Threatpoint – R.I.P.

threatpoint_RingMasterReview

Inescapably enjoying their second album Careful What You Wish For when being introduced to it and the band last year, we suggested that it was easy to see US groove metallers Threatpoint “making their presence a global one if not now certainly on a near horizon.” That album evaded the luck to make the bridge but now expectations of such success are rising again with its successor R.I.P., a release which eclipses the last in every department.

Formed in 2012, the Scranton, Pennsylvania hailing quartet quickly showed themselves a formidable and exciting proposition through debut album Dead to Rise in 2013 and a live presence eagerly devoured locally and further afield. Taking inspirations from an array of metal and heavy rock borne flavours for their groove metal seeded sound, Threatpoint merged familiar and increasingly inventively fresh essences in the following Careful What You Wish and it is fair to say that the latter side has grown yet again within R.I.P., that alongside imagination and sheer creative ferocity.

With newest member and bassist Matthew Van Fleet alongside founding members in vocalist Chris James, guitarist Alex Olivetti, and drummer CJ Krukowski, Threatpoint immediately absorb ears with the portentous lure of the album’s title track. Its initial coaxing is a dark harmonic drone courted by drama carrying atmospherics. From within the evocative draw, riffs and rhythms gather and surge hungrily through ears, quickly finding their assault bound in just as rapacious grooves. Death and thrash nurtured textures are soon fuelling the rousing starter, the raw ire loaded tones of James orchestrating the anthemic prowess of the chorus whilst Olivetti’s enterprise only blossoms across each invasive groove and melodic flame.

It is an invasively potent beginning to the release reinforced by next up Deadend Machineland. It too needs a mere handful of second before settling into a predatory confrontation equipped with its own senses stirring confrontation. Like a gunslinger, it stands sizing up the listener as James’ prowls the imagination, subsequently uncaging a blast of multi-flavoured metal with a good sense of restraint to emphasize its invention before Tombstones of my Enemies presents a riveting trespass of scowling riffs, intrusive rhythms, and a sonic web woven with melodic dexterity, all emerging from a great initial melodic haunting. As each song before it, the track reveals a new character to the Threatpoint sound, R.I.P. already outshining its predecessor in diversity while matching its raw intensity.

art_RingMasterReviewThy Will Be Done is a grievous groove fest littered with invasive hooks and sonic irritability around the equally fuelled growls of James while Light Bleeds Through the Black straight after is a sinister at times almost darkly lecherous protagonist of ears and imagination interrupted by predatory bursts of volcanic ferocity. Both crowd around barbarous basslines from Van Fleet and the wickedly swung beats of Krukowski, a union of dexterity as addictive as the ravenous enterprise around them. The fade out of the first is annoying but a minor gripe in one of the album’s major highlights, a height matched by its successor and the demonian seduction of Bury the Wicked where again lava-esque enterprise meets provocative malevolence.

Through the classic and thrash metal spiced theatre of Laugh Now…Cry Later and the carnivorous canter of Writings on the Wall, the band continues to enthral an eager appetite for the magnetic adventure of the album even if neither quite stirs personal tastes to the same lusty responses as those before them or  the outstanding One in the Chamber…One in the Chest which follows. Its grouchy growl alone whips up unbridled attention, its predacious bassline and similarly natured grooves just as masterful in enslaving the passions as the song twists and turns with inventive rabidity.

The murderous swing of Face Your Fear is the foundation to another pinnacle within R.I.P., a track which courts a host of varied metallic styles as it venomously struts around body and thoughts before making way for the equally gripping theatre of Angels with Broken Wings which features the striking vocal presence of Lauren Balogh, vocalist for DramaScream and SuperRadical; her union with James a major reason for the track sparking another wave of lust.

Completed by the thunderous charge and choleric tempest of Death Rides Again, the album hits a whole new plateau in its second half following a nothing but impressive and thoroughly enjoyable first. It is the spark for expectations that Threatpoint will finally find worldwide awareness for their ever growing and increasingly inventive sound. R.I.P. may be its name but the album is the birth of greater things and success for the band.

