Das Fluff – Anxiety Dreams

Though last year we came to the third album from Das Fluff late, we devoured the temptations within Flower With Knife last year like a kid in a candy store. Released in 2016, it introduced an artist who had an instinctive agility in grabbing attention and ears whilst seducing the imagination. It also sparked keen intrigue and anticipation for the full-length’s successor which the band was beginning to breed at the time we discovered the release. Now we stand poised on the lip of the release of Anxiety Dreams and all we can say is if you were wrapped up in the pleasures of Flower With Knife and its predecessors you really have only been dipping your toes in the post punk electro rock filth fuelled delights of Das Fluff.

Das Fluff is the creation of Berlin/London-based vocalist/writer/producer/rhythm guitarist Dawn Lintern, an artist who like the band’s sound just evolves and grows as an artist by the record. Alongside her is long-time collaborator Christian Ruland, a similarly magnetic presence with his electronic and visual art prowess. 2011 saw the release of debut album Would You Die for Me? with Meditation And Violence following two years later. Both encounters awoke ears and attention to the dance and drama loaded enterprise of the project though it is fair to say that it was the acclaimed Flower With Knife which really awoke a whole new wave of recognition and fans. With lead guitarist Joe Dochtermann alongside the pair, Anxiety Dreams can be expected to ignite even greater and broader awareness amidst a tide of plaudits the way of the band with its every breath, layer, and shadow echoing the intimation of its title.

The album roars into life with Millennial, a track which instantly had appetite and imagination on red alert as fluid electronic squirts align with inescapably coaxing beats while electro punk tendencies gather. In no time it breaks into its infectious stroll with Dawn’s melodic tones as mercurial in expression and attitude as the sounds around her. It is a rousing start to the album, a magnificent trespass of temptation and multi spiced sound seeing lips being licked for what is to follow.

The album’s title track is next up providing a prowling enticement with a matching vocal intent from Dawn as rhythms pulsate. Its electro post punk swells remind of Fad Gadget, an inherent catchiness which lines every dark breath and flirtation within the excellent seduction before Bleed Me Dry brings its own almost tenebrific yet radiant climate to immerse within. There is a far heavier tone and intent to the song compared to the previous one, an imposing threat cast by determined rhythms, the brooding bass of guest Wendy Solomon, and a gothic lined tone which is defiant and bold in its attitude.

Next up is Ringmaster, already a favourite offering from the band here. Released as a single and teaser earlier this year, it is a song which we have a natural connection with not only through its name but in the fact we somehow managed to be a part of its inspiration or rather our review of Flower With Knife was. A richly alluring serenade with a lively energy and pulse, the track rises from a sonic sigh and melodic caress with the ever magnetic presence and tones of Dawn leading the way. Immediately there is a drama to sound and voice; words emulating the theatre as the song’s sawdust earthiness colludes with melancholy lit but elegantly seductive harmonics. As burlesque nurtured shadows continue to envelop the darksome heart of the encounter, a Stevie Nicks-esque hue tinting the vocals, intimate shivers breed at the lure of the crepuscular but starry romance.

Through the irresistible strains of the rather outstanding Animal, a punk bred slice of rapacious electro rock with a deviously manipulative swing and imagination and the predacious almost vaudeville like antics of Freaks, the album evolves yet another shade of adventure and invention. The first of the two manages to be simultaneously hypnotic and feral, Dawn coming over like an especially magnetic Siouxsie Sioux within The Creatures like heart of the track while its successor probes and teases with feline grace within a dark visceral captivation as untamed as it is seductive.

The apocalyptic shuffle of Obey is a web of samples and stirring enterprise where dark predatory clouds and sonic winds trespass the psyche amidst melodic viscera and vocal dynamics. As its rhythmic incitement invades hips, the track invades thoughts and fears with devastation in its dust. As the previous track and Ringmaster, the song sees additional guitars from Stefan Missfeld to add to imposing drama so easy to devour though it still gets firmly overshadowed by the simply glorious affair that is The Cure. Smouldering surf kissed strokes of guitar are the first seduction on offer, Dawn’s melodic prowess the second with both undiluted seduction from the start. There is an intimacy to the album’s best song which feels like you are the focus of its intent while a sixties glaze just adds to its beauty, Dawn like a bewitching blend of Susan Maughan and Chantal Claret but as unique as the music hugging the senses.

