Fleshworld/Gazers/Viscera/// – Split CD

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This October seems like it is the month of split releases, many compelling link-ups sharing some striking sounds and bands. Unquiet Records are releasing one of the more notable encounters in the shape of a split release between Polish hardcore bred post metallers Fleshworld, French blackened post-hardcorers Gazers, and Italian psychedelic metallers Viscera///. It is a gripping collection of songs which come from different angles of sonic consumption but unite in a mutual heavy and depressive examination of senses and imagination. It is an enthralling proposition, a release which can devour ears and emotions in a nihilistic landscape of intensity and sound but also treat them to contagious and just as toxic refreshing enterprise.

The first three tracks are provided by Kraków quintet Fleshworld, a band drawing on inspirations from the likes of Opeth, Neurosis, Cult Of Luna, and Deathspell Omega in their sound. They have already awoken attention through previous 6-track release Like we’re all equal, also released on Unquiet, and here get the split off to an imposing and potent start. Their first track Krąg grips ears with a sonic lancing before bulky rhythms twist over the senses. It is a tasty start added to by the melodic groove wrapping around the initial bait of the song. With a vocal sample adding to the emerging shadowed drama, the track flirts and intimidates with equal success, the guitars of Mateusz Szczurek and Kuba Leszko sculpting a captivating design within the increasingly darker and oppressive rhythmic provocation bred by drummer Szymon Łuczyński and bassist Łukasz Klamiński. The song continues to threaten and seduce, as the raw vocal squalls of Tytus Kalicki rage and spill venom across the bewitching consumption of ears and emotions. Acidic melodies and barbarous hooks are never far from the surface of the growing tempest though, it all making for a scintillating start to the release.

   The band’s other pair of songs never quite match up to the first such it’s might, but Pętla with its heavy resonating bass lure and similarly magnetic rhythmic enticement certainly comes close. It is a captivating entrance which spreads a blackened and caustic breath across its spine through evocative melodies from the guitar and a raw hostility to the vocals respectively. It emerges as a brooding and increasingly chilling erosive wash which leaves thoughts lost in a barren corrosive soundscape and emotions exposed to a stark sonic climate. Its successor Rezygnacja, which features guest vocals from Alex Stjernfeldt and Victor Wegeborn from The Moth Gatherer, is similarly drenched in uncompromising and oppressive textures within a destructive atmosphere, but again shape its scenery with an impressive and attention gripping display from drums and bass. The rawest uncomfortable track of the three, it reveals more of the immersive depths and skilled composing of Fleshworld and their ability to lock the listener willingly into a scarring embrace.

Hailing from Paris, the 2012 formed quintet of Gazers has also earned a potent reputation through their self-titled EP of last year and live shows where they have graced stages alongside the likes of The Rodeo Idiot Engine, Cowards, Loma Prieta, Code Orange Kids, and Twitching Tongues. There first contribution to the split comes in the intrigue drenched Rash, a track taking its time to seize the senses. From a cold and raw ambience also infused with sampled vocals, though a distant whisper here, the song erupts in a blaze of hardcore, crust surfaced animosity. Spiky hooks and cruel grooves emerge as vocals roar with malcontent, a greater anger and maliciousness coating each step of the song’s evolution. It is a potent track which makes for a keen but uneasy listen before the stronger weight and adventure of The Decline takes over. Firm beats and rugged scythes of guitar are met by a deranged flame of riffs, everything at odds but fitting masterfully to ensnare ears and appetite. Further in a mellower but no less stark and intimately imposing passage plays with the imagination too, it adding to the great unpredictability of song and the band’s engrossing enterprise.

     The following Epilogue is the same, a song never allowing thoughts and emotions rest as it roams and permeates the senses with a revolving rage of gripping rhythms, sonic abrasing, and vocal ferocity. The best of Gazers’ trio of offerings, the track is a maelstrom of creative spite and imaginative turbulence worrying and igniting the senses for an intensive and flavoursome examination.

