Hedfuzy – Self-Titled

Catching up on another release appearing towards the rear of 2015, we offer up the self-titled album from Hedfuzy as a proposition to seriously consider investigating, especially if progressive rock gets the juices flowing.

Hedfuzy is the solo project of Irish multi-instrumentalist Pat Byrne and its debut album a captivating progressive adventure of melody thick and magnetically tenacious rock ‘n’ roll with a rousing contagion to it. The musical history of the Limerick musician includes touring at the age of 17 with Celtic Fusion, followed by experience building exploits touring and recording with bands such as rockers Kraven and reggae outfit Jeffonesta as well as playing bass on some of Delorean Suite’s current release Two Lives. Now Byrne is ready to ignite attention and ears with his own solo proposal, recruiting additional talent from Shardborne’s Ben Wanders, Delorean Suite keyboardist Graham Conway, guitarist Graham Keane of The Vicious Head Society, and guitarists Mike Moriarty and Cameron Allen to bring his seriously engaging songs to life.

Mixed and mastered by Chris Collier (Prong, Lynch Mob, KXM), the Byrne produced album opens with Sing which quickly coaxes ears with an enticing lure of guitar. Settling into an energetic stroll as Byrne’s potent vocals sit invitingly upon his blend of melody fuelled guitar and keys, the song soon begins to swing with a gripping catchiness aligned to a darker shade of similarly lively and eager bass led rhythms. With eighties seeded air reminding nostalgically of Modern English and currently David J Caron veined by fiery progressive enterprise, the track is a rousing start to the album quickly backed by the muscular persuasion of Snakes. Melancholic keys offer the first suggestive caress, Byrne’s vocals swiftly adding to the alluring start and in turn followed by a thicker smothering of riffs and rhythmic theatre. It is a potent collusion of textures which again has infectiousness running through it as heavier and darker shadows envelop the senses.

Hedfuzy - Self-Titled_RingMaster ReviewThe creative and physical skills of the artist persistently ignites ears in the song and album but always without offering any indulgence to temper their strength or the organic creativity impresses in the likes of How To Tear Your World From My Head. As the third song begins to flows through ears, initially bass pulses the lone dark protagonist in a misty glaze of harmonic and melodic tempting, things quickly come to boil as rugged rhythms and gravelly riffs collude with wistful keys, provocative guitar, and jazzy bass. The result is an eventful and at times volatile landscape of stirring invention and compelling craft keeping the imagination as busy as ears whilst pushing the already impressing stature of the album to new heights.

Mine brightly shimmers with melodic and vocal expression next, it an alluring serenade of melodic rock with the flavoursome essence of UK band The Inner Road to it as it settles enjoyable between the more raucous and dynamic exploits of the previous roar and The Death which follows. Not as dark as expected, the new track is another beacon of resourceful composing and boisterous musicianship lined with a craft and imagination which has body and emotions eagerly engaged.

The emotive croon of When I Come Back Down is open evidence of that core prowess in songwriting and emotion, and diversity as with This Broken Throne, a grouchy but again wholly virulent roar of aggressive rhythms and sonic adventure laced with the impressing vocal tones of Byrne. A thrilling and fluid mix of Squidhead like cantankerous metal soaked in a warmly reflective exploration of melody and voice, the track is as absorbing as it is anthemic before a mellower proposition in Name comes in. With winy melodies and atmospheric drama within again an intensive proposal of bass and rhythmic confrontation, the song carries a touch of Johnny Wore Black to it, captivating and stirring the senses from start to finish before leaving the album’s outstanding title track to bring things to a ferociously dynamic close. The instrumental is glorious, a brawling seducing collage of sound and textures woven into an anthemically fiery and exhaustingly exhilarating tempest as virulently incendiary as it is dramatically provocative.

Hedfuzy is an album to light up any day and the band a project which, even with Byrne seemingly perpetually in demand, the man soon appearing on the debut album from Irish progressive metal band The Vicious Head Society alongside keyboardist Derek Sherinian (Dream Theater, Black Country Communion) and drummer Kevin Talley (Chimaira, Suffocation), we can only hope to hear a lot more from.

The self-released Hedfuzy is out now via Amazon.

https://www.facebook.com/Hedfuzy

Pete RingMaster 13/01/2016

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Peter Tinari: Embrace The Darkness

Regular readers will know we do not have much enthusiasm for guitar led instrumental music, the eager slips into indulgence that are nearly always rife eternally unwelcome. Earlier in the year though we came across guitarist Jay Parmar who whichever music he presents, instrumental or with full vocals has a craft and discipline that has no need for inane fiddling. Now we have come across another in Californian Peter Tinari. His latest album Embrace The Darkness is not brand new out but fresh to us and it is an inspiring and inventive piece of work that lights up all the right fires with style and discipline.

From Burbank Tinari has created a release of seven pieces of music which leave one inspired and deep in thought. Yes admittedly at times he veers towards the excesses that bring shivers of disdain to our senses but without fail he always reins it in to offer compositions that find an eager sanctuary within the ear. Tinari brings the entire guitar and bass sounds which light up the sonic skies though the opening song This Chosen Ground also features Matt Contino, and is aided throughout by the atmospheric and emotive keys of Derek Sherinian (Dream Theater, Planet X, Yngwie Malmsteen, Billy Idol, Black Country Communion) and the formidable drum work of Enzo DiPaolo (Black Dawn). Together they bring forth a mighty collection of tracks that will thrill and ignite the hearts of all rock fans.

Musically the album has it all from classic and hard rock through to metal and progressive rock and from the initial atmospheric beckoning of This Chosen Ground the album seizes firm attention. The track reveals its muscle and mesmeric charm within moments and surges through the ear whilst caressing with melodic grandeur. In combination with the equally expansive and imaginative key sounds the song elevates to rain down scorched interplay and classy sonics. With essences of symphonic metal sweeping through the progressive weave the song has one on the edge of their seat. It is an impressive beginning but before long left in the shade by what follows.

The wonderful Now I Lay Me Down is the first track to bring a full immersion its breath flooding the mind with imagery and emotions. Starting with a simple toy box sirenesque beckon wrapped in ambient keys and heaven staring harmonies a sense of warm solitude pervades. Before long though the guitars stride in causing the ambient temperature to rise dramatically and the escapade is afoot. Like the dreams and imagination of the young where there are quests and adventures at every corner and in each shadow the track offers a soundscape of soaring skies, breathless ebbs and flows, and reflective provocation.

The drama and depths of Emphatic Universe provide a different journey upon a wave of continually evolving sounds and feelings, its drive firm and unpredictable, its heart enveloping and shadowed. The track leaves one full from its feast of invention and ingenuity but it is merely the appetiser for the brightest jewel on the album in Celestial Shadows. The title says it all; the piece has its home in the skies, the stars the source of its soul and irresistible warmth, but beneath and throughout there is a dark and tempering energy to leave an uncertainty and black energy in the air. There is a sense of chaos and conflict in the clouds but one that has always been and forever will be, its presence underlying the light and sun of the world the music is borne from.

Closing on the epic feel of Death By Proxy the album is a rewarding and thoroughly eventful piece of composition. The journey it takes is vast and surprising, never a dull moment or expected turn in sight. Peter Tinari is a masterful player and songwriter complemented by others with equal talent and vision to create in Embrace The Darkness a pleasure that ensures the deepest enjoyment. Whether you are a fan of Dream Theater, Yngwie Malmsteen, Paradise Lost, Dimmu Borgir….the list goes on, you will find immense satisfaction with Peter Tinari.

https://www.facebook.com/pages/Peter-Tinari/165770380143530

RingMaster 18/05/2012

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