Intimacy and the Roar: talking with Jack And Sally

Hi and thank you for sparing time to chat with us.

Could you first introduce yourself/the band and tell us how it came to be?

Prav-Like Fez from That 70s Show, I was given the name Prav by the band and yes, like Fez I am also an International student. I moved to London to play Rock ‘n Roll and met Ben and Josh in the winter of 2018. We formed the band shortly after.

Josh -I’m Josh, I’m play guitar for the band. I was originally going to join Ben’s old band but before I could, they fell apart! I went ahead and met Ben anyway, and we eventually found Prav from the musicians network group and as they say, the rest is history.

How would you define not only your sound but the creative character of the band?

Prav -The sound is probably best described as Green Day meets Rise Against. If the band had an alter ego, it would be a boy/girl in their early 20s who are at a critical point in their life. He/she would be experiencing feelings of love and loss, discovering how messed up and complex the modern world is and also finding their own passion for the good and genuine things in life.

Ben –Like Prav said, our song writing revolves around issues in real-life that regular people deal with on a regular basis –and just like everyone else, we do too.

Josh -Creatively I think we draw from a lot of disparate places but it blends well. I listen to a lot of harder stuff and I bring that into the songs we write. Ben’s vocals are mainstream sounding but he writes them into punk riffs, and Prav brings in his influences from grunge and hard rock into the drums.

You touched on previous musical experiences for band members, would you elaborate and suggest how have they been embraced in what you do now?

Prav -I used to play in a Funk Rock band back in India and played with another Hard Rock act in London for just over a year. I would definitely say that those experiences shaped what I play now for Jack and Sally.

Ben –I’ve played in bands in college. I was in a band in 2009 that was called Aisle Riot –we played one gig but my time in that band had a major influence on my life and showed me that I could be in a band –that I could actually do it.

Josh -I’ve been in bands since school but my last serious band was at university -Chance Encounter. We tracked a few songs, it was a pretty fun experience especially it was my first few times ever playing live in the U.K.

Is there a particular process to the band’s songwriting?

Prav-Ben or I write a song and bring it to the studio where we then fiddle around with our parts and start adding in ideas. Slowly but surely, the song starts taking shape as each of our styles pour in. Once we feel confident that this is how we want our audiences to listen to the song, we make a demo.

Ben -I write lyrics first, based on ideas I have in my head. The idea for our second single Macy came to me when I was on a train in Finland -from a graffiti image sprayed on a wall. It actually took me 6 years to write Tomorrow’s Revolution! Based on my influences in life, I’ve carried a lot of anger –and all of that inspired me write about a whole new world -that world is called ‘Nevernia’ –it’s what the EP is based around. Once I have finished writing the lyrics to a song, I’ll put some basic chords around it and then take it to the studio to work on, like Prav said.

Josh -We continually fiddle with our songs as well to improve it for live situations –Tomorrow’s Revolution for example sounds much different today than when we originally played it live, and it’s much better (in my opinion at least!)

Would you tell us about your latest release?

Ben –Our latest release is our EP, Who We Become!

Josh -It’s out everywhere to stream and buy from 11th November. We’ve also released two music videos for the singles on it, so check it out!

What are the major inspirations to its heart and themes?

Ben –Our EP is based on a concept, which follows the life of its protagonist ‘Macy’ who has grown up into a world plagued by issues like racism, corporate greed, austerity and oppression. It deals with how Macy stands up to these issues of modern day society.

I am always intrigued as to how artists choose track order on albums and EP’s and whether in hindsight they would change that. What has been the deciding factor for you?

Prav -The EP’s track order follows Macy’s journey. Superstar is her Father’s message to her that she doesn’t have to try too hard to make the world see that she is good. Nevernia is essentially a metaphor to describe the messed up world we live in and how Macy tries to traverse it. Tomorrow’s Revolution is about Macy’s rebellion after she realises that she needs to take drastic measures to bring about change. Long Way Home is about her feeling homesick and how she longs to go back to the people she loves. Macy is ultimately the story of how Macy’s loved ones mourn her loss.

What do you find the most enjoyable part of being in a band and similarly the most cathartic?

Prav -playing original songs that we made from the ground up on stage, touring and when people come and tell you that they had a sick time watching us play.

Ben –Being able to play our songs to people that they sing back at us is one of the most underrated achievements anyone could ever have. It’s beautiful, and seeing people believe in words that I wrote in my bedroom is truly unreal.

