Acid Brains – Thirty Three

ACID-BRAINS_COVER2_RingMaster Review

Rampant with a torrent of diverse flavours all uniting in one mighty slab of punk ‘n’ roll, Thirty Three is one of those proposals which out of the blue sets energies racing and thick pleasure flowing. The rousing success of the new encounter will probably be no surprise for fans of and those in the know about Italian band Acid Brains, a quartet previous full-lengths having earned the band a potent reputation in their homeland’s rock scene, but for the rest of us the album is an impressive introduction to a thrill we have all been missing out on.

Hailing from Lucca and formed in 1997, Acid Brains create a sound which merges alternative and punk rock with grunge and new wave, amongst many flavours, a mix brewed with devilish invention and thick imagination. 2004 saw debut album The End Of The Show released after a trio of demos before it; its well-received outing more than matched by its successor Far Away two years later and Do It Better in 2009. As the new proposition, fourth album Maybe was unveiled via Red Cat Records in 2012 to show more of the evolving enterprise and boldness in a sound now inflaming ears in Thirty Three.

Produced by Gherardo Monti and Acid Brains, Thirty Three comes in two parts; the first consisting of five tracks sung in English and the second with four songs sung in the band’s native tongue. Why the segregation of languages we cannot say but the parts are a CD equivalent to the side A and side B on a vinyl release or like on a double EP.

Band and album have attention and ears in the palms of their creative hands from the off, opener Make Up Your Mind laying down an initial lure of confrontational yet controlled bass and guitar before bursting into a fiery punk rock escapade with, whether intentional or not, a more than familiar relationship to The Damned’s Neat Neat Neat. The track proceeds to stop and flow with magnetic invention and aggressive ferocity throughout, creating a compelling proposal easy to get greedy over long the way, just like the following Halloween. The second track strolls in with its own slightly belligerent character, the bass of Antonio Amatulli devilishly prowling amongst the sonic tempting of guitarists Alfredo Bechelli and Stefano Giambastiani. The latter’s vocals equally engage with grouchy persuasion as the song explores a post punk/new wave fuelled slice of raw power pop, it already showing the strong variety within the album as it has the imagination bound and ears again aroused.

Sometimes steps up next, tantalising initially with a dirty flame of riffs before hitting a grunge/punk canter playing like a feisty mix of Nirvana, The St Pierre Snake Invasion, and Feud. Antagonistic but with an anthemic welcome rather than a nasty intent, the track stomps along recruiting body and appetite before On The Borderline takes over with its post punk laced, rhythmically gripping prowl. The resourceful beats of drummer Luca Bambini masterfully shape the track and entice instincts to which guitar and vocals offer their inventively bracing assets. With a spice of Gang Of Four meets Gruntruck to it, the track continues the impressive and increasingly gripping persuasion of the album, and the enjoyable wealth of diversity.

Adding a touch of glam rock swagger is Answers next, but equally a healthy scent of old school punk is the order of the day within the slimline and enjoyable canter before Tu throws some rhythmically tenacious garage rock into the album’s mix. A bracing stomp bouncing aggressively around with sonic colouring maybe best described as NOFX and The Pulsebeats in league with the punkier side of Les Négresses Vertes, it sets the second part of Thirty Three off in fine style to be quickly backed and surpassed by the outstanding nagging tempting of Mi Sorprendi. Riffs and rhythms provide a great worrisome yet addictive beckoning for the vocals of Giambastiani to stir things up in potent style within. Once more that post punk spicing add to the varied punk ‘n’ roll adventure of the track whilst hooks and the throaty tones from Amatulli’s strings only add to the inescapable captivation.

The final pair of songs ensures the album ends with as much variation and resourcefulness as it has perpetually offered already. All’infinito is first, a heavily enticing slice of drama with sinister electronics courting a grunge punk aggravation whilst closing song Solido has its own dark theatre through haunting keys within a rawer coaxing of guitar. Soon it raises its temperature and contagion with a glorious roar of a chorus that has listener participation involved with ease. Subsequently leading into another hungrily virulent blaze of rich grooves and deeply embedding hooks; that in turn the passage into an attitude loaded punk bellow of a blistering finale, it and its predecessor provides a thumping close to an increasingly persuasive and impressive album.

Acid Brains is rock ‘n’ roll to get excited and greedy over; something fresh to get lusty with through an album that flicks all the right switches.

Thirty Three is out now via Red Cat Records across most online stores.

