Nami – The Eternal Light of the Unconscious Mind


Having impressed critics and fans alike with their debut album Fragile Alignments two years ago, there was a strong anticipation for its successor from Andorrans Nami. The album was a fusion of brutality and melodic textures which impressively ignited the imagination and tested the senses whilst installing the band as one of the most inventive and challenging emerging forces. Now the quintet returns with its successor The Eternal Light of the Unconscious Mind, an album which builds potently upon the band’s introduction with a maturity and evolution of sound which leaves any hopes and assumptions for the release short changing the realised ingenuity and might.

Released via Year of the Sun Records, the album sees the band reuniting with producer Jens Bögren (Opeth, Soilwork, Amon Amarth) and featuring guest performances from Loïc Rossetti  of The Ocean as well as Carlos Lozano and Marc Martins of Persefone. The release explores further the progressive melodic side of its predecessor, though aggression and brutal energy is not left aside on The Eternal Light Of The Unconscious Mind. It is a ferociously imaginative and sculpted tempest of textures and ambiences, an intensive intrusive beauty crafted by blazes of diversely infused metal for an evocative provocation which cements and stretches Nami’s presence as an emerging force.

The Beholders opens things up with an absorbing synth created ambience, a elegant beckoning which even with the vocal angst lit nami_coversqualls of Roger Andreu making their presence known hold attention with a warm potent lure. The song soon uncages its deepest intensity and shadows though, scarring riffs and demanding rhythms ridden by harsh antagonistic vocals provoking the senses; simultaneously though the guitars of Iván Marín and Filipe Baldaia the track provides an enthralling melodic temptation alongside its rapacious intent and hunger. It is a blend which captures and inspires the imagination whilst senses and passion are taken on an ever shifting exploration of compelling structures and breath-taking textures. Thoughts of The Ocean and Gojira grace the encounter at times but it is something unique to Nami which sets the sound, song, and release distinctly apart.

The following Ariadna launches a full on predation from its first second, the drum and bass pressuring of Sergi Verdeguer and Ricard Tolosa respectively an immediate enslavement which ebbs and flows in intimidation to compliment and shadow the melodic grace and poetic air of the song. It is a glorious enticement with saxophone fire evoking greater appetite for its bewitching narrative within again a continually evolving expanse of progressive exploration.

Through the riveting Silent Mouth with its rolling rhythmic contagion and sonic sculpting aligned to immense vocal persuasion, and the intensively oppressive yet invitingly magnetic Hunter’s Dormancy, the album continues to hold thoughts and emotions in a tight inventive grip. The second of the two is a heavy prowl of the senses which like all tracks is willing to savage expectations with unpredictable detours and imaginative shifts of sound, whilst its successor The Animal and The Golden Throne merges a classical and caustic incitement into an evocation which pales against its predecessors but adds a thought pushing element to the album’s concept of looking at dreams and the unconscious.

Both Bless of Faintness and Hope in Faintness entice the listener deeper into their and the album’s seduction, the pair a linked fascination of sound and intent which continues the inventiveness and mouthwatering potency of album and band. Crimson Sky and The Dream Eater complete the album, the two tracks providing a strong lure of adventure and suasion though they fail to set the same heights as earlier songs, the first half of the album stronger than it’s second. The songs nevertheless are dramatically powerful and creatively intense and only slip because of the staggering excellence of those at the start of the journey.

     The Eternal Light of the Unconscious Mind is a thrilling emprise, one which not only provides incontestable evidence of the promise and quality of Nami but stands as one of the progressive metal treats this year.


RingMaster 06/11/2013

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Nami – Fragile Alignments

If an album takes three years in the making, and from the creative process and not simply down to obstacles put in the way, the anticipation for something special will be strong and eager. Fragile Alignments from Nami, a quintet from the little country of Andorra located in the eastern Pyrenees, is more than special it is stunning, the length taking to bring forth fully justified in its amazing contents. The release is an immense and glorious kaleidoscope of ingenuity, imagination, and provocative sounds that stirs up the heart and ignites the senses.

The base sound of Nami is progressive death metal but that really is simplifying far too much as the band draw upon and into their sounds flavours and directions from numerous genres to create music that in one moment can be a mesmeric beautiful and the next aggressively intrusive, not forgetting the times when the band just hypnotise with an incessancy that has its recipient drooling and whimpering at the same time. The first listen was hypnotic and instantly impressive, subsequent plays consume and fuel a love affair from the deepest corner of the heart.  No review or description will fully bring over the quality and jaw dropping glory of Fragile Alignments or give the true depth of the emotive grip of the haunting and soulful melodies that permeate every track or the virtual brutality that is unleashed at times, often unexpected but always effectively. To be honest the album is not flawless which in itself engineers the greatest thrill and unbridled lust for what is yet to come from this young band. 

Mixed and mastered by legendary producer Jens Bogren (Opeth, Amon Amarth) the album ripples with elegance and melodic beauty whilst flexing its muscular might and intensity, erupting with varied and gripping textures that  combine the elements that the likes of Meshuggah, Opeth and Between The Buried And Me have made their own, until now. Fragile Alignments consists of nine pulsating and captivating tracks wonderfully written and realised by vocalist Roger Andreu, guitarists Bernat Argemi and Filipe Baldaia, Ricard Tolosa on bass, and drummer Sergi Verdeguer, each member of the band excelling with distinct musical prowess and skill and though their talents are clearly obvious it is all seamlessly brought together to blend into one perfect soundscape.

Fragile Alignments is a conceptual album which as their website bio states “The story arc of “Fragile Alignments” is developed through the choices made by the album’s central character “The Man”: a representation of our modern humanity. Anchored by the themes of optimism and freedom, the album follows The Man on a secular journey towards his own enlightenment as he clashes with the natural world that surrounds him.” The album also has the songs layered in an “achronological storyboard” which means the album can be approached in any track order to make the experience of the one story being told, different, inspiring and provoking; never has shuffle on your iPod been more worthwhile.

Every track is a triumph with pinnacles in a solid wave of exhilarating songs and quality coming in the shape of the opening instrumental ‘Awakening from Lethargy’ where the music slowly comes alive building to crescendos through atmospheric bright musical stretching, the song bursting to life with emotive keys , vibrant guitars and glorious warmth, and ‘Cosmical Beginning (Air)’ with its gruff almost belligerent stance leading seamlessly into the sumptuous and absorbing passion of ‘Conscience of the Void (Water)’. Top honours though belong to ‘Oppression and Understanding’. The song erupts with a venomous death metal intensity and the deepest growls from Andreu over threatening and commanding rhythms from Verdeguer, before adding infectious siren like hooks and riffs that are aural addiction, the guitars of Argemi and Baldaia slicing scorched slithers off the senses from their incisive magnetizing skill. The bass of Tolosa punches and throbs its way into the ear and as throughout the whole album, he brings an irresistible beguiling element to the music.

Fragile Alignments is outstanding and without doubt one of the most impressive and genuinely enjoyable albums in a long time. Nami might be new, they might also be still yet to reach their full potential, which is a scary thought, but they are right now one of the more refreshing and exciting bands to step forth. There is no option you really must go and find out why.

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