The final pair of Rise and Supervolcano ensures that Anxiety Dreams leaves with a lingering touch and tempting. The former also has sixties pop colouring to its much more intense dynamics and suggestiveness nurtured by conspicuous imagination and equally lays blossoming seeds in thoughts for best song honours with the latter matching its fascination through its climacteric breath and inevitable destiny built upon portentous temptation and shamanic beguiling.

Anxiety Dreams is a release with so much in its intrigue carrying layers and diverse depths that each outing is a fresh adventure. We were already locked in an on-going affair with Flower With Knife but quite simply its successor leaves it trapped in its shadows as Das Fluff treads a whole new plateau of creative sorcery.

Anxiety Dreams will be released September 20th via Sohappymusic.

Upcoming das Fluff Live Shows:

September 14 – The Railway Hotel / Southend

September 20 – Monster Ronsons / Berlin (DE album launch)

October 26 – Paper Dress / London (UK album launch)

October 27 – The Railway Hotel / Southend

November 2 to 25 Asia Tour: Thailand, Malaysia, Vietnam including 23-25 November The Quest Festival, Hanoi, Vietnam

 http://www.dasfluff.com     https://www.facebook.com/dasfluff/   https://twitter.com/dasflufftwit

Pete RingMaster24/08/2018

Copyright RingMaster: MyFreeCopyright

Sick N’ Beautiful – Element of Sex

pic by Stefano Mastronicola

There are some bands which instinctively allure attention and it is fair to say that Sick N’ Beautiful is one such persuasion as their recent headlining UK tour proved. Their new album Element of Sex swiftly and increasingly shows why they made a potent impact through those shows alone, a release which whilst lacking the visual theatrical drama of their live presence uncages ten virulent slices of devilish rock ‘n’ roll.

“A gang of rockin’ freakshow pirates from outer space”, Sick N’ Beautiful is a quintet creating an industrial hard rock web of intrigue and sonic animation awash with creative drama. Brewed with sci-fi and cyberpunk visuals whilst embracing inspirations from a kaleidoscope of artists including Rob Zombie, Nine Inch Nails, Alice Cooper, Kiss, Lady Gaga, Katy Perry, and No Doubt, the “intergalactic refugee’s” music is a cascade of flavours and enterprise within its hard rock nurtured imagination. In boldness and drama there is something of The Tubes to the band’s presence too which only adds to its magnetism live and now within Element of Sex.

Familiarity and inventive uniqueness collude from the first breath of the album with opener Fire True, an orchestral coaxing the first lure quickly infested with wiry tendrils of guitar which in turn entice the instantly rich ear grabbing vocals of Herma. Within seconds the track is an imposing wall of thick infectious sound speared by the scything swings of drummer Evey. Pop catchy and metal aggressive the track imposes and seduces in equal measure with the organic drama of the band’s imagination in every syllable, note, and twist.

It is an infectious tempest of an encounter instantly backed and eclipsed by next up Megalomaniacal. Straight away it has more urgency and greater flexibility in its attack; snarling, biting, and dancing with the senses like a carnal celebration behind the fiercely magnetic prowess of Hermes. Big Daddy Ray’s bass has a great rockabilly swing to its growl at times whilst guitarists Rev C2 and Lobo spring a trap of enterprise so easy to relish especially when the song takes a breath from its boisterous invasion.

The calmer All Wanna Go To Heaven through its initial less energetic entrance, compared to its predecessors, only leads into a snare of boldly catchy and melodically enticing temptation. The voice of Hermes once more stands tall and captivating within the song, a given proven track by track as the sounds around her cast their creative theatres. Pop, rock, and metal strands all go into its ear wrapping weave before the contagion of Hellawake continues the diversity bred within the Sick N’ Beautiful’s sound with its electro pop meets industrial punk shuffle.

Through the tempestuous roar and character of Slam! and the salacious sonic exploits of Hexxx (The Element Of Sex), the album just gets more hectic and fun, both songs a spark for ears and body with their extremely danceable antics, the outstanding second of the two especially manipulative as it grabs limbs like a puppeteer.

Cryptid similarly just opens up the throttle from its first gasp; rhythms and imposing incitement within the scuzzy tides of guitars wired with melodic and hook laced tempting. It is another where certain moments unite with ears like an old friend whilst bringing wholly new propositions alongside for a compelling mix exploited just as ably by New Witch 666 (The Rising). Its EBM-esque opening is a deceit for the dark shadows and intent lurking closely behind and a continuing enticement as those textures take rein of the devilish affair. Though its rabidity is under control for the main it is there festering in the track’s meaty body and demonic intent.

