Devilstrip – Rise

Devilstrip Promo Shot_RingMaster Review

This month sees Rise, the debut album from US rockers Devilstrip get its UK release and show what those over the pond and especially in Akron, Ohio know, that the trio is one thickly enjoyable hard rock roar. The ten track encounter offers an infectious and rousing proposal rich in heavy grooves and melodic tenacity upon robust rhythms; the result being rock ‘n’ roll to get eagerly close up and personal with.

Formed in the closing weeks of 2012, Devilstrip consists of lead vocalist/guitarist Marc Wasmund, bassist/vocalist Graig Lindgren, and drummer/vocalist Jimmy Gray. Drawing in inspirations from the likes of Black Stone Cherry, Live, and Foo Fighters, the threesome soon set about penning tracks built on the intent to “create something original, yet accessible”. Debut single Go lit ears first, its well-received release also the touch paper to the band’s hunger to play live, an appetite seeing them share stages with bands such as Europe, Buckcherry, Jared Weeks, Girl on Fire, Saving Abel, and L.A. Guns amongst many over time. Fair to say, Rise only reinforced the band’s emergence in the US underground scene, drawing plaudits from critics, media, and fans alike. That success is surely to be expected in the UK moving into Europe now as the Devilstrip sound makes its invitation through Rise.

Not What You Need is the first slice of bait from the album, its initial low key and atmospheric sonic coaxing a deceptive lead into the swiftly fiery and boisterous heart of the song. Riffs and rhythms are soon a choppy lure over which the potent tones of Wasmund entice as agreeably as the slim grooves and melodic tempting also exposed. It is easy to see where that Black Stone Cherry spicing comes into the band’s music in the opener alone, though it is not an overpowering essence in the broader heavy rock character of the song.

Devilstrip Cover Artwork_RingMaster ReviewIt is a thoroughly enjoyable start but quickly outshone and played by Go. From the off, flirtatious grooves and melodic charm holds ears as country rock meets grungy hard rock flavours colour the track and imagination. In no time hips twist as eagerly as those grooves and feet dance as tenaciously as rhythms, Wasmund the vocal ringleader to it all in the increasingly varied proposition. More irritable and antagonistic as it goes, the track has ears hungry for more which Including Me more than feeds with its outstanding revelry. For all the references offered as hints to the band’s sound, this track is like Terrorvision at their inventive best; a tone and spicing which does the song no harm at all. Across Rise, there are many familiar scents and essences of bands and supposed influences yet, as here, they only add to the nature and infectious weight of the album.

Both the swinging temptress that is Are You Ready and the punkish Kill The Headlights keep album and ears in thick unity, the first an insatiable flirtation of grooves and anthemic theatre whilst the second stomps and swaggers around one delicious throaty bassline. Its punk n’ roll flavoured canter come prowl is a lively affair with the right mix of devilment and intimidation to have feet leaping and emotions cornered in preparation for the resourceful confrontation of To The Enemy. A great steely bassline opens things up, its irresistible bait soon joined by sonic flames and stabbing beats before all three collude in a predatory courting of ears. Things relax a smidgeon as the vocals reflect the song’s lyrical heart but always there is a volatile atmosphere to sound and voice sparking feistier evocative eruptions of emotion and energy.

The crunchy presence and emotive reflection of Ugly comes next, its pleasing if slightly unadventurous offering allowing no lessening of attention, as neither does Light Up The Room straight after. Again there is a punk hue to the air of the subsequent power ballad spiced encounter, more essences showing the flavoursome and varied songwriting of the band before Love, Hate, Die backs all thoughts with its potent croon and melody soaked intensity. Like its predecessor and indeed the following She Said, there are plenty of aggressive turns within scenery draped in melodic charm and prone to angst fuelled roars, and as the other pair, plenty to be captivated by. With She Said enjoying a great tempestuous climate, the trio conclude Rise in fine style, though for personal tastes, the album is at its loftiest in the first half dozen tracks where they seem to have much more character to their imagination and devilry.

Nevertheless Rise is a gripping slab of hard rock from a band we can only hope to hear and see more of this side of the Atlantic from hereon in.

