The Shy Lips – Bahia Part II

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Their name might be The Shy Lips but there is nothing reserved or timid about the band’s energetic and captivating sounds. Theirs is an almost feverish invention and adventure which fuels the music, and already the Gothenburg based rockers have stirred up strong attention and eager appetites with previous songs, but it is with new single Bahia Part II that the band looks set to breach the broadest recognition. The song is an infection soaked slice of rock ‘n’ roll drawing from various flavours past and present for its own intoxicating romp.

Picture 4   The Shy Lips began in 2012, created by vocalist Adam Benrahmoun Johansson and bassist Victor Pettersson. The idea of the band sprung up during travels in Europe and South America where the two met and bonded, the creative thoughts bred becoming a reality once the two moved to Gothenburg and recruited drummer Anton Ekedahl and guitarist Alexander Lisinski to their musical cause. Band members come from the differing climes of Morocco, Poland, and Sweden, and bring an eclectic mix of inspirations and ideas which openly add to the variety and drama of the band’s sound. The Shy Lips were soon luring in potent and loyal support once emerging, an increasing fan base growing up around them through their live presence backed by eagerly devoured songs such more recent singles She was Born in Bahia and That’s Where I Belong. A pair of EPs have only reinforced their impressive emergence and striking sound too, luring in attention from fans and media alike not only at home but across a trio of continents. Now it is the turn of Bahia Part II to awaken another breath of hungry reactions, a done deal here sure to be emulated far and wide.

A lively stroke of guitar is soon bolstered by rumbling rhythms and the expressive tones of Johansson as the song starts its persuasion, a swiftly engaging mix equipped with a great blues air and sixties scented garage rock tenacity to it. Feet and emotions are soon locked into the smiling energy and stroll of the song, its revelry increasing in a ridiculously infectious chorus. The bounce of the song is just as irrepressible whilst the vocal and melodic enterprise shows a touch of Babyshambles and The Sonics to its irrepressible devilry, again eras blending into a distinctive shuffle of beats and the ever spicy melodies.

Bahia Part II will only relentlessly linger once infesting ears and psyche, we can vouch for that, sparking up at will to reinforce the creative potency and impressive arrival of its creators on the indie/rock scene. Time for an album me thinks.

Bahia Part II is available now.

http://www.theshylips.com   http://www.facebook.com/theshylips

RingMaster 05/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

MFC Chicken – (Get Outta The) DJ Booth and Lake Bears!

 

(Pics: Lorenzo Pascual & Dena Flows)

(Pics: Lorenzo Pascual & Dena Flows)

After two ridiculously infectious and excitable slabs of rock ‘n’ roll devilry posing as albums, London based MFC Chicken in their own words “figured it was time that we gave the DJs out there something to spin when out in the wilds. A full length album is great for playing at house parties but in a sleazy cellar bar with some frantic dance floor action the DJ’s gonna want a proper vinyl 45.” So that is what the band came up with, not one but two slices of MFC Chicken revelry to ignite the dance-floor, a pair of incitements which simply throw feet and emotions into a blissful frenzy.

It is fair to say we unknowingly had a sweet spot lying in wait for a band like MFC Chicken, an inner instinct stroked and seduced by the band’s two frantic slabs of R&B fuelled rock ‘n’ roll going by the names of Music For Chicken in 2012 and Sold Gravy two years later. With hooks and beats inescapable bait, vocals virulent incitement, and flames of sax an intoxicating bedfellow to all around them, both releases created an insatiable stomp of surf and garage rock within a web of Rhythm and Blues embraced vintage rock ‘n’ roll. There is no stopping the MFC Chicken sound once it takes hold, or a live presence which has seen them the darlings of festivals, venues, and differing countries alike. And it continues in potent style with the new singles, the quartet of Spencer Evoy (tenor sax, vocals), Alberto Zioli (guitar, vocals), Ravi (drums), and Zig (bass) on fine and irrepressible form once again.

