Deadly Circus Fire – The Hydra’s Tailor

DCF_RingMaster Review

Casting a creative and impassioned roar which just gets richer and more compelling with every listen, The Hydra’s Tailor is a majestic beast of an album; a release that invasively seduces and cantankerously snarls. The second album from UK metallers Deadly Circus Fire, it has been the source of much attention and highly enthused praise already, so time we thought to get involved in its acclaimed proposal and fair to say disappointment was not on the agenda.

Fusing persistently unpredictable explorations of progressive metal and rock with just as magnetically carnivorous textures, The Hydra’s Tailor is already no stranger to drawing keen attention, just like the band’s debut album The King and the Bishop which was heartily embraced by fans and media alike. Drawing on inspirations such as Tool, Mastodon, and Deftones, the London based Deadly Circus Fire laid down a fiercely inviting teaser for this their latest emprise of sound and imagination through a couple of eagerly welcomed singles and since their release, they have signed with Musicarchy Media for the release of the crowd-funded, The Hydra’s Tailor as well as share stages with the likes of Crossfaith, Funeral For a Friend, and Bleed From Within across the UK and Europe. Right now they are lighting up European venues supporting Skindred on their Pump Up The Volume tour, just as The Hydra’s Tailor does the same to ears and speakers.

Artwork_RingMaster Review     The album starts with In Darkness We Trust, its keys spawned melancholic air embracing the immediately enticing and impressing voice of Adam Grant. The duet is bewitching, a solemn yet magnetic coaxing into the heart of the album and second track Animal. Riffs instantly begin prowling ears as it opens up predatory scenery, vocals again a potent enticement as the firm swings of drummer Paul Igoe resonate and the guitar of Save Addario spins expressive sonic enterprise around the still ravenous riffery. Grant again strikes with compelling vocals, his presence backed as resourcefully and potently by the tones of Mike Enort, whose basslines are no slouch when it comes to casting dark temptation either. Whereas the opener was a minimalistic treat its successor shows the shape of things to come with its unpredictable and seamlessly diverse landscape, it also a triumph in its own right.

The following Where It Lies expands from an acoustic flirtation into another mesh of wiry guitar tendrils and emotive flames, ebbing and flowing in aggression and intensity but relentlessly seducing in charm and adventure. As vocal craft and imagination shadows every step made by the ideation building the track, a scent of bands like Circles and Palms lay upon the fascinating encounter, Karnivool too in the song’s mellower moments but all spices to something already showing Deadly Circus Fire uniqueness.

Victim is another entering with an antagonistic glint in its creative eye, rhythms and riffs aligning their rapacious natures as Metallica-esque grooves line the emerging tempest. This time there is a whisper of bands like Bloodsimple and Lamb of God to another song which needs little prompting to evolve into new pastures of tenacious ideation and compelling craft, subsequently an air of Porcupine Tree and Tool just as suggestive across the outstanding incitement.

Another pinnacle comes with the stunning blaze of Devil’s Opera, a track as infectiously catchy as it is mouth-wateringly involved. It takes ears, emotions, and the imagination on a heady ride of united enterprise and individual exploration, a flight which twists and turns with an inventive turbulence that only ignites the appetite to greedier intent towards album and band. It is a forceful yet respectful invasion of the senses continued in Rise Again, it too aligning riffs and rhythmic rabidity with a fire of sonic invention and emotion driven melodic expression guided by the superb voice and delivery of Grant.

The brief instrumental tempting of Martyrs provides a relaxation for the senses next and a new spark for the imagination to play with before the exceptional House of Plagues groans and grinds ears with guitar endeavour around an enjoyably volatile blend of vocals. That bestial intent continues as melodies catch flame and rhythms jab with the stealth of a predator, all contrasts uniting in a scintillating emprise of emotive and provocative ingenuity, one that gets more ravenous and thrilling over each passing minute. Amongst so many within The Hydra’s Tailor that linger and relentlessly lure constant attention, as the album itself, the track is pure addictiveness as it takes best track honours.

Through the bold air and wonderfully fluid and varied tapestry of Aeden and the climatic atmosphere and soundscape of the album’s title track, The Hydra’s Tailor continues to enthral and tempt lustful reactions, its namesake another especially mesmeric blaze of dexterous songwriting and skills matched in sound. Both songs add thick layers to the epic nature of the album with the next up Turning the Tide equally as mighty with its agitated rhythms and sonic swirl of discontent. Equally within its stormy nature though, melodies brew, calm emerges, and bewitching harmonies entice to engross and excite before the turmoil returns in similarly exhilarating style.

