Vienna Ditto – Hammer And A Nail

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All seductions should come with a little essence of raw and dirty temptation and that is something you certainly get with the sound of Vienna Ditto, especially in new single Hammer And A Nail. The release is a sultry affair; a steamy and climactic persuasion but equally offers a mellow croon with intimate charm, a mix which simply enthrals and excites. The British band has been nibbling away at major attention for a little while now, with increasing success through their releases, but Hammer And A Nail might just be the spark to lure in the most potent of spotlights.

London based Vienna Ditto is the creation of Hatty Taylor and Nigel Firth, a duo meeting when the latter started teaching the former guitar when she was 11 years old. After a couple of years the two lost touch but a chance meeting in the street in 2009 sowed the seeds to their union as Vienna Ditto. Reaping and weaving the essences of smoky blues, psychedelic rock, and electronica for their fascinating sound, the pair has found interest and air play with the likes of BBC Radio One, BBC6 Music and XFM, as well as highly praising reviews across numerous publications. Now it is 10919057_10152609779061517_1589235084162101861_nthe new single’s turn to push the band on and lure more to join their already strong and devoted following.

Hammer And A Nail opens on a gentle caress of guitar within an electronic wind, a barren landscape already being suggested to the imagination as the continental vocal delivery of Taylor flames within the broadening climate. Melodies come with a sixties colour and character, something persistently and enjoyably spicing their songs generally, whilst Taylor‘s voice has, as everyone seems to mention, a bewitching Edith Piaf quality to its tempting. The song itself brings a Morricone cultured soundscape with a soundtrack cast by a fusion of The Animals and Portishead. It holds an atmospheric breath which swirls around ears and Taylor whilst the skills and invention of Firth provide a transfixing maelstrom of enterprise and expression which is almost tempestuous in character and compelling in its precisely sculpted beauty.

Hammer And A Nail is also a proposition which lingers long after its parting with the senses; worming under the skin, into the psyche, and ultimately into the passions with sublime efficiency. The single is truly a mouth-watering temptation from Vienna Ditto, their finest moment yet, and the next major step in the band’s spellbinding of the UK music scene.

Hammer And A Nail is available from February 23rd

http://viennaditto.com

Ringmaster 22/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

 

 

Tree Dwellers – Come Up and See

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    Tree Dwellers is a Manchester father and son partnership of whom we can reveal very little but what is openly apparent through the UK duo’s new single Come Up and See, is that they have a sound and presence which just feeds imagination and emotions with enthralling creativity. Brewing up an evocative and vivacious sound from a fusion of electronic spices with rock and funk juices, the band certainly on the evidence of their new release casts a festivity of sound and adventure which entices with organic bait.

Consisting of Mark and Jake Haslam, Tree Dwellers have the intent and vision to stretch and explore the boundaries between funk and electronica, enriching their exploration as shown on the single with exotic rhythms and highly vocal melodic ambiences. The result is a sound and release which takes thoughts on a sultry colourful adventure whilst providing a narration which sways and seduces like an erotic temptress within the captivating instrumental. As well as the single, the band appears on Melted ONE, a compilation featuring a range of artists who are uniting to raise money for Macmillan Cancer Support and The Teenage Cancer Trust; all the profits from its sale being donated to both charities.

Guitar and oriental words open up the emerging proposition, their instantly compelling lure soon reinforced by agitated scrubs of guitar and bass before everything falls into the arms of an elegance breeze of synths which with an almost glancing touch is itself infused with funk spawned enterprise from the guitars and bass. It is an intriguing picture with expanding hues but it is the joining of glorious mouthwatering strings with a shadowed almost growling tone to their beauty which ignites the imagination and passions without restraint. They make a gripping expressive attraction to the already enthralling scenery, steering the imagination into another thick evocative venture. With rhythms and a percussive dance which are chilled to their core and a smouldering glaze of melodic flames courting the flight of the colourful tango, the single is a delicious incitement and a piece of music which surely should find a place in the soundtrack of an upcoming World Cup presentation.

As said at the start, there is not much we can unveil about Tree Dwellers but plenty about their single to spark real eager anticipation of their future journeys and bewitchments.