Josh -I’ll never get used to hearing people say they like our songs, but it’s definitely one of the best things about being in a band. Playing shows live as well -the adrenaline rush is unreal.

For anyone contemplating checking you out live give some teasers as to what they can expect.

Prav-thumping grooves, sick riffs and yes, be ready to sing with us!

Ben –We are loud, yes we are Pop Rock to the core, but you will hear Metal, you will hear Punk Rock and you will also want to dance to our tracks.

Josh -Riffs, solos, and some meaningful lyrics.

What has been your most thrilling moment on stage to date?

Prav -Probably at The Cavern, Exeter a few weeks ago. The place seemed so packed all of a sudden when we played All The Small Things. We couldn’t believe our eyes!

Josh -Yeah I’d agree with Prav -the Cavern show was mental.

Do you have live dates coming up?

Ben –We do, yes. We are booking our tour for April 2020, and some shows have already been confirmed.

What else can we expect in the near future?

Prav -More releases, probably some collaborations with other artists as well.

Ben –Definitely new music, but for now we’re focussing on our debut EP and getting a tour or two together.

What are the major inspirations to you sound wise and as a musician?

Prav -Green Day’s American Idiot, Audioslave, Velvet Revolver and Switchfoot.

Ben –Green Day is my favourite band, Linkin Park and Nirvana.

Josh -Soundwise -Blink-182, Paramore. Musician wise -Metallica, Enter Shikari.

And finally what song or release would you say was the spark to your passion for music?

Prav -Superunknown (Soundgarden)

Ben –Jesus of Suburbia (Green Day)

Josh -Master of Puppets (Metallica)

Many thanks guys once again!

Check out the review of Who We Become @ https://ringmasterreviewintroduces.wordpress.com/2019/10/09/jack-sally-who-we-become/

https://www.jackandsally.co.uk/ https://www.facebook.com/jackandsallyuk https://twitter.com/jackandsallyuk

Pete RingMaster

The RingMaster Review 12/12/2019

A Few Too Many – Solid Ground EP

Oct22

Last year British pop punks A Few Too Many drew keen attention and praise with their debut album Lessons Learned. It was a collection of songs which had the body bouncing whilst giving modern pop punk a fresh lure to get close with. Admittedly for personal tastes, the album was as much magnetic for its potential as its eager roar. Now the quintet has returned with a new EP and a set of tracks which eclipse the previous release left, right and centre.

Hailing from Saffron Walden on the outskirts of Cambridge, A Few Too Many emerged in 2009. It is fair to say they have earned a rich reputation for their live presence ever since and as mentioned plenty of plaudits and support through their tracks and Lessons Learned and they can expect plenty more through Solid Ground. Offering six tracks which are as individual to each other in enterprise as they are united in creative exuberance, the EP sees the band toying with an array of flavours around their pop punk instincts.

It opens up with Stay The Night, a lone strain of guitar lure and spark to the incoming boisterous stroll of the track. The first hook grabbing ears incites a rolling charge of rhythmic and sonic zeal, continuing to core the lively blossoming of the song. Vocalist Michael Achilles soon leaps into the mix, his delivery carrying a rousing swing matched in the riffs and grooves of guitarists Jez Giles and Danny Freeman. The latter adds his vocals tones to the mix alongside those of bassist Luke D’Alton, taking central stage from time to time to add another rich hue to the excellent encounter.

The excellent start to the EP continues through Ultimate Glory, an instantly more clamorous proposal but just as swift to tempt with hooks and melodic wiring as the animated beats of Mitchell Holleyman bite. It calms down in many ways thereon in but not in providing an infectious incitement as shades of alternative rock collude with its punk catchiness before Ghosts tenaciously saunters in with the swings of Holleyman to the fore. As all tracks, it seals an immediate friendship with ears and imagination as its energy and contagiousness infests body and spirit; its twists and turns escalating the seduction.

Next up, Stuck On Repeat had no problem breeding pleasure and involvement if not quite finding the heights of its predecessor’s success. Nevertheless its zeal and catchy antics only thickly satisfied before being swiftly eclipsed by the early Green Day spiced swagger of The Pity Parade. With its Celtic blood and viral canter of hooks and vocal enticement, the track grabbed favourite track honours though it is quickly more than challenged by the EP’s closing title track.

Solid Ground springs its inescapable bait from its first breath, rhythmic hips swinging as the guitars cast their sonic web around Achilles’ and the band’s ever enticing vocal prowess. Every subsequent second and surge of enterprise is pure manipulation of body and throat; anthemic rowdiness at full virulence.