The album is closed by the celestially lit, intensively aired Universe; a song which soars and bullies its way into ears and the psyche whilst leaving a great resonance and glow from its respective merger of harsh and tempestuous textures with absorbing beauty. The song is just masterful, repeating the major success cast before it across The Hydra’s Tailor with its own impressing adventure.

The good things heard and read about Deadly Circus Fire barely do the band justice, and now having been infected by The Hydra’s Tailor it feels safe to say if there are those yet to feel the power and prowess of the band the chance of finding reactions breeding the same kind of enthusiasm as us here, is high. There is only one way to find out of course and that is one of the heartiest recommendations made at The RR this year, go explore.

The Hydra’s Tailor is out now via Musicarchy Media @ https://www.musicarchymedia.com/project/the-hydras-tailor/

http://www.deadlycircusfire.com   https://www.facebook.com/deadlycircusfire

Pete RingMaster 17/11/2015

Copyright RingMaster: MyFreeCopyright

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In Search of Sun – The World is Yours

In search of sun band pic 2

In 2012 UK rockers Driven released the outstanding A Breakdown Of Character EP, an introduction which lit ears with a combined skilled invention and explosive potential leading to declarations of major success for the band ahead. Then they fell quiet and off the map, or so we thought here at The RR. In fact what happened was the band took on the name of In Search of Sun, an event and realisation lost as wave upon wave of propositions elsewhere persistently continued to grab attention. So it was a surprise and thrill to receive The World is Yours from Emma at Pluggin’ Baby, the new single from the London hailing In Search of Sun, and find ourselves accosted by a familiar but seriously fresh and impressive presence. Taken from the band’s 2014 album with the same name as the single, something else we annoyingly missed, The World is Yours is a blaze of contagious and tempestuous strains of metal and rock feeding the appetite and inciting the passions as the quintet get to work on their new songs and release.

The beginnings of the band were cast in a fiercer, uncompromising seeding of sound but even then the music never lacking insistent grooving and open diversity. In no time Driven/ In Search of Sun was an attention grabbing proposition live, the sharing of stages with the likes of Evil Scarecrow, Knuckledust, Absolva, Mortad, Painted Smiles, IKILLYA, Skreamer, Second Rate Angels, Stormbringer, Sacred Mother Tongue, Cypher 16, Cambion, The More I See and many more on their CV to date. September of last year saw the release of The World is Yours through Raging Demon Entertainment, a seriously well-received encounter now spawning its title track as the band’s new single.

In Search of Sun band pic 1   Produced by Phil Kinman (Deadly Circus Fire/Tank/Paul Di’Anno) and mastered by Harry Hess (Cancer Bats), the single quickly grips attention with its opening flame of sound. Guitars stroke ears as a lovely dark bass tone resonates amidst the more percussive rhythms. The first few seconds gives no hint to the direction of the song though, its opening bait suggesting anything from a raging riot of sound, to a ska kissed saunter, or indeed a rock pop escapade. Once a spicy groove emerges all bets are on a fiery proposal of rock ‘n’ roll, anticipation confirmed as the excellent sandy vocals of Adam Leader step forward. He is instantly recognisable for these ears as too the flavoursome craft of guitarists Rory Kay and David Mena Ferrer who are soon spinning a web of enterprise and sonic imagination. The rigorous rhythms of drummer Sean Gorman and pulsating bass lures of Faz Couri provide another irresistible enticing of contagious bait, thoughts of that first EP there but in the background as everything align to impressive and roar like the devilish offspring of a union between Bloodsimple, P.O.D., and Nonpoint.

Hooks and grooves spring from every direction as the track continues to create an irresistible anthemic tempting on ears and emotions, and it is easy to suggest the band has realised all the promise from that first encounter way back whilst opening the lid to a vat of even more exciting potential. In Search of Sun rigorously impressed back in 2012 and three years later, well they have lit a new major fire with The World is Yours.

New single The World is Yours is out now on iTunes and the album available via http://www.insearchofsun.bigcartel.com/

https://www.facebook.com/insearchofsunmusic   http://www.insearchofsun.co.uk/

RingMaster 02/06/2015

Copyright RingMaster: MyFreeCopyright

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