Pete RingMaster 08/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out

The Males – Her Golden Blood EP


Dirty, fuzz lit, and pungently unfussy, the sound of UK noise rock band The Males is a proposition which just crawls under the skin and gets feet right through to passions dancing to its feverish tune. The band’s new EP Her Golden Blood tells you all you need to know about the emerging band. Consisting of three songs which are just as grunge/stoner fuelled as they are noise spawned, it is an encounter which does not make massive waves but ripples and smoulders very nicely to leave a lingering and raucously reminding indent in thoughts and emotions.

The Males was spawned from the creative coming together of guitarist Will Goldstone and vocalist/drummer Lewis Young at Bournemouth University during the mid-2000s. Eventually joined by bassist Ben Smith, the trio set forth as The Males and were soon drawing attention and eager ears towards their noise bred rock ‘n’ roll. With inspirations from the likes of Shellac, Black Sabbath, Jesus Lizard, Fugazi, The Melvins, the Misfits, Refused, Queens of the Stone Age and AC/DC spicing up their invention, the London based trio uncaged a self-titled demo in 2012, a raw and unruly incitement of sound sparking the imagination and a growing spread of fans. The single Wolves followed in the October of 2013 with a teaser from their debut EP, Golden Gates touching ears earlier this year. All has helped inspire keen anticipation for the new EP, an appetite easily and potently fed by Her Golden Blood and its potential drenched roar.

Opening track Cut Her Off from its first breath leads ears and feet into its immediate inescapable bait, punchy rhythms and raw riffing leading to addictive behaviour upon which sonic designs and the strong vocals add extra tempting. THE MALES EP MASTERThe song flirts with hints of bands, though the ones which most spring to mind and certainly not influences on The Males being as new as they, is Feud and The St Pierre Snake Invasion. There is an expectations feeding aspect to the song in some ways but also a more prominent refreshing energy and coarse rabidity. It is a tenacious encounter with caustic melodies, increasingly dramatic rhythms, and a glaze of sonic enticement simply luring the listener in further.

The track is a strong and masterful start to the EP which the following Golden Gates backs up solidly. It wraps tendrils of sonic coaxing around ears first, an acidic scuzz lined lure which is soon joined by weighty rhythms and an even bigger bass incitement, its tones bulging with devilish intent. The vocals again bring an expressive and eager revelry to the highly satisfying encounter though ultimately there is not quite the same spark of imagination to the body of the song as its predecessor. It certainly offers enough to intrigue and keep thoughts on their toes though, especially to the latter stroll of the track where it seems to find a more virulent persuasion with an irresistible groove.

The final song Hot Blood has an old school punk flavouring to its fiery waltz of moody basslines, agitated rhythms, and squalling riffs. It is hard to define who it reminds of but there is definitely a nostalgic tang to the track which colours its impressive enticing even more potently. The best track on the release, it is a compelling protagonist to imagination and ears, a track which hints at riots and brawls with its energy yet resorts to primal seduction for the main to ignite once again an already greedy appetite.

Her Golden Blood is not going to lead to declarations of The Males being the next big thing but it undoubtedly has the potential and weight to earn the band a stronger spotlight and reputation in their continuing ascent.

The Her Golden Blood EP is available now @


RingMaster 21/07/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from


Inlaze – Shallow


Still fresh around the gills, having formed in the last weeks off 2013, UK rock band Inlaze lay down a rather compelling introduction with new single Shallow. A feisty stomp of alternative rock and grunge with a just as healthy dose of punk and fuzz revelry, the song is a virulently contagious and riotously addictive brawl of sound with a temptress like seduction at its core. Like a cross between Feud and early Foo Fighters with a veining of Reuben-esque aggression and sultry Allusondrugs temptation, the band’s sound flames voraciously around ears on the single, sparking a just as keen fire in the passions.

Hailing from Wakefield in West Yorkshire, Inlaze consists of vocalist/guitarist Cauley Pritchard, guitarist Ollie O’Brien, bassist Joe Tabz, and Tom Whiting on drums. March this year saw the release of their debut two-track release Waste​/​Fall, a pair of songs which explored a more shoegaze mesmerism upon the band’s firmer rock canvas of sound. Both songs made a potent attention coaxing declaration to spark intrigued interest but it is Shallow which really ignites a hungry appetite for itself and the band ahead.