The skilfully woven Heart December (Gates II) with its dark drama and gothic rock grandeur was a slow burner for our ears, a track which never quite ignited as those before it but continues to be a compelling intrigue on ears and imagination even against the album closing blaze of C*Mmunion. Aggressive and at times musically grouchy but as greedily catchy as you could wish, it brings the album and the torrent of fun to a rousing conclusion.

And that pretty much sums up Element of Sex as a whole; insatiably infectious, relentlessly rousing, and unapologetically fun. Maybe Sick N’ Beautiful is a proposition which is at its very best live when all of its elements come together musically, visually and indeed dramatically but their new offering shows their songs make for very potent propositions all on their own.

Element of Sex is out now on the band’s own Rosary Lane Records; available @ https://www.sicknbeautiful.com/store and other stores.

https://www.sicknbeautiful.com/   https://www.facebook.com/sicknbeautifulband/   https://twitter.com/sicknb

Pete RingMaster 10/07/2018

Copyright RingMaster: MyFreeCopyright

Caesaria – Wavin’ Goodbye

Setting up the September scheduled release of a new EP, French outfit Caesaria have video/single Wavin’ Goodbye out to tempt: the song a slice of electro pop/rock bringing instant infection to ears and body.

Consisting of Théo Chaumard, Ced Machi, Thomas Fariney, and Louis Arcens, the 2013 formed Caesaria has already earned potent attention and support with their debut EP Sparks of Visions. Offering five tracks giving the dance-floor a busy time, the band has surrounded its success with a live presence which has included opening for Naive New Beaters and appearances at festivals such as Printemps de Bourges music festival and Les Eurockéennes de Belfort.

As mentioned, Wavin’ Goodbye is the prelude to their next EP, a song embracing familiar essences in its own fresh and energetic bounce. Keys shimmer in and around ears initially, closely following vocals cloaked in harmonies as eager to entice as the rhythmic coaxing now at play. Once into its infectious stride, the song glistens with melodic enterprise whilst its jangle feels like it is teasing the darker grooves of the bass. In some ways the track is like a fusion of Heaven 17 and Orange Juice, in other ways MGMT meets Empire Of The Sun comes to mind; all flavours which add to the overall shine of the song and its introspective theme of a dying person looking back on their life.

Increasingly accomplished and contagious, the track similarly growing in its creative textures, Wavin’ Goodbye provides plenty for body and pleasure to find a keen appetite for whilst setting up that forthcoming EP very nicely.

Wavin’ Goodbye is out now.

http://www.caesaria.fr/     https://www.facebook.com/wearecaesaria/    https://twitter.com/WEARECAESARIA

Pete RingMaster 04/04/2017

Copyright RingMaster: MyFreeCopyrigh

Vienna Ditto – Busted Flush

viennadittopromonew_RingMasterReview

The undeniable soft spot we have for the fertile adventures of British duo Vienna Ditto has only been confirmed or pushed towards more lustful tendencies with each release they give birth to in their enviable imaginations. New EP, Busted Flush, is guilty of sparking the latter with three tracks of aural intrigue and creative drama which almost prey on the senses. Cinematic yet intimately invasive, the EP is one of those real treats which come along so rarely yet frequently from the shadowed minds of Vienna Ditto.

The innovative union of Hatty Taylor (vocal and synth) and Nigel Firth (guitar) has come a long way since the pair first met when Firth began teaching eleven old Taylor the guitar. Meeting again and creatively uniting a decade later, the pair has continued to blossom and excite with a magnetic sound which fires up ears and imagination like a sonic kaleidoscope. It has nurtured numerously well-received and acclaimed singles and EPs with debut album Circles of 2015 and the Ticks EP earlier this year breaching even greater acclaim and plateaus of intoxicating invention. Busted Flush is the next step forward in both rewards for band and listener, a sublime seducing which only romances with greater strength listen by listen.

art_RingMasterReviewThe EP’s title track opens up the fascination, Busted Flush a web of seductive melodies and shadowy rhythms in an atmospheric caress equally as dual natured. As the throated threat of bass colludes with crisp beats, Taylor’s exotic tones finger the imagination, backed by keys which hold suggestiveness in every melodic note. The song plays like the backdrop to a cold war romancing, a canvas for a Doctor Zhivago/ The Spy Who Came in from the Cold like involvement with Taylor the seductress narrating events. Across its blossoming landscape, Firth matches the vocal allurement with his poetic melodies and keys cast theatre further tapping into more sci-fi shared echoes of suggestion. It is a glorious transfixing as exotically dark and broodingly portentous as it is bizarrely magical.