The final two songs on the release comes from Viscera///, a band employing essences and experiences in styles like post hardcore, space rock, ambient, and drone, gained by members past and present of bands such as Morkobot, Blanca Division, Malasangre, The Drop Machine, Mount Piezein Circle, Edema, Wicked Minds, The Vendetta, and Self Human Combustion. With two albums, many splits, and tours all across Europe under their belt, the trio now turn their attention to the split and unleash their gripping mix of metal and psyche rock. Versus swiftly tightens its steely grip on ears with rigid beats and acerbic grooves, they a spring board for subsequent waves of rolling rhythms, ravenous blackened pestilence, and in turn voracious tsunamis of sound and malevolence. It is a hellacious mix but one where very turn is complete with sparking twists of invention and sonic radiance.

Its successor Nobody’s Diary, a cover of the Yazoo track, ignites ears and imagination with even more triumphant ingenuity next. The track instantly storms the psyche with virulent and scathing riffery as sonic blooms break out around its tempest, but it is the unexpected display of clean vocals which tips the balance and inspires a delicious multi-flavoured landscape of warped and imaginative endeavour to steal the passions. With its sound aligned to a thick sludgy furnace of hostility, the song is an outstanding end to a rather impressive and thoroughly enjoyable encounter.

Personal tastes dictates which songs stand above others but every track and each of the three bands, make a compelling and richly satisfying persuasion impossible to resist.

The Split release is available now via Unquiet Records @ www.unquietrecords.com/product/fleshworldgazersviscera-3-way-split/

https://www.facebook.com/fleshworld

https://www.facebook.com/Gazersband

https://www.facebook.com/viscera3stripes/

RingMaster 16/10/2104

Copyright RingMaster: MyFreeCopyright

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Near Death Condition – Evolving Towards Extinction

NDC

Sure to give extreme metal a big nudge to their existence and intimidating quality, Swiss death metallers Near Death Condition have unleashed their third full-length Evolving Towards Extinction, a towering and brutal assault on the senses. Thrusting eleven tracks of uncompromising and ravenous ferocity through the ears, the release also holds a rich vein of inventive imagination beneath the tsunami of vicious endeavour and intent. At times it is understated or needs extra attention to really explore, but it constantly makes each track an individual incitement of increasing rewards, all combining for an impressive stature to the album. It has to be said that the release does not consistently light a rigorous blaze in personal passions or excite as intensely in places as others, but there is no denying that attention and appetite are thrillingly fed.

Hailing from Valais, Near Death Condition emerged in 2001 with inspirations from bands such as Morbid Angel, Deicide, Deathspell Omega, Death, and Gorguts driving their immediately imposing sound. Since forming the band has lit up stages alongside the likes of Origin, Hour Of Penance, Darkane, Texture and numerous others whilst releasing a pair of full-lengths. Demo release Delusional Perception of Reality was uncaged in 2005 to good underground attention. Its success went towards the band eventually signing with Unique Leader Records with The Disembodied – In Spiritual Spheres released in 2011 to potent acclaim and responses from fans and press across the globe. March of this year saw Evolving Towards Extinction uncaged to again strong reactions and with its threatening gait, testing hostility, and creative tempest it is easy to see why.

The quartet of vocalists/guitarists Patrick and Stéphane, bassist Simon, and drummer Guido give a brief twinge of sinister drama before going straight for the throat with some of the most rabid riffs and destructive rhythms sure to be heard this year. The entrance of Words of Wisdom literally bowls the senses over, savaging their very being with increasing toxic sonic violation and rhythmic barbarism as riffs gnaw their surface and heavy guttural vocal expulsions roar malevolently. It is a hellacious introduction, one which never relents in its intensity even as the guitars begin unwinding equally venomous grooves and an underling swagger. Subsequently melodic acidity and shifting gaits join the tempest to engage the imagination as impressive guitar enterprise burns the surface of the by now predacious crawl. The track continues to twist and spit animosity with every note, beat, and syllable as it persistently evolves for a staggering first assault of the release.