Short and snappy but as full of fun and adventure as you could wish for, Solid Ground is a set of tracks easily sparking refreshed appetite for pop punk. It is also A Few Too Many turning a new chapter in their sound, one sure to insist attention is fully and hungrily set upon them.

The Solid Ground EP is out now on all digital platforms.

http://www.afewtoomany.co.uk/ https://www.facebook.com/afewtoomany/ https://twitter.com/afewtoomanyuk

Pete RingMaster 17/10/2018

Lara Smiles – All For You

Aug25

There are times when you can only expect plaudits and ears to come chasing an encounter and one such moment is surely to surround the release of the debut album from British singer songwriter Lara Smiles. A truly magnetic festival of resourceful sounds and lively imagination, All For You is as rich in its variety and enterprise as it is determined in its aim to get the body bouncing and involved in inhibition losing fun. It is a treat of an introduction which just seems to get more impressive and manipulative by the listen.

With music never far from her ears and passion since a young child, seeds laid by the sounds her parents were playing, Lara has grown to embrace a host of styles and flavours which has nurtured the variety and diversity in her own writing and music. Among a host of major inspirations, the likes of Tina Turner, The Beatles, Paul Simon, Queen, Prodigy, The Strokes, Yeah Yeah Yeahs, Muse, Beth Ditto, Green Day and Middle Eastern music heavily feature yet as her first full-length reveals, they have only gone to spark her own musical individuality. Since emerging she has also become a praise drawing presence on the UK live scene supporting the likes of Pete Doherty and playing some of the biggest festivals, including Glastonbury four times, the Isle of Wight Festival, and The Great Escape as well as also finding herself collaborating with The Orb, guesting on the new Shed Seven album, Instant Pleasures, and singing with The Australian Pink Floyd Show for the past eight years.

Mixed by Jamie Grashion and legendary producers Michael Rendall and Martin Glover aka Youth (Primal Scream, The Orb, Pink Floyd), her self-produced debut album is poised to thrust Lara into the limelight in her own rights. That is our expectations here and every venture through All For You only cements our thoughts.

Breeding a boisterous and tenacious, often ferocious blend of alternative rock and contagion loaded pop with a just as eager appetite for punk, electro and industrial rock with plenty more besides, the album opens up with the swiftly and increasingly magnetic Coincidence. A spiral of electronic enticement entangles ears first as crisp beats pounce, their combined lure soon reinforced by the hungry riffs of Lara’s guitar. Instantly intrigue and drama lines every emerging tendril turning, it evolving crystalline glamour and beauty as the song breaks into a melodic stroll alongside the seductive tones of Lara. The mercurial edge to the track though continues as its writhes around like a creative dervish, tantalising and fascinating at every turn whilst getting the release off to a tremendous start.

It is an overall inescapable enticement which continues through the following Save Yourself. Bubbling electronics and boisterous guitar align to the darker stroll of Joe Singfield’s bass as the rustle of Sara Leigh’s beats tease before leading the song in its own individual canter. In turn there is a devious urgency and aggressiveness which breaks out as the chorus escapes a calmer build up though that too has a dramatic edge which just sparks the imagination as potently as ears. Lara’s vocals have rich variety which relish her imagination and the equally diverse tapestry of sounds she ventures forth across this track alone it emerging as a compelling slice of punk lined pop ‘n’ roll.

The album’s title track comes next, bounding in on an irresistible incitement of a bassline which continues to manipulate as vocals and melodies dance. Ridiculously infectious and persuasive to hips and vocal chords, the track simply seduced compliance and participation whilst igniting an already firmly placed appetite for the release before Dictate Peace explores a whole new landscape of Eastern spiced teasing and imagination. Its summery stroll and breeze radiates captivation but also the darker shadows and strains of drama which impose their intrigue throughout; it all adding to a riveting invention which sees the listener taken through a web of creative espionage.

And It Hurts follows with its initial gentle elegant charms to the fore. They continue to entice as the fire in the heart and belly of the song smoulders and ignites note by note. With its blaze increased, energy erupts but so too another striking collusion of textures and flavours with the track continuing the great unpredictability of its predecessors and their instinctive contagion.

The folkish grace and melodic beauty of Oh How is pretty much aural intoxication straight after, Lara’s voice intimation carrying seduction and radiance while Disconnected provides a controlled but virulent contagion of pop rock with a compelling blend of spikiness and winning grins to its stomp. In turn, Zombie preys on the senses and body with its emotive irritability and electro funk catchiness. Like all tracks, it soon reveals its individually inventive escapade of unexpected twists which only accelerate its slavery of ears and involvement.

