Andreas S Jensen – Disturbed

To this point in time, Danish born, London based Andreas S Jensen has made a notable name for himself for being a guitarist in Dub Pistols, as a writer/producer whose co-writes with the likes of Kevin Lyttle, Armand Van Helden, and Nate James have sold close to a million copies, and in collaborations as remixer, producer, session player, and engineer with artists such as Dido, Rizzle Kicks, Vybz Kartel, Sam And The Womp, Beenie Man, Nerina Pallot and more. This month though sees the singer songwriter/musician make his own individual impact, expectantly what will be his biggest one yet, with the release of a debut solo album. Disturbed is an ear pleasing, imagination stroking collection of songs combining lyrical intimacy with an alluringly broad brushstroke of sound. It is a release which makes the most seductive company note to ear and then haunts the memory once departed; that in anyone’s book the sign of something special.

Jensen has already enticed praise carrying attention with his first EP Disconnected which was released at the beginning of 2014. Embracing inspirations ranging from David Bowie, Tom Petty, and Elliot Smith to Soundgarden and The Zombies, the encounter was the first step towards the lofty heights now awaiting the senses within Disturbed. For the album Jensen drew on the talent of a group of London session players he has met through his producer and session work including drummer Adam Falkner (Babyshambles/Dido), guitarist Garo Nahoulakian (Nadine Shah), cellist Ben Trigg (Arctic Monkeys, Unkle, Jamie Collum), and Antonia Pagulatos (Gorillaz, Blur) on violin and viola as well as Jesper Lind (Jack Savoretti), Nikolai Bjerre (Lamb), Jack Cowens (Dub Pistols/Bondax) and many others. The result of this union of craft and invention is a record as rampantly catchy as it is emotionally open; each song like a big brother knowingly understanding those moments in life, love, and longing we have all hugged or endured.

Disturbed opens with its new single released a week before the album and fair to say Only Die Once instantly has attention gripped. Jensen’s voice is the first enticement, his warm slightly sandy tones soon joined by a theatre of rhythms and keys as a guitar weaves its own suggestive bait. There is drama in piano and bass too whilst instinctive infectiousness fuels vocals and the melodic coaxing hooking the senses whether in a controlled smoulder or a fiery blaze. As a sign of things to come across the album, the track simply blossoms and grows with every passing second; a crowd of instruments and sounds uniting in a fanfare of imagination and enterprise.

The outstanding start is matched by next up Trust Is My Anchor, a single released earlier this year which had us on board with real anticipation right then for what Disturbed would subsequently bring. Like the first, the song makes a gentle start, acoustic guitar aligning with Jensen’s ever appealing voice and like its predecessor a proposal which just opens up its sound and invention with every breath. Soon it roars with a robust rock pop temptation which sublimely ebbs and flows in intensity whilst increasing its hold on ears and appetite second by second. There is something of Billy Momo to the subdued moments of the track and a hint of R.E.M. in its bolder expulsions; both deliveries as compelling as the other as another pinnacle within the album is exposed.

Take My Heart and Go needs barely a breath to seize ears as a glorious gnarly tendril of sound winds around the senses, a flirtatious bassline and the caress of acoustic magnetism swiftly stepping up alongside. Mixing country flavoured rock and eagerly strolling indie pop, the track has the body bouncing and hips swaying in no time with the imagination employed by word and another rich tapestry of textures and invention. For personal tastes it is probably fair to say that the track just misses the heights of the pair before it but the pleasure loaded grin our faces during its presence each and every time reveals all and alone why with every listen Disturbed  becomes more essential.

Through the electric shimmer of Another Way Of Leaving, a proposition merging sixties psych and eighties pop in its tantalising soulful croon, and the Baroque kissed Unchanged captivation is intense and greedy. The second of the two especially bewitches with its shadowy reflection and perpetually rising crescendo of sound and endeavour, the strings which magnetically colour most tracks voraciously manipulative and rousing before And She’s There calms things a touch with its vibrant canter. It too is a tenaciously catchy enticement all the same though which imagining The Everlys and Walker Brothers born as one and breaking out today gives a sense of this superb slice of contagious pop.

Thought gets the focus over body with the balladry of next up Looking Back For Something New, though it is hard not to sway to its melancholy lined tone and melodically intimate presence, while Run with at first a similar gait brews a contagion which has body and spirit rocking as again eighties funk/pop collude with electronic and creative drama. Both of the songs have a firm hand on ears and lustful attention though each is eclipsed by the bold exploits of Dangerzone, a theatre of rock pop which surely has to be the next single. Some tracks make you greedy for more, this is one for Jensen though one among quite a few to be honest but the show stealer of Disturbed for these ears.

The album concludes with I Carry My Cross, a beguiling dark folk/ country spectacle weaving in strands of gypsy, carnival and Latin rock which with its hypnotic funereal march is reason alone to take a chance on exploring one rousing release.

To be honest as much as we loved the single Trust Is My Anchor a few months back we were maybe expecting Disturbed to just back up its striking presence rather than take things to a whole new level. Boy, were we off the mark, the album a BIG must for all rock, pop, indie fans well everyone who loves boisterously catchy and emotionally honest music.

Disturbed is released September 15th with the single Only Die Once out September 8th.

http://www.andreassjensen.com/    https://www.facebook.com/AndreasJensenMusic    https://twitter.com/andreassjensen

Pete RingMaster 04/09/2017

Copyright RingMaster: MyFreeCopyright

Andreas S Jensen – Trust is My Anchor

With a new album due to drop this coming September, musician/songwriter/producer Andreas S Jensen releases new single Trust is My Anchor this month, a song which alone sparks plenty of intrigue for what the upcoming Disturbed might offer.

