The Tuesday Club – Lady Gargar EP

TTC_RingMaster Review

After a summer taking their notorious concert party around the UK to the usual heavy dosage of acclaim and noise complaints by the neighbours, The Tuesday Club are breaking out the tea and tunes with the release of new EP Lady Gargar. The third in of a set of 4 EPs eventually uniting for the band’s next 4 x EP Box Set album, the ‘Body’ section of the eventual full-length brings three songs drenched in the recognisable Tuesday Club sound and devilry but as is always the way finding just that little more mischievous invention to refresh and excite.

Still looking and endearing like rejects from the Home Guard, men and woman who most likely would have been thrown out for goosing the vicar and flattening haystacks in the arms of land girls, The Tuesday Club just get more essential and addictive with every release, Lady Gargar as an EP and new single no exception. The successor to the My Consciousness EP out last October and the Forbidden Kiss EP of June this year, Lady Gargar romps and stomps like a Canadian/US soldier providing illicit booty in the Blitz, seducing and swaying with virulent punk ‘n’ roll pop temptation.

ep cover_RingMaster Review   The EP opens with its title track, the Walmington-on-Sea septet bringing Lady Gargar into view on a lone scrub of guitar and soon after, the distinctive vocal devilment of Andreas Vanderbraindrain and The Minx. Like Dirk Wears White Sox Adam and The Ants colluding with Oingo Boingo era Danny Elfman, the track slips through ears with thick flirtatious hooks and a broadly smiling swagger. Within this festivity, the keys of Rogerio Marauder bloom with melodic warmth as the beats of Titti Bartelski jab and lead an inescapable incitement on feet and hips. Everything about the song is magnetic, the guitars of Dave Worm and J Rod spewing catchy riffs and grooves as freely as the bass of The Beautiful Wolf wanders through it all in its own individual way.

Scars are Superstars steps up next, straight away laying down bait of jagged riffs and punchy beats as the rest of the band add their infectious spices with increasingly riveting success. Weaving in new wave and power pop enterprise into its relentlessly keen energy and gait, the song bounds along like a teenager in the heat of summer and puberty; grinning with sparkling hooks and the ever becoming vocal union of Vanderbraindrain’s spiv like devilment and The Minx’s Amazonian lure.

     Resistance (Makes the Heart Grown Fonder) completes the line-up upon the EP, its personal instant magnetism the perfect coaxing into an even stronger contagion of inimitable temptation. More a canter than its predecessors, the song ambles along with a Radio Stars meets Wreckless Eric enticing, at times a whiff of Ten Pole Tudor also showing its scent, simply bewitching at all times as it incites the body to use every angle at the hips disposal for a gentle but determined swing.

Recent releases have shown The Tuesday Club on a trend of being more and more creatively captivating with the Lady Gargar EP their new pinnacle in the defence of our pleasures and souls. Roll on EP 4 is all that is left to say.

The Lady Gargar EP is released on October 19th wit pre-orders available now @ http://thetuesdayclub.tmstor.es/cart/product.php?id=26399

https://www.facebook.com/thisisthetuesdayclub   http://thisisthetuesdayclub.co.uk/

Upcoming Live shows:

Oct 19 8:00pm     The Horns     Watford, UK (EP Launch Show)

Oct 23 8:00pm     PDM At Harveys     Luton, UK

Oct 24 7:00pm     Cockfest! at The Town Hall     St. Albans, UK

Oct 31 7:30pm     Trestle Arts Centre     St. Albans, UK

Nov 01 6:00pm     Lower Red Lion     St. Albans, UK

Nov 08 8:00pm     The Garage     London, UK (supporting Toyah)

Pete RingMaster 14/10/2105

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Rhythmic slavery and expressive words: exploring the creative world of Dave Barbarossa