The following Between the Dying and the Dead is no less vitriolic and hostile but takes little time in colouring its grievous landscape with swipes of celestial yet demonic harmonies and ravenous inventive bait. The guitars NDC coverpersistently carve rich grooves and ingenious hooks into the body of the song whilst bass and drums sculpt a bestial baiting. It is a glorious ferocity soaked in rabid dread but unafraid to spare room for a fire bred solo and additional imaginative detours. The track is at its strongest and most potent when it is going for the jugular but all the unpredictability and at times unsure turns, definitely keep the imagination engrossed. Its stirring presence is emulated by the barbaric Intelligent Design, another slaughter of the senses which is prone to flirtations of sonic and fiery melodic scorching as well as intriguing almost wrong footing exploits. Not as gripping as the first pair the track still leaves a hunger in place which is further healthily fed.

Pandemic of Ignorance stalks ears from its first breath, its shoulders heavy laden with hate over a spine of rhythmic bile wrapped in vehemence spawned grooves. It is a pestilential predator, its slow crawl sheer intimidation until eventually breaking free of its reins for a throat tearing onslaught, ears and senses overwhelmed by a storm of merciless aural and lyrical rancor. It is a compelling violation which sets emotions up for the outstanding Praise the Lord of Negation. It also is a song which flies for the jugular, this time with a swarm of sonic pestilence and rhythmic cruelty; that alone baits and traps a new greed within the passions but it is the insatiable maniacal fury to its psychotic repetitious seducing which hits the sweet spot.

The leviathan weighted crawl of The Anatomy of Disgust wrapped in similarly laboured but magnetic grooves comes next, its sultry flames of guitar across bloodlust driven rhythms and destructive riffery highly satisfying but lacking the spark of certainly its predecessor. The animalistic Anagamin finds its own incendiary fuse to invigorated responses, its pestilence coated prowl inspiring an animosity clad weave of invention which pushes the song enticingly into the grinning imagination. In many ways the album ebbs and flows, to be fair not in quality and individual skills but in degrees of success with personal tastes. As the following rapaciously consuming title track and the carnivorous Vertigo prove there is never a track where Near Death Condition does not bewitch and threaten with their inventive sanguinity, or impress.

Evolving Towards Extinction closes with the deliciously nagging Communing with Emptiness, a track swarming with serpentine grooves and riffs around the ever impressive artillery of disorientating drum voracity and dual vocal abrasions, and finally Nostalgia for Chaos. The final song is a beast in nature and stature as well as gait, but as the previous song endowed with some scintillating and feverishly enjoyable guitar enterprise. The ferocious incitement brings the album to a formidable and rapturously thrilling conclusion leaving the listener breathless but wholly satisfied. It is an album which also gets better and more potent over time, still undulating with some of its moments but with a baseline of rich satisfaction, a strong recommendation of Near Death Condition and album to all extreme metal fans is a no brainer.

Evolving Towards Extinction is available now on Unique Leader Records @ http://www.indiemerch.com/uniqueleader/band/near-death-condition

http://www.neardeathcondition.ch/

8.5/10

RingMaster 17/07/2014

Copyright RingMaster: MyFreeCopyright

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Fiends At Feast /Tragic Death – Purgatory Rites Split

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Purgatory Rites is a split release bringing together the distinctly different but similarly cast brew of blackened death metal of US metallers Fiends At Feast and Tragic Death. It is not a union or release for the faint hearted, its chilling textures and rapacious appetite permeating and imposing on senses and psyche with uncompromising ferocity. For all the vicious rabidity though there is also a rich vein of melodic expression and resourceful temperance to the Horror Pain Gore Death Productionsencounter which makes both sides of the proposition compelling provocateurs and something different from the norm which subsequently makes the release itself a formidable and riveting proposition.

Providing four pestilential tempests upon the release is Santa Cruz quintet Fiends At Feast, a band formed in 2008 by guitarists Sammer and David. Within weeks the line-up expanded with vocalist Loki and bassist Nathan Nunes, before after going through a couple of drummers, Marloc was added to the band in 2009. Debut EP Shadows Of Extinction two years later made an attention striking mark before first album Towards the Baphomet’s Throne of 2012 placed a keener spotlight upon the band. Merging sweat and blood with a tumultuous blend of black and death metal, Fiends At Feast take little time on the split to reinforce their reputation and stir up the imagination.