R.I.P. is out now across most online stores.

http://www.threatpointofficial.com    https://www.facebook.com/threatpoint

Pete RingMaster 24/01/2017

Copyright RingMaster: MyFreeCopyright

Threatpoint – Careful What You Wish For

Threatpoint3

An album you may have missed but certainly need to know about is Careful What You Wish For, the second album from US groove predators Threatpoint. It is a fury of an encounter infusing varying flavours of metal and heavy rock into a snake pit of grooved hostility, and though there are thick strands of recognisable influences and essences, band and album incite nothing less than greed and thick enjoyment with its brand new proposition.

Hailing from Scranton, Pennsylvania, Threatpoint emerged in 2012 and quickly drew potent attention and praise for their voracious live presence and a similarly hungry sound which further stirred up the local and US metal scene through debut album Dead to Rise the following year. It has been an increasing success now creating new waves further afield through Careful What You Wish For, an album over a year in the making and equipped with a torrent of irrepressible grooves, deeply rooting hooks, and a creative antagonism which just gets the blood surging.

The blistering tempest of sound and attitude begins with The Age Of Godlessness, its opening coaxing a provocative atmospheric scene of raw winds and solemn church bells. It is a portrait of ominous dark shadows and scenery from which the track subsequently bursts with ravenous riffs and heftily examining rhythms. The onslaught is torrential and instantly virulent, the raw and ferocious vocals of Chris James the perfect provocateur within a tsunami of aggression and caustic grooving. There is a feel of bands like Devildriver and Cavalera Conspiracy to it as the band mixes styles into a bracing tempest veined by melodic and sonic enterprise.

threatpoint album  It is an explosive and gripping start matched by the following Vultures Of Prey, an even more predatory and sinister corruption of the senses. Though the song has less of the physical and creative rabidity of the first, it is a just as rigorous and intimidating stalking of ears and emotions with a Static X like breath creeping in with vocals and riffs from the simultaneously enticing and savage guitars of Alex Olivetti and Mike White. Two songs in and fair to say Threatpoint would have to seriously go awry to lose the hungry appetite and inflamed satisfaction already ignited by the opening pair of rages. Though some tracks understandably impress more than others, the quintet continues to enslave with craft and diversity as the ferocious Divide & Conquer takes over. The great raspy tones of James prey on ears as the rhythmic hostility of drummer CJ Krukowski and the increasingly bestial qualities of Eric Ross’ bass lay down addictive bait within a flood of salacious grooves. A spicy solo adds further heavy metal magnetism to the torrent of sound and persuasion before it all departs for the sonic devilry of Mockingbird.

The fourth song is bred from a swirling of melodic enticing which seizes precise moments to magnetically flirt with ears from within another tsunami of impassioned intensity and creative voracity, vocally and musically. Once more strikingly different flavours are woven into its ravishment with its substantial melodic and heavy metal colouring employed further in an equally pleasing but darker terrain through Blessings and Curses where they court a black and death metal seeded trespass on the listener.

Collapse almost toys with ears initially, a bedlamic soaking of essences the first fierce hug before song and bands expel a flood of ravenous emotions amidst a brawling collusion of tangy grooves, dogged riffs, and rapier like swings from Krukowski. It is a beast of an encounter, an irresistible ravaging unafraid, as all songs, to mix up its attack and presence to leave expectations redundant and the imagination feeding on more familiar but openly fresh confrontation. It is a brutal highlight springing to another in the hellacious stalking of the senses that is Stronger Than Death. It is yet another offering where vicious hostility and sonic adventure collide in an invigorating raging. As the music is a maelstrom of flavours and styles within each of the album’s cyclones, so are the vocals of James and the band as a broad diversity and delivery shares the singer’s similarly uncompromising and hard hitting lyrics.

The thrash and death spawned Mark My Words has the pulse and emotions racing next, the imagination seduced by a great progressive melodic twist around two thirds in, whilst Devil You Know and Tree Of Sorrow are both rancorous hurricanes eroding the senses but rewarding with more creative infusions and twists of sub genres within metal and rock. Though all songs provide strong individual characters and presence there is a unity in sound and invention which ensures all are audibly Threatpoint, even with the strong feel of a Killswitch Engage or Hatesphere across these particular offerings.

