It only took a minute of the opening track to Erase, Evolve and Rebuild to hear and feel something has stirred and evolved within Cynical Existence. The band’s second album it is a riveting collection of distinct and diverse soundscapes soaked in a maturity and craft which sees the project at a level only hinted at previously. It is a hypnotic web of invention and exploration which embraces the darkest shadows but also the most acidic and caustic light, the result a release which stalks, rampages through, and dances with senses and thoughts whilst seducing the emotions, though not always in that permutation.
Formed by Fredrik Croona (ex- Project Rotten/ Menschdefekt) as a solo project, Cynical Existence as evolved into a startling and formidable beast which has continued to impress across EPs and earlier this year the project’s debut album Come Out And Play, not long after followed by the Beholder EP. For most bands this frequency of releases leads to the occasional less than endearing or potent encounters but this is definitely not the case with Croona and co, in fact it has to be said that Erase, Evolve and Rebuild leaves much of what came before pale in its company despite their also impressive declarations. The depth and strength unleashed by the new album suggests that maybe the other recent releases have consisted of older written material or simply the striking evolution sculpted by Croona and Steve Alton of UK project System:FX who joined the band late last year, the pair now joined by third member George Klontzas of Pre Emptive Strike 0.1, is that dramatic a sudden leap. Erase, Evolve and Rebuild certainly does nothing to diminish the sizeable impression and quality forged by A Familiar Kind of Pain, Come Out And Play, etc. though instead it just breeds another wave of striking accomplishment by Cynical Existence.
Released via Belgium label Alfa Matrix, Erase, Evolve and Rebuild has little problem in having feet and thoughts in eager movement through opener Something Strange. Synths instantly cast a festivity of sound over the ears, an ambience which is welcoming and almost devilish especially with the darker feisty electro stomp which keenly joys the invitation. The vocals of Croona squall with the caustic breath and malevolent lure which we have come to know and enjoy but the song also shows the appetite to infuse a cleaner darker gothic tone to the narrative which only excites. There is a lighter essence and buoyancy to the track compared to certainly the Beholder EP, but shadows and dark menaces still have room to toy with the listeners thoughts. A track sure to add fire to the dancefloor, it makes a compelling start to the album.
The following Erase Me is equally as potent and effective in rousing up the passions, its electro caress of a dawning soon a bulbous beckoning moving into an electro punk confrontation through the guitar of Alton. A riotous snarl coats the song from vocals through to the causticity breeding an irresistible temptation and wrapped in another waltz of electronic sedition which invites limbs and a voracious hunger to enlist in the track’s insatiable incitement, it is a rivetingly sculpted pinnacle of the album and further evidence of the evolution at work.
My Decadence, Your Sins which features Rave the Reqviem has an absorbing eighties temptation to its thrilling landscape, a scenery which is like Depeche Mode does industrial at times and at other moments like Celldweller on a distinct mission to taunt the songbook of Fad Gadget. Despite those thoughts the track is still uniquely Cynical Existence in its stance and enterprise with the fact that the three minutes plus are over far too soon the only niggle. The feast of invention continues the scintillating presence of the album with ease, passing its heady presence on to the magnetic searing electro quickstep of Imperfect followed by the evocatively hued The Divine. Elegant classically wrapped keys open up the second of the two songs, its gentle radiant coaxing leading thoughts into the haunting melancholic caresses at the heart of the track. It is a masterful provocation of emotion and shadow cloaked climes, the gravelly vocals as on all songs that rasping texture which tempers and compliments the clean delivery and the melodic rays of sonic beauty.
The album from this point on immerses in even darker wells of malevolent rapture and predacious intent. The imagination consuming Falling with its thumping heartbeat the centre of a tempestuous emotional cloud and the pulsating heavy booted yet still irresistibly charming Deus Ex Complex are both unafraid to stalk the blackest corners within especially in the second of the two, shards of irrepressible electro romping whilst Our Bright Future is a twisted riotous incendiary tango of sound and energy which is prone to long breaths and pleasing unpredictability. This new energised character of a dance also reaps and offers its rewards through Sins Of Your Flesh and though the trio of songs maybe lack the final knock-out punch of their predecessors all leave satisfaction full.
The Endless Stride has a structure and contagion which feels closely akin to the first album without any definition as to why or to which offering whilst the effulgence of An Eternity Stuck On Repeat bewitches from its first glassy elegant touch, seducing with a wantonness which is refined yet brazenly uncompromising. The songs bring more open variation to the album as does the guitar grazing company of No Compromise and the industrialised rapacious crowding of the senses from Transformation (a search for change), both tracks successful conspirators in a slavery of the passions.
Completed by the outstanding smouldering cinematic instrumental of At the end (Outro), Cynical Existence has thrust themselves to the very fore of electro/industrial mastery with the transfixing Erase, Evolve and Rebuild. Arguably top heavy with its first selection of tracks a more vigorous exploit for feet and energy though the latter is no less an accomplished instigator of darker emotions and realms, the album takes the existing successes and sounds of the band into new breath-taking adventures of imagination and craft.
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