V/ VEGA – Leaving Lyra

V Vega Promo Shot_RingMaster Review

Leaving Lyra is like a newly discovered dish which lies on the tongue very nicely on the first mouthful, but it is in the after taste and subsequent eager snacking that its full range of flavours escape to thrill and seduce the taste buds into having another bite, and then another. So it is with the new EP from British progressive metallers V/ VEGA, a release which pleased on the initial listen but continues to reveal new creative spices and textures to simultaneously and increasingly impress at the same time. Elegant and warm, fierce and volatile, the EP’s quartet of songs challenge as they entice and enthral, each a tempest of sound and emotion which only leaves an appetite for more.

Hailing from the eastern county of Bedfordshire, V/ VEGA emerged in 2014 with a sound which we earlier stated as progressive metal but in truth it is a tapestry of styles and flavours across metal and rock. Band inspirations include the likes of The Dillinger Escape Plan, Dance Gavin Dance, Karnivool, and Periphery amongst others, they alone a clue to the diversity involved within the sound and now EP from the quartet. Making their live debut in the June of last year, V/ VEGA have hit the live scene with hunger, sharing stages with bands such as Shields, Giants, Canvas, and Create to Inspire whilst earning acclaim and potent reputation for their craft and explosive performances. The well-received release of debut EP Nostalgia, also out mid-2014, whipped up further attention, including that of Crooked Noise Records who now nationally release Leaving Lyra. It is easy to expect bigger spotlights and reactions to follow in the wake of the new EP’s unleashing, an assumption quickly in place after that initial listen and only cemented thereon in.

V Vega Cover Artwork_RingMaster ReviewThe song Lyra starts things off, it’s opening ambience of brewing intrigue sparking the imagination with ears swiftly involved as atmospheric melodies and invitingly agitated rhythms unveil their suggestive prowess. The vocals of Jim Dummer firmly engage and impress just as quickly, his soaring tones backed well by Tom Williams whose guitar enterprise alongside that of Edd Durcan, similarly spins a web of emotive and at times tempestuous persuasion. Outbreaks of heavy and voracious crescendos only add to the drama and lure of the track, raw antagonistic growls emerging from either Dummer or Durcan to drive the ferocity which manages to potently align with and be entangled in the melodic charm colouring the warm landscape of the encounter.

It is a thickly enjoyable opening to Leaving Lyra which continues with Grand Declaration. Straight away the track is badgering ears with the hefty swings of whoever is at the drums and the carnivorous tones of Josh Levy’s bass. Simultaneously melodic flames and clean vocal prowess wrap the twisting grooves and sonic tendrils that vein and spear the keys spun ambience which, as in the opener, adds an ethereal breath and climate around the stormy heart of the song. Even more than its predecessor, the track is a maelstrom of ideas and textures which may need time to reveal its depths but only with increasing rewards for the time offered in return.

Wanderer follows and swiftly flirts with djent seeded technical adventure within another ferocious expulsion of dark metalcore like antagonism. After another mournful yet inflamed breath, the band slips into a melancholy washed calm which subsequently embraces fearsome volatility, an progressive wind, and corrosive malevolence, in time all fusing into one rich confrontation. It is a mouth-watering proposition which again needs time to be explored before announcing itself as the best track, if only by a slither or two such the quality throughout Leaving Lyra.

The EP comes to a fine close with Reaching Eden, a song instantly gripping ears with its opening bait of riffs. Featuring the potent tones of Glass Cloud front man Jerry Roush, the song is a rousing and fierce blustery wind of sound and emotion, but also unafraid to drift into ambience clouded calm spun by technical tempting, flowing harmonies, and emotional reflection. Everything is seamlessly involved; what came before and is to follow fluid with the now within the track, uniting for a constantly contagious and raucous cacophony of vocal and emotive animus driven magnetically by the rhythms. Like Karnivool meets Periphery meets Bring Me The Horizon, with a healthy wash of Between the Buried and Me too, the song is a dynamic and wonderfully testing finale to a continually impressing offering from V/ VEGA.

With the band still barely into its second year, it is easy to think this is only the start of bigger and bolder things for and from V/ VEGA. A smile is breaking out at that thought.

Leaving Lyra is available from October 2nd digitally and on CD via Crooked Noise Records.

https://www.facebook.com/VVegauk     https://twitter.com/vvegauk

Pete RingMaster 02/10/2105

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Glass Cloud: The Royal Thousand

A sonic explosion to exhilarate and enrapture every sense and thought the debut album from US band Glass Cloud is quite simply stunning. It is an enveloping maelstrom of persuasive emotive atmospheres and a storm of dehabilitating aggression brought with an imagination and technical ingenuity to leave one in awe. When you have a band consisting of a great vocalist like former Sky Eats Airplane and Of Mice & Men frontman Jerry Roush, inventive and expressive guitarist Joshua Travis of The Tony Danza Tap Dance Extravaganza, and the supreme rhythmic prowess of bassist Travis Sykes and drummer Chad Hasty, you expect something good to come out of their union. Whether you could have imagined something as staggering as The Royal Thousand is debatable but their collective creativity has certainly given birth to something simply immense, a true colossus of a release.

Released through Equal Vision Records in the US and Basick Records in Europe, The Royal Thousand stretches then manipulates the ear and beyond from the first breath of opener White Flag. As guitars conjure heated weaves within the ear and Roush brings his usual impressive mix of strong vocals, the song spirals with majestic craft and incendiary energy to greater heights. The intensity it brews twists and grips tighter to evolve into a disarming rage of disrupted rhythms and blistering riffs within a warm sonic soaked ambience. It is majestic yet only an understated sample of what is ahead.

The following If He Dies, He Dies from an emotive caressing of the ear stalked by an intimidating air erupts into a thoroughly intrusive provocation of metallic fingerings from the guitars alongside rhythms leaving knees like jelly. The fusion of sonic and heated beauty with safety destroying corruptive intensity is beyond acclaim; the track is pure poetic violence and alone makes claims for Glass Cloud as the true masters of your senses.

Track after track the quality and invention is unrelenting, the likes of the quite brilliant Ivy & Wine an example of the continual ingenious dark enterprise leaving only numbed devastation in its melodic scathing wake. Even the melodic beauty of instrumental Prelude For A Ghost is brought with an eerie ambience to leave one looking over their shoulder.  Midway through The Royal Thousand and the opening song seems long in the past and against what impressively followed it seems almost ordinary in comparison though that is not a word one can truly use in any real context in regard to the release.

The mesmeric creative chaos of She Is Well And Nothing Can Be Ill takes the senses on a controlled yet perpetually evolving disrupting journey whilst the following Counting Sheep rampages in corners of the heart and emotions you never knew existed with phenomenal technical guitar intrusions within an atmosphere which colours thoughts and feelings with every hue of bruising.

Closing on firstly the dark hearted Memorandum whose opening passion and play is as hypnotic a piece as you can find anywhere and finally the outstanding From May To Now, the album is pure excellence veined with brilliance. Heavily and skilfully textured The Royal Thousand brings a new and deeper experience with each immersion into its pulsating fresh magnificence and malevolent aggression. Glass Cloud leaves you on your knees but also in total bliss.

RingMaster 27/06/2012

copyright RingMaster: Myfreecopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.