The album’s title track unleashes its carnivorous might and potency next. Sharing its merciless grudge in an irresistible multi-flavoured cyclone of grooves, scarring antipathy, and sonic devilry, the track ignites another wave of greed and satisfaction but finds itself shadowed slightly by the even greater animus and punk infused raw beauty of Secrets. From the deliciously nasty bassline cast by Ross in its first breath, the outstanding song is an insidious and unstoppable seduction with every element and second of its presence sheer carnal temptation.

It all comes to a close with firstly the masterful and sinister menacing of Hatebox, where James finds a Dez Fafara like grievance to his tones, and lastly the compelling When Karma Comes. The final song emerges with an acoustic melodic beauty which simply transfixes as the background sneakily brews up a sonic grievance which eventually erupts in hostile weather embraced in a bad blooded climate.

Given the luck and attention that Careful What You Wish For deserves, it is easy to see Threatpoint making their presence a global one if not now certainly on a near horizon. Their new proposal is not a game changer for the metal scene but gives it a new protagonist to get excited over and that is almost as good.

Careful What You Wish For is out now from most online stores.

http://www.threatpointofficial.com https://www.facebook.com/threatpoint

RingMaster 09/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Wild hooks and inescapable persuasions, introducing Threatpoint

Threatpoint Reputation Radio/RingMaster Review

There has been very good things coming out of America about a “raw, no gimmick pure groove metal band!” They are called Threatpoint and after checking out their sound it is hard to offer a better description though it does not quite hint at the full variety of sound and texture within their magnetic assaults. This is a band we instantly thought we need to know more about so grabbed the opportunity to corner the band with a few questions.

Hello and thanks for taking time out to talk with us.

Can you first introduce Threatpoint and to your furiously diverse assault of groove/metal what would you describe as your biggest inspirations?

Chris James (vocals), Alex Olivetti (guitar), Mike White (guitar), Eric Ross (bass), and CJ Krukowski (drums). We draw from so many different ideas and genres… But a few that we all like are Devildriver, Testament, Soilwork and Killswitch Engage.

What predominantly inspires the roar to the lyrical side of the band?

Lyrically Chris writes about life. Sometimes struggles we endure or stories of situations people have gone through. There’s always a positive note in them. You’ve got to read into them. There’s a spiritual sense to him.

How does the songwriting process work within Threatpoint?

Songs generally start with a vocal melody or a guitar inspired cut. With the two new guys now everyone writes in the band. Chris and Eric also play guitar. So there are a lot of ideas floating around constantly!

You just touched on it, you have had a line-up change recently, how has this impacted on things like indeed songwriting and where has it invigorated the band most?

Mike and Eric are very good friends that played in a band together prior. So that helps with the ease of transition. Both of them bring massive energy to the band as well as writing skills of different types. We finally feel a sense of completeness with the addition of them.

Careful What You wish For Cover-Reputation Radio/RingMaster ReviewTell us about your album Careful What You Wish For…about its theme, recording etc.

That album took us a year and four months to finish. Among working full-time jobs, doing shows and writing the material we were stretched and burnt out. Originally it was supposedly to be 10 songs, which turned into 20 then was cut to 14. We record at JL Studios in Olyphant Pennsylvania. Joe is a mastermind. His skills are amazing. We say can you get this sound and he does.

CWYWF is a collection of ideas …no one theme…Different real stories or views on our take of life.

How would you describe the evolution in your sound and differences between the new album and its predecessor Dead To Rise?

Definitely more advanced on this album. You strive to get better as you go. Find out what works and what doesn’t go over so well. Some songs are great to listen to on disc but live they don’t go over as well. So it’s always a learning curve.

The band, as readers look at this interview, is undertaking an intensive tour along the Southeast of the US. What can people expect from a Threatpoint show and will you be airing Careful What You Wish For in its full might?

We are currently playing quite a few tracks off it live. Expect high raw energy from the stage. No gimmicks!

Yea, we go to southeast and then out to west coast in the fall. Lots of shows coming up. Hope to see and meet lots of new peeps!

You can stream our full album on our website www.threatpointofficial.com

Once more big thanks for chatting with us, any last words?

Thank you to our fans and anyone helping us to grow. Please stop by our Facebook page and give a LIKE…

https://www.facebook.com/threatpoint     http://www.threatpointofficial.com/

Pete RingMaster

The RingMaster Review 16/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net