Project Silence – Infinity

It has not proved too hard for us at The RR to be hooked on the creative animus of Finnish industrialists Project Silence these past years ever since the release of their debut album 424 in 2012. Even as their electro-metal based sound has evolved and embraced a host of extreme and raw metal textures across subsequent encounters, each encounter has accentuated our fascination come addiction with their music. It is fair to say that the blackened death hued adventure of the band’s last album, Slave To The Machine, did not quite hit the personal spot but still had more than a few moments of irresistible and striking adventure. Now two years on, the Kuopio quintet has returned with a seven track scourge in the shape of Infinity; a release which quite simply is their finest moment.

Infinity sees the Kuopio hailing quintet of Delacroix (vocals, programming, keyboards), S (guitar), J (guitar), Silve R (drums), and Sturmpanzerjäger (bass) in many ways returning to the industrial breeding of their roots whilst still exploring the variation of flavours involved in the creative weave of its predecessor. From its first breath there is a sense of fresh maturity and boldness to the sound, the initial trespass of opener We Will Rise a contagion loaded tide of muscular riffs. It is a fierce yet infectious nagging with a touch of Fear Factory to it which ebbs and flows as the guttural growl of Delacroix entices. As heavy as it is portentously dark, an insurgent sound tempered by the melodic tease of keys, the sonic incitement just stirred ears and imagination; a result only escalated across its successors.

The equally outstanding From Beyond follows, its initial lure new wave-esque amidst swift gothic hued intimation before its black hearted dance emerges. Even then it is a prowling venture of threat and magnetic suggestion; technical death metal dexterity merging with industrial rapacity to increasingly fascinate as its electro instincts escape sonic darklands before the tantalising drama and ungodly seduction of No More envelops and devours the senses. Soaked in malevolence, the track subsequently swings from its sinful crawl into a just as nefarious canter, Crowley-esque hues lining the increasingly transfixing and ravenous encounter.

Forgotten shares its own diabolical instincts and adventure next, its gait and character as volatile as it is sonically and melodically imaginative; again a weave of flavours mingled and worked with compelling enterprise while Pulse swings and stomps straight after with tenacious endeavour and a mercurial breath seeming not sure whether it wants to dance with or ravish its victim; for the main simultaneously doing both.

The final pair of Anthropophagite and Day Of Reckoning brings Infinity to a mighty close; the first is just superb as it feasts on the flesh and senses of the listener whilst nagging increasing attention and lust with its repetitious riffs and grooves. As keys spread their melodic toxins and vocals their taunting malevolence, the track simply escalates its lures before leaving its successor to infest body and spirit with its Rammstein spiced death soaked craft and immorality. As all tracks, it offers an invasive but captivating web of styles and flavours within its industrial metal nurtured adventure leaving the listener bouncing in deed and thought.

In many ways Project Silence has taken the strongest and most adventurous ingredients from their previous releases to breed the rousing exploits of Infinity but there are just as plenty fresh and new elements which keep the band as one of the most exciting proposals within industrial and indeed extreme metal.

Infinity is out now via Sliptrick Records across most stores and available @ https://projectsilence.bandcamp.com/album/infinity

http://www.projectsilence.info/   https://www.facebook.com/projectsilenceband/   https://sliptrickrecords.com/project-silence/

Pete RingMaster 06/10/2018

Copyright RingMaster: MyFreeCopyright

Buzzkillz – Major Fucking Complications

Having caught the Buzzkillz bug last year after being introduced to their debut album of the previous year, there was certain anticipation with an edge of excitement when Jybe from the Finnish band got in touch to say a new EP was winging its way over. Major Fucking Complications is a five track holler of the band’s increasingly individual punk ‘n’ roll/punkabilly; an encounter which eagerly builds on that first full-length and demands greater attention goes the way of the Helsinki quartet.

