OMRÅDE – Nåde

2015 saw the release of an album which deserved far more attention than it got and warranted every syllable of praise offered its “visual and aural telescope.” Edari was the invention of French duo OMRÅDE who now return with its equally startling successor Nåde. That first full-length made ears and imagination pay attention, the second simply demands it and repays with what will surely be classed as one of the major adventures of the year.

OMRÅDE consists of vocalist/guitarist Bargnatt Xix, known elsewhere as Christophe Denhez of Nerv and previously Mur and In The Guise Of Men, and drummer/keyboardist/programmer Arsenic, christened Jean-Philippe Ouamer and the skin hitter of Idensity and formerly of Nerv. Together they weave a collection of avant-garde soundscapes nurtured from everything around the ambience hued climates of post rock, industrial, electronica, and avant-garde metal, and that is simplifying their fascinating explorations of sound and emotion. It is a mix which created a compelling proposal in the cinematic adventure of Edari and now the even more aurally haunting and stirring Nåde.

Whereas the first album felt like looking across a broad canvas of universes there is much stronger intimacy fuelling Nåde, like ears and thoughts are peering in on the tempestuous fortunes and emotions of a single soul representing the surroundings and lives within a noir lit and suffocating climate. That is not to say it does not venture through worldly landscapes too, just they all feel cored by the same instinctive melancholy and depressive clad spirit. Influences upon the project include the likes of Ulver, Manes, and God Is An Astronaut, essences certainly seeping across the new album along with an equal infusion of Nine Inch Nails/Palms scented shadows and suggestiveness.

Nåde opens up with Malum and swiftly has electronic beats and guitar coaxing ears as Denhez’ vocals share the song’s heart and beleaguered emotions. Pretty much haunting thoughts and psyche from its first breath, its inner psychosis is just as swift in stirring the imagination as vocals hint at a soul trapped yet seemingly revelling in the inevitability of inescapable turmoil. Strings and brass soon after bring their seductive shadows and flames respectively to the blossoming atmosphere and body of the song, a cinematic wash in tow yet that personal dispute continues to voice things. It is a stunning piece of music and vocal insight, instantly surpassing anything on that impressive first album and just the start of a uniquely stirring journey.

The following XII has a gentler touch, its hazy atmosphere jazzy and sombre yet with a warm glow which only attracts like a night’s final brandy. Keys tease as Leo Sors’ guesting sax woozily blows with suggestive prowess, each flame embracing reflective vocals and in turn a hotly simmering funk shuffle. With Bernard-Yves Querel adding his guitar, the track at times is something akin to 6:33 certainly with the emerging depths and mercurial intensity of the track; ears and imagination enthralled and sucked into its unpredictable enterprise and dark instrumental theatre. Whereas the first was physically provocative, the second is emotionally inciting with just as rich results before the outstanding Enter beckons the listener into its melodically woven, progressively shaped, and increasingly virulent proposal. With a snarling brooding within the guitars and an unstoppable catchiness lining its brewing rapacity, the song is a lively cauldron of infectiousness and trespassing anxiety, each conflicting with and accentuating the other.

Hänelle is pure heart ruptured melancholy, another track which builds in intensity and intimate drama on every level from an initial smoulder nurtured as much by Jonathan Maronnier ‘s clarinet as emotional shadows while Styrking Leið is a haunted croon; a siren like lure of vocals and keys and if slower to tempt as its predecessors simply growing into another lingering highlight especially with its increasing visual potency and emotional desperation. The song sees Edgard Chevallier guesting on guitar while next up The Same For The Worst features additional vocals from L. Chuck D in its jazzy intoxication with Julien Gebenholtz’s bass a captivating pleasure all on its own. Becoming more fevered and intense with emotion as sounds share a volatile almost bedlamic restlessness, the track has ears and thoughts gripped. Certainly it is not the easiest listen within Nåde but boy is it one of the most rewarding and impacting.

