The Sideline Haters – Who Shaves The Barber?

TSH_Band_RingMasterReview

The French metal scene keeps throwing up new encounters which just spark the appetite while fiercely pleasing ears; the debut EP from The Sideline Haters another thoroughly enjoyable example.

The Paris hailing death metallers were formed in 2014 by guitarist Allan “M-Slay” B. and bassist Elodie “Ch!ng” G, both former members of progressive death metallers Aenomy. Within a few weeks, the band’s line-up was complete with the addition of vocalist Florian M. (ex-ADM) and drummer Guillaume “Will” C. (ex-Hyperdump). From then until now, there is little we can tell you about the band’s time but Who Shaves The Barber?, their first EP tells all you might wish to know anyway.

cover_RingMasterReviewProduced by the band’s Allan Bravo, who also created the EP’s excellent artwork, Who Shaves The Barber? opens with The Sideline Effect, a track which quickly winds toxically sultry tendrils of guitar around ears as intimidatingly heavy rhythms prowl. It is not an over imposing or surprising first moment with the band but a setting down of the antagonistic terms the track offers before upping the ante in hostility and intensity. Once in position, raw throated vocals carry deep seated rancor in every syllable they share whilst the bass backs up that menace with its own cantankerous presence. Things become increasingly more enthralling with every passing minute, the track emerging a potent slab of death irritability and craft, making up for it’s sometimes less than surprising exploits with some mouth-watering hooks and slithers of spiky grooving.

The strong start is quickly matched and surpassed by the crawling almost pestilential demands of Tasty Cull. Straight away the song has a creative air and character wearing the scent of unpredictability, those twists coming out through the spidery enterprise of the guitar and the senses spotting suggestiveness of keys. The fact that those latter imagination sparking elements are pushed too far into the background of the tempest is a small issue, but just a minute element with a track which is as compelling as it is ravenous.

The EP closes with its title track, Who Shaves The Barber? going straight for the throat from its first breath in a hellacious tide of riffs and fearsome rhythms. That initial torrent of aggression and intensity barely wavers across the rest of the death metal bred rock ‘n’ roll of the track, its moments of taking the foot slightly off the throttle embracing a delicious weave of winy grooves and psyche piercing hooks. The track quickly steals the show, alone ensuring that The Sideline Haters is firmly placed on the radar of keen interest hereon in.

The Sideline Haters show they will be more than a passing flirtation with attention through Who Shaves The Barber?, an accomplished and increasingly imaginative proposition soaked in a potential which excites. It is going to be interesting to see how they develop and great fun on the evidence of their first trespass on the senses.

The Who Shaves The Barber? EP is out now @ http://thesidelinehaters.bandcamp.com/releases

https://www.facebook.com/thsidhate

Pete RingMaster 18/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Khasm – Fenris

KHASM_Band_RingMasterReview

Hailing from Colmar in France, it is fair to say that French metallers Khasm have introduced themselves in fine style with debut EP, Fenris. Consisting of four tracks sculpted from the emotional rancor and creative hostilities of old school thrash and death metal, with additional caustic essences, the recently released tempest is a compelling and increasingly rousing incitement for ears and the band’s already growing reputation.

A quartet made up of vocalist Christophe, guitarist Philippe, bassist Matt, and drummer Laurent, Khasm draw on inspirations which include the likes of Feared, Hatesphere, Six Feet Under, and Hatebreed for their own uncompromising sonic trespasses. As swiftly shown by Fenris, there is rawness to their sound which fits their lyrical confrontations but equally an inescapable if punishing virulence bred in the instinctive thrash side of their creative character.

They are essences which instantly grab ears in the Jocke Skog (Feared, Clawfinger) produced EP and its title track. Opening up the release with a great throbbing bassline, the song is soon backing up its coaxing with a tide of inviting riffs and biting beats. Almost as swiftly it hits its thrash driven stride, badgering and snarling at the senses with a repetitive wave of riffs and Christophe’s vocal hostility. There are no surprises with the track but plenty to get eager teeth into and find a hungry appetite for.

FENRIS COVER_RingMasterReviewIt is the same with No More Justice, the song needing mere seconds to whet ears and the imagination with its opening bait of Clawfinger-esque riffery. That passing lure is soon lost in the predatory prowl and rhythmic stalking of the song, an intimidating invitation in its own right which in turn twists and turns into a web of sonic enterprise and galvanic hooks within the track’s open discontent.

