viral and we gained many new followers from Mexico and Brazil, where we think our music is much appreciated. In March this year we released a second single – This Must Be – with a music video which included some live clips from a great big venue outside Stockholm.

How about some insight to the themes and premise behind them?

I try to always be positive and encouraging in my lyrics. I want it to be somehow poetic more than straight in your face, and I want it to be subtle, in that way a song about love can as well mean something else for someone else. Feelings are the same sometimes, like whether it’s about losing someone to death or separating from someone you have a strong relationship to.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Since Ozzy is the master of the sound (recording for us), he likes to build a song step by step. So it’s a constant process!

Tell us about the live side to the band, presumably the favourite aspect of the band?

We have a lot of energy on stage and we love to interact with our audience, and to be on stage together! You can see clearly that we all love to be on stage. We want to tour abroad as often as we can, it makes us stoked and it’s so great to combine your passion for music with traveling around the world, meeting different kind of people.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it?

Yes of course. Our answer is quite obvious: social media. Using Facebook ads and targeting the right audience, knowing your audience, posting the right content on the right time, making YouTube covers to let new people find your music… the list goes on. There are lots of opportunities for bands to go on their own today.

So the internet and social media has positively impacted on the band to date?

Yes, I think that I’ve found a way to make it a positive way for success and that other bands should discover this and have a lot of patience too. It takes much time to learn all about it, to find your target audience and how to reach them. But it’s all worth it when you see results.

Once again a big thanks for sharing time with us Hanna; anything you would like to add or reveal for the readers?

We are coming to England on tour again in May! Playing in London, Tamworth and Birmingham… It’s gonna be a blast, we came last year for the first time and played with the London based metal band Evyltyde. Thanks to them we found some contacts and are now able to go on our headline mini tour. To smaller bands that want to tour abroad: make gig swaps. Let a band come to your home town and book them on some gigs and let them do the same for you. Share lodging, transport costs and voila! You’re on tour abroad without any expensive booking agency. Don’t be afraid to Do It Yourself! Big thank you for reading all of this and thanks for the interview!

http://www.noceantheband.com/    https://www.facebook.com/noceantheband/   https://twitter.com/noceantheband/

Pete RingMaster

The RingMaster Review 12/04/2017

Copyright RingMaster: MyFreeCopyright

Sertraline – Guilty

Sertraline

Sertraline

March sees the release of a new EP from British melodic metallers Sertraline, an encounter earning a fair amount of anticipation due to its well-received predecessor and the band’s increasing reputation. The Guilty EP offers five potent slices of rock and metal fronted by the quickly engaging tones of Lizzie, tracks which revel in the new growth of sound and imagination spawning them from within the band.

Formed in the Autumn of 2014, the Stoke-on-Trent hailing band quickly stirred up a loyal local fan base and close attention, their first single a couple of months in, Set The World Alight, luring strong radio play and support from BBC Introducing. Their well-received debut EP Bury The Ghosts pushed the band into national spotlights in 2015, its success more than backed by Sertraline’s dynamic live presence which has seen them shared stages with the likes of Butcher Babies, Toseland, Kobra and the Lotus, Skarlett Riot, and Normandie along the way. Last year saw a new line-up in place and the further honing of the band’s sound, Guilty showing the enjoyable results from the evolution.

The EP title track is first up, ears consumed by a wall of carnivorous riffs and intrusive rhythms. It is a striking appetite raising start soon relinquishing its threat as a wiry melody escapes the guitar. Any disappointment from losing that raw trespass dissipates as Lizzie’s tones dance on the emerging web of riffs and grooves from Mike and Wilson. With beats still swiping with fierce intent as the bass of Hendo enticingly grumbles, the song takes a firm grip of ears and imagination. Throat raw growls intermittently join the adventure, contrasting with the harmonic beauty of Lizzie but for personal tastes lacking the bite to be as successful as their certainly welcomed addition could have been. Nevertheless it only adds to the strong character and increasing potency of the excellent track.

sertraline-cover-artwork_RingMasterReviewSuccessor Snakes opens with a melodic coaxing, atmospherics gently kissing a lone melody before a weave of Periphery scented enterprise sparks song and imagination. As the first, the individual prowess of the band is a captivation, their combined adventure just as compelling if lacking the imposing impact of the first track. It is the subtlety of its twists and turns which predominantly make that difference resulting in the song taking longer to reach the same heights though with listens it surely does.

New video/single Change Of Heart is next, an even mellower proposal with a poppier catchiness to a harmonic stroll courted by cantankerous riffs, rhythmic punches, and that coarser expulsion of voice. It is obvious single material, melodies and Lizzie tantalising but does not quite live up to those around it for personal tastes though still adding to the EP’s success.

Nyeevise gets the appetite keenly back on track, its opening brooding presence carrying a whiff of Breed 77 to it before bolder sinews spin a glorious web of steely riffs and rapacious senses twisting grooves. Like a mix of Halestorm and Forever Still, the song growls and seduces; vocals and guitars providing an alluring blend of contrasting textures and creative drama.

Bringing the release to a highly satisfying close is I Admit The Blame, an emotive serenade with fire in its heart and melancholic beauty in its roar as well as creative attitude in its body. Another which grows with every listen rather than making a swift impact, it is a fine end to a thoroughly pleasing encounter. We are still not sure about the harsh side of the vocals, they missing the ‘savagery’ desired, but still an inventive part of the fresh blaze fuelling the Sertraline sound which will only take the band to higher plateaus.

The Guilty EP is out March 3rd @ http://www.wearesertraline.bigcartel.com/

https://www.facebook.com/WeAreSertraline/   https://twitter.com/wearesertraline

 Pete RingMaster 02/03/2017

Copyright RingMaster: MyFreeCopyright