DJ Booth sleeve(Get Outta The) DJ Booth opens with its title track and a vintage guitar tang which kisses ears before beats and vocals add their potent spices to the fifties bred rocker. Like a mix of Ray Charles and Bill Haley, the song managing to have the fiery essence of the former in firm collusion with the cleaner sounds of the latter, it blazes away with rampant keys and melodic tenacity as rhythms continue to stomp through ears and into the passions. It is a simple, busy, and irresistible encounter matched perfectly by accompanying song Colonel Sanders’ Bastard Son.

The second song has the kind of nostalgic swing which was never out of place in either a Chick Berry stroll or a Connie Francis pop persuasion. It soon takes on a rawer, almost dirty nature though, leaning much more towards the bluesy garage enterprise of The Sonics thereon in. This is tempered by the sonic imagination of the guitar and the ever inflammatory call of the sax, each individually offering a warmer but no less mischievous enticing to envelope the lyrical revelry. As its predecessor, the track is gorgeous, and the single alone enough to make MFC Chicken the focus of current attention.

Of course there are two offerings and Lake Bears! is just as compelling and thrilling an encounter. Its first track is Lakebears Theme and in some ways has an even more anarchic and Lake Bears Cover Spread.inddvoraciously devilish manner to its presence and sound than on the other release. Imagine Little Richard even more over excited than normal whilst Screamin’ Jay Hawkins and Jerry Lee Lewis bring their own distinct slightly salacious invention, then you are close to the two minutes of rock ‘n’ roll rampage going on.

Second track is called Theme From Lakebears, a devil fuelled instrumental with voodoo beats and demonic sonic lures around tribalistic vocal urges. A lively shimmer of surf rock adds even more sinister qualities to the outstanding tempting of ears and imagination, providing if taken as one, a blissful end to four increasingly magnetic new MFC Chicken products.

Roll on another album is all we have left to say.

(Get Outta The) DJ Booth (Dirty Water Records) and Lake Bears! (FOLC/Dirty Water Records) are both available now on 7” vinyl and download via http://www.dirtywaterrecords.co.uk/shop/#!/MFC-Chicken/c/2990295/offset=0&sort=addedTimeDesc

https://www.facebook.com/MFCChicken   http://www.dirtywaterrecords.co.uk/mfcchicken

RingMaster 02/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

The Loons – Miss Clara Regrets

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Ahead of their new album on the legendary Bomp Records, San Diego quintet The Loons have released a two track single on Dirty Water Records. The songs, Miss Clara Regrets and Alexander, the latter a cover of the Pretty Things classic, were recorded exclusively for the label and alone reveal that over the twenty years or so that the band has been treating ears they seem to get more potent and essential.

Consisting of vocalist Mike Stax who is equally known for Ugly Things magazine which he runs, bassist Anja Stax, guitarists Marc Schroeder and Chris Marsteller, and drummer/producer Mike Kamoo, The Loons again bring the sixties psyche beat/pop invention which seems to run through their veins with their own modern pop tone to the single. And once more the band captivates with a slice of raw pop majesty.

Miss Clara Regrets instantly has ears engrossed and the appetite licking its lips as a deliciously throaty bass hook aligns with pungently anthemic beats, they both in turn wrapped by a flowing wine of sonic enterprise. Feet and indeed body are soon pumped up and bouncing to the swing of the song, its contagion inescapable as is the melodic acidity soaking every magnetic second of the incitement. It is one of those songs which simply tap into the wants of any pop rock fan, of any era, whilst merging nostalgia and modern instincts into a slice of addictive rock ‘n’ roll.

The Loons do not fiddle too much with Alexander, staying close to the original character of the version from the band which Mike makes no secret of adoring and constantly champions their cause. They do give it that Loons snarl though, vocally and musically which brings another hue to the set in stone classic. It is a great company to Miss Clara Regrets, though it is the lead song which ultimately steals the plaudits and lures these ears back time and time again.

If Miss Clara Regrets is a hint to what the band’s new album has in store for us all, expect nothing less than unbridled fun and enjoyment from that too.

Miss Clara Regrets is available now via Dirty water Records on 7” vinyl and download @ http://www.dirtywaterrecords.co.uk/shop/#!/The-Loons-Miss-Clara-Regrets-b-w-Alexander-download/p/47051206/category=2749844

https://www.facebook.com/TheLoons.SD

RingMaster 02/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Horse Party – Out Of Sight/Receiver

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The exciting thing about UK band Horse Party is as much as they have openly grown in songwriting and sound, they have lost none of the instinctively raw and organic essences which made them strikingly leap out with debut single Back To Mono almost two years ago. Their new single is bound in majestic raunchy charms as both Out Of Sight and Receiver show new striking steps in craft, sound, and sheer creative adventure, but each still seduces with that primal spice which brought the trio to life.