Riffs and rhythms cascade down on ears within the song’s first breath, jangling over and jabbing the senses for a feisty opening. The bass of Tabz is an instant lure too, its throaty growl contagious bait over which the chords and a3560078570_2melodies of Pritchard and O’Brien cast their acidic yet richly appetising colour. Pritchard’s smooth and energetic vocals equally flourish over the commanding rhythmic spine with the whole riveting mix forming a virulent persuasion for feet and emotions to climb upon. The song also has a raw breath to not only its production but its scuzz spiced touch which only accentuates the infectiousness of its presence, especially within the incendiary finale, it a riot of call to arms vocals and voracious urgency.

Shallow suggests that Inlaze is a band we should all be paying attention to, and we for one are not going to deny its insistence as we wait impatiently for the band’s next foray into ears.

Shallow is available now as a buy now name your price release @


RingMaster 02/07/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from


Feud – G.U.S.H

Feud pic

    Feud is a band you can never get tired of, a group of musicians that seem to pull out another gem with every new song and release they treat the ear to. New single G.U.S.H (Growing Up Seems Hard) is no exception and in fact is probably the best thing they have done yet, and with the potency and quality of the past trio of singles that is the mark of its height.

Founded by brothers Guy (drums/vocals) and Greg Combrinck (vocals/guitar), and a full on proposition when the pair moved to the UK from their home land of South African, Feud with Ian Harper (guitars/vocals) and Tom Syrett (bass/vocals) alongside the two has become one of the most vibrant and impressive rock bands in the country. Shows alongside the likes of Cancer Bats, Young Guns, Jettblack, and Days In December has earned their live performances strong acclaim whilst releases such as debut EP Out From The Inside, the album Waterdog, and the Singles EP has enslaved many hearts and their passions through the blend of alternative rock, grunge, and punk flavoured energy. G.U.S.H sets another bar for the High Wycombe based quartet, one that is not that adrift from previous releases in sound or invention but in maturity and craft exploits the promise already showed wonderfully.

Big bulging rhythms rattle the ear first whilst the moody deep throaty bass adds its cantankerous temptation to seal the deal between 128695-thumbhunger and song. As guitars flare up with sonic and melodic imagination, their flames spiralling through the sky of the track before settling into an almost pop punk swagger to court the excellent vocals of Greg, the song like so many of the band’s has a familiarity which comes with no obvious references, Feud accomplished in creating infectious and warmly inviting slices of honest and easily accessible rock ‘n’ roll. As it dances over the ear with its energetic romp thoughts of Bush and especially Everclear do come to mind but still the distinctive tones of the four stands to the fore.

As virulently addictive as watching Kelly Brook in Piranha 3D, go on try and claim you were not transfixed by her and it too I dare you, G.U.S.H is a riot of a single and yet one more reason why Feud should be on every one’s playlist. Accompanied by B-sides demos of Save Me and an acoustic version of I’ll Find You, the single and also all the bands previous releases are now available for FREE from

Why are you still here?


RingMaster 02/08/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

Feud: The Singles

Since having the pleasure of reviewing their first album Waterdog, rock band Feud has held a captivation for us ensuring a constant    engagement with their fine release and earlier EP, Out From The Inside. So there was great anticipation and excitement when the band approached with a release of three new singles to check out. Released together mere days ago, the songs retain all the essences and qualities which make the band one of the more thrilling in the UK right now but elevates them into a stronger punching storm of muscular and infectious sounds. If you thought Feud could capture the imagination and heart with the best of them before they have returned to show previous outings were mere teasings and that now they have the ammunition to succumb any rock n roll heart.

Originally founded by South African brothers Greg (vocals/guitar) and Guy (drums/vocals) Combrinck, the band truly became a forceful entity with the relocation of the men to the UK and the joining up with Ian Harper (guitars/vocals) and Tom Syrett (bass/vocals). As well as the aforementioned acclaim releases the High Wycombe based quarter has matched the likes of Cancer Bats, Young Guns, Jettblack and Days In December whilst sharing stages with them, getting stronger and more inventive with every moment of their four years of existence. The band has always brewed a feisty mix of rock with heavy grunge essences and the new songs are no different though all explore new and even more incendiary aspects of their sound and songwriting making for three original and stirring slabs of essential music.

Floater opens with a crystalline tangle of sharply noted guitar coaxing, the lure an immediate tingle which takes one back initially to the likes of Mighty Lemon Drops and House Of Love. The track though as expected was not going to tenderly stroke the ear for long and soon brings in thumping rhythms and a delicious velvety deep bass sound. There is still a controlled restraint to the track even with its elevated pace and intensity but eventually it cannot stop fiery crescendos of sound and chorus from breaking out. It is a staggering track which plays like an emotive riot within the heart and raging fire in the ear brought from a union of Nirvana, Foo Fighters, and Sick Puppies. From the pulsating bass and incisive drums through to the enthralling melodic flames of guitars and vocals, the track is immense and declares alone that Feud is back, bigger and, better than ever.