Rise is released in the UK on January 22nd Through All Stores.

http://www.devilstriprocks.com   https://www.facebook.com/Devilstripband   https://twitter.com/devilstriprocks

Pete RingMaster 22/01/2916

Copyright RingMaster: MyFreeCopyright

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Devilstrip to “Rise” in January 2016

Devilstrip_Cover_Artwork_RingMaster Review

US ROCKERS DEVILSTRIP UNLEASH THEIR DEBUT ALBUM TO THE UK THIS WINTER!

Devilstrip are a hard-rock power trio from the rust-belt of Akron, Ohio, USA. Comprised of Marc Wasmund (lead vocals/guitar), Graig Lindgren (bass/vocals), and Jimmy Gray (drums/vocals), the three piece tug from the inspirational powers of Black Stone Cherry, Live, and Foo Fighters, with critics already describing the band as “melodic, raw stadium rock with a bit of punk rock sensibility”. Stocked with hefty riffs, soaring melodies, and an explosive debut album in the shape of ‘Rise’, which drops on Friday 22nd January, the band are destined to break in 2016.

Born December 2012, the three piece had a strong desire to create something original, yet accessible, and instantly set to work, soon penning their debut single ‘Go’. Intense rehearsals and extensive writing followed, along with a gigging schedule which has seen the DIY rocksters grace stages with everyone from Europe, Buckcherry, Jared Weeks, Girl on Fire and Saving Abel, to the L.A. Guns. The band have also recently filmed an episode of the hit TV show “Bar Rescue”, which will air on Channel 5 later this year.

With the trio’s blossoming live reputation, Devilstrip decided to turn their attention to crafting their debut album ‘Rise’. Independently mixed and produced, the record is a call to arms for anyone and everyone that has an affinity with burly riffs and earnest songwriting. The layered depth of their debut album is evident as hammering drums and probing guitars, entwined with alluring hooks, cleverly wind their way deep into your core. Tracks such as the mighty ‘Go’ and the emotive ‘She Said’ are sure to light up radio airwaves. Devilstrip will tour the UK in the Spring, so latch onto the band now before they explode in 2016.

-DEVILSTRIP RELEASE ‘RISE’ THROUGH ALL STORES ON FRIDAY 22nd JANUARY-

https://www.devilstriprocks.com  https://www.facebook.com/Devilstripband  https://twitter.com/akrondevilstrip

DAMN DICE ‘Take The Fight’‏

Damn Dice Online Promo Shot

High-Octane London Hard Rockers ‘Damn Dice’ have just released their brand new and riveting video ‘Take The Fight’.

Go Check it out at: https://www.youtube.com/watch?v=KqPqjLBTSZY

 

Playing a hard-hitting cross of infectious Rock and Metal, Damn Dice are standing poised to unleash their brand of high voltage Rock ‘n’ Roll on the masses.

Based in London  and together since 2011, Damn Dice are: Alex (vocals), Wallis (guitars), Marco (bass), and Fransoa (drums). From the get go, the four piece hit the ground running and it wasn’t long before fans were drawn in by their adrenaline-fuelled performances and larger than life stage shows. After an express invitation, the rising quartet successfully supported US heavyweights LA Guns on their UK and mainland European tour.

 

Throughout 2012 and 2013, the energetic rock n rollers continued to play a series of headline shows. By the end of last year, the band played their biggest show to date supporting Tigertailz at a sell out show at the Camden Underworld.

 

Damn Dice then went on to release their debut EP ‘Wild ‘N’ Ready’, which received critical acclaim from publications including Classic Rock AOR, Music Week, Powerplay and Black Velvet, as well as being well received throughout the underground. The band have also notched up praise and glowing feedback from many big names, most notably Vince Neil (Motley Crue), Beau Hill (producer Ratt, Warrant, Europe), and members of L.A. Guns.

 

Damn Dice are currently in the studio recording their debut album, and with the launch of their banging new video single ‘Take The Fight’, the UK rockers are set for another busy year so don’t miss out, and in the meantime, check out the new video!