The fantastic start is swiftly matched by the lighter livelier charms of Barracuda, a swinging stroll of electro pop also no lightweight in imaginative manipulation and melodic conspiracy as it lures the listener into its infectious body. An underlying tempestuousness blossoms over time but only adding to the warm if schizophrenic enterprise fuelling a dramatic and perpetually twisting slavery of ears and emotions.

The EP is concluded by Boy Meets Wolf, a sultry seducing with swiftly endearing essences of Young Marble Giants to its character and beauty. Apparently inspired Cormac McCarthy’s book The Crossing, the song is like a mystical mist, seeping over the senses with fleeting but potent cinematic caresses aligned to darker intimacy stirring the imagination and one’s own creative spirit.

The Busted Flush EP is an escape from reality, an echo of the adventures and dangers we all wish we were part of while watching the greatest dark lit movies. Vienna Ditto create this response musically while providing British music with some of its most unique and irresistible proposals, Busted Flush no exception.

The Busted Flush EP is out 11th November 2016 via Ubiquity Project Recordings @ https://viennaditto.bandcamp.com/

http://www.viennaditto.com/    https://www.facebook.com/viennaditto    https://twitter.com/viennaditto

Pete RingMaster 08/11/2016
Copyright RingMaster: MyFreeCopyright

Caesaria – Bring My Ears Back

Caesaria band pic_RingMasterReview

Swinging from the heart of the French underground, Caesaria is a quartet creating electro-pop which refuses to be ignored, certainly on the evidence of new single Bring My Ears Back and their recent EP. Taken from that EP of the same name, the latest offering is a jungle of funk infested rhythms and electronic revelry primed to take ears and hips on a festival of feisty revelry.

Formed in 2013, Caesaria embrace English rock/pop seeded in the eighties. It flavours a new wave/dance funk escapade given an individual yet enjoyably accessible stamp by the quartet of Théo Chaumard, Dénis Donlic, Thomas Fariney, and Louis Arcens. Making a potent and increasing impression with their live prowess since day one, the band released debut EP, Sparks of Visions, in 2015, eclipsing its success with successor Bring My Ears Back.

Caesaria - art_RingMasterReviewThat EP’s title track reinforces its attention grabbing adventure within its first seconds; buoyant rhythms and inviting melodies, reminding a touch of eighties UK band King Trigger, laying the first invitation. Soon melodies dance as grooves spring around harmonically warm vocals; it all adding to an inescapable lure for body and enjoyment.

As keys swarm enticingly around the senses and the cleverly layered textures of the track, there is certainly a familiar air and touch to things but as mentioned earlier, with an individuality which plays like an old friend with fresh devilment in the heart.

Caesaria and Bring My Ears Back are a proposal no dance floor will be able to resist while equally carrying an indie jangle to spark the appetites of less eagerly mobile enthusiasts; simply an energetic treat for all.

Bring My Ears Back, EP and single are out now.

https://www.facebook.com/wearecaesaria   http://www.caesaria.fr/   https://twitter.com/WEARECAESARIA  https://www.instagram.com/wearecaesaria/

Pete RingMaster 04/08/2016

Copyright RingMaster: MyFreeCopyright

Alphabet Backwards – The Things We Did To Pass The Time EP

thethingswedidtopassthetime_RingMasterReview

British quintet Alphabet Backwards completed their aim to write and record three separate releases in a year without the need of studios or labels with the recent unveiling of The Things We Did To Pass The Time EP. Containing three songs bubbling with the warm and melodically flirtatious sound that the band is becoming increasing renowned for, the release is a fine end to an aim and success which has provided a host of rather irresistible feel good songs.