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 A potent and swiftly vocal roar for one particular band in the past months has been very noticeable in the London and UK underground scene, an eager buzz which led ourselves and colleagues at Reputation Radio to go check out live Cauldronated, the new band of punk legend Dave Barbarossa. This is a musician who has been the rhythmic driving force and inspiration behind Adam and The Ants, Bow Wow Wow, and…well the list goes on. Certainly those first two bands, and indeed Dave’s unique playing style left a legacy still inspiring artists today, and it is quite easy to suggest his new project with Eva Menon, has the potential to make the same potent impact. So excitedly we got in touch with the man to not only discover more about the band but also to find out about Dave’s acclaimed debut novel Mud Sharks which has just had a revised edition released via New Haven Publishing Ltd. Dave kindly agreed to let us throw a torrent of questions at him, subsequently taking us into the world of Cauldronated, the seeds and landscape to Mudsharks, the linking up with Adam Ant on tour again, and the musical heart of Dave Barbarossa.

Hi Dave and thanks for sharing your time to talk with us.

There is so much to, and areas within your career to talk about but with the enjoyment at your recent show at The Unicorn, Camden still rushing through the veins and thoughts, can we look at your latest project Cauldronated first. How would you describe the band and its sound to newcomers?

Thanks for those kind words, mate. It was a pretty good gig, I have to admit. Cauldronated is a blend of quirky synths, a lot of drums, and impassioned vocals. I like the discipline of playing with a digital metronome (clicks/synths). It pushes my playing into places it wouldn’t go if I were just allowed to play as I liked…so the strictness makes me creative, that make sense?…sounds a little masochistic, but I enjoy it.

Was there a particular spark or idea which gave birth to the band?

I was working with David Harman (we were both in Chicane together). We thought we’d try something very drummy with synths and sequences.

How did the initial link up with David and Eva Menon come about; were these musicians you already had in mind to work with on something?

I’d not met Eva in person. I was aware she was a drummer. When I eventually met her, I had one of those ‘McLaren’ moments and immediately asked her to join David and me in a bit of an experiment.

Eva has a presence and drama to her stage presence which has the potential to be, in my mind, one of the most creatively imposing and invigorating vocalist you have worked with. Was it this quality which first captured your attention too?

Yes, her presence and intensity were compelling. I knew she would ‘pull her weight’ with the idea I had.

When I saw the band at The Unicorn, it was just Eva and yourself on stage, is that the usual live set-up?1970901_10152291115742767_350111327_n

At the moment it is…who knows what the future may hold.

The band has a sound and presence which feels as punk in nature and attitude as anything over the past four decades; this was a deliberate or organic essence which emerged?

It was deliberate only in the sense I wanted something uncompromising and challenging. I didn’t want to serve up what people expected. Musically, I feel uncomfortable being comfortable.

Do you still feel that individualistic punk and defiant attitude in your music and creativity as strongly as those first days and years of your career?

That ‘individualistic and defiant attitude’ sustains me. I’d be in a covers band in a pub without it. At the risk of sounding a bit of a knob, I will forever be a punk rocker.

How about in music in general, is it still loud and potent or more of a recurring whisper in modern music for you?

It is still loud and proud. You just have to dig beneath the superficial…it has always been that way.

Cauldronated seems to find you returning to and exploring the more tribalistic rhythms and contagion which marked your time in The Ants and more so Bow Wow Wow. Is this something you feel too or have you not been too far from that side of your adventure over the past years anyway, so it is just part of the current evolution of your ideation?

There are so many drummers (most better than me) playing ‘straight’ beats, ‘serving the song’, being a ‘side man’. I’ve got a trick and I’m gonna play it!

Your first novel Mud Sharks was published in 2012, but I believe it is being republished again very soon?

It is…With added extras; photo, review and a ‘Mud Sharks’ track. (please keep this under your hat until I have a release date – that will be very soon) ta.

What was the trigger to writing a novel? Was it something brewing in your thoughts for a while?

Yeah, I think a lot of us have a novel in them. I simply got mine down. Some emotional events collided with professional ones and out it came. Frankly, I’m a little stunned about how well it has been received.

Mud SharksCan you give a synopsis to the novel?