Hailing from Bury St Edmunds, the threesome of vocalist/guitarists Ellie Langley and Seymour Quigley, alongside drummer Shannon Hope, have persistently garnered acclaim and an increasingly growing and devoted fan base with their gripping and at times sinisterly devilish sounds. From the Scarlet & Blue EP to last year’s debut album Cover Your Eyes, released through Integrity Records, Horse Party has gripped attention and increasingly greedier appetites, including those of 6music’s Lauren Laverne and Steve Lamacq, Shell Zenner at Absolute Radio and XFM’s John Kennedy. Live too the band is no stranger to eager responses, last year seeing the band successfully playing Latitude Festival’s Lake Stage at the invitation of Radio One’s Huw Stephens and BBC Suffolk Introducing. Now Out Of Sight/Receiver is poised to push the band on again, and as it is without doubt their finest hour to date, it is hard to see it failing to tempt the broadest spotlights upon the band.

Out Of Sight starts things off and is instantly prowling ears with thoughtful yet predatory riffs from the guitars matched by crisp beats. The darkly seducing tones of Langley queens over the 10847766_768484469911623_4136520996259037093_nentrance, her delivery sure and intense yet wholly seductive from the first breath. Widening its expression without leaving its shadowed scenery, the track proceeds to tease with small burst of melodic light and anthemic vocal unity whilst steely hooks only add to the addictive bait of the song. Fizzing up further into its presence with psychedelic lit sultriness and smouldering emotion, the adventure continues to be unpredictable and inescapably addictive with a chorus which similarly becomes more virulent and entrancing over the length of the outstanding song.

It is a glorious temptation but even with its might cannot help being surpassed by the delicious alchemy of Receiver. More energetic from the first second, the track is also an even darker and more sinister provocation, riding in on an irresistible post punk rhythmic baiting of ears and imagination. It is wonderfully repetitive from hereon in, riffs and hooks recycled with compelling effect as the dual tones of Langley and Quigley croon with sobering yet magnetic persuasion. That post punk essence is a constant treat within the song too, essences of bands like Au Pairs and Joy Division merging with the darker side of a Morningwood or Yeah Yeah Yeahs, but coming out as something ingeniously unique to Horse Party.

The song as the single is outstanding, both songs easily the best things to emerge from the imagination of the trio and they have some treats already under their creative belts. Horse Party is a band ready to join the frontline of the UK garage rock/rock scene and with releases like this drive it to new heights.

Out Of Sight/Receiver is available from February 23rd on limited edition 7” black vinyl as a co-release by R*E*P*E*A*T Records and the band’s own Pure Deadly imprint @ https://horsepartyparty.bandcamp.com/album/out-of-sight-receiver-7-single

Horse Party are also on tour right now with upcoming dates at…

Friday 27th February – Ipswich Steamboat Tavern

Friday 27th March – London The Garage

Saturday 2nd May – Bury St Edmunds Fringe Festival

Friday 15th May – Cambridge Junction

Saturday 13th June – Norwich Open

https://www.facebook.com/horsepartyparty

RingMaster 22/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

 

Damn Vandals – Mad As Hell

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The British rock scene is not short on some rather exciting prospects and artists right now, bands which are stripping away its current landscape to create new primal and instinctively imaginative adventures. To the front of these propositions for the past few years, certainly since the release of their debut album Done For Desire in 2012 is Londoners Damn Vandals. They are the source of raw and aggressively inventive rock ‘n’ roll which seems to increase in virulence and creative rigour across every release, a success proven and reinforced once again by the band’s new single Mad As Hell. It is trade mark Damn Vandals yet again finds the band pushing new twists of sound and enterprise whilst providing another heady temptation into their warped sonic world for all newcomers.