The final pair of tracks ensure captivation and pleasure is as burning as ever. Baldar Jainko is as similarly intensive as the previous track, its heart and scenery a sharing and conflict of peace and faith with emotions and suggestiveness working on personal and worldly levels. Closing track, Falaich, is almost apocalyptic in tone and touch; an epilogue or portent of our emotional and physical destructions and apathy to it which is seriously gripping from start to finish and only increasing the vice as it provokes the darkest thoughts and richest enjoyment.

It is easy to suggest that if Edari impressed and impacted on you previously, Nåde will blow you away and for newcomers to OMRÅDE, the moment when music might just become much more than ear pleasing.

Nåde  is released May 26th via My Kingdom Music.

https://www.facebook.com/Omradetheband    http://omradetheband.wix.com/omrade

Pete RingMaster 26/05/2017

Copyright RingMaster: MyFreeCopyright

Vienna Ditto – Busted Flush

viennadittopromonew_RingMasterReview

The undeniable soft spot we have for the fertile adventures of British duo Vienna Ditto has only been confirmed or pushed towards more lustful tendencies with each release they give birth to in their enviable imaginations. New EP, Busted Flush, is guilty of sparking the latter with three tracks of aural intrigue and creative drama which almost prey on the senses. Cinematic yet intimately invasive, the EP is one of those real treats which come along so rarely yet frequently from the shadowed minds of Vienna Ditto.

The innovative union of Hatty Taylor (vocal and synth) and Nigel Firth (guitar) has come a long way since the pair first met when Firth began teaching eleven old Taylor the guitar. Meeting again and creatively uniting a decade later, the pair has continued to blossom and excite with a magnetic sound which fires up ears and imagination like a sonic kaleidoscope. It has nurtured numerously well-received and acclaimed singles and EPs with debut album Circles of 2015 and the Ticks EP earlier this year breaching even greater acclaim and plateaus of intoxicating invention. Busted Flush is the next step forward in both rewards for band and listener, a sublime seducing which only romances with greater strength listen by listen.

art_RingMasterReviewThe EP’s title track opens up the fascination, Busted Flush a web of seductive melodies and shadowy rhythms in an atmospheric caress equally as dual natured. As the throated threat of bass colludes with crisp beats, Taylor’s exotic tones finger the imagination, backed by keys which hold suggestiveness in every melodic note. The song plays like the backdrop to a cold war romancing, a canvas for a Doctor Zhivago/ The Spy Who Came in from the Cold like involvement with Taylor the seductress narrating events. Across its blossoming landscape, Firth matches the vocal allurement with his poetic melodies and keys cast theatre further tapping into more sci-fi shared echoes of suggestion. It is a glorious transfixing as exotically dark and broodingly portentous as it is bizarrely magical.

The fantastic start is swiftly matched by the lighter livelier charms of Barracuda, a swinging stroll of electro pop also no lightweight in imaginative manipulation and melodic conspiracy as it lures the listener into its infectious body. An underlying tempestuousness blossoms over time but only adding to the warm if schizophrenic enterprise fuelling a dramatic and perpetually twisting slavery of ears and emotions.

The EP is concluded by Boy Meets Wolf, a sultry seducing with swiftly endearing essences of Young Marble Giants to its character and beauty. Apparently inspired Cormac McCarthy’s book The Crossing, the song is like a mystical mist, seeping over the senses with fleeting but potent cinematic caresses aligned to darker intimacy stirring the imagination and one’s own creative spirit.

The Busted Flush EP is an escape from reality, an echo of the adventures and dangers we all wish we were part of while watching the greatest dark lit movies. Vienna Ditto create this response musically while providing British music with some of its most unique and irresistible proposals, Busted Flush no exception.