Formed in 2011 by vocalist/guitarist Ultima Foole and double bassist Jybe, its line-up subsequently completed with the addition of guitarist Antti and drummer Joiku four years later, Buzzkillz saw potent praise come their way through 2016 debut album Scum Of The Earth. It also introduced them to a new wave of fans outside of their homeland. Major Fucking Complications should incite even thicker attention as it expands on the potency of its predecessor in songwriting and sound. It some ways it does not offer anything majorly removed from the album but every track has a richer character and thicker enterprise to their stomps.

Major Fucking Complications also features across its length the guest vocals of Titch from legendary psychobilly band Klingonz alongside its creators, the release opening up with its title track. Slowly but deviously swinging in with open mischief in its intent, the song quickly bursts into a psychobilly nurtured stroll within a punk bred roar. Senses clipping rhythms easily had instincts on board, the lustful slaps of Jybe on bass string appetite exciting as Foole’s growling tones backed by Titch’s distinctive tones add to the infectious dissent. Addiction teasing hooks only add to the persuasion, guitars teasing and taunting as the track’s swing mastered eager hips and limbs; it all making for a fiercely rousing start.

The following Envy, Hunger and Greed though quickly makes a demands on top track honours; it too needing mere seconds to incite the listener with rock grooves , punchy rhythms, and a punk bred ferocity. Calm and virulently catchy in its lead up to a lustfully raucous chorus, there was no stopping the track getting deep beneath the skin from its first cycle. There was definite catchy times within that first album but now that contagiousness has been honed as inescapable bait and traps within song and EP with an imagination which bordering on bedlamic never rests.

Its glorious punk ‘n’ roll hue is then merged with more punkabilly natured tenacity within next up That Shit Is Gonna To Kill You. Jybe’s bass saunter is the first mighty lure, a firmly pulsating one eventually joined by the rest of the band’s swinging escapade. Centred by an ear seizing hook, the track becomes a dirty canter of attitude lined punk rock around a rockabilly seeded rhythmic stroll. The further into its infectious trespass darker hues and bolder imagination escape to add to its increasing temptation before Lie! twists and turns with belligerence and muscle.  With a touch of early Grumpynators to its dissent, the track is punk ‘n’ roll contagion. It may be less adventurous and more invasively irritable than its predecessors but it does not stop it being a fully contagious involvement.

Completed by the psychobilly fuelled Keep On Crawling, another moment which had our appetite for the flavours the band weaves into their sound drooling, Major Fucking Complications is a declaration that Buzzkillz is ready to roar in a whole new landscape of recognition. The surf kissed shimmer of guitars within that final track just epitomises the bolder invention and imagination in their sound and why we are already eagerly awaiting its next adventurous move.

Major Fucking Complications is released July 27th via Fast Decade Records on 12” vinyl.

 https://www.facebook.com/Buzzkillzband/   https://buzzkillzband.bandcamp.com/

Pete RingMaster 24/07/2018

Copyright RingMaster: MyFreeCopyright

Peekaboo Primate – Misanthropical

PP_RingMasterReview

Bedlam suggests an element of chaos to its madness, an uncontrolled essence which certainly does not fit the character of Misanthropical, the new album from Finnish alternative metallers Peekaboo Primate. Yet in every other way the word best describes the creative diversity and inventive loco of the band’s irresistible incitement. The release holds ten tracks which twist and turn like a kinetically sonic kaleidoscope weaving an eclectic array of flavours into their own distinct imagination fuelled escapades.

Peekaboo Primate is like the joker in the pack of modern metal; not the fool playing with a lunatic demeanour just for attention, though mischief is never far from their imagination and songs, but the bold protagonist using unpredictable exploits to ignite the senses and inspire thoughts towards, in the case of Misanthropical, a world where “as ugly, brutal and harsh but sometimes also beautiful as it is – everybody wants to be part of the greatest party of our time before our species go extinct solely by our own hand.

Hailing from Tampere, and originally under the name of Airhead, Peekaboo Primate was formed in 2004 by vocalist Lauri Lepokorpi and drummer Riku Airisto. The original line-up also included Hannu Kumpula and Tuomas Kumpula up to the release of the band debut album Peek-a-boo Primates in 2011. Following its release, the band changed its name to Peekaboo Primate with its personnel subsequently completed by the addition of guitarist Matti Auerkallio and bassist Juhani Rytkönen.

