Asylums – Missing Persons

asylums _RingMaster Review

There is no escaping that UK indie rockers Asylums continue to impress and excite as they reveal more aspects to their kaleidoscope of sonic contagion through their releases. Further evidence of that success is now to be found in new single Missing Persons, their mellowest hug of melodic enterprise and off-kilter prowess yet. The song is also another tenacious roar of the energy and infection soaked revelry that the Southend hailing quartet is becoming richly renowned for and a reinforcement of the eager accusation we are not alone in casting, that Asylums is one of Britain’s truly exciting bands.

artwork _RingMaster Review     The foursome of Luke Branch, Jazz Miell, Henry Tyler, and Michael Webster introduced us to their scintillating creative credentials through the exceptional Wet Dream Fanzine EP this past February. It was a three track collection of the band’s singles to date, and a slightly deranged explosion of angular noise pop to get lustful over. Released via the band’s own Cool Thing Records, the EP was an inescapable wakeup call later backed by the single Joy In A Small Wage. Play-listed by Radio One amongst thick support and attention all round, the track opened up the more seductively mellow side of the Asylums sound whilst accentuating a busy summer of success which saw the band playing a host of UK and European Festivals including Glastonbury. Now it is the turn of Missing Persons to light a fuse to swift acclaim and hungry new appetites for more; success hard to see being escaped such the persuasion of the richly dynamic song.

From its opening strand of spicy guitar, Missing Persons simply lures ears and imagination; that initial hook replaced by similarly effective bass bait as the song slips into a Weezer meets Supergrass stroll with grinning melodies aligning with matching vocals. Bounding along with restraint and eagerness simultaneously, the song is arguably the most straight forward track from Asylums yet, but a deception as essences of Dickies like devilry and Post Adolescence meets Sonic Youth melodic revelry lines its rousing seducing throughout.

The song continues to enthral and ignite, persuading the body to swing to its canter and thoughts to breed lusty praise for its warm psych pop fun. It also confirms that Asylums have many strings to their warped pop bow and a continued fusion of all will only ensure we will all have a thrilling adventure ahead with them.

Missing Persons is released November 20th via Cool Thing Records through most online stores.

http://www.asylumsband.com   https://www.facebook.com/asylumsuk  https://twitter.com/asylumsband

Upcoming Asylums live dates:

November

20th London Forum (with The Enemy)

21st Coventry Empire (with The Enemy)

22nd Portsmouth Wedgewood Rooms (with The Enemy)

December

2nd Bristol Bierkeller (with Ash)

3rd London Shepherds Bush Empire (with Ash)

5th Newcastle Riverside (with Ash)

6th Glasgow ABC (with Ash)

8th Manchester The Ritz (with Ash)

9th Wolverhampton Leadmill (with Ash)

12th Norwich Waterfront (with Ash)

13th Brighton Concorde 2 (with Ash)

14th Cardiff Uni Students Union (with Ash)

15th Dublin Olympia Theatre (with Ash)

Pete RingMaster 19/11/2015

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Top Buzzer – The Sprollie EP

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It has been two years since pop punksters Top Buzzer paraded their irresistible talents and mischievous sounds on debut album Outside Is a World, twenty four months or so full of impatience certainly in the past half a year waiting for more of their devilish goodness. Finally the London based quartet has returned to tease and rummage in our ears with a new energetic slice of punk rock devilment in The Sprollie EP. Consisting of four songs which in many ways continues where the album left off whilst bringing another fresh sail to their contagious flights of creative fancy, the release does not exactly surprise in any shape or form but as an encounter which leads the passions and body into a compelling dance of pleasure, it is one thrilling riot of enterprising infectiousness.

Hailing originally from Jersey and formed in 2011, the band has driven their own path from day one, creating their own label Back2Forward Records as they made their debut with The Hands Up EP and forging an impressive reputation for their live performances especially once they relocated to London. First single Remission and the aforementioned album took the band into the media awareness of everyone home and in the US from Kerrang, Rock Sound and Big Cheese in the written press, Kerrang, Q Radio, BBC Introducing, KROQ, and Marky Ramone’s Punk Rock Blitzkrieg show on the radio, and internet forging shows like Audioburger.com and The Bone Orchard. The new EP follows their stunning contribution to the 2012 Rebel On The Underground – A Tribute To X-Ray Spex compilation, a release in aid of the US charity Sweet Relief, and sees original members vocalist/bassist Dukey, guitarist/vocalist Becksi, and drummer/vocalist Welshy joined by newest member on guitar and vocals Soni.  Alongside the release of The Sprollie EP, Top Buzzer are currently playing European shows with Californian legends Face To Face and CH3 leading to their appearance at the Rebellion Festival. They have never been away really despite our opening line, with a wealth of gigs but something tangible in hands and ears for everyday use is what was yearned for and now satisfied by this delicious treat.

First to accost and light up the ears on the release is Mannish Girl, an irrepressible piece of pop punk with the distinctive Top Buzzer a0483369368_2stamp of irritatingly addictive hooks and tongue in cheek intent, though that part of the song’s anatomy does wander to lick at and incite everything from ear and senses to thoughts and passions. From the opening flurry of riffs and rhythmic beckoning the song launches straight into its tempting chorus which lays its lures in two parts before Dukey begins the simple and irreverently appealing narrative. Flames of grooves and melodic barbs swing out from within the hungry drive of the song, the guitar sculpted persuasion reminding of The Vibrators whilst the vocal mix and melodic suasion offers a mix of Baddies and seventies band The Flys from within something wholly Top Buzzer.

The following Look At You initially gallops into view with hooks and riffs open before finding a canter of fiery imagination ridden by the ever boisterous delivery of Dukey vocally and on bass matched in eagerness by the rhythms of Welshy and the great group backing vocals. There feels something different to those to be honest, whether that is the presence of Soni adding his tones we will find out in due course , but there is a great variety behind the lead delivery which captures the imagination as much as the heated guitar play around them.

We Are Merely Filters has the sense of early Buzzcocks to its initial impression, the again virulently infectious call of the song leading energies on a rampant swagger of invention and rascality. Midway the song slips into a blues/ska smelling stroll which for personal tastes pulls the charge of the song up into a near stall though its creation and craft is excellent, but back into the romping pace and energy which set off the track it leaves only the strongest taste and pleasure in its feisty wake.

Final track Wet Pets is one minute of Dickies like shenanigans, a burst of punk roasting with the anthemic heights of a bunny girl. It is pure bliss and completes another scintillating release from one of Britain’s best punk rock bands. The Sprollie EP is a real joy and rock ‘n’ roll at its infectious best, and as the release plays in greedy ears whilst writing another thought comes to life…maybe in all the best senses of the description Top Buzzer is the twenty first century reincarnation of The Leyton Buzzards…just a thought.

http://www.topbuzzer.co.uk/

9/10

RingMaster 29/07/2013

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