The already impressing nature of the EP continues with Nightwatch, a track featuring the guest sonic prowess of Scar Symmetry’s Per Nilsson. It is probably the most inventive and boldly diverse track on the EP without losing the hellacious nature fuelling those around it. The song savages and seduces across its brazen sonic landscape but does miss the final spark as found its predecessors. Nevertheless, satisfaction is thick and another aspect to the Khasm sound and character welcomed before the outstanding Turmoil brings it all to a thunderous end.

The closer opens on a lone reflective vocal, which soon provides the trigger to a senses harrying pressure of rapacious riffs and irritable rhythms, they matched in tone and presence by vocal rabidity and rebel rousing. Subsequent grooves only add to the thrilling drama and assaultive tenacity of band and track. It is a final addictive roar of punk ‘n’ thrash, the pinnacle of the EP and Khasm showing they can rock ‘n’ roll with the best of them.

Fenris is a powerful and memorable base for Khasm to spring forward from with anticipation for their next step already impatient.

The Fenris EP is out now on CD and digitally @ https://khasm.bandcamp.com/releases

https://www.facebook.com/khasmofficial

Pete RingMaster 05/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Scolopendra – Cycles

Scolopendra_RingMasterReview

Showing themselves another welcome creative fury of sound and adventure from the French metal scene, Paris hailing Scolopendra release their debut album this month. Their ravenous incitement comes in the shape of Cycles, a maelstrom of varied metal flavours and hostilities creating an increasingly enthralling tempest as brutal as it is galvanic.

Formed in 2007, Scolopendra is cored by the brothers, vocalist Maxime “Pantin” L’hoir and guitarist Thomas “Lord Noué” L’hoir, and also bassist Olivier “Capitaine” Le Lin. Initially their sound was thrash and hardcore based before embracing a more black metal fuelled direction. By the time of first EP Apostasy Beyond Sanity in 2011, the band had developed a heavier more voracious blend of extreme and death metal in their sound. Those early essences still emerge in the confrontations making up Cycles with plenty of new spices included, the band’s sound in many ways having found its true character whilst hinting at the potential of even more to explore and come too.

Cycles opens with the industrial toned instrumental Dream Sequences; an aural hallucinogenic immersion for ears and imagination with haunting ambiences and portentous shadows. It transports the listener into the waiting storm of Purity and its initial thrash bred tide of hungry riffs and merciless rhythms. Quickly the track hits its infectious stride and almost as swiftly turns into a bedlamic assault of nagging hooks, irritable grooves, and bruising rhythmic predation. As the music, Maxime’s raw vocal tones grate and allure in equal measure, prowling the emerging web of sonic and melodic dexterity flanking the grouchy beast.

It is a great full start to the album compellingly backed by Awake Nightmare. A less forceful but just as intimidating proposal, the track initially entices with melodic hooks and gentle temptation before uncaging its own creative animus of intent and animosity shaped with more virulent riffs and toxic grooves. Cycles is another encounter this month which maybe is not creating something majorly new yet as this song alone proves, Scolopendra create raw and seriously enticing incitements which are bursting with fresh and distinctly imaginative character.

Spartan Killer Instinct skirts the senses next, before rushing venomously at them with thrash and death metal endeavour to the fore. As all tracks though, it soon reveals an individual web of intriguing and unpredictable creative rancor, ultimately arriving at a moment of swinging violent flirtation which has its victim gleefully enraptured before the barbarity consumes all over again. It is sweet punishment matched by that of Morbid Psychosis. From a ravenous atmospheric bridging the two songs, a glimpse into the turmoil infesting the world today, the new track bristles with hardcore ire and death metal pestilence. It is a mercurial proposition though; at times an infectious flirtation with great repetitive treads to its tempting and in other times a nasty but riveting nest of sonic discord snaking through song and ears.