Penultimate song, The Fightings Over, needs mere seconds to have everything robustly involved in its punk ‘n’ rock bred bounce as thoughts align to its lyrical exploration, a tempestuousness in its air and attitude only adding to the incendiary theatre perfectly setting up the contrasting mellow and glowing yet melancholic repose of final track, Turn It Around. The individuality of this pair alone songs epitomises the variety thick All For You as a whole and of Lara’s songwriting which seems so effortlessly to cast real diversity and adventure.

There have been a few releases which have truly inspired and aroused us here this year, a couple this month alone and All For You sits boldly alongside giving real undiluted pleasure. Whether it sees Lara Smiles a household name we will see but it will surely establish her as one of our most exciting and unique talents.

All For You is released September 7^th via iTunes and other stores with its album launch show @ the Sebright Arms, London August 30^th.

http://www.larasmiles.com/ https://www.facebook.com/larasmilesmusic/ https://twitter.com/LaraSmilesMusic

Pete RingMaster24/08/2018

Valensole – Make Pace EP

Feb7

Just under a year ago, British punks Valensole sparked intrigue and pleasure with their debut EP, Where We Should Be. It was a potential loaded, ear grabbing introduction to the Southampton trio suggesting a band with all the right attributes and imagination to make potent strides within the UK rock scene. Now that suggestion has been reinforced and given greater strength by Make Pace, a second EP of raw and rousing punk ‘n’ roll very easy to devour.

Embracing inspirations from the likes of Nirvana, Green Day, Sum 41, and early Foo Fighters, Valensole was formed in 2016. The threesome of vocalist/guitarist Elliott Jones, guitarist Nick Jones, and bassist Dave Parker certainly had ears and praise attentive with that first EP and such the fresh character and tone to its successor, we can only expect them to find much even greater attention upon the release of Make Pace.

With Kurt Philips providing drums throughout, the EP kicks off with Giving Up, its jumbled start instantly spawning a tasty guitar hook which soon leads into a tenacious stroll through ears. Simultaneously a new richer flavouring to the band’s punk sound begins tempting, the track merging its raw traits with infectious enterprise as it increasingly stomps around. Dave’s bass has a gorgeous dark steely tone, Elliot’s vocals matching its lure in earnest attitude as his and Nick’s guitars throw their sonic wares around. As with the first EP, we found flavouring more akin to the likes of Psychedelic Furs and The Vibrators than those earlier mentioned influences but more so the band’s own voice in sound and invention emerges this time around.

The potent start is soon matched by the following M.A.D, the track immediately getting under the skin with its opening spicy hook. Both guitars tease and tempt, uniting in a fiery lure backed by the stirring swings of drums and the grumbling stroll of the bass. There is a great vintage punk lining to the Valensole sound, one especially vocal in the rousing antics of the second song even as it slips into calmer, provocative waters. It all erupts again for a tenacious finale as physically bracing as it is catchy before So Bored moves in with its ear nagging endeavour. Carrying a whiff of Buzzcocks to its melodically scored trespass of a hook, the track soon revels in its caustic rock ‘n’ roll breeding but as its predecessor is a proposition which is unafraid to explore unpredictable twists and turns before lighting its riotous touch paper once again.

The EP ends with Don’t Let Go, a song again drawing those Richard Butler and co references while uncaging its own individuality. Equally there is a garage punk meets Generation X scent to the song, a thickly flavoursome hue adding to the unrelenting pleasure the track and indeed Make Pace overall sparks.

Valensole’s sound is on a journey, one still evolving and growing. The band’s first EP hinted at its promise, the second reveals new depth and adventure to add to that potential. When it will all come to full maturity time will tell but the ride on the way is undoubtedly going to be great fun with the anticipation of many more easily devoured treats like Make Pace.

Make Pace is released February 9th.

https://www.facebook.com/valensoleband https://twitter.com/valensole_band

Pete RingMaster 06/02/2018

Lost Without Cause – Revival

Oct10

Karly Edge Photography

It has been a while since outfit Lost Without Cause had ears and appetite grabbed with mini album Take Back Everything, six years in fact, but now they are back with a brand new release and a sound which has matured and blossomed into one powerful statement. The Revival EP is an encounter which if it does not get you first time around will on its second sweep through ears. Each of its four songs comes blessed with melodic enterprise and instinctive infectiousness, traits admittedly just as open in its predecessor, but bred with a new confidence of imagination and craft which alone commands attention.