Consisting of Josh, Steph, Paul, Bob Tom, and James, the Oxford bred Alphabet Backwards have been luring closer and stronger attention for quite some time now, making their first potent mark with a self-titled debut EP in 2009. The trio of EPs, The Superhero in 2010 with The White Russian and British Explorer following the next year, raised the momentum and praise cast the way of the band’s emergence with debut album Little Victories in 2012 putting the band’s fusion of indie and electro pop firmly on the landscape of the UK music scene.

It might be fair to say though that this past threesome of releases starting with Fingertips/Indian Summer, unveiled March 30th 2015, has raised the profile of the band most of all. The two track offering was fuelled by their most infectious and imaginatively creative adventure yet, subsequently built upon and pushed again by the Book About Foxes EP last September. Now to show that the three releases in a year also meant a continuation of the resourceful and inventive prowess soaking the band’s music, The Things We Did To Pass The Time released the end of this past March has ears joyful and spirits dancing.

Alphabet Backwards weaves a sound which simply puts a smile on the face and though the songs within the new EP might not be their most virulent catchy, each has a new depth in warmth and melodic revelry which ignites the same satisfied smile and thick enjoyment. It opens up with The Glass and straight away has ears fully engaged as the now familiar vocals of the band walk amongst a melodic jangle and jabbing beats. As much as the band’s music entices so does their vocal prowess and expression, male and female tones coming together as alluringly as keys and guitars caress a thicker rhythmic tempting. The song continues to caress and seduce with its flirtatious gait and melodic enterprise, warming ears and imagination perfectly for the rolling canter of Escape Artist.

Straight away the second song reminds a little of eighties band The Woodentops, its flirty rhythms and strolling melodic shuffle matched in magnetic kind by the vocals. That nostalgic feel continues as keys bubble and rhythms take their moment to entice as moments of slim but infectious relaxation break. The song predominantly though is a lively affair and quite superb, emerging the favourite amongst a trio of seriously addictive proposals completed by the vivacious waltz of Television. The last song’s swing is pure pop and its intimate textures almost folkish; a combination which simply lights ears and emotions as guitars and keys swirl and smoulder around more of those captivating vocals.

Alphabet Backwards is proving to be a band that induces real anticipation with every upcoming release; The Things We Did To Pass The Time EP showing exactly why.

The Things We Did To Pass The Time EP is out now via iTunes and other stores.

http://www.alphabetbackwards.net/   https://www.facebook.com/alphabackwards   https://twitter.com/alphabackwards

Pete Ringmaster 19/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Kids on Bridges – Something in the Water

art_RingMasterReview

With a spicy jangle to its warm melodic invitation, Something in the Water is a song which dares ears to ignore it. The new single from UK trio Kids on Bridges knows it is on to a winner though, safe in the knowledge that its electronic enterprise and vibrant rock ‘n’ roll tenacity has a catchiness even the common cold would envy.

Liverpool based Kids on Bridges consists of Christian Bragg, Daniel Rankin and Andrew Culshaw, a trio which, since emerging in 2014, has supported the likes of Beck, Hot 8, LCD Soundsystem, Soulwax, and Friendly Fires, and been Britain’s only representatives to play alongside Stevie Wonder at the Special Olympics in LA. Add working with New Orleans legend Zigaboo Modeilste and Jennie Vee as well as playing a string of gigs in America marked out by sold out shows at LA’s iconic The Viper Room and Tipitinas in New Orleans, it is fair to say Kids on Bridges is on a lively roll.

The successor to their successful previous single When The Needle Drops, the magnetic Something in the Water is looking to stir things up in 2016 the same way. Straight away keys and guitars cup ears in their respective romancing and jangling, bright pulses and eager beats laying potent bait alongside as emerging melodies and harmonious vocals wrap and dance energetically in ears.

It is a captivating start with something invitingly familiar to it at times; a scent of previous synth pop spiced decades mixing with nineties indie pop boisterousness as the song grows. They are spices which only hint without drawing exact comparisons though, essences which add extra flavour to the electro pop revelry that Kids on Bridges have honed as their own.

Spirit lifting songs always make potent singles and Something in the Water certainly qualifies as a moment of rather enjoyable fun.

Something in the Water is released March 11th across most online stores.

https://www.facebook.com/KidsOnBridgesMusic    https://twitter.com/Kidsonbridges

Upcoming Live Dates:

16th March – Highbury Garage, London

22nd March – Liverpool, supporting Blancmange, details tbc

1st -3rd April – Threshold Festival, Liverpool

30th April – Polyfest, London

Pete RingMaster 10/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/