The time between albums has seen the band’s sound evolve and become even more defined in its real uniqueness, though if looking for a hint to what band and Misanthropical offer, imagine a mix of Dog Fashion Disco, American Head Charge, and Five Star Prison Cell with a touch of 6:33 to it. From its first heartbeat the album has ears and attention gripped; Spray Tan opening things up with an assault of tenaciously unpredictable rhythms and hungry riffs as wiry grooves wind around their thick bait. The vocals of Lepokorpi are just as dynamic and impressive, carrying an air of Chad Gray to their rousing presence at times as keys and guitars create a masterfully tempestuous and exotically dramatic theatre of sound

PP_Cover_RingMasterReviewIt is a thumping start matched in quality and irresistibility by the psychotically cultured Ha Ha. Sonic and rhythmic stabs court vocal shenanigans from the start with heftier beats soon adding their instable intent to the quickly compelling mix. Slithers of jazz and groove metal flirt with avant-garde psychosis as the track grows and writhes as well as anthemically incites in equal measure before allowing Nothing the opportunity to prey on an already submissive appetite and imagination for the release. The song saunters along with flirtatious and intimidating hues to the fore, Lepokorpi like the ringleader in its midst as his narrative challenges and highlights the issues theming the magnetic proposal.

From its initial intriguing low key start, The Unleashed soon unveils a pulsating and sinister body of synth bred sound as exotic and sultry hues in female voice and melodic suggestiveness add an alluring invitation. The challenging words of Lepokorpi probe and echo in the background before with unpredictability as enjoyable and prominent as ever, the track slips into a reggae cultured shade of character, though it is just one moment in the revolving journey of the encounter.

An addictive dose of pop ‘n’ roll grips next in the outstanding shape of Heroine, its catchy colour led by the great guest vocals of Noora Louhimo from Battle Beast. The rest of the song is a predacious prowl with the again effect coated tones of Lepokorpi stirring up riffs and rhythms between the flames of pop temptation. Within moments, it is sure to have bodies bouncing and voices fully involved, as ours, before Mama Earth rumbles as sonic spices zoom in and out across its growling tone and nature; that American Head Charge reference coming to the fore here, across a wonderfully grouchy yet fiercely inviting proposition.

As its predecessor, Star has a more ‘straight forward’ adventure to its body, though as the last treat too, there are plenty of unexpected and seamlessly woven together twists to catch out expectations and enthral the imagination, especially when uncaging some creative aberration midway. It’s more composed sanity and boldness is contrasted by the delicious raw frenzy of Peekaboo Primate, the track a demented slice of noise rock infested avant-garde/nu metal mania and quite irresistible as it stalks and bruises the senses.

Some of its punkiness survives in the cantankerous luring of ears by Follow My Lead, though the song is unafraid to bring some pop seeded melody and contagion into its imposing metal shuffle between even more irritable and aggressive trespasses.

Ending with the melodic caress of 291112, an emotively suggestive instrumental which fits easier into the scheme of the album with each full listen, Misanthropical is ripe pickings for the imagination and enjoyment. It offers a canvas and adventure which persistently provides fresh twists and surprises even after numerous listens. We will admit, we had not heard of Peekaboo Primate previously, a band which right now it is hard with their music to get out of our heads.

Misanthropical is released on CD and digitally May 12th via Inverse Records.

http://www.peekabooprimate.com/   https://www.facebook.com/peekabooprimate  https://twitter.com/peekabooprimate

Pete RingMaster 12/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Wolfhorde – Towards The Gate Of North

Wolfhorde_-_Promopic_RingMaster Review

Like a warrior bold in its conflicts and proud of its beauty loaded landscape, the debut album from Finnish folk metallers Wolfhorde is an attention grabbing and imagination sparking confrontation. Towards The Gate Of North is a weave of melodic elegance and impassioned folk bred charm aligned to contrasting Viking roars and dark trespasses in word and sound. Fair to say band and album stride the familiar inspirations of Nordic and Viking mythology but twisted into adventures and creative lures which are forcibly fresh and individual to Wolfhorde.