SCOLOPENDRA ARTWORK _RingMasterReviewFrom one great track to another as Mental Torture takes over with its brutish nostrils flared as scything beats mercilessly lead the way. The hellacious invasion only escalates as another horde of savage riffs and belligerent rhythms join the corrosive surge of vocal discontent. Though not as open as the sounds around them, there is potent variety to the vocal trespasses across the album which cleverly tempers the general abrasiveness of their aggressive texture. Here it is irresistibly contagious despite its viciousness before the track departs for the emotional and physical jaundice of Psychic Paralysis and in turn the brief atmospheric drama and turbulence of End of Tunnels. Both entice and spark the imagination but are soon overshadowed by the two parts of Pinhole of Diffraction. Part One is a bestial corrosion of the senses, rampaging rhythms and niggling riffs courting the antipathy of the vocals. It soon shows a bold and schizophrenic imagination though which simply ignites an already keen appetite for the release. The track is an off-kilter shuffle of enterprise and barbarity emulated with fresh zeal and rigour by the similarly psychotic and creatively maniacal Part Two.

The album is concluded by firstly Psychotic Mass Murderer, a body of sound echoing thoughts the imagination comes up with from the title alone. Its magnetic swagger and Pantera-esque swing fits perfectly with the loathing fuelled heart of the track, grooves an insatiable devilment received with matching hunger while vocals are the imposing rein on the track’s virulent side. Its successor, Soul Dissolution completes the release with an ambient trespass of static and darkly emotive suggestiveness for a low key but evocative end to an increasingly gripping encounter.

Cycles leaves ears and thoughts throbbing and keen to know more about a band which is heading the right way to become a voracious devourer of global spotlights at some point in their ascent.

Cycles is released 20th May across most online stores.

https://www.facebook.com/scolopendraofficial

Pete RingMaster 05/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Dominance – XX: The Rising Vengeance

Dominance_RingMasterReview

With two already keenly praised albums under their belts, Italian death metallers Dominance are poised to release third full-length XX: The Rising Vengeance and make their biggest impact yet. Uncaging ten ravenous slices of creative animosity and enterprise; the album is an ear grabbing declaration of a band finding a new striking plateau as its sound in many ways comes of inventive age. XX: The Rising Vengeance is not a ground breaking proposal it is probably fair to say yet each track within its creative animus offers something fiercely fresh and imaginatively compelling.

Hailing from Rolo in the Province of Reggio Emilia, Dominance emerged in the early nineties swiftly making a local impact which stretched as their live presence explored the Italian metal scene and the band released debut album Ancient Splendour in 1999. It was another ten years before its successor Echoes of Human Decay was unveiled, the 2009 encounter soon drawing acclaim across the Italian and European metal press.  With a new line-up in place, Dominance are now looking to whip up an even bigger storm with XX: The Rising Vengeance, with a potent degree of success easy to envisage.

XX opens up the release, its instrumental invitation a swiftly magnetic affair as mystique hued guitars tempt and seduce the imagination. Their exotic spices are soon joined by a portentous wall of building sonic intrigue, a merger which blossoms and evolves further as the song casts a melodically suggestive portrait of emotion and imagination. The track eventually leads ears and thoughts straight into the waiting jaws of Journey to a New Life. Within its first breath, as guitars strike and beats batter, the raw throated tones of Massimiliano Marri scowl and trespass the senses; initial seconds where the song already has ears and thoughts gripped. The cosmopolitan hue of the opener also lines its successor’s melodies while rhythms prowl as grooves enjoyably wind around ears and song.

It is a mighty insurgence into ears matched by that of This Is War, another caging of the psyche by rabid riffs and acidic grooves as the swinging beats of Davide Tognoni hungrily descend on the senses. Every note has a certain animosity yet persuasive edge to it, adding to the building intensity and the brewing inventive collage of sound led by the imagination cast by guitarists Gabriel Cavazzini and Luca Alzapiedi. A predator from start to finish, the excellent confrontation is replaced by the equally challenging and pleasing Into the Fog. Once more an individual web of grooves and riffs surrounds bruising rhythms and caustic vocals, the bass of Saverio Rossi a stalking presence in the midst of it all. As in its predecessors, a great mix of attacks in the vocals also emerges to further flavour song and narrative.

art_RingMasterReviewTwisted lives up to its name next ; its body of sound and invention bordering on the deranged and incessantly vicious to whip up a new greed in an already established appetite for the album, while Dear Next Victim dances on the ear initially with flirtatious tendrils of guitar and spicy hooks. That early coaxing only intensifies as the song erupts into a more volcanic proposal though and also when it explores a less intensive adventure of groove metal ingenuity. There is a touch of Down meets Sepultura to the song in certain moments, a compelling and thrilling twist which is matched in imagination throughout by a series of bold twists and dramatically imaginative turns. The track is superb, taking best on album honours with ease.