Mad As Hell and its B-side, This Music Blows My Tiny Mind, both come from the band’s second album Rocket Out Of London, which as its predecessor was no stranger to widespread acclaim. In fact all Damn Vandal releases earn eager praise and it is hard not to suspect Mad As Hell doing the same. From an opening muscle bound grouchy bassline, the song has ears and attention firmly gripped ready for the distinctive and highly expressive tones of vocalist Jack Kansas. Just as swiftly his and Frank Pick’s guitars are weaving their flaming sonic seducing, a temptation ripe with spicy blues flavouring within a climate which shimmers and sizzles with melodic drama and fiery enterprise. Right away impressive on the album, the song has grown in stature and persuasive weight over time and now as a single, Mad As Hell sets the imagination and emotions sparking with pleasure. Within the embrace of the whole stunning full-length, its potency as a single initially might have been questioned but any doubts are soon tossed aside as the song revels in its spotlight proving that Rocket Out Of London in many ways is nothing but potential singles and essential slabs of rock ‘n’ roll.

The irresistible rhythmic frame of the single, cast by bassist Adam Kilemore Gardens and drummer Chris Christianson, is emulated in the equally contagious success of This Music Blows My Tiny Mind. Stretched sinews drive an even paced gait loaded with thick drum swipes and throaty bass riffs as vocals and guitars flirt with their caustic swagger. Littered with abrasing hooks and dirty melodies, the song is soon immersing ears into a unique tapestry of garage punk, psyche and raw punk with a stoner-esque tang, and swiftly infesting senses and psyche like a sonic virus. Charmingly psychotic and addictively feverish, the song is a creative brawl which again is only the strongest enticement into the ingenuity of Damn Vandals.

If you have yet to discover the quartet either Mad As Hell or This Music Blows My Tiny Mind provide a doorway to a theatre of original rock ‘n’ roll, and together make an inescapable sonic tempest. Though not labelled as such, the Julian Simmons (Midlake, Ed Sheeran, Guillemots, Goldheart Assembly) produced single is really a double A-sided offering in quality and striking impact, and proof that Damn Vandals still lead the current march of real rock ‘n’ roll.

Mad As Hell is released on 23rd February

http://www.damnvandals.co.uk/

RingMaster 22/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

 

 

Rathborne – Soft

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If you have not come across Luke Rathborne, or indeed Rathbone the band surrounding his songwriting skills, do not worry as the healthy buzz around both back in the US is sure to brew up a similar excitement over this side of the pond thanks to the release of new album Soft. An energetic package of tenaciously varied rock ‘n’ roll, the release shows itself to be as at home and accomplished exploring punk, garage rock and indie pop as it is reaping the essences of alternative and seventies American rock. It is a compelling and more often than not an irresistible stomp which will warm up any playlist given the chance.

Hailing from Brunswick in Maine and New York based, man and band make light work of enticing and exciting ears upon the Albert Hammond Jnr of The Strokes, co-produced Soft. Its title track is the first persuasion and swiftly surrounds ears with a dirty but melodically washed sonic temptation. It is raw and wonderfully distorted pop over a scuzzy slow prowl; the union almost Beck meets The Strokes like in its volatile and fiery enterprise. Immediately imagination and appetite are aroused, and given another incendiary spark with the following What More. Cleaner in its energetic pop revelry but still harbouring a great raw edge, the track is a mix of The Cars and Tom Petty and the Heartbreakers, and swift example of the diversity rife within the album.

I’m So Tired steps up next, its Americana like colouring blending with the seventies pop spiced infectiousness coursing through its lively balladry. Though the song does not quite match up to those before or right after, it leaves ears and attention engrossed ready for the outstanding Eno which steps up with its Tom Verlaine and Television like vocal and musical endeavour. A lively romp with addictive qualities, the track reinforces the already thick variety to songs, yet despite their seriously individual characters, each sits perfectly alongside the next as proven once again by the punk lined Low! which soon has feet and emotions bouncing around as if on a power pop trampoline. As many of the tracks, it is a short and insatiable provocateur which almost revels in mischievous intent as it lures, incites, and then runs before the listener can reach the pinnacle of its physical and emotional involvement.

