Guardian – Revolution

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There is a fresh tempest about to savage the British metal scene; a bracing consumption of the senses going by the name of Revolution. It is the title of the debut album from Guardian, a Northumberland quartet which had already shown its creative intent with their earlier Tyrants EP. A long time in the making, the new twelve fury encounter is a ferocious blend of varied metal provocations driven by themes “centring on the balance of life and nature, and an emphasis on the unsustainable damage that humans are inflicting on our planet”, and a wake-up call to national attention for the great invasive roar of Guardian.

The band made their first impact with the aforementioned Tyrants EP mid-2014, inspirations from the likes of Pantera, Machine Head, Whitechapel, and Parkway Drive adding to the varied metal bred textures making up the release’s sound and even more so now, Revolution. Well-received by fans and media alike, the EP was supported by Guardian going on a month long European tour followed by a just as busy series of shows around the UK. Thoughts then turned to the band’s first album, Guardian taking their time to write and create the beast before us and proving suggestions that they are one of Britain’s exciting new breed of extreme incitement.

The short introductory climate of Resolution starts things off, its sombre yet elegant melodies the lining to an emerging portentous air as the instrumental leads ears and imagination into the volatile and combative landscape of the album’s title track. Instantly Revolution is an intimidating threat of wiry grooves and biting riffs against barbarous rhythms, the raw antagonism driven by the throat grazing vocal scowling of Matthew Hall and lit by grooved spicing from guitarist Zac Yates. It is a magnetic challenging of ears and emotions; one sculpted with open enterprise and unpredictable imagination within a ravishing cauldron bred from essences to be found in many flavours from death and thrash metal to hardcore and metalcore.

Guardian Cover Artwork_RingMaster ReviewApart from the fade-out, the track is an immense beginning backed as forcibly by the mazy dynamics and brutal tirades of Politics. Ears are instantly pushed back by its intensity as the predacious nature of the song brews, building until erupting in a hellacious outpouring loaded with the violent rhythms of drummer Joshua Stephen matched in vitriol by the bestial tones of Cory Young’s bass. Yates again veins the storm with toxic but virulent grooves and hooks, their potency successfully riding the crushing breakdowns, as here, breaching the whole of the album.

Innovate devours the senses next, its instant cantankerous character the spark to the song’s savagery in sound and vocal animosity. Inhospitable but again rabidly catchy, the blistering track inflames the appetite for voracious trespasses before the rapaciously energetic prowl of Capitalism matches its triumph. Rock ‘n’ roll to beat up on the world to; the song is an incendiary slab of heavy-duty metal vehemence leaving body and emotions with a want to take on the world.

Through the fearsome heavy metal seeded enmity of Deliverance and the outstanding hardcore toned Catharsis, band and album keep an already hungry appetite greedier, both tracks a sonic web of inventive twists and murderous inclinations before Propaganda provides a rousing if corrosive weave of winding groove honed tendrils to inflame the cancerous tapestry of sound. In some ways the three together provide the pinnacle of the album, each leading and seeming to inspire the following to new creative antipathies before the ‘mellower’ landscape of Hope hugs the senses. Its touch sears the sense from the off and of course it too unveils barbarous sounds and imagination over time, but from start to finish it enthrals with a ‘lighter’ atmosphere and infectiousness absent elsewhere within Revolution.

Nomadic leads the listener through a meandering landscape coated in raw melodic and electric sonic endeavour next, its rhythms building another bad blooded dispute as Hall’s vocals infest the psyche as supporting band roars incite the instincts. It is a crushingly invigorating proposition setting up body and emotions for the back breaking intensity of Ambivalence and finally the ravenous sonic dexterity and rhythmic rabidity of Restoration. The pair creates an intrusively dramatic and explosively volatile finale to Revolution, at the same time giving glimpse of even richer veins of exploration within the Guardian sound.

Revolution is a thoroughly satisfying and enjoyably exhausting release from a band easy to see making strong waves ahead. It is an encounter which might not live up to its name in regard to stirring up the metal scene, moments of surface similarity between some tracks and a familiar feeling to others noticeable if no issue, but for relentless seriously accomplished and stylish metal fury, Revolution is set to wake up thick attention.

Revolution will be available from 22nd January through all stores and platforms.

Pete RingMaster 22/01/2016

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Guardian start the “Revolution” this January.

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Northern metallers ‘Guardian’ release their eagerly awaited debut album, ‘Revolution’, through all stores and platforms on Friday 22nd January 2016.

Coming at you from Northumberland and comprising of Matthew Hall (Vocals), Zac Yates (Guitar), Cory Young (Bass) and Joshua Stephen (Drums), Brit metal combo ‘Guardian’ spit out relentless riffs, hard-hitting breakdowns, and ferocious blast sections laced with inventive guitar work. Drawing from a variety of influences, from classic titans such as ‘Pantera’ and ‘Machine Head’, though to contemporary heavyweights ‘Whitechapel’ and ‘Parkway Drive’, ‘Guardian’ are quickly amassing an army of followers and it won’t be long until they break out to the national scene.

The Northern riff slingers have been described as ‘Metalcore’, but as you peel back the layers, you can clearly see that there is more diversity to this band than meets the eye. Guardian are a metal band and they thrive on delivering elephantine riffs and heavy music. Their debut EP ‘Tyrants’, which was released in 2014, rings true to the quartet’s DIY approach; the record was self-mixed, produced and mastered entirely by the studious metallers. The EP picked up extensive underground coverage, as well as national attention from Rock Sound, prompting the publication to feature Guardian inside the magazine, as well as having the self-titled track from the EP lifted onto their cover CD.

Guardian supported the EP with a full touring schedule, undertaking a month long European jaunt with Mexican Deathcore crew ‘Frozen Remains’. The tour was a huge success and saw the band play dates throughout Spain, Belgium, Holland, Germany, Czech Republic and Poland. Never ones to sit on their hands, the northern metal merchants continued to play a string of sweat-drenched shows throughout the UK, as they began to cement plans for their new album, ‘Revolution’.

Their debut full length ‘Revolution’ is a stunning piece of modern metal. The record oozes a collection of cuts that entwine technical guitar passages with bone-crushing breakdowns. It’s a very impressive album that has enough power and precision to level an apartment block. With a lyrical focus centring on the balance of life and nature, and an emphasis on the unsustainable damage that humans are inflicting on our planet, Guardian are a band that do things differently and even their lyrical output and artwork reinforces this belief. There’s nothing stopping Guardian from earning a prominent place within the UK Metal hierarchy; just watch them soar.