 

www.damndice.com

White Pigeon: Property Of White Pigeon

White Pigeon

    Take the classic metal essences of Whitesnake and Iron Maiden, infuse it into the melodic prowess of Europe, and then wrap it in the mischief of Tenacious D. as well as the glam rascality of Steel Panther and The Darkness…the result White Pigeon, a band who take all of the above as influences and create their own form of accomplished rioting. The UK band is just about to release their debut album, a record which hits the ear with relish to cause devilment whilst treating it to tightly crafted inventive sounds.

Hailing from Guildford, White Pigeon was formed in 2009 by Chris Nugent a drummer who in his own words said he spent his earlier musical exploits “trying to be uber cool for many years and playing music that was ‘fashionable’.” After ten years of this he decided to start his own project, moving forward to take on the role of vocalist and guitarist with the intent to play music which lit his own personal fires. Finding the best musicians his hometown had to offer Nugent recruited guitarist Jon Antony and drummer Joe Yoshida plus the twin melodic charms of Nathalia and Natascah Sohl. Soon completed by bassist Eoghan Logue, the band released their debut EP to strong responses as well as earning a great reputation for their insatiably energetic live shows locally and in notable London venues which included the sharing of stages with the likes of New Device, Sons of Icarus and The Treatment. The band also received acclaim for their festival performances at Weyfest and Guilfest where they shared a stage with 10cc and Mungo Jerry and have been by squash fans for song Don’t Get Too Close (Squash Song) which has led the band to being invited to and performing at the Squash Championships in Manchester earlier this year.

First album Property Of White Pigeon is the next step on the way to igniting national recognition for White Pigeon and a 300formidable persuasion it is.  Featuring revisited, re-mixed, and re-mastered tracks of their now rare first EP as well as five brand new tracks, the release seizes the ear from first note to last to provide an energetic brawl of fun and music, its first track Party the perfect title for the feisty and enjoyable encounter. The opener takes no time in feeding the ear hot guitar melodies and primes riffs driven by infectious vocals and warm inviting keys. The vocals from Nugent and the twins ignites hunger to join the revelry whilst the sounds control the feet and directs their responses to the anthemic lures eagerly at play with masterful efficiency. As the album, the song is a keen and rebellious slice of rock n roll with an honesty of trying not to be anything more than what it is, energetic and cheekily voracious.

The following Sea Devil is a stomp of fiery riffs and firm tidy rhythms which like its predecessor has a magnetic hold on the senses within the first pleasing moments of its stroll. The vocals again send harmonic flames through the track whilst the guitar solo and enterprise is burningly glorious and uncompromisingly mesmeric. Though a rock track, there is a rock pop breath to the song which makes its contagious and easy to climb on board its cruise of sea borne wantonness.

The likes of The Hunt which is more of the same as the first encounters and the following Southern rock seduction Kentucky Pie continue the strong allure of the album whilst Rock Me explores its intense sinews to bring a heavier and rampant taunt upon the passions. One of the biggest highlights of the album it again offers nothing new but has a freshness and persuasion which any refusal to join its thumping cause would be rude let alone impossible.

Occasionally the album slips below its already high levels though it is more personal taste not finding the connection than a problem with the album, but both Ladies and Get Me Outta Here are pale engagements against the richer and ebullient tracks elsewhere, the songs struggling to emerge from too recognisable and impotent ideas. It is just rare moments though as further tracks like the compelling Don’t Get Too Close (Squash Song) and the intoxicating Gladiator, its metallic muscular stance and varied gait inventive and exhilarating to earn strongest track on the release status, leave greater rewards and satisfaction.

The songs on Property of White Pigeon are all delivered with a tongue entrenched in cheeks which reminds often of US band The Tubes, but there is also no denying the quality of the musicianship with the guitars sculpting terrific fires and the bass prowling with hunger and resourcefulness, whilst the drums frame it all with skill and clear determination. Also featuring guest appearances from Markus Flaherty (Without Grace, Spotlight Cannibal), Erika Richardson (iMMa, Mika), Ed Forbes (Black Iris) and Ben Travers (Gypsy Fire), the album is a richly satisfying heavy metal binge from a band with a promise to head up British glam/metal in the future.

http://whitepigeonrocks.com/

8/10

RingMaster 13/03/2013

Copyright RingMaster: MyFreeCopyright

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