Max Pie – Odd Memories

MaxPieBand_Reputation Radio/RingMaster Review

Fair to say their name is still as dislikeable as it was when we covered their excellent album Eight Pieces, One World album two years ago but musically the Belgian metallers still rock the juices out of us as proven by new encounter Odd Memories. Max Pie fills their third album with all the essences which made its predecessor a surprising and compelling proposition but it is with bigger and bolder imagination and creative energy. We are no major heavy/power metal fans here to be honest but once again Max Pie has given us one thumping and rousing time.

The band was formed in 2005 by vocalist Tony Carlino taking inspirations from bands such as Symphony X, Van Halen, Toto, Queensrÿche, and Dream Theater into their emerging ideas. A slightly unstable time in personnel graced their early years before Max Pie released debut album Initial Process in 2012. Fan and critically acclaimed it was surpassed by Eight Pieces – One World a year later in presence, sound, and praise. Its release was followed by the band playing numerous festivals and undertaking tours with the likes of Symphony X, Evergrey, Fates Warning, Avantasia, and Queensrÿche. Now they return with, as the last album, the Simone Mularoni mixed and mastered Odd Memories and simply their finest, most inventive proposal yet.

The album opens with its title track; an instrumental ripe with a foreboding atmosphere and epic textures all cinematically imposing on the imagination. This type of beginning is becoming a common practice across varied metal offerings but when done right, as here, it makes a potent invitation into any release. As the track slips into the following Age of Slavery, a sizzling electronic coaxing colludes with rampant riffs and a melodic embrace of keys. The thick commanding rhythms of drummer Sylvain Godenne shape and invigorate the track further, framing the growling vocals of Carlino perfectly. The frontman’s diverse delivery is as magnetic as ever, some elements more powerful and potent than others but like the music, a constant lure that likes to stretch and push both song and musician. As the guitar and keyboard craft of Damien Di Fresco builds and expands its enterprise, the track blossoms into a sturdy and fiery encounter to really kick things off.

It is also, in many ways, a relatively straight forward and maybe expected proposal from the band, the new exploration showing itself more from Odd Future on. Keys breed the first mesmeric caress on the third track before guitars and the wonderfully dark throated bass of Lucas Boudina bring their hues to the emerging and stirring landscape of the encounter. Once vocals join, the song settles into a melodic roar and sonic flame of melodic and heavy rock ‘n’ roll, their union a heated and tenacious arousing of ears and thoughts veined by sparkling, and at times understated temptation from the keys. It is when things go off kilter with a glorious stretch of discord kissed invention and melodic bedlam that the song really comes alive and if there is any moan it does not play in this great moment long enough.

MaxPieOddMemories_Reputation Radio/RingMaster Review     Promised Land opens on a vivacious escapade of keys quickly encased in storming riffs and rhythms, it all quickly blooming into a virulently contagious slice of rock pop with classic metal and progressive rock hues. It has single running through its potent craft and lusty veins, every second of the track a bold and rousing incitement for body, voice, and emotions. Such its power and lure, it gives next up Love Hurts a hard time trying to follow it, and as mesmeric in melodic beauty within tempestuously emotional and physical terrain that it is, it never quite finds the same full-blooded personal reactions as its predecessor. It is undeniably superbly crafted and woven though and does leave only fully satisfied thoughts before the darker, ravenous excellence of Don’t Call My Name takes over. The guitars alone are predatory with their creative rummaging of the senses whilst the keys float with celestial temptation above them and the uncompromising rhythms spearing it all. Reaping the ripest elements of technical and progressive metal, band and track pulsate as they gnaw on ears, adding melodic and harmonic balm to the increasingly irresistible voracity on offer. With Carlino also on fine form, the track is the pinnacle of the album, reason alone to eagerly approach Odd Memories.

The acoustically brewed Hold On slips in next to transfix and from a slow start to its persuasion grows into a big favourite. Whether by chance or intention, it has a Bowie-esque essence to it, a floating whisper in quieter moments which does it no harm. It is a scent soon out flamed by vocals and the sonic blaze giving the song rich crescendos and a breath-taking finale before Unchain Me takes the listener on another tumultuous ride of rugged metal and tantalising electronic adventure.

No prizes in guessing some of the scenery within Cyber Junkie, its electronic and industrial endeavour a potent spicing to another song offering a compelling fusion of bestial metal and melodic flirtation, the former steering the ship with invigorating success. As Don’t Call My Name before it, the track is a masterful web of varied and diverse styles in one predacious provocateur, thoughts of bands from Anthrax to Armored Saint, Dream Theater to Skyharbor coming to mind across its exciting and again show stealing soundscape.