Moving to London from his native Denmark in 1998, Jensen first started working as a session player with the band Dweeb before concentrating on writing and production and signing a publishing and management deal with Wise Buddah Music. As part of writing team The Funktuary, he co-wrote and helped put together the radio edit/remix of Armand Van Heldens club classic My My My before the team released their own well-received EP. From there he joined Dub Pistols, who he still gigs with, and released a debut solo EP in the shape of Disconnected in 2014 and over the years has worked in various ways with the likes of Kevin Lyttle, Nate James, Stefanie Heinzmann, Dido, Rizzle Kicks, Beenie Man, Nerina Pallot, and Loick Essien among numerous others.

Jensen’s own music draws on the inspirations of artists such as David Bowie, Tom Petty, Soundgarden, Elliot Smith, and The Zombies; essences you can feel more than hear within Trust is My Anchor. A fusion of melodic rock and pop balladry, the song caresses ears initially with a single guitar alongside Jensen’s emotive tones. Both entice the listener into the heart of the track and the waiting muscular roar of the chorus. It is a quickly engaging mix; the minimalistic tone of the verse a blend of melancholy and hope openly sharing the track’s plaintive cries and its sturdier crescendo a defiant response which easily arouses the spirit.

Trust is My Anchor is a firmly satisfying encounter which invites rather than demands attention but easily provides a memorable and increasingly enjoyable experience.

Trust is My Anchor is released June 23rd.

http://www.andreassjensen.com/    https://www.facebook.com/AndreasJensenMusic    https://twitter.com/andreassjensen

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

Scott Swain – Like Nothing Else

From the dark country drama and sultry intrigue of last year’s single Oil!, Scott Swain casts his imagination into even more deceptive corners with its successor Like Nothing Else. The song is a gentle yet brooding encounter; warm and seductive yet with darkness in its lining which as much blossoms into a provocatively mesmeric enticement as the melodic warmth within, .

Making use of the downtime from his bands How to Dress a Monster and Fire at Night to explore his personal writing and songs, Swain unveiled his solo project last year and released the irresistible single Oil!, a song showing hints of inspirations ranging from Elliot Smith and Mark Lanagan to cult cinema. As its predecessor, which was inspired by There Will be Blood, his new track was written about a movie, Event Horizon the spark for Like Nothing Else.

The opening caress of acoustic guitar is an earthy yet celestial lure, Swain’s warm vocals adding to the song’s elevating flight of melody and temptation. With rhythms laying shadows in close quarter to the radiance embracing vocal and lyrical reflection, the song swiftly becomes an easy transfixing of ears and imagination. Simmering with creative and suggestive theatre, the track slowly but openly builds in emotion and intensity from there, its journey into an understated but rousing crescendo a gripping realisation before a final kiss of melodic and harmonic sighing lies poetically on the senses as the song drifts away.

Throughout its evolution, Like Nothing Else is pure captivation and confirmation that Swain’s solo side is heading towards major attention.

Like Nothing Else is released 28th April.

Upcoming Live Dates:

23/04/2017 Craft Beer Company, Brixton, London.

26/04/2017 The Cellar, The Finborough, Earls Court, London.

08/05/2017 Spice of Life, Soho, London.

18/05/2017 The Bricklayers Arms, Hitchin.

28/05/2017 Opium Bar, Edinburgh.

http://scottswainmusic.com/    https://www.facebook.com/scottswainmusic   https://twitter.com/scottswainmusic

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Scott Swain – Oil!

scott-swain_RingMasterReview

By his own words, “This track is what you get when you cross the film There Will Be Blood with Johnny Cash“. That description sums up Oil!, the new single from Scott Swain perfectly; its flavouring and emotive atmosphere encapsulated in those few words and living up to hopes equally raised by such a suggestion. The song is a swarthy slice of melodic rock within a country/mariachi spiced cinematic climate of suggestiveness which swiftly captures attention and imagination.

Having played in bands for almost a decade, supporting Biffy Clyro among the highlights, Swain decided to explore his solo side when his main bands, How to Dress a Monster and Fire at Night, took breathers earlier this year. Drawing on inspirations ranging from Elliot Smith and Mark Lanagan to cult cinema, he soon ventured onto the live scene with just his voice and acoustic guitar. As Oil! shows, in the studio Swain expands his sound and emotive adventure with the help of others but without losing that organic raw character and texture luring increasing praise.

Inspired by There Will be Blood, with Swain lyrically examining “the relationship between wanting to be ambitious and the things which can be sacrificed in the process”, Oil! is a natural seduction of ears and thought. From its first melodic strum and metronomic lure of beats it has ears gripped, ambling in with purpose before hitting an even eager stride as guitars and bass unite around warm harmonies. The country kissed twang of guitar and melodies hold a myriad of pictures for the imagination to conjure while feet and hips are employed by the gentle but keen swagger of the infection loaded song and its lively gait.

Managing to smoulder in emotion and atmosphere while providing a tenacious canter to get involved in, the song is pure magnetism which lingers long after taking its leave and increasingly impresses with subsequent listens.

Oil! is out now via iTunes, Spotify etc.

Upcoming Live Dates:

06.12.2016 Apples and Pear Bar, Brick Lane. London

14.12.2016 Fu Manchu Bar, Clapham. London.

22.12.2016 The Bricklayers, Hitchin.

http://scottswainmusic.com/   https://www.facebook.com/scottswainmusic

https://twitter.com/scottswainmusic

Check out the video for Hitman from Scott Swain @ https://ringmasterreviewintroduces.wordpress.com/video-selector/

Pete RingMaster 29/11/2016

Copyright RingMaster: MyFreeCopyright