The Melted ONE released Come Up and See is available digitally now on iTunes.

https://www.facebook.com/pages/Tree-Dwellers/1432174900357297

8.5/10

RingMaster 30/05/2014

Copyright RingMaster: MyFreeCopyright

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Tim Paris – Dancers

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Dancers is the ideal title for the debut album from London based Parisian Tim Paris, each of its tracks whether an open flirtation or a more chilled proposition, a vibrant adventurous waltz. Better known as one half of It’s a Fine Line with Ivan Smagghe, Paris has sculpted songs which pull the imagination into unpredictable and vivacious soundscapes. Each one is distinct and stands alone in the tapestry of the release but have a symbiotic union which provides one refreshingly inventive landscape for senses and emotions to bask in. Dancers ebbs and flows in success across its body it is fair to say but only to waiver within a constant magnetic seduction which never relinquishes its strength.

As renowned for his remix invention which has seen him reinterpreting invention from the likes of The XX, Femi Kuti, Battant, Au Revoire Simone, Ewan Pearson, and Tiga, the DJ, producer, and musician now unleashes his own electronic alchemy through the album, merging the purest essences of synth pop, new wave, post punk, electronica, disco, house, and much more for transfixing and evocative aural climates. Dancers provides insights into richly flavoursome cinematic scenes but also ones which have an intimacy which goes beyond voyeurism to draw the listener emotionally into the imaginative investigations. Featuring a wealth of guests, the album is also a collaborative affair embraced by the creative ingenuity of Paris.

Opening track Golden Ratio strides boldly in on punchy beats and an electro tinkling which reminds instantly of Love Cats by The Cure Tim Paris - Dancersthough it takes little time to show its own distinct tease to the coaxing. The song then infuses intriguing melodic lures which do not nestle easily within the established pulse of the song but only accentuates the awakening potency. Featuring Georg Levin of Wahoo, the song opens up warm arms of melody bred enticement and smooth vocal expression which are themselves veined by intriguing twists of enterprise and electronic investigation. The post punk strict rhythmic heartbeat steers the journey allowing thoughts to take in the radiant sights and absorbing atmosphere. It is an adventure which midway takes a breath to return with an even more masterful hold on the appetite, a case of absence making the heart grow fonder.

The enticing start is matched by Rain which sees the guest appearance of Coco Solid of the Parallel Dance Ensemble. The song drips slightly chilled riffs down upon the ear whilst a rhythmic shuffle hurries across the senses. It is another alluring start given extra drama by the skirting dark throated bass, the combination building a striking premise which is enriched further by the cyber kissed vocal narrative. The repetitive spine of the track bewitches constantly; the stark core holding Joy Division/Bauhaus like predation around which the elegant and mesmeric call of the song spreads and croons.

The metallic breath of Outback, Stones & Vinyl soaks the ears next, the initial caress of the song courting a John Foxx essence which never leaves the infectious persuasion. As the track explores its seductive canvas, building and colouring the imagination with inspiring textures, the instrumental toys with the senses further, stretching its provocative enveloping with an additional Bill Nelson like invention. Like standing on a heaven lit cliff top whilst warm winds and sights wrap rivetingly around the senses, the song puts the listener in a hypnotic almost meditative emotional trance.

The following Minireich which features Sex Judas and Rupert Cross and Disco Ellipse both create a transfixing dancefloor bred temptation, though the pair tantalise and shimmer in their enticement rather than leap upon the eagerness of feet. The first has a definite Yello feel to its mischievous invention, vocally and in the devilish temptation offered whilst its successor is a cybernetic tango, flashing sonics and dazzling electronics spraying their bait around before the emotive weave of distressed melodies and restrained bedlam make their play successfully for the passions. Those nor the next up Unsung Deaf Hero fire up the same intensity of hunger and thrills as the opening songs but all captivate and refuse to release the album’s hold, the third of the trio a smothering wash of thick ambiences and funk spawned vocals casting a dark dance of inciting suggestiveness and mystery.

