Harlot – Saviour

Harlot

If you are looking for something a little fresh and promisingly explosive to your metalcore than allow us to suggest checking out the debut single from UK band Harlot. Infusing their sound with a captivating melodic weave, band and song is a richly satisfying and exciting slice of intensity. Equally as thrilling, as the song rifles the ear and senses with invention and enterprise, is that you can only feel that the band is still at the beginning of exploring its creative depths and that the quartet from Newcastle is only going to get better and more impressive in time.

Consisting of vocalist/guitarist James Mclackland, guitarist Adam Lathan, bassist/vocals Daniel Johnson, and drummer Cameron Brown, Harlot has earned a strong and passionate following since forming in 2007 through their relentless and continually impressive live performances which has seen them alongside the likes of Flood Of Red, Obsessive Compulsive, Tiger Please, Kobra and The Lotus, Voodoo Johnson, and Fury UK. With inspirations bred from bands such as Avenged Sevenfold, Bullet for my Valentine, Pantera, Metallica, Killswitch Engage, Protest the Hero and more in their invention,  Harlot make their the first wide declaration with Saviour, taken from their forthcoming debut EP Wolves, that they are a true emerging force in UK metalcore.

A barrage of drums opens the ear for the following eager guitar to lay down an initial fire before all combine with great intensity forSaviour Covera hunger bred rampage through the ear, this time driven by the caustic squalls of vocalist Mclackland. Into its stride now the track has a familiar groove and gait to its presence but it is a deceit as soon the great vocals, singular and group, lay down a compelling narrative across the constantly looking to evolve sounds. It is a stirring mix of melodic passion and voracious aggression, skilfully sculpted and merged in an inventive and persuasion sonic tirade. Jagged riffs and sonic lances have their moment to recruit further passion midway into the song before a drifting atmospheric and emotive breeze allows a welcome breath to be swallowed and evocative thoughts to breed, but soon band and song returns to an intensive blaze of enterprise and riveting fury.

Unpredictable, fiery, and potently imagined, Saviours is an outstanding introduction to Harlot sparking a certain hunger for the Wolves EP, due out later this summer. For a new breath to metalcore this is a band well worth taking stock of.

http://www.facebook.com/HarlotNewcastle

8.5/10

RingMaster 19/06/2013

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Cambion: Virus

   cambion

    If like us you thought Cambion was the business with their Last Rites EP of 2011, then be prepared to be a whimpering fully bloated with pleasure wreck as their new EP Virus wreaks its havoc on the senses. The UK metallers have left the previous triumph looking almost pale against the new onslaught of technical and progressive metal found on the EP. The Devon quartet has not ventured far from their already established sound on Virus but honed it into an even more lethal and expressive beast which gnaws, chews, and teases the senses for a simply sensational confrontation.

Formed in 2009, the band pulls its influences from the likes of Meshuggah, Fear Factory, and Divine Heresy but has distilled them into their own aggressive and inventive tonic. It is aggressive and corrosive but equally is an incendiary engagement melodically and emotively. The past years have seen Cambion tour with US rockers Fozzy as well as share stages with the likes of The Defiled, Malefice, Blaze Bayley, Fury UK, Revoker, The Fearless Vampire Killers, and The Dead Lay Waiting, and light up festivals like Bloodstock with the line-up of vocalist/guitarist Elliott Alderman-Broom, guitarist Liam Neary, bassist Colin Beale, and drummer Frank Dennis impressing continually. The band has reached into another level of depth in their already expansive and impressive creativity so that where the previous EP had like us many drooling Virus just ignites sheer rapture with its immense presence and sound.

The release opens on the atmospheric and stark corrosion of society through varied news sound bites and a serpentine presence; it 480282_10151163818991971_2129231106_nis a cinematic introduction fitting the theme of the release and pulls Virus Part 1 (Outbreak) into immediate focus. The emergence of the band is a step back, the brewing intensity seemingly another world as a guitar glows with sonic elegance in an open clear sky. Soon though towering rhythms add their sinews for an imposing stature elevated again once the band badger with debilitating riffs and a hungry abrasion. The storm is a building intensity with the great vocals sending warm shards through the tempestuous ambience and eventually erupts into a charged and overwhelming maelstrom of technical violence and enterprise. It is also unpredictable and beautifully surprising, the Latin blush of guitar mesmerism sensational as the riot subsides for brief moments. It is a compelling and stunning start which leaves all previous thoughts of the band as lacklustre praise in comparison to those generated from the first track alone.

Virus Part 2 (Infection) was first featured on the previous EP and was stunning then but within the encasement of the new release feels even more impressive. The song is a caustic ravaging spawn of the industrial metal craft of Fear Factory and the exhausting and ravenous intensity of Static X bled into an electrifying abrasion all Cambion. Like all the songs on the EP, it rewards as deeply as it gnaws away at the listener and their psyche, the melodic fires enflamed and aggressive violation unleashed, metal at its very compulsive best.