The savaging of ears by Breathless is no less an exhilarating and galvanic offering, riffs and rhythms uniting in a hellacious assault with a riveting maze of melodic dexterity from Cavazzini involved whilst Just a Reflection is a festival of engaging enterprise  which just gets more volatile and rancorous with each passing invasive minute. Though neither quite matchup to some of the earlier triumphs, each fascinates with their eventful designs whilst exciting ears with their imagination driven prowess, certain success found in the senses badgering, ear nagging tempest of Time to Pay. Again, it feels like ears and being stalked by a hungrily bestial protagonist for a challenging and rousing incitement to become seriously involved in.

Completed by Rise Again, a more classic and heavy metal embracing ferocity, XX: The Rising Vengeance is the wake-up call to the sound and growing creative force of Dominance. It is maybe not a release to turn the European metal scene on its head but easy to expect it help make the Italians a far wider known and devoured proposition. More importantly it leaves thick pleasure in its turbulent wake, that alone more than enough to warrant checking band and album out.

XX: The Rising Vengeance will be released worldwide by Sliptrick Records 0n 8th July across all digital stores and many physical shops.

http://www.dominancemetal.com   https://www.facebook.com/DominanceMetalBand   https://twitter.com/DominanceMetal

Pete RingMaster 04/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Dominhate – Emissaries of Morning

Dominhate_RingMasterReview

According to their new EP’s press release, “Dominhate present the new face of death metal – contemporary without losing the ancient morbid touch, forward-thinking while paying tribute to the pillars of the genre.” It is a statement easy to debate and argue for and against whilst listening to Emissaries of Morning; what is straightforward though, is that the encounter and indeed the Italian death metaller’s sound simply stalks the senses and emotions every step of its invasive way.

The successor to their well-received debut album Towards The Light which was uncaged in 2014 via The Spew Records, Emissaries of Morning certainly pushes the band’s already established pestilential death metal encroachment to new voracious and compelling heights.  Whether its uniqueness is as strong as suggested can be discussed but there is no denying that escape from its punishing assault is futile and subsequent captivation from that same trespass is easy.

Released via the critically acclaimed Czech Republic based label, Lavadome Productions, Emissaries of Morning sonically infests ears and imagination with intro/opener Saturn Rising. It is a harshly celestial and fiercely provocative confrontation of senses wilting sound which lures the listener into the waiting predatory jaws of Awakening Confessiones. Straight away drama spills from scything riffs and beats, intensifying as the sounds breeding it create their own increasingly invasive and ravenous animus of spite. The guitars of Alex and Jesus proceed to spin a web of thickening intrigue and caustic enterprise, grooves as tantalising as the bracing tirade of riffs. Their addictive imagination is tempered yet driven by the barbarous intent of Slippy’s beats and bestial basslines from Steve in collusion with his prowling vocal growls. The track simply grips ears and appetite with moments of almost jazz noir imagination highlighting the great adventurous twists in the song’s storm.

Dominhate-EmissariesofMorning_RingMasterReviewFaith Delirius Imago continues the impressive start with its deceptively and openly primal yet skilfully woven tapestry of rancor and sonic infestation. Rhythms again swipe like the claw of a bear whilst grooves infiltrate ears and psyche like a serpentine predator, yet both show an addictive character with their contagious and swinging viciousness which alone incite and feed hungry ears becoming even greedier for the subsequent twists and turns of sound and intensity that writhe within the tempest.

Led by a greedily welcomed nagging tide of riffs, Immolation Carmen Astri binds and invades like sonic ivy, though thundering rather than creeping into the darkest places of mind and emotion whilst sharing its own in blistering and carnivorous fashion. Soon emerging as favourite track, it is a cauldron of venom and furnace of addictiveness; death metal as fresh as it is old school bred.