Dancers is back to dominating senses and mind with the outstanding drama of The Grip. With Ben Shemie, Paris lays a noir bred sinister atmosphere within which guitar and rhythms stalk the imagination, the encounter a soundtrack which could easily grace any caped crusader or futuristic darkly shadowed enigma. All the tracks allow the mind to run riot with their aural paint but this more than most conjures up stories and emotions to intoxicatingly bask in.

You’ll Never Know also creates a tenebrous encounter to immerse within, it’s again noir crafted riddle an imposing and incendiary fuse for an adventurous mind to run with whilst ears welcome the varied vocal hues and electronic weaves. It is a blend which is just as alluring in the slightly lighter Extreme Nails, its celestial stroll within a heavy but slow rhythmic frame a beacon for the listener to explore in their own design. Shadows as across most tracks are never far away with their tempering relish though they have to take more of a backseat within the fruity exploits of Heaven Parking which again sees Sex Judas involved. There is a subdued but visible lunacy to the song which brings thoughts of the eighties Martin Atkins band Brian Brain. It is a thrilling revelry which steps aside for the equally delicious Backseat Reflexion to close the album. The song sees Forrest joining Paris in a last irresistible seduction, electronics and melodies aligning within a shadow built emotional seduction.

It is a masterful end to a similarly consummate release, Dancers offering a collection of emotive and provocative vignettes which absorb thoughts and passions like a sponge for exhilarating experiences and adventures. Apart from the length of a few tracks stretching their staying power to clutch at straws in an attempt to temper the enthusiasm, Tim Paris has provided his finest hour with his own solo release, the first of many we hope and suspect.

Dancers is available on 2 x 12″ vinyl, CD, and download right now via My Favorite Robot Records.

http://www.facebook.com/djtimparis

9/10

RingMaster 12/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

Pillar Point – Self Titled

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    Creating an immersive melancholic waltz for feet, thoughts, and emotions, the debut self-titled album from US electronica project Pillar Point is a fascinating captivation with a persistent almost niggling seduction which encloses the imagination in an evocative and reflective embrace whilst sparking the urge to shuffle and lift limbs. It is not a release to ignite a major fire in the belly but instead it simmers and smoulders earning a lingering respect and appetite towards its open invention.

    Pillar Point is the solo project of Seattle musician Scott Reitherman, an artist already known for his involvement with indie-pop outfit Throw Me the Statue. Exploring similar electronic textures and sounds to that band, Reitherman ventures into darker shadows and deeper emotive corners, tempering it with a melodic dance of imagination upon his solo release. Uniting with long-time collaborator and producer Charlie Smith for the Polyvinyl Record Company released album, Reitherman takes Pillar Point and the listener on a fascinating soar through crystalline atmospheres and sirenesque electro embraces, an adventure equally unafraid to step into personal reflective shadows.

     The album opens with the masterful Diamond Mine, the song a weave of electronic alchemy honed into an enthralling flame of melodic enticement. From its first caress of vintage sounding synthesizer the song is seducing the imagination, the mellow falsetto leaning vocals of Reitherman adding to the warm suasion. Dark bass tones politely groan from within the flames, beats adding potent jabs to cast a little further darkness to the sunspot of a song. It is an absorbing entrance and stroll but one which shows its true toxicity with the exceptional chorus. As it hits, discord invites itself to the mesmeric party and immediately cast a dark irresistible glaze to proceedings vocally and musically. It attaches its claws like a mix of very early Ultravox and Thomas Dolby filtered through the dark intimidation of Joy Division. It is a scintillating moment in a terrific start to the album, one it never manages to emulate again.

     The following infection soaked Eyeballs and the celestial Cherry give it a strong go though, the first an eager energetic bound of guitar teasing and mischievous rhythms within an electro cloud with as much tendency to haunt and shadow emotions as it has to seduce them. Its successor washes over ears with an ethereal breath and temptation which again mixes melancholy and warmth into an emotive sailing of the imagination. Like its predecessor the song is awash with an infectious bewitchment which lingers and inspires long after its departure.

