Limozine – Party On The Bus/Tequila Shots


Ahead of their fifth album, UK punk ‘n’ rockers Limozine ignites anticipation and appetite for their forthcoming release with new double A-sided single Party On The Bus/Tequila Shots. Two stabs of garage punk in its dirtiest wanton form, the single finds the Londoners at their most irreverently and creatively impressive yet. There is also a fire to the songs which declares that they know they are good and come loaded with a devilry to seduce, which they both do with ease.

The single is the quartet’s tenth and follows the previous acclaimed Johnny Got Shot by a UFO in the March of last year and before it the 2012, Tokyo 1970. The impending album is the band’s fifth, their list of full-lengths starting with Car Crash Casino 2007, which brought the band an eager attention. Through Evil Love two years later and Full Service two years on again, Limozine continued to impress and grow, hitting a pinnacle with last year’s You’ve Been Limozined. If the new single is to be believed though that plateau is going to be pushed to new heights with the upcoming album and we for one cannot wait.

Party on the Bus gets things loose and excited first, hollow sounding beats and antagonistic riffs waking up ears ready for the vocal swagger which infests the senses soon after. Revealing touring debauchery with its narrative, the track brawls and incites the imagination in a fusion which at times is like The Stooges meets Rocket From The Crypt with healthy essences of Turbonegro and early The Damned bounding the devilment. Hooks and riffs captivate across the scorching riot whilst the rhythmic enterprise of Timmy enthrals and enslaves the senses. Vocalist Limo Dean as ever is a raw and compelling lead whilst his guitar and that of Johnny Zero impress and tantalise with consummate ease to help create a monster of an addiction forging song.

As excellent as the song is though, it is just the appetiser to the brilliant Tequila Shots where old school punk and raw rock ‘n’ roll make a pact to seduce and enslave. From its first second the bass of Karl Atlas is a rapacious bait and shadow to the more fiery guitars, cock sure vocals, and gang harmonies. Of a liquor fuelled seduction and commitment, the song parades its lyrical suasion on bulging rhythms and sonically varied endeavour, flaming riffs and deep lying hooks insatiable temptation matched by the web of vocals and emerging melodic toxicity permeating the climax of the outstanding protagonist. It is a glorious track which alone leaves lips licked for the new album but alongside Party On The Bus makes for an inescapable trap before it’s unleashing.

If Limozine has not pulled up outside your attention and emotions before now then Party On The Bus/Tequila Shots is the perfect way to open up an exploration of one of UK’s still relatively hidden best secrets; though you will soon suspect like us that once the new album is there inciting, Limozine may be a much louder name in the country’s ears.

Party On The Bus/Tequila Shots is available via Beat Atlas Records


RingMaster 09/06/2014

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Limozine: Johnny Got Shot By A UFO


It is Limozine time again as the UK rockers release their new single Johnny Got Shot By A UFO. It only seems like yesterday since they raised the temperature with previous single Tokyo 1970, but then the London based band have never held restraint in releasing their sounds with the last three years or so seeing nine singles, including the new one, and three albums. The new release continues the strong and intriguing presence of the band and their riot of uncomplicated energy to leave again keen satisfaction and enjoyment.

Formed in 2005, the band has earned a strong reputation for their unpolished encounter of garage punk and rock n roll, the sound a raw and honest brawl with feisty mischief able to charm and ignite audiences to their live shows and to releases such as their albums Car Crash Casino in 2007, Evil Love in 2010, and Full Service of 2012. With a new full length release You’ve Been Limozined, due later this year the new single sets it up with enterprise and intrigue even if the song arguably lacks the spark to ignite the ardour it probably deserves.

Released via Beat Atlas Records, Johnny Got Shot By a UFO instantly grabs attention with its psychobilly intimidation and rockabilly swagger locked to its punk rock core. The grooved riffs of Johnny Zero are an instant temptation alongside the bass enticement of Karl ‘da Kops’ Atlas whilst the snaps of beats from drummer Skip Intro frame it all with undemanding yet senses provoking craft. Bringing his guitar and vocals in to play soon after the initial tease, Limo Dean courts the ear with a delivery which matches the sound, uncluttered, direct, and deliberately devoid of anything not organically bred. Across its length the song sparks with its addictive grooves veining the rougher rock rub and throughout it leaves one engaged and involved.

The song does seem to fall one step short of firing up a full passion for its offering and though it certainly does the business of earning strong appreciation it does feel a little like the song missed the opportunity to stand out as one of the most addiction capturing singles likely to appear this year. Despite that Limozine continues to stand as one of the more entertaining emerging bands with Johnny Got Shot By A UFO making a good and pleasing persuasion for band and forthcoming album.


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RingMaster 11/03/2013


Limozine: Tokyo 1970

Limozine is a band you just cannot help having a fondness for, especially when they keep coming up with singles as mischievously enticing and infectious as their new one, Tokyo 1970. A thumping brew of garage punk with a more than healthy infusion of psychobilly, the single is a wonderfully bruising fire of energy and  attitude with a riotous swagger to its charge.

The London based quartet of vocalist/guitarist Limo Dean, guitarist Johnny Zero, bassist Karl da Kops, and Skip Intro on drums, has ignited a strong and ardent fan base since forming with their live shows and trio of albums, Car Crash Casino (2007), Evil Love April (2010), and Full Service ( 2012) as well as a clutch of singles with particular success and radio play coming with Deep Fried Love, Twenty Greatest Hits, and Siamese Twins. Released through Beat Atlas Records, Tokyo 1970 continues the great and compulsive creativity and sound of the band whilst arguably being set to be their biggest success yet.

Opening with an easily accessible groove and the raw scowls of Limo, the song immediately holds a full and eager engagement with the primal rock n roll instinct inside. Into its stride the track teases with sonic provocation and scorched melodic kisses to the continuing raw breath of vocals and song, the caped crusader spawn groove becoming more infectious with every turn of its wicked and wanton incitement.  Creating a twisting and excited brew of The Sonics and The Stooges with plenty of psyche charm from the likes of The Cramps and The Legendary Shack Shakers, Tokyo 1970 leaves a thrilling taste within the heart and an appetite for plenty more from the band.

If riled and insatiable rock n roll with a twist of psychotic garage and rockabilly tendencies sounds like the perfect way to ignite your day than Limozine is your answer.

RingMaster 16/11/2012

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