Hailing from Keuruu, Wolfhorde formed around the year 2000 as a quartet and after a couple of demos or so, began majorly sparking intrigue and broader fan support with the EPs Deathknot and Nyvinland in 2010 and 2012 respectively. It is fair to say that the band’s first album has been a bit of a highly anticipated offering for a great many, and the trio of guitarist/multi-instrumentalist Werihukka, drummer/vocalist Hukkapätkä, and bassist Nuoskajalka are about to put themselves on the metal map with their voracious release.

Themed from “sad and gruesome stories about the end of the world in the Viking heritage and mythology”, Towards The Gates of North begins its journey from “the beginning of the end on to the beginning of a new world” with the instrumental Vegvísir. From its first touch, warm acoustic caresses collude with pulsating beats in a seductive call; traditional and melodically poetic essences emerging to paint a portrait of a vast beauty soaked landscape coloured with warm and cold climates with matching emotions. It is an inviting yet shadow kissed introduction to the album’s emprise potently awakening appetite and imagination ready for the more tempestuous Fimbulvetr. Swiftly it is rhythmically bolder and firmer, Hukkapätkä and Nuoskajalka unveiling an anthemic yet intimidating web around which the keys and guitars of Werihukka share their suggestiveness. Things darken again as Hukkapätkä’s bearish throat scarring vocals add their uncompromising impact yet melodies and a shamanic tempting radiate and evolve in response as the track immerses ears in a transfixing incitement.

Wolfhorde_-_Towards_The_Gates_of_North_RingMaster ReviewThe creative and evocative drama of the first pair continues through Taivaankappaleiden Kato next, the track arguably a more expected folk metal charge with TÝR and Ensiferum like textures adding rugged hues to again alluring melodic and traditional qualities which from start to finish help give the album a rousingly celebratory yet unpredictable and enjoyable deceitful character. It is a great quality which, even in more familiar sounding songs like this, offers something individual to Wolfhorde, as proven again by the outstanding Death Long-Due and its mix of clanging iron like textures and mischievously appealing melodies sculpted from another great blend of traditional and electric enterprise.

Through the theatrical pomp and boisterous roar of The Retribution and the dark invasive charm of Unyielding, the album has hips and imagination enslaved. The first is a rousing revelry swiftly inciting feisty bodies and energy to get fully involved whilst its successor provides a melancholy aired saunter through dark scenery with prowling shadows linked to turns of galvanic revelling in turn bonded to ferocious provocation. The song in many ways epitomises the album, its twists and turns defying expectations whilst sculpting an adventure keeping ears and thoughts on their eager toes.

Boundless Agony is no exception, the raw delivery of Hukkapätkä’s vocals the strongest contrast to the swinging merriment of melodies and devilish hooks as feistier urgency and antagonistic elements bond with the band roar and the increasingly volatile nature of the exotically hued song in general. Another major highlight within Towards The Gate Of North, it catches the breath before the kicky exploits of the superb Lycomania run wild with rhythmic rabidity and sonic devilment. As all tracks within the album, it is a fiery contagion of sound and creative tempting, and as all only rewards repeated listens with its gripping invention and innovative contrasting of textures and flavours.

The finest moment of the album also confirms the potency of each member singularly and together, the trio then revealing their richest exploration in the creative trail of closing epic The Gates of North. The nine minute stroll is a full adventure on its own; a provocative and dramatic narrative of sound and tone that twists the imagination with its progressively tinged flight.

With maybe just a small want for more diversity in the vocals to suit personal taste, Towards The Gate Of North leaves ears enriched and pleasure full. It is a striking offering sure to push Wolfhorde into the broadest gaze of folk metal and indeed the metal scene generally; and seriously easy to recommend.

Towards The Gate Of North is out now via Inverse Records.

http://www.wolfhorde.com   https://www.facebook.com/WolfhordeBandOfficial/   https://twitter.com/wolfhordeband

Pete RingMaster 25/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/