A spoken declaration opens up the vault to a torrent of destructive rhythms and scourging riffs all under the guttural malevolence of the gutturally rasping vocals. Four Winds of Destruction is a corrosive encounter straight away but one with bewitching melodic enterprise within the predation of the guitars which ensures predictability is scarcer than a comforting caress. Production wise it is a little hit and miss, the guitars surprisingly submerged within the welcome prowess and stalking of the bass and the demanding endeavour of the drums. It is not a major issue but does defuse some of their sharpness as they stand behind instead of alongside the vocal lead.

Through Immortal Gates is a similarly layered and malicious incitement though the alignment of each aspect is better in the overall assault of the track. Ravenous in its heart and rivetingly imaginative in its tenacity and adventurous landscape, the song makes for a gripping black hearted emprise, grooves and rhythms especially warrior like in pride and creative rabidity. It is a mouthwatering examination for thoughts and emotions to explore, an intimidating yet seductive playground for their running with the song’s narrative, something which is especially easy with the following instrumental Spectral Passageway. Soaked in emotive ambience and the stark breath of haunted pastures, the piece is a well for the imagination to paint with, the satanic breath of its companions keeping to the shadows as it casts beauty and poetic reflection. It also allows a breath to be swallowed before the serpentine and increasingly ferocious hunger of Into the Darkness envelops and immerses the listener in its noxious climate. Though not as impressive as certainly the previous pair of tracks it again reveals the potential of Fiends at Feast and their increasingly agreeable enslaving of the senses to complete a strong offering from a band easy to suggest to fans of the likes of Dissection, Immolation, and Watain.

     Tragic Death is a trio from Madison, Wisconsin which like its companion here shows little mercy in its consuming of ears and beyond with destructive mix of back and death extremes with a thrash bred voracity. Self-penned as Apocalyptic Metal, the band’s sound has earned the 2009 formed band, a potent reputation through their debut album Apocalyptic Metal of 2012 and live performances. Purgatory Rites finds the band at its most inventively creative yet, opening track Suffer the Salvation alone visually descriptive through its melodic conjuring and aurally incendiary with passion chaining grooves and sonic mesmerism. Compared to Fiends At Feast there is a deeper atmospheric essence permeating their similarly predatory and malevolent presence and whereas the Californian four piece goes for the jugular before asking questions more often than not, Tragic Death take a murderous scenic route which is soaked in provocative imagery and emotive elegance within a venomous landscape.

Their remaining tracks, Withering Youth and The Dissolution of the Clay Children continue the impressive showing of the band, helping them steal the show from their equally impressive counterparts. The first of the two flirts and savages simultaneously, the guitars of Steven M. blistering and seductive within the tempestuous journey whilst his vocal rasps, as the rhythmic challenge of drummer Cody S. and bassist Joe D., leave sore yet blissful residues which linger and intensify the weight and lure of the song. Its successor is an epic fall through merciless and brutal scenic malignancy but again with twists of melodic and atmospheric colour which enthrals from within the tortuous air and oppression, a crafting as within all songs with elements of bands such as Rotting Christ, Enslaved, and Deathspell Omega to its bait.

   The track brings the release to a powerful and dramatic end, and though not as gripping as the other pair of tracks from Tragic Death it reaffirms them as a band to keep a close attentive eye upon, just as to be fair Fiends At Feast achieve with their contributions also. The Purgatory Rites Split is a worthy investigation for blackened death metal fans and extreme metal adventurers everywhere and another potent step in the emergence of both bands.

Purgatory Rites Split is available now via Horror Pain Gore Death Productions @ hpgd.bandcamp.com/album/purgatory-rites-split-cd

https://www.facebook.com/FiendsAtFeastBand

https://www.facebook.com/218tragicdeath

8/10

RingMaster 17/06/2014

Copyright RingMaster: MyFreeCopyright

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