Hailing from the South East of England, Lost Without Cause consists of vocalist/bassist Simon Marks, drummer James ‘JJ’ Jaggers, and newest member in guitarist Tony Stead. Formed in 2004, the band swiftly stoked eager fans and attention with their pop infused alternative rock sound. 2011 saw Take Back Everything stir up a whole new ball game of recognition with its lead single, Trigger and accompanying video, being heavily featured on Kerrang TV and supported on national and online radio shows. Live the band has shared stages with the likes of Bastille, Kids In Glass Houses, Fozzy, Don Broco, Lower Than Atlantis, Sacred Mother Tongue, My Passion, The Crave, Koopa, Fei Comodo, None The Less, Saving Aimee and many more. Revival in some ways reflects the ‘return ‘of the band and what is sure to be a regenerated rise in their reputation and presence within the British music scene.

Breathe starts things off and the track instantly has attention hooked as the dark grumble of Marks’ bass lines up alongside his strong expression carrying vocals. JJ‘s beats in turn hit with relish before it is all wrapped in the melodic enterprise of Stead. Instantly appetising and swiftly infectious, the song proceeds to stroll with wild nostrils and flirtatious hooks, its melodic jangle a teasing lure in the jungle of more exacting rhythms. It is fair to say that previous song Trigger has been the marker for Lost Without Cause up to this point but no longer as Breathe steals its thunder.

The following Depleted brings a Green Day-esque feel to its rousing canter, a hue soon immersed in the band’s own character of sound and invention. Great vocal harmonies and support to Marks across the band light up an already earthily anthemic incitement; swinging rhythms and spicy grooves all adding to the riotous yet skilfully controlled encounter.

Teardrops and Cigarettes in contrast is a mellow aired, warm seduction playing like a blend of China Crisis and Placebo with a further spice of Jimmy Eat World involved. Its gentle but lively sway has hips quickly involved, the sultry strains of the guitar courting the imagination as swiftly though it is the vocal unity again and the song’s adventurously imaginative landscape which seals the deal, not forgetting one glorious finale of emotion and power.

The EP finishes with Another End, a slice of rock pop which might not quite match up to those before it for personal tastes but only adds to the overall pleasure with its catchy rock ‘n’ roll and sonic dexterity.

Listening to Revival, it is easy to feel that Lost Without Cause’s time to make an indelible mark is imminent, if not with their fiercely flavoursome new EP with whatever comes next.

Revival is out now across most online stores.

http://lostwithoutcause-blog.tumblr.com/ https://www.facebook.com/LostWithoutCause/ https://twitter.com/lwcband

Pete RingMaster 10/10/2017

Reckless Intentions – Lights EP

Jul19

UK outfit Reckless Intentions might be primarily tagged as pop punks but as their debut EP shows, they have an instinctive devilment and creative belligerence which reveals there is much more to their aggressively magnetic sound.

Embracing inspirations from the likes of Green Day, The Clash, and Foo Fighters through to others such as All Time Low and Moose Blood, Reckless Intentions host varied flavours in their music which is clearly audible and potent within the Lights EP. Equally, the Brighton hailing quartet bring an individual character to their songs and presence which is maybe still slightly more potential than realisation but is already helping shape them into a prospect which stands out.

Formed in 2016, the band concentrated scene last year on establishing themselves on the south coast music, and successfully so, before linking up with Alex Gordon at Brighton Electric Studios to work on and record their first release in the sprightly shape of Lights. With its five boisterous tracks, the EP quickly shows it has the intent and energy to stir up richer attention the way of the foursome but more so the imagination to make Reckless Intentions a rather exciting prospect.

The EP opens with the outstanding Ghost Town, a song swiftly making a successful claim for best moment and most potent lure within Lights. With a great slightly off-kilter indie rock revelry to its punk rock tenacity, the track like a mix of Asylums and The Wildhearts, things are swiftly bold and sweaty as the swinging beats of Josh Woolnough scythe through the nagging riffs and spiky grooves of guitarists Matty Halliwell and Lewis Horsley respectively. The energetic vocals of the former equally inject an energy and fresh identity to the encounter, it all colluding in an adventurous and unpredictable mix driven by the alluringly throbbing groan of Laurence Burkitt’s bassline. In no time body and vocal chords are enlisted by the arousing antics of the song, its dynamic and almost bitchy start the perfect introduction to Reckless Intentions.