A country breath embraces Little Moment which comes next, the song a radiant encounter hugging a great additional female vocal. It does not spark the same reactions as its companions but that is down to a personal dislike of country flavours and not any real issue with the agreeably crafted song. Particular tastes are soon back on board with the punchy Wanna Be You with its strong throaty bassline and melodic winery, and even more so after the Dylan-esque bluesy tang of Deal, with the rampant catchiness of Why. The track flirts with a bounding rhythmic gait and grungy sonic teasing from the guitars whilst vocally too there is a Nirvana like graze to the delivery. It is another inescapable treat within Soft leaving the garage/hard rock stroll of So Long NYC to close things out in highly satisfying style.

It is fair to say that Soft is one of those albums which are very hard to get out of the head. It might not elevate to being a heart embraced favourite but it definitely gets under the skin and stays with thoughts and emotions, returning whenever it pleases with certain hooks and melodies.

Soft is available now via True Believer and @ http://lukerathborne.bandcamp.com/

https://www.facebook.com/lukerathborne

RingMaster 16/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

Los Trasgos Muertos – Eponymous EP

Los Trasgos Muertos Logo (1)

Creating garage rock with a psyche rock aspiratory system, or is it psyche rock with garage rock blood…however you wish to describe it, UK rockers Los Trasgos Muertos have woven a seriously compelling encounter with their self-titled debut EP. Consisting of four-tracks which simply whisk the imagination away into a kaleidoscope of seventies seeded adventure whilst immersing ears into a web of bluesy sonic curiosity, the band’s first offering is quite simply a delicious introduction.

Los Trasgos Muertos hails from Manchester and consists of Captain Reed (bass/vocals/organ), Von Beek (guitar/vocals), and Il Fleishe (drums), three protagonists no strangers to each other from their individual time and experiences in varied bands over the years in their city’s music scene. Once united, the band whilst taking inspirations from the likes of Billy Childish, Thee Oh Sees, Hi Ho, and Ty Segall into their own invention was soon clutching a horde of songs ready for recording, which they did at Eve Studios in Bredbury. Now the sultrily flamed first encounter is upon us all and what a treat it really is.

It all kicks off with Fire In The Sky, a song swiftly binding ears in a spicy blues crafted groove and bass grumbles as beats flash their sinews across the senses. It is soon striding with tenacious energy and creative enthusiasm, hooks and the ever increasing lure of the grooves as tangy and contagious as the lively vocals and melodic endeavour. There is an earthiness to the song which easily grabs ears whilst equally there is a drama to every psychedelic clothed note and anthemic swing. The track continues to bluster like an autumn wind, warming the bones whilst offering haunting shadows and pagan like unpredictability.

The following Step One makes a less spectacular entrance but soon has senses and thoughts wrapped in its opening mesmeric melodic shimmer and vocal embrace. Soon a sixties beat feel adds Picture 84it’s tempting to the garage rock stomp as the song hits the ground with a lively gait. As its predecessor the virulently catchy encounter swiftly ignites an even greater appetite and satisfaction whilst being relentlessly fascinating though its expectations defeating adventure, a quality which is even more exploited by It Rises!

The third track makes the best entrance of all, its initial slap of beats the trigger to a winy blues rock bred groove which coincidently is almost straight out of the major seduction that is the Karn8’s song Sick. It was an essence extraordinary there and just as irresistible here with its particular haunting colouring. Around it the smouldering tapestry of the song flows like sonic honey, sticky and flavoursome melodies gluing their lures to ears and emotions as the increasingly impressive vocals add their distinct spice to the brilliant proposition. Sometimes there is no escape from the touch of a song no matter what and here is one of the most stirring examples.

The release closes with the dark romance of Roll With The Punches, a track merging the garage punk of The Orson Family and the fuzzabilly styling of Eighteen Nightmares At The Lux with the garage rock styling of The Electric Eels and the psyche temptation of The Doors. It is an enthralling almost intrusive embrace of body and thought, a mouth-watering and riveting end to an outstanding debut.

The Los Trasgos Muertos conjure their own world and psychological adventure with their strangely familiar but openly unique sound; one already ears and appetite are impatiently waiting for more of.

The Los Trasgos Muertos EP is available from February 2nd

http://lostrasgosmuertos.com/

RingMaster 02/02/2015

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from