It seems Welsh band Never Found has been thrilling fans for quite a while now, but that potent knock on the broadest attention and success has yet to be made. Until now anyway as the band’s debut EP Sorrow And Cyanide is the kind of persuasion to give the British rock scene a mighty nudge. A gripping fusion of punk, metal, and riotous rock ‘n’ roll, the four-track encounter is a warts and all incitement that easily grips ears. Comparisons to the likes of Bullet for My Valentine and Aiden have been already and frequently sent the way of Never Found, but as proven by the EP, that reference only tells part of a flavoursome tale.
The seeds of Never Found began with vocalist/guitarist Daniel Barnes and bassist James Sweeten, their vision of a band starting its first steps back in 2009, though it was three years later when things began to really escalate in purpose and sound. That was the year drummer Kieran Ivey joined up to give the band its missing heartbeat. Since then Never Found has become an eagerly followed live proposition, playing with bands such as Fearless Vampire Killers, Ashestoangels, and William Control amongst many along the way. With their line-up more recently completed by guitarist Sam Redmayne, they are now ready to make a big statement towards bigger spotlights; Sorrow And Cyanide the first potent line in that creative declaration.
It opens with Just Like Hollywood, a track careering through ears from second one upon a charge of punk riffs and battering rhythms driven by the instantly strong tones of Barnes. As Clash/Sex Pistols like chords and ferociously lined punk roars erupt in sound and voice, the song quickly brews an aggressive virulence with its own line of contagious hook littered enterprise, and an adventure unafraid to embrace hardcore and harsher metallic spicery. Tenaciously and bruising, the track provides a gripping and thrilling start to the EP, but sound wise, it is just one shade to be discovered within Sorrow And Cyanide.
The following Choking Me stalks and rises up against the senses with a much more metal leaning, barbarous rhythms and acidic grooves entwining ears as Barnes vocally and enjoyably carries on employing a punk seeded incitement. With the bass of Sweeten a grouchy and bestial stalking at the heart of the growing infection too, the track springs a confrontation as antagonistically grouchy and spikily catchy blend of As I Lay Dying and Lost Prophets to entice and impress.
King Of Nothing follows a similar if less intensive pattern as its predecessor, and maybe loses some of its predecessor’s spark and potency because of it, but with more great vocal enticing and strong muscular enterprise walling in spicy adventure through the guitars, the track leaves satisfaction only full.
Fair to say it is swiftly outshone by Take Me Away though, the EP closer enticing hues of grunge cored rock ‘n’ roll into its volcanic landscape of metal voracity and punk rock rebelliousness. Almost like Green Day meets Gruntruck and Reuben, with the results stirred up by Skinlab, the track is a powerful and favourite dynamo to end the excellent EP.
Demandingly we are now expecting big things next time around from Never Found just because of the impressive introduction offered by Sorrow And Cyanide, but to be honest more of the same would not be a major disappointment either, as long as some of the promise oozing through this great release is intensified.
The Sorrow And Cyanide EP is out now @ http://www.neverfound.bigcartel.com/category/cds
Pete RingMaster 02/11/2015
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