The Busted Flush EP is out 11th November 2016 via Ubiquity Project Recordings @ https://viennaditto.bandcamp.com/

http://www.viennaditto.com/    https://www.facebook.com/viennaditto    https://twitter.com/viennaditto

Pete RingMaster 08/11/2016
Copyright RingMaster: MyFreeCopyright

Conformist – Lifestyle Bible

conformist5_RingMasterReview

It has been three years since British electronic weaving producer Conformist released his debut album Paid to Fake It to swiftly draw attention and acclaim. It was a weird and often psychotic tapestry of sound and samples which simply ignited the imagination as enjoyably as it did ears. Now the Cardiff born conjuror is back with its successor, the equally as dramatic and compelling Lifestyle Bible. It is more of the same creative adventure but with a new honing of inventiveness amid greater suggestive collages of sound.

Conformist is the project of Michael Simmons, who as mentioned stirred up attention with the 2013 release of Paid to Fake It. Written between 2014 and 2016, the Jerome Schmitt (Alt-J, Diplo, Mr Scruff) mastered Lifestyle Bible is an unrelenting flickering of sound and incisive sampling, a non-stop parade of textures and aural suggestiveness but with a tightness to its weaves and greater rounded character to its songs which insists Conformist is a proposition if not necessarily ahead of the game is certainly weaving its own creative field.

The previous album drew comparisons to the likes of Steinski, The Dust Brothers, Avalanches, and Aphex Twin. They are references again easy to offer up for Lifestyle Bible but as suggested Simmons is honing a unique proposal with every new track. As opener Trust Exercises entangles ears, swiftly a new air of adventure to the album escapes its creator, the track virtually creating its weave before ears as strands of electronic intrigue and twisting samples interlock and unite as it emerges. Repetition and sonic psychosis only add to the brewing landscape of persuasion, all elements tempting rather than forcibly taking attention but successful all the same.

artwork_RingMasterReviewThe following industrially stalked electro punk romp of Rock n Roll Dead Man slips straight out of the final lure of its predecessor, quickly parading commanding beats as hooks and strands of sound wind around the imagination. Again it is a perpetual stabbing of sounds bound in melodic mischief; like a disorientated rocker lurching from hook to hook with endearing prowess before stepping aside for new single Komputer Jenerated and its funk ‘n’ roll swing of electronics. There is a whiff of Yello to the devilry soon baiting and enslaving the senses, its sudden stop and go moments and off kilter twists all adding fuel to one fiery captivating ride.

Next up Harm Hides at Home is a slower bloomer though straight away it has ears fully engaged but it is with every passing minute and listen that layer by layer it reveals its compelling depths whilst coming over with fresh character each and every time whilst swinging from the same constantly seductive vine of melodic enterprise.

The variety within the album continues as the warped presence and psychosis of Life! Death! Prizes! clambers psychotically across the senses and imagination before the excellent A Snake Eating Its Own Tail saunters through ever magnetic creative circles, each rotation a writhing web of electronic provocation with a flavoursome touch of Pop Will Eat Itself to it.

The album is completed by the screwy exploits of firstly Art Colony, a pixilated jungle of beats and electronics which again inescapably conjures new adventures within thoughts with every listen, and lastly the enveloping melodic and sinister drama of the Nothing Important Happened Today. Intimate in its haunting proposal courted by ominous noir lit shadows, the track is almost a baiting of the emotions; a daring of thinking all is well as dangers lurk in an encroaching sombre dark.

It is a fine and compelling end to another great proposition from Conformist. Lifestyle Bible is an album which will trap and excite all who like their imaginations to be twisted and turned inside out by their electronic music, as well as their eager ears.