This is what is says on the cover so it must be right ‘Mud Sharks? Harry Ferdinand is in trouble at home, in trouble at school and now he’s in trouble with the police. He’s battered, bruised and lost until he meets the love of his life: the drums. Things are never to be the same again. Plunged into the world of Punk Rock, Harry finds purpose, adventure and heartbreak as he transforms from boy to man.’

It looks at and confronts racism and violence in its story, within the embrace of the seventies music scene. How much is autobiographical or inspired from experiences you have had or closely come across yourself?

It is a story based on my childhood, schooldays and early career. Not a factual, chronological ‘blow by blow’ of my life. But, all the stuff, good and bad, happened, pretty much.

Do you feel its narrative and observations still represent the current music world and young lives within it now?

It is a story of its time, but perhaps it resonates with people of ‘Harry’s age now. Dunno

Have you plans to write another book in the future?

Yep, finished the second…It is going through the editing and proofing stage. These things take yonks.

Returning to music, what were the inspirations which led you into music predominantly?

I was captivated by the drums, so big and loud. I wanted to master the instrument, on a very basic level. Never dreamed it would be my life.

We have to ask about those heady days, certainly for us fans, when Dirk Wears White Sox was the creative anthem for a great many of us. What are your strongest personal recollections of that time with Adam and the Ants and in the punk scene generally?

Well, it was a while ago and at a time when a young person’s life flashes by. Personally, I was in a perpetual state of astonishment and relief. Both states were euphoric, blissful, magical…how’s that sound?

Next came of course Bow Wow Wow and the highly publicised and still seemingly talked of departure of yourself, bassist Leigh Gorman, and the sadly missed Matthew Ashman from the Ants. What musically enticed the move and how coincidental was it that the two projects pursued the tribal/Burundi sound from that point on?

I really can’t think of why the drums sounded so familiar in both bands – insane coincidence?   I left Adam because Malcolm gave me the opportunity to be my own man. Create my own sound and lead ‘from the back’. With Adam, I was a loyal soldier to a musical genius. I like change.

Probably the last thing fans imagined would be the coming back together of yourself and Leigh with Adam again, something which happened last year when you both joined him in The Ministers 1979117_10151960991666780_7133093067893089771_oOf New Super Heavy Funk Punk and an UK tour. Was this something you would have probably not predicted over the years either or was the supposed ‘animosity’ between all parties a media driven ‘reality’?

Never been any animosity between myself and Adam. I’ve played in his bands off and on down through the decades. We have coffee, talk about our daughters.

How did the link up for the shows come about?

Adam called me and asked if I’d fancy doing the old Dirk numbers live. We’d never done it live, apparently. The minute we got in rehearsals, we knew why. He turned round to me during Animals And Men and said, ‘This is fucking jazz, how did we do it?…

It is fair to say that you helped pioneer the tribal rhythmic temptation which has graced so many bands and still does. Do you offer yourself an inner smile every time you come across another proposition in band and song form obviously inspired by your legacy?

That’s very kind of you mate. I have been lucky to do what I love and what comes naturally.

1888843_10152291116392767_1239021352_oSadly missing out plenty of the other bands and projects you have been involved with, can we turn back to Cauldronated and what is ahead for the band over the coming months?

We’ve got another offering out soon…Ring of Khan, there’ll be gigs and the inevitable quest for world domination…All of it, such a laugh.

What about your solo sounds,; particularly thinking of the Barbarossa Beat two-track download release of last November which teased with a sound reminiscent of a Bow Wow Wow flavouring in songs like I Want Candy but took feet and energies into a new tantalising dance…More to come and any other irons in the fire musically for us to look forward to?

Yes, more to come with Barbarossa Beat, I love changes in direction, challenges. There are a few other things, collaborations popping up too.

My big thanks again Dave for your time.

An absolute pleasure Pete…Thanks you so much for your interest.