     Black Hole steps up next with its rhythmic bait poised and ready to hypnotise from its first second, the ear clipping beats a constant provocation within a tantalising electronic entrapment. Smothering and inspiring thoughts into a personal adventure, the song is a vibrant tempting which has toes and heels itching to join the mix, something which Strangers In Paradise in its noir kissed romance also achieves with a slow steady saunter. As with the opener, there is an eighties synth pop essence to the song especially in its darkest climate, bands like Felt and Comsat Angels brought to mind by the sultry elegance and rhythmic intimidation respectively of the encounter. Its unpredictability and fusion of discord spawned ingenuity with warm melodic blushes is a compelling treat and across the whole album this type of union continually provides the strongest pinnacles of the landscape.

    Both Dreamin’ and Touch expressively glow in the passions, if at times with sluggish lures that stir rather than stoke the fires, whilst the delicious tease of Curious Of You with its electro devilry and contagious harmonies incites the coals to another feverish hunger. It is a track which holds the hands and whirls you around its hazy scenery in one fluid escapade for the duration of the refreshing dance. It is a magnetic incitement matched by the closing slice of mesmerism, Echoes. As its title the song resonates and pulsates relentlessly in the psyche and imagination, another weave of electronic and melodic beauty coaxed further by the impressive tones of Reitherman.

    The song concludes in fine style a magnetic release, an encounter from Pillar Point which maybe does not cause the passions to erupt but instead invites and persuades them to linger for vast swathes of time long past its farewell…a reward which arguably is the greater and very appealing.

http://pillarpointmusic.com/

8/10

RingMaster 04/03/2014

 Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Strobegirl and D’Jaly – How Are You? EP

 

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    Having been seduced by The Strawberry Sessions EP a few years back, we have always had time and dreams over the melodic crafting and tones of its creator, UK singer/songwriter Strobegirl.  Weaving a mix of pop, indie, and folk spices in a host of sultry embraces, the Croydon girl is one of Britain’s musical secrets. With the release of new EP How Are You? may be that hiding place will be under threat through its magnetic temptation. The release sees Strobegirl, better known to her stalkers as Heather-Jane, team up with fellow Croydon based artist D’Jaly. It is a tantalising union as evidenced by the seven track release, a collaboration which sets the new EP alongside the acclaimed Strawberry Sessions in temptation and imagination.

     Strobegirl is no stranger to collaborations, having worked closely with producer Roger Fife (Cyndi Lauper, Anthony and The Johnsons, The Orphans) on her successful debut EP and subsequently the likes of UK Industrial band Illustrial as well as other artists on individual songs. Marked by dreamy shoegaze kissed textures to her music and vocals, Heather-Jane won indie artist of the year on Somojo radio in 2010 as well as being heavily played and promoted on various radio shows, especially the champions of independent music Audioburger. Her partner in invention upon the How Are You? EP and better known to his family as Jon Daly, has been emerging as an artist/producer through his infusions of electropop, house, and deep house. Originally called Unknown Tone with an electronic/dance flavouring to his creativity, Daly first released debut album the Fourth Dimension under his own name in 2008 before unleashing robotic dance machine 4000 in 2010 as Unknown Tone. Now the two artists have combined to craft a tantalising offering which joins both their styles in one electro pop persuasion, an encounter which leaves ears alive and passions feasted.

    You Can’t Stop Me Now starts things off and immediately cloaks the ear in a melodic coaxing aligned to sultry keys all aided by a brassy temptation. It is a smouldering mix of funk and jazz within an elegant pop embrace, piano and the appealing vocals of Strobegirl casting an emotive allure which only accentuates the beauty of the melodies which brew, merge, and erupt with evocative flames across the song. It is a magnetic persuasion which soon recruits thoughts and hunger towards its impressive invitation into the release.

     The following Nothing Else Counts Now unveils an electronic wash of grandeur and crystalline beckoning to make its entrance. Its initial coaxing is strong but arguably not as reassuring as to what will follow as the hinting found at the start of its predecessor. Those doubts are soon pushed aside though as the track twists its body to release a striking flame of Depeche Mode like melodic caressing littered with startling electro pulses and splurges of sound to shake up the song and expectations. Slight whispers of industrial and dubstep mischievously play their part in the bait of the song too and though the more general electronic course of the track is less inspiring than those elements, it is a refreshingly enterprising and imaginative eccentric dance within melodic witchery holding an almost spellbinding call.