Lifestyle Bible is released October 14th through Consumer Consumer Records @ http://www.conformistmusic.co.uk/shop/4587936298/lifestyle-bible—cd-album/10915384

http://www.conformistmusic.co.uk   https://www.facebook.com/conformistmusic   https://twitter.com/conformistmusic

Pete RingMaster 07/10/2016

Copyright RingMaster: MyFreeCopyright

Ooberfuse – Secret Tattoo

Ooberfuse_RingMasterReview

Having recently returned from a prestigious Nashville songwriting camp sponsored by the UK government (UK Trade and Industry), the band part of a small number handpicked UK artists working with Nashville’s songwriting royalty, electronic pop duo Ooberfuse unveil their new single in the shape of the magnetically alluring Secret Tattoo. It is a vibrant smile on the senses; a song which bubbles and simmers like a pot of warmed honey as sweet as it is compelling.

Ooberfuse artwork_RingMasterReviewThe Woolwich based Ooberfuse is the creative union of Hal St John and Cherrie Anderson, and a project which has seduced much of the world across hundreds of gigs including performing to an audience of 2 million in Madrid and playing for hundreds in one of Rio de Janeiro’s notorious favelas. They have toured across the UK, Italy, Spain, Portugal, Brazil, Canada, the Philippines, and Iraq whilst stirring up support from the likes of Paul Oakenfold, Sister Bliss (Faithless), Ministry of Sound, BBC Introducing’s Tom Robinson, and Amazing Radio’s Jim Gellatly. Following the successful trip mentioned at the start, Ooberfuse has UK spotlights in their sight again with Secret Tattoo, the successor to their praised 2015 single Fall and a song inspired by the thought, “Although love hides its face away from the gaze of a loveless world it nevertheless sprays, like urban graffiti, colourful designs on the flesh of the human ear.”

Secret tattoo opens with a Yazoo like electro invitation quickly joined by the highly persuasive tones of Anderson. Backed by similarly alluring hues from St John, her voice dances on the senses; offering a warm siren-esque kiss on the ear as elegant and tempting as the weave of melodic synth cast suggestiveness around her. There is also a touch of Depeche Mode to the song as its meanders with purpose and resourceful enterprise across the imagination. Its body is slim, textures uncomplicated on the ear but together they create a pop song which lures the listener into a sultry embrace of emotive and electronic flirtation.

No demands are made by Secret Tattoo, just an invitation from Ooberfuse to immerse in its infectious charm; one easy to accept request.

Secret Tattoo is released April 29th

Upcoming Tour Dates:

9 May – London, Soho, Spice of Life

25 June – London, Hayes, Hayes Community Centre

6 July – Stonyhurst, Clitheroe, Stonyhurst College

http://www.ooberfuse.com/   https://www.facebook.com/ooberfuse   https://twitter.com/ooberfuse/

Pete RingMaster 27/04/2016

Copyright RingMaster: MyFreeCopyright

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Hills N’ Pills – Delicious Nourriture

HNP_RingMaster Review

Some bands breed their sound on one style of music adding their own twists and tweaks, others by crossing over genres, whilst there are some which create a kaleidoscope of diverse flavours and textures for their own creative instincts and imagination to explore. French metallers Hills N’ Pills definitely belong in the latter, turning familiar inspirations and essences into something torn and twisted with its own uniqueness. It is a fluid invention which goes to make their new EP Delicious Nourriture one of the most fascinating and thrilling encounters of 2015.

Hailing from Montpellier, Hills N’ Pills emerged in 2009 from the creative union of vocalist/keyboardist Salim Smili and guitarist Tricot Adrien. Subsequent years saw the release of the Extended Pourriture EP and its successor Experience Fioritures, as well as a number of line-up changes including the departure of Adrien. Equally a constant evolution in the band’s music emerged as more imagination, flavours, and boldness grew and drove their creative adventure. It has all led to a major triumph going under the name Delicious Nourriture. Like a deranged merger of System Of A Down, Skindred, Trepalium, and Hardcore Anal Hydrogen, to try and simplify things, the four track incitement is an epidemic of bedlamic alchemy which insists that Hills N’ Pills is to be seriously taken notice of.