Stitches, the band’s latest single is next, its melodic bait and harmonic enticement quickly flirting with ears. The hooks of Horsley beckon within a more familiar temptation of sound; the track openly sharing All Time Low meets Brand New like essences within its infectiously swinging exploits. Halliwell again makes a potent vocal lead, his tones giving the track something more unique than other pop punk outfits though something its enjoyable sounds arguably lack a touch. Nevertheless, the song hits the spot before evolving into the short instrumental of the EP’s title track, a piece which neither detracts or adds to the overall strength of the release but keeps an appetite for its adventure on board.

The following Outcast only enriches the fun though, its instant Smash Mouth like swagger led by the ever flirtatious bass easy to get hooked on prime bait with vocals again a strong pull at its core. Becoming more punk ‘n’ roll with every lively beat and niggling riff, the song growls at and flirts with the listener, all the time brewing a pop catchiness which has hips enlisted in quick time. The song also reveals yet another hue to the band’s songwriting and sound, a variety exposed once more by closing song Home. With his own suggestive piano melody alongside, Halliwell plaintively croons from the speakers; melancholy lining his words and fingers. Alluring ears with ease, things only become more intense and potent as the band eventfully bring their emotion and craft to the reflection; the song catching fire with pop punk catchiness caught in an emotion soaked blaze.

It is a fine end to an ear pleasing first delving into the Reckless Intentions adventure, the first of many more highly pleasurable unions if they build on the undoubted potential and fun of Lights.

The Lights EP is out now across most online stores.

http://www.recklessintentions.co.uk https://www.facebook.com/recklessintentionsuk/ https://twitter.com/recklessband_uk

Pete RingMaster 18/07/2017

Yorkshire Rats – Self Titled EP

Jun21

It is fair to say that since returning from an extended hiatus, UK punks Yorkshire Rats have blossomed into one persistently rousing and creatively tenacious proposition. It is not as if their early years were barren from success and plaudits let alone ear exciting sounds but as their new self-titled EP shows, maturity and a new creative drive has seen them become one of the essential melodic punk encounters on the British if not global scene.

Formed in Pontefract by vocalist/guitarist Don Mercy (ex-Abrasive Wheels, ex-Billy No Mates) in 2004, Yorkshire Rats released a well received 7” and EP in their two years capped by supporting Rancid in 2006. Then the band took that hiatus before returning around a decade after first stepping forward and subsequently released their swiftly acclaimed debut album, Sea of Souls in 2015 via Indelirium Records. It was a release embracing the band’s earlier sound whilst welcoming a broader punk canvas and that new energy, all subsequently pushed again by the Trouble City EP last year and now their new four track offering.

Again the new release sees the band drawing on the seeds of punk rock across the decades and from both sides of the North Atlantic, infusing all into their own individual hook strapped, melody shaped songs. The EP opens up with the irresistible Alone Together, a track “all about the strains of relationships whether that be romantic or political.” It opens up with a delicious old school hook, raw bait surely nurtured from a Ramones/Stiff Little Fingers like inspiration. Soon rhythms are jabbing at the persistent lure, in turn the potent vocals of Mercy flirting with ears and matching the infectious strength of the sounds around him. The melodic boisterousness and craft of lead guitarist Matt Lee only adds richer colour to a song already gripping the imagination and body with its chopping riffs and rousing rhythms.

The following Where Do I Sign? brings a more US styled stroll to ears; its lively body and melodic enterprise akin to Green Day though soon developing its own unique character as the firm beats of drummer Chris Furness and the dark swing of Josh Clarke’s bass unite with the fiery veins infused by Lee. Though slightly more restrained in energy compared to its predecessor it is an equal in catchiness and uncaging lusty hooks as too next up No Way Out. There is more of a Social Distortion spicing to the third track, it again a bold and flirtatious proposal with an addictive chorus impossible to resist. With a bassline to drool over and an enslaving sing-a-long vocal temptation further in, the song hits the spot dead centre.

Final track, Better Days Will Come, is an energetic croon with a Joe Jackson like riff and Elvis Costello scented melodic suggestiveness, all wrapped up in Yorkshire Rats creative theatre. It is a fine end to an outstanding release with Mercy a vocal magnet even as hooks and melodies intensify their weight and temptation.

The EP is the most rounded and relentlessly contagious offering from Yorkshire Rats yet, its songs relishing the inevitable increase in as suggested songwriting maturity and individual let alone united craft. A must have for melodic punk fans? We think so!

The Yorkshire Rats EP is out now on Northern Ruff Records @ http://yorkshirerats.com/store/ and other online stores.