    Next You and My Heart steps forward with its own distinctive fusion of electronic eccentricity and electro pop bewitchment, the song another which comes with a devilry to offset and taunt the raging melodies and ever appealing vocals. Production wise the track does want a little, the clashing electro scatterings and climatic orchestral bred melodies often suffocating and overpowering the vocals, though to be fair it does also help a haunting breath to wash the piece which does the song no harm. Overall though despite the smothering it is a lingering wash of melodic persuasion which adds extra to the release if less potently as elsewhere.

     The best two songs on the release come next, firstly Wake Up which admittedly we have a soft spot for having heard it in its early stages a while back. A summer wind of folk seeded pop placing the acoustic skills and vocal enchantment of Strobegirl in a rich electronic stimulus, the track is a warm stroll through evocative aural sorcery. Again the production is a touch claustrophobic but cannot derail a quite delicious croon of shoegaze revelry. With a chorus I dare you not to join in by its second tempting the song is one irresistible romance.

     The title track is equally infectious in its individual way and passion conjuring character. With almost sinister shadows flitting in and out of the song as the keys play with light and dark intermittently within a flame hued melodic narrative, vocals and lyrics adding another bloom of passionate colour and imagination to the picture. The best track on the release if not quite the favourite, it is a thoroughly captivating incantation of Siouxsie and the Banshees mystique filtered through a restrained Propaganda sculpted beauty.

   Completed by the Monster Electro Mix of You Can’t Stop Me Now and lastly the Deep House Mix of Nothing Else Counts, How Are You? is a delightful enveloping of the imagination and emotions, a release which might finally push Strobegirl and indeed D’Jaly in a new deserved spotlight.

The How Are You? EP is available as a buy now name your price download @ http://strobegirl-djaly.bandcamp.com/

https://www.facebook.com/StrobegirlUK

https://www.facebook.com/djaly0

8/10

RingMaster 22/01/2014

 Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Monday 20th January‏ sees KATSUO unleash ‘Creators’.

Katsuo Online Promo Shot
 
EXPLOSIVE NEW EP UNLEASHED THIS JANUARY BY KATSUO!
 
Katsuo’s eagerly awaited new five-track EP ‘Creators’ is nationally unveiled on Monday 20th January, through Super Happy Records. Merging Electronica, Dubstep and Rock, Katsuo’s blend of ‘Rock-step’ is poised to explode this year!
Formed in 2012, Katsuo is the workings of multi-instrumentalist Alex Larkman, who after playing in bands during his teens, wanted to create something edgy, contemporary and innovative. Taking from a plethora of influences stemming from Fall Out Boy and 30 Seconds to Mars, through to Skrillex and Prince, Katsuo’s sound is quite diverse, fusing a heady mix of dark & punchy dubstep, underpinned by crunchy rock guitars and laced with fast and hard hitting electro. With unique but compelling vocal hooks, Katsuo is destined for great things.
Katsuo’s debut EP ‘Silver Tongue’ hit stores in April 2012 along with the single ‘Warrior’ (released through Tuned-1n Records) which dropped towards the end of that year. Katsuo then also released the video ‘Stereo Jesus’ in April 2013, which featured internationally infamous Suicide Girl & FRONT Magazine cover girl Rebecca Crow (Katherine Suicide).  All releases helped to significantly propel Katsuo’s reach, and now with the release of Katsuo’s latest offering ‘Creators’, which compacts five killer cuts of inventive and cutting edge song-writing that sway from hard industrial and drumstep, to piano pop and alt-rock, ‘Creators’ promises to elevate Katsuo even further.
STOP PRESS! (4/10/13): KATSUO HAS JUST HIT 40k VIEWS AND HAVE BEEN FEATURED ON
YOUTUBE’S HOME PAGE – http://www.youtube.com/watch?v=MS-RUUoXwi8 ….
 Katsuo Cover Artwork