Mudsharks is available @ http://www.amazon.co.uk/Mud-Sharks-Dave-Barbarossa-ebook/dp/B00ULELOP0/ref=pd_rhf_gw_p_img_10 and for more info regarding the book go to https://www.facebook.com/MudSharksNew/

https://www.facebook.com/dave.barbarossa   http://www.cauldronated.net/

The Buy This Thing EP from Cauldronated is available now @ https://itunes.apple.com/gb/album/buy-this-thing/id914978407

Pete Ringmaster

The RingMaster Review 19/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

Destroy D.C. : The Pride Of The ASBO Generation

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    Having just caught our breath after the outstanding recent release of XXIV from UK Subs, British punk has another explosive piece of inventive ferociousness to thrill us with in the formidable and exhilarating form of The Pride Of The ASBO Generation EP from Destroy D.C. The four track release is a stunning intense fire of energy and passion honed into a formidable compelling force, an irresistible inciting fusion of progressive punk and roots and dub.

Destroy D.C. began when Spike T Smith, the drummer for Conflict, wanted a project to bring forth the songs he was writing and had created round the time the legendary punk band went on hiatus in late 2009. Enlisting guitarist Gav King who was also looking for a vehicle for his ideas, and bassist Si Turner, the trio squeezed in writing, rehearsal, and recording between their individual busy touring schedules, Smith on Steve Ignorant’s Last Supper shows, as well as festival appearances with Killing Joke and the New York Dolls, King with Fields of the Nephilim and both men more recently with the return of Conflict, as well as all three members being the backing band for HewhocannotBeNamed (The Dwarves) for his solo UK dates. Destroy D.C. was officially launched on 21st December 2012 with the March 26th released The Pride of The ASBO Generation through DIY label Revenance the first of a procession of EPs.

The release opens with the raucous and uncompromising Road To Redemption, a track which stares eye to eye with the listener Destroy DC EP Cover Finalwhilst teasing and tempting them with brawling vocals, lethal hooks, and a contagious breath. The fiery groove which frequents the song throughout is the first encounter for the ear soon joined by punchy rhythms and a rich growling bassline. As eager as it is hungry, the song rampages through the ear without a much respite from its corrosive riffs and melodic sparks, yet still teases and taunts with a wonderful adventure to its gait and prowl. Within a restrained yet intimidating deep breath in aggression, the band also brings a sensational diversion sculpted by imagination and ingenuity which seduces and eats the passions with equal strength to the marauding sounds elsewhere. Ending as it began with a further hardcore scowl to the vocals and intensity to its punk rock abrasion, the song is an immense first confrontation to band and EP.

The following Those Days Are Gone also strikes its first blow through a magnetic almost insidious groove which captures the imagination before the song fully unleashes its physical and inventive might.  A frantic inferno of attitude, passion, and ravenous agitated drums from start to finish, the song is potently veined with that addict making groove within an insatiable appetite to chew and incite thoughts and emotions. It is caustic rock n roll at its best, a fusion of hardcore and original punk which rewards as dramatically as it accosts the senses.

Whereas elements of the previous songs mildly suggest the roots and dub influences third song Tear It Down is a full on pleasure incorporating both aspects of their main influences for an impossibly compelling and thrilling ride. Like a blend of Dub War, Steel Pulse, and Ruts but with its own individual heart, the song is a simmering yet fiery piece of emotive and provocative majesty. A pulsating crawl through a reggae soaked reflection book ended by punk snarls, the track is a sensational creative declaration which rivals the aforementioned Ruts classic Love In Vain.

The band close up the EP with another striking slab of imagination in the erosive pop punk triumph of the title track. This is no glossy melodic piece of musical candy though but a caustic and raw stomp with loud dub whispers and old school punk aggression. The song shifts and evolves throughout to ignite further lustful ardour for the release especially with the drop into a slow melodic and shadowed prowl midway which recalls the Dirk Wears White Sox era of Adam and the Ants. It is a brilliant ending to an outstanding and invigorating slab of punk at its best.

Knowing that The Pride Of The ASBO Generation is just the opening assault of what creatively is to come ahead from Destroy D.C. it is safe to assume that the anticipation and wait for the next release is going to be very impatient.

https://www.facebook.com/DestroyDc

9/10

RingMaster 25/03/2013

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