The EP closes with the warlike predation of Creation Quies Monumenti, another protagonist prowling and crawling through ears and thoughts like a demonic barbarian with all the craft and knowledge to entice submission rather than demand it. It is a gripping end to a release which just gets stronger and more enjoyably threatening with every listen. Sound wise, the likes of Incantation, early Morbid Angel, and Lvcifyre come to mind, and again you can debate its uniqueness but when it sounds this good and devours so enjoyably, it is easy not to care.

The Emissaries of Morning EP is released 22nd April via Lavadome Productions @ https://lavadome.bandcamp.com/album/emissaries-of-morning

https://www.facebook.com/Dominhate

Pete RingMaster 22/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Cleanse The Hive – From The Depths EP

Photo Credit - A D Zyne

Photo Credit – A D Zyne

If you have not head the buzz around Scottish metallers Cleanse The Hive yet, there is a pretty good chance you soon will as the band’s debut EP explodes in more and more ears. An irritable and dynamic fusion of death and groove metal with ravenous metalcore, the band’s sound shows all the qualities of a someone taking their time to evolve and hone their craft and imagination; a intent which here ensures the From The Depths EP is an introduction which not only grabs attention, it demands it!

Formed in 2011, the Aberdeen hailing Cleanse The Hive, as mentioned at the start, have not rushed to the moment to broadly unleash their inventive exploits though live the quintet has been a hungry incitement soon becoming eagerly followed and praised. Drawing on inspirations ranging from Lamb of God, As I Lay Dying, and Whitechapel to Periphery, Pantera, and Cancer Bats, Cleanse The Hive has earned a potent reputation for their explosive live shows and reputation building tours alongside bands such as Heart of a Coward, Nexilva, Carcer City, Exist Immortal and many more. Now they are ready to wake up a national, if not larger, spotlight upon themselves, a success already expected with the immense roar and persuasion of From The Depths alone.

The EP hits ears straight away with a wall of intimidating and prowling sound; riffs and rhythms colluding in predatory relish as a vocal growl erupts from the throat of Callum Hutchinson.  Taking a further moment to compose itself, Eviscerate then springs with greater zeal at ears, the guitars of Jordan Pacitti and Glen McMillan casting surges of ravenous riffs and sonic dexterity as Hutchinson’s vocals share varying shades of hostile and venomous squalling. In no time ears and imagination are gripped, further enthused by the broadening enterprise of the guitarists amongst the brutal swings of drummer Greig Hadden and alongside the pestilential encroachment of John Campbell’s bass riffs. Lamb of God is easy to offer, Cryptopsy too, as a hint to the maelstrom of craft and sound assaulting and exciting ears yet already something individual to the band is emerging and continuing in its successor.

cleansethehive large_RingMasterReviewCities Of Gold is arguably even more primal and inhospitable than its predecessor; vocals spewing malice with every syllable and the instantly captivating grooves spreading toxicity with very swing of their body within another tempest of emotional and aural animosity. To that though, a perpetually virulent infectiousness flows and in time, a melodic seduction from keys and guitar which is as bracing and invigorating as the animus of confrontation surrounding it. The opener grabbed ears and appetite, its successor trapped both, and by The Reign Of Tyrants, it is fair to say that band and EP had these ears enslaved. Thrash metal is never too far from the textures of death and extreme metal, and drives the third track with open eagerness, though things soon become a part of A thick tapestry of flavours and rabid intent as unpredictable as it is enthralling. Compared to the previous pair, it also has less urgency to its devouring; a more reserved violence to its assault that only makes it more dangerous and captivating.

The EP’s title track descends on the listener next, it too a less vicious attack initially, preferring to build its intensity and savagery over time as grooves and melodic acidity vein its evocatively volatile landscape. As the previous song also, it does not quite make the same impact as the more boldly eventful trio of tracks starting things off though its adventurous nature, as melodic mystique coats guitar imagination, only leaves a want and appetite for more in place.

The dramatic dance and intimidating theatre of Terror Rising brings the release to an impressive close. Again a siren-esque hue wraps melodies; their middle eastern scent a masterful temper to the cantankerous invention and resourcefulness soon driving riffs and rhythms. Emerging as the most imaginative and diversely sculpted track on the EP as even more metal bred styles are included in its emprise of sound and invention, Terror Rising alone provides plenty to use as a reason to get excited about Cleanse The Hive and for the UK metal scene ahead with them in it.