With instantly infectious drums laying a hypnotic cage for an unleashing of its adrenaline soaked energy, Medicine stomps through the ear for a meaty thrill of punk n roll. With rampant intent and a Green Day like soaking of the ear, the track chews and romps with classy sonic enterprise and bruising urgency for an irresistible punk rock classic. Though the American trio is unmistakable as a spice to the song, there are elements which would grace any Stone Sour or Gruntruck track but distinct only to Feud and impossible not to devour with greed. Again every member of the band brings a contagious breath to their skilled and imaginative contributions, which only goes to make for a song which leaves the heart raging in ardour.

The final single is the less intense Miles Away, though that is in its attack and not passion, the heart of the song as insatiable and unrelenting as the other pair of triumphs. From another strolling start of rhythms and guitar behind the expressive vocals, the song hits its stride to create a furnace of scorching sonic riffing and barbed hungry hooks. With its arguably less tenacious assault the song offers a diversity of sound to the other two which touches on the likes of Seether, Stone Temple Pilots, and Bush. It is another tasty bite which enflames the appetite for much more from the band which will evolve into no doubt impatience the longer the wait for more new impressive tempests of excellence is.

If this foursome has yet to spark up your passion than any if not all of these wonderful singles will leave you a breathless and exhilarated bundle of fully satisfied energy. Feud creates high energy quality rock music and as Floater, Medicine, and Miles away show, this is a band which just get better and better.

Get the singles @

RingMaster 19/11/2012

Copyright RingMaster: MyFreeCopyright

Interview with Greg Combrinck from Feud

Rock music and grunge is alive and kicking thanks to UK based rockers Feud and their impressive debut album Waterdog. Started by brothers Greg (vocals/guitar) and Guy (drums/vocals) Combrinck  the band has come a long way from it’ and the guys early days to explode with an album that is honest, catchy, and addictive. The RingMaster Review had the pleasure to question Greg about the band and its sounds.

Hi and thanks for taking the time out to talk to us.

Feud was formed in 2005by yourself Greg and your brother Guy, was this whilst still living in your home land of South African?

The roots of the band probably started in South Africa, but the band actually became what it is today in the UK when Guy and I would practice on Saturday mornings in an empty church.

What was your musical history up to the band?

Guy played the drums for the church inSouth Africa. Following that, it was playing punk tunes in a garage with Greg and a couple of friends in our garage.

Exactly why did you decide to relocate to the UK?

I guess it wasn’t really our decision.  We came over with our parents so it would have been unrealistic to stay behind.

Is there a marked difference between the rock music scene here and back home?

The music scene when we lived in South Africa was very much rock influenced.  You could definitely feel an Americanisation of the music and culture at the time.  Not sure if that has changed at all.

When did Ian and Tom join the band and how did you all meet?

We met Ian oddly at the dentists in 2004, and we started to put together a few ideas for the band. Tom came as a fan to the bands first gig and after chatting to the band after the show, joined as the bands bassist

Your debut EP Out From The inside in 2007 put you firmly into a large mass of ears to much acclaim; did it open up many doors too?

The EP got us playing some fantastic venues with some incredible bands. We are now looking forward to big things in 2012.

Tell us about the BBC 3 documentary you were featured in.

A documentary was made of a very close friend of the band where the cameras followed him around to film parts of his life. They asked us if they could film one of our sets as our friend attends most of our gigs. It was pretty awesome to hear our music on theBBC!

How do you describe your sound?

Our sound is modern rock with heavy influence taken from grunge.

What were the influences that helped flavour your sound?

There are definitely a few key influences, like the early 90’s grunge scene, but there are a load of individual influences that we share, like The Doors, Alice in Chains, Seether, Foo Fighters

You have shared stages with the likes of Cancer Bats, Bad Manners, Young Guns, and Days In December, all with very different sounds. Why do you think your music is able to work with such a varied range of bands?

Although our sound musically is within a set of goalposts, the songs themselves are very different, we go from punk to ballad to grunge to pop punk to rock/metal all within a gig, so it allows us to crossover & fit in with other bands we’re playing with.

Waterdog is your new and recently released excellent debut album; firstly tell us about the album title, any particular meaning to it?  

The album cover shows a drunk guy on the front and he’s a waterdog.  Just a pissed person really.  Someone who goes to the watering hole to fill up his/her pint. That’s a waterdog.