The album is finished by The Fountain Of Youth, a song which either a raging storm of a canter or a gentle caress enthrals and sparks only the keenest attention and support from ears and emotions. Like a couple of other songs it takes longer to get all of its hooks inescapably entrenched but with its additional symphonic elegance and emotively hued strings, the song has seduced long before realisation notices.

Wrapped in the excellent artwork of Didier Scohier, Odd Memories and indeed Max Pie have caught us again with a tempest of sound and invention driven by craft and passion. This time it is bigger, more adventurous, and confirming the band as one of progressive power metal’s finest.

Odd Memories is available from June 19th via Mausoleum Records @ http://www.maxpie.be/shop.php

http://www.maxpie.be/   https://www.facebook.com/maxpiemusic

RingMaster 19/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Max Pie – Eight Pieces -One World

251150 - Max Pie - Promo Photo

The first thing to say is do not let the quite uninspiring band name of Belgian metallers Max Pie put you off from investigating what is in the form of  their new album a rather thrilling and dramatic adventure and sound. Eight Pieces -One World is a captivating heavy metal release, an album bulging at the seams with muscular and almost carnivorous tracks soaked in fiery melodic invention and potently expressive passion. To be honest it came as a complete surprise but as the saying goes ‘do not judge a book by its cover’, or in this case the name, as you will miss out on one of the treats of the year.

Formed in 2005, Max Pie started off with a classic hard rock/ metal which was said to frequent the same well as of Deep Purple, and Whitesnake. Obviously over the years something riled up their hunger, invention, and attitude as proven by the new album, its tracks attacking and chewing on the senses with a destructive rabidity whilst infusing irresistible and captivating melodic metal bred flames. It is a scintillating mix which catches you by surprise and then force feeds some of the most contagious and riotously inspiring songs heard this year through to the heart.

Following their acclaimed debut Initial Process of last year, the Mausoleum Records released Eight Pieces – One World takesTITRE.EPS no time in tearing up the senses, the line-up of vocalist Tony Carlino, guitarist/keyboardist Damien Di Fresco, bassist Olivier Lemiere, and drummer Sylvain Godenne, initially laying a sonic wash on the ear as Cage Of Sins stakes its claim on the listener before with no thought of mercy unleashing a rhythmic and riff sculpted intensity. Immediately there is compelling temptation at work especially as once into its rapacious stride the music is joined by the excellent vocals of Carlino, his tones equally coarse and clean echoing the sound. References to Kamelot and Symphony X seem to come with the band and going by song and release you can easily add the likes of Fates Warning and Periphery, such the numerous textures and spices conjured.

The stunning start is soon matched firstly by I’m Sealed and then Earth’s Rules which is one of two songs featuring guest Simone Mularoni  of DGM and Empyrios on guitar. The first of the pair teases djent rhythmic manipulation, riffs churning up nerves and thoughts so that warm inviting vocals and melodic enterprise can dance over the victims with soothing invention. Across the constant snarl of bass and drums assisted by equally predatory riffs, the guitars weave a sonic narrative which twists and sculpts its distinct tale upon aggressive canvas. Its successor with keys seducing with elegance and almost emotive mischief starts off with another predatory inducement before opening up progressive/classic metal arms to reveal a lake of evocative warmth and fire sourced melodic fascination. Though neither quite rivals the opener, they leave an enflamed greed for their and the following unpredictable and now assumed glories, which without exception the rest of the album delivers.

From the excellent evocative sonically coloured power ballad I’m In Love, tracks like the carnivore Vendetta rampage and seize full control of the passions, its rabid grip of primal rhythms and treacherous riffs irresistible whilst being ridden by the paint box of absorbing synth hues and the again impressively delivered and varied vocals. It is not all about aggressive intensity at any point though as the magnificent The Side Of A Dime shows with its Middle Eastern seductive promise courting emotions and heart from within the tumultuous web of rhythms and riffing voracity. The best track on Eight Pieces -One World, the encounter is a blistering expanse of inventive and urgent cajoling which rewards submission with beautifully crafted melodic heat and passion driven splendour.

As both the engaging Addictions and the equally engrossing Don’t Tell Me Lies with its gothic breath and sinister wink of the sonic eye bear evidence of, the skill and imagination of each member and their individual aspect within songs impress on the passions with clarity whilst combining to offer further irrepressible bait emphasising that though classed as heavy metal, band and album have a presence which crosses the desires and appetite of multiple genres within metal. Eight Pieces -One World is an excellent treat; as said an unexpected and surprising one but a creative coup which will be drawing out a zealous ardour for a long time to come. Slip yourselves pass the name and discover one of the gems of the year so far.

http://www.maxpie.be/

9/10

RingMaster 28/06/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com