The brutal entrance of Virus Part 3 (Death) with sheer malevolence to the squalling vocals and heart stopping beats from the drums, brings the world to a juddering halt such its intimidation and power. It is a mere one minute of physical barbarity which leaves one shell shocked yet ready to face the next part of the Virus in (AfterLife). If you thought moving on from this plain would be all beauty and peace, the erosion of light and expulsion of civil tranquillity let free by the track soon corrects and sends one to their knees. Combining a contagion of acute grooves with crippling rhythms and further technical savagery, the track is a persuasive assailant and one which with its melodic flames hitting mesmeric heights and additional impressive clean vocals and harmonies, one which provokes and evocates the strongest passions and emotions.

Virus Part 5 (Resurrection) continues the sonic viciousness with sheer mastery of sadistic intensity, unforgiving sounds, and glowing melodic beauty. The track scores and depletes the senses until numb but at the same time energises and inflates the heart with a melodic enterprise and touch as magnificent as the quarrelsome ruin surrounding them.

Completed by a hidden track which is as stunning as all the others, Virus is just outstanding, a release which declares Cambion firmly as one of the most important bands in UK metal and a delicious violation all should allow to rampage inside.

http://www.cambionofficial.co.uk

RingMaster 25/01/2013

Copyright RingMaster: MyFreeCopyright

 

Cambion: Last Rites

Though it was released the tail end of last year the recently brought to our attention EP Last Rites from UK metallers Cambion is just so good that a sharing was a must. Without breaking down boundaries or driving into new areas Last Rites is a full and muscular pleasure that brings an extra fresh breath into an already lively flurry of emerging UK metal bands. Cambion have something extra though not something which can be pinned down but their music just rips through the senses to invigorate, light up, and bring them wonderfully to the boil. They just bring a maelstrom of raging aggression, skilful technical accomplishment, and simply heart lifting uncompromising metal.

Formed in 2009, the Devonshire band openly state their influences and start their sound with seeds of the likes of Fear Factory, Meshuggah, and Divine Heresy. There is much more to their sound but you can hear those inspirations within the five songs that make up Last Rites. The year after forming saw the band on tour with Fozzy and in 2011 Cambion played a return performance at Wizzfest in Belgium alongside Blaze Bayley. That year also saw the release of their second EP City of Ember as well as new members, bassist Colin Beale and rhythm guitarist Liam Neary joining drummer Frank Dennis and lead guitarist/vocalist Elliott Alderman-broom. With the band in their time also sharing stages with the likes of The Defiled, Malefice, Fury UK, and Beholder, they have become as shown by the EP a tight and formidable band which deserves being placed at the fore of the new metal blood coming through.

The EP opens with the muscular rampaging Death March. The track rifles the ear from the start with threatening riffs, concise guitar asides, and growling venomous vocals. The song is a towering aggressive animal which breaks down any resistance with its deliberate and intense drive. Midway the song steps back in pace as a wonderful solo lights up the darkened corners of the song but it is not long before the insurgent rhythms and barracking riffs resume control. The song is a strong start to the release if not the most remarkable but it is impossible not to be swept up in its overpowering force.

The following Jester steps up a gear adding a fine groove metal vein to the assaulting riffs and intensity. It is with the excellent clean vocals though alongside the sharp melodic play that one is openly shown just how good this band really is. That previously mentioned undefined essence a sure presence as the track wraps its intrusive manipulative groove and touches around the ear tightly. There is a mix of Malefice and Periphery that come to mind as the track plays though  just  strong spices to their flavours.

It is with Quantum Concept and Salem that the release really ignites all the inner sparks. Both tracks are immense and as satisfying and intriguing as they are intense and consumptive. The first brings its Meshuggah incited elements to the forth to puncture and persistently jab the senses with tight and eager riffs, whilst alongside there are crystalline melodic strikes which mesmerise. The rhythms from Dennis are immense showing him , as do all the tracks, what a masterful and inventive drummer he is, the driving force for the songs but with an intelligence and imaginative flair. Salem is the best song on the release though a close call between them all. It stomps and grooves with a devilment that rides the intrusive spikes of sound which the track pitches into the senses. It is like being plugged into the mains listening to it as it forces a hyperactive response to its violations and a mesmerised addiction to its caressing melodic and harmonious play and vocals.

The closing Virus Pt.2 The Infection is a bristling pulsating metal mix offering a Fear Factory industrial tone and a scraping Static X electric intensity. As it stirs up the senses the song adds a melodic progressive metal side step which shifts the song into a warmer feel before returning to rupture the senses once more with direct and manipulative  strikes.

Last Rites is excellent , simple as that. It not only hits the spot and gets the blood flowing in a torrent it declares Cambion as one of the most impressive emerging UK metal bands and one to watch very closely.

https://www.facebook.com/CAMBIONOFFICIAL

RingMaster 02/05/2012

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