Did the finished result match or exceed your expectations when entering the studio?

We took our time recording the album, making changes and improvements as we went. We did it this way so we knew we would be musically happy with the way it came out. It may not have the production and mastering of a £multi-million studio, but we strongly believe that it is good enough to show people what we are all about! We hope that everybody loves it as much as we did to make it

Were the songs basically ready to go when entering the studio to record or did they fully come together within those walls?

Most of the songs were complete before we went into the studio; there was one song that we wrote while we were in there which fitted in well with the others already written. We always found new ideas while we were in the studio, so would sometimes record them on the fly to see how they would add to the overall arrangement of the song. It was an ongoing process and some songs changed completely after hearing them recorded.

Is the songwriting a group effort or from one source mainly?

Lyrically, it’s all Greg, but the music comes from all of us. One of us might come up with an initial idea, then we all build on this to make it a group effort. We tend to all have our own styles, but the songs are a collective.

As well as a great humour to the lyrics there is a personal feel, do they actually come from actual experiences or just observation?

Everything is from personal experience.  It’s pretty much a personal diary architected around music.  Music is about being open and that’s what I try to do with the lyrics.

What is next for Feud?

We are currently finishing our tour and during December, we will be writing new songs. After that, we are planning on big things for 2012!

A big thanks to chatting to us is there anything you would like to add or leave us with?

We love you.


To find out more about Waterdog and the band plus to get their debut EP for free go to their website @


Read the Waterdog review @

RingMaster 07/11/2011 Registered & Protected


The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

Feud – Waterdog

If you thought grunge was whimpering in its grave then think again as High Wycombe, UK based rockers Feud show with their debut album Waterdog it is still healthy and full of instinctive energy. The twelve tracks on the album ripple with essential grunge flavours and sentiment recalling the height of and infusing new breath into the genre as well as adding extra edges and rock essences.

Seeds of the band started in South Africa when brothers Greg (vocals/guitar) and Guy (drums/vocals) Combrinck worked on songs that would eventually be the base for the band that emerged after their relocation to the UK and an extensive search leading to the eventual addition of Ian Harper (guitars/vocals) and Tom Syrett (bass/vocals) to the line-up. The past four years with formidable work and numerous shows with the likes of Cancer Bats, Young Guns, Jettblack and Days In December, has seen the band earn acclaim and critical praise  especially with the release of their debut EP Out From The Inside.

With Waterdog released 19th September, the quartet have now announced their arrival as a strong expressively engaging and entertaining band with heart and style and with a sound though heavily influenced that is fresh and inviting. ‘Dying To Meat You’ opens up the album, direct in sound and lyrically its punk edged grunge recalls bands like Foo Fighters and Gruntruck. The track marks an inviting and vibrant start to a release that continues in the same pulsating vein and with varied spices.

Consistent across the whole length of Waterdog some tracks throb with extra radiance and style over others. The simmering and expressive Nirvana flavoured ‘Breathe’, the Bush like ‘Through Your Eyes’ with a tasty incessant flow, ‘Blame Me’ with its Stone Temple Pilots rock riffs and lighter pop addictive melodies, and the punk grunge glory of ‘Don’t Care’ riding in on an obvious Nirvana riff/hook homage and laced with touches of Green Day and Weezer are all irrepressible invitations to be totally absorbed into the album. 

The best two tracks on the album though are ‘Alkaline’ and ‘Get Out’. The first has a dark moody bassline with siren like qualities giving with the drums, a resonating empathy to the Gavin Rossdale like emotive vocals and aggressive guitars. All the tracks on the album suggest the band’s live shows are an exciting and robust event but this track is a firm confirmation with its intense energy. The second of the songs entering again on another blatant Nirvana riff carries good punk edginess with attitude soaked vocals which as the song progresses brings a great Rancid like quality to them parallel to the great melodic grunge pop vibe that flows throughout.

For some Waterdog will have too many very close and similar sounds and moments that have been forged in the fires of works from classic grunge bands of the 90’s but they miss the fact that Feud from those influences and personal loves have created an album that excites and thrills the ear as well as engages the heart with its honest and catchy openness and addictive sounds. The band definitely walks the right side of the line that is plagiarism, using homage to their influences alongside their own fun and fresh vibrancy to give songs that are alive with pulsating riffs and addiction causing melodies. Feud once they do find their very own distinctive spark will be the new leaders of a genre that still has a definite impressive pulse.

RingMaster 29/08/2011 Registered & Protected


The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.