The intoxicating drama begins with Decaled, vocals an instant coaxing quickly joined by intimidating rhythms and just as cantankerous scythes of guitar. The song’s first breath offers up that Skindred reference, ragga tenacity and provocation fuelling the brewing muscle and aggression of a rapidly gripping confrontation. The guitar of Nene Nihaw casts thick lures and spiky grooves on the senses whilst the dual vocal attack of Smili and Thibaud Van Den Berghe offer a perfectly balanced mix of raw, grouchy, and antagonistic variety. It needs little time for the song to also show the unpredictability in a Hills N’ Pills song, a Rage Against The Machine like expulsion leading to an electronic revelry led by the korg of Smili, which in turn opens up a canvas for the blues expression of Nihaw’s invention on strings to enthral from. Perpetually driven by the rousing and bruising swings of drummer Po Niaow and the throaty predation of Nico Diiiou’s bass, not forgetting sheer imagination across the band, the track provides an immense and thrilling start to the EP.

Hills N Pills cover_RingMaster Review   Similar hues colour the opening of Atchoum, a mix of RATM and (Hed) PE teasing thoughts right away but soon evolving into a System Of A Down spiced infestation of ears and appetite within a rabid groove metal tempest. The different traits continue to twist into and entwine around each other as the song shows more of its character, that Trepalium like death metal ferocity a thick ravishing feeding from the off-kilter liquor flowing through the creative veins of the song.

This Thing swings in next, vocal doodling a tempting into the volatile and busy heart of the uninhibited incitement consuming the senses and passions. The song is arguably the most straight forward offering on the EP but still breeds a belligerently captivating and diversity infested savaging layered with rich strains of metal variation, all laced a persistent virulence which takes no prisoners.

The release closes with Funky Shit where electronic flirtation seeds a multi-flavoured trespass of ever changing and gripping enterprise. Once more there is no ignoring the Serj Tankian and company’s inspiration though it is more the frontman’s solo exploits which comes to mind as the song immerses the imagination in its outstanding…well madness is probably the best description.

Delicious Nourriture hits the sweet spot straight away but over further listens is where the depth of the Hills N’ Pills invention and sound really reveals its glory, and where the lust in your pleasure is likely to show its hungry head.

The Delicious Nourriture EP is out now and available through most online stores.

https://www.facebook.com/Hills-n-Pills-103993246327614   http://hills-n-pills.wix.com/musique

Pete RingMaster 14/12/2015

Copyright RingMaster: MyFreeCopyright

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Mr Darklight – Into The Fury

Original DL_RingMaster Review

If the name Mr Darklight is familiar it is likely because you have already discovered his part in the electronic pop infection that is Masters of the Radio. Now the electronic musician/producer has unveiled his debut solo track in the shape of the captivating adventure of temptation, Into The Fury. It is a strange title as the piece of music never suggests turbulence ahead or within its heart, so possibly it is one moment in a larger journey, but what it does supply is a warm flight of imagination for ears and feet to feast on whilst casting cinematic suggestiveness for thoughts to run with.

Inspired by the likes of Daft Punk, Devo, Fatboy Slim, Gary Numan, Giorgio Moroder, Jean Michel Jarre, John Williams, Kavinsky, and Mike Oldfield as well as going by the nature of Into The Fury film scores, Mr Darklight quickly fills ears with the emotive tones of the piano. Its poetic breath and touch is the seed to a gentle but purposeful stroll through an instrumental landscape ripe with melodic essences of OMD and Depeche Mode. Thoughts are soon whisked into a magnetic flight by synths as they spread their broad ambience around the continually enticing evocative hues of the piano.

In a way the piece is like a travelogue of internal reflection or external air bound adventure, all depending which way the imagination goes with the track’s electronic clues as the guide with each listen. It is an absorbing and thoroughly enjoyable first meeting with the solo Mr Darklight, and hopefully the beginning of many such outings ahead.

Into The Fury is free to stream now.

Pete Ringmaster 24/09/2015

Copyright RingMaster: MyFreeCopyright

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