It is hard in modern metal to make a mark on your debut powerful enough to pull attention away from all the other emerging bands do the same thing, but take it from us, Cleanse The Hive have done so and how.

The From The Depths is out now @ https://cleansethehive.bandcamp.com/releases and across other online stores.

https://www.facebook.com/CleansetheHive/    https://twitter.com/CleansetheHive

Pete RingMaster 20/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Skox – Years of Legions

Skox_RingMasterReview

If you have a sweet tooth for raw thrash metal or a soft spot for ravenous death metal, Years of Legions has plenty to eagerly embrace. To be honest, the new album from French band Skox has much for fierce metal fans in general to get their teeth in to across ten tracks which maybe do not always majorly surprise but definitely get the juices flowing.

Formed in 2003 and with their current line-up in place since 2010, the Lyon hailing Skox has shared the stages with the likes of Napalm Death, Hatesphere, Loudblast, Destinity, Blockheads, Mumakill, and No Return over the years whilst also making successful appearances at festivals such as Sylak and Ragnard Rock. An early EP also caught attention but it is with Years of Legions that it is easy to expect real attention gathering. With a sound inspired by thrash and raw metal from across the decades and an album “whose martial tones would convey the band’s ambition through the metaphor of war”, Skox is ready and equipped to wage war on a broader landscape.

The album opens with Entering the Battlefield…, a prelude and lead into individual battles posing as songs. Air and land is swiftly busy with the weapons and intent of confrontation, rhythms raising the flag as melodies lay down the sizzling colour and suggestion of things to come as the instrumental heads straight into the jaws of the album’s title track. A stable yet imposing start to the second track is soon a hellacious onslaught of vicious rhythms and violent riffs matched in grizzly kind by the tones of vocalist Jean-Charles Dupin. It is stirring stuff, a visceral dark thrash incitement driven by the hefty swings of drummer Arnaud Neyret and the grouchy bassline of Florent Claudel. Within this, guitarists Vincent Morelle and Gildas Turpin unite to savage and seduce with sonic and melodic enterprise, the band creating warfare across a rousing challenge with plenty to be beguiled by.

Years of legions_RingMasterReviewClaudel’s bass has ears and appetite enslaved in no time on the following Cell Swelling too; its throaty snarl delicious bait which is quickly matched in steely kind by invasive riffs. Provoking and enticing with every touch, the song scowls and bruises throughout but tempers its merciless intent with great unpredictable side steps into calmer rapacious exploits often led by that irresistible bass tempting. As with its predecessor, the song is not re-inventing the wheel but a fresh and individual character to each is the predominate spice which equally stirs the spirit across the likes of Running Out of Time and Thrashtastik. Amongst influences listed are the likes of Slayer, Testament, and Kreator; flavours which especially come to mind in the forcibly contagious first of the pair with its compelling trespass of a swing. Its successor is relatively less open in influence as it uncages a bedlamic shuffle of thrash voracity and ridiculously catchy endeavour. It is a death dance, a flirtation to destruction and as the previous track, one thrilling provocation.

Engine of Death is a track which stalks the senses, prowling around them with toxicity slavering grooves and brutal rhythmic teeth as the increasingly enjoyable growls and animosity fuelled squalls of Dupin rage. By its close, ears and senses feel like road kill, trodden into its sonic rancor and acid laced melodic dust before Road 666 runs over both again with its own eventful juggernaut of lethal swipes and carnivorous riffs. As with others, Skox infuses the song with tendrils of fiery and evocative melodic invention which aligns with the antagonistic side perfectly; the extremes sharing song and attention like brothers in arms.

One bassline is all March of the Dead took to spark an insatiable hunger in the imagination and appetite, its opening trap the doorway into a bestial consumption of ears whilst Smash Your Enemy matches its predatory prowess with its own particular militarist quarrel. Throughout both Skox again turns familiar essences into their own enthralling and highly incendiary sonic warfare and once more leave a certain hunger for more.

Closing with the instrumentally descriptive ‘epilogue’ of Leaving the Killingfield, the riveting album is an increasingly impressing and rousing encounter revealing more temptation with every listen. Skox is a name hard to forget from a band with a sound which seemingly has the same property going by the effect of Years of Legions over time.

Years of Legions is out now across most online stores.

https://www.facebook.com/Skoxband

Pete RingMaster 12/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/