Possessor – The Ripper

UK metallers Possessor have been a band fear and lust has equally and simultaneously been spawned for in the face of each release uncaged since they emerged within the death throes of 2013. The band’s doom nurtured, thrash fuelled sound is a crushing and violating experience but one which has enslaved body, imagination, and soul here with its virulent, invasive boogie. The London trio recently released new album The Ripper and we can tell you nothing has changed. Their third album is a cauldron of corrosive riffs and destructive rhythms honed into one of the rawest, insatiable, and thrilling trespasses you are likely to hear across this coming year and beyond.

As much grunge, stoner, and alternative metal as those earlier mentioned hues, Possessor’s sound is pure predatory confrontation often as demonic and lewd as the horror soaked premises it spawns. The band’s 2014 debut album, Electric Hell, was an unpolished gem of an introduction providing “a thrilling ticket to the start of their inevitable ascending ride.” It was a journey which has bruised and abused, gripped and thrilled across the following Stay Dead EP a year later and second full-length Dead By Dawn eighteen or so months on. The last album really thrust the band into new spotlights but it has to be said that all have been rousingly eclipsed and put in their place by the carnal majesty of The Ripper.

Instantly opener Conjure and Possess casts a sonic storm over the senses, its abrasive scouring the warm up and prelude to a ravenous stomp of riffs and rhythms bound in the most lustful of grooves. A temptation to rock the residents of a graveyard into life with the swinging beats of Matthew Radford as arousing as they are destructive, the track roars through ears bearing the raw dirty vocal tones of guitarist Graham Bywater with open devilment. The bass of Tom Fowler is just as devilish, its own grooved swing instinctive incitement in the multi-flavoured onslaught.

The following Guillotine is just as fevered in its attack, maybe more so but unafraid to slip into less intensive examinations of the listener as it conjures its own web of salacious grooves and rapacious enterprise. Bywater’s voice and riffs infest ears but even more so his grooves and sonic espionage manipulates body and appetite already caught by the primal claws of the rhythms.

Fowler’s bass finds an even more carnivorous voice for the following Wet Cemetery, its visceral gurning leading a wash of rasping riffs within which vocals spew causticity. Toxic melodies vein the relative calm which separates the song’s energetic lust, it all leading to moments of nefarious endeavour which itself is sheer magnetism. A mesh of essences which lure references to bands such as High On Fire, Cavalera Conspiracy, Electric Wizard, and Unsane, flavours rising throughout the album, the track emerges unique to Possessor and again a common factor to The Ripper echoed in The Slime immediately after and thereon in. The fourth track hits its crunchy stroll instantly, snarling riffs chewing sinew before grooves send liquor coated tendrils through ears, its varied metallic irritancy swiftly addictive as the psyche is increasingly possessed.

Through the grim viscera of Whitechapel Murders and the scalding tension of Lava, the scorching of the senses and unrestrained pleasure escalates, the first of the two bearing the early Therapy? scent our ears have always found and greedily consumed within the Possessor sound. Every part of the band’s unholy trinity is on the top of their game, a success applying across the whole release but at their hungriest or certainly most fervid here. Its successor is an inferno of threat and intrigue, less equipped with irresistible hooks and addiction sparking grooves than others around it but just as commanding in its escalating incessancy.

Notting Hell opens in a jungle of rhythmic machination, the piece a brief shamanic infestation of devilry setting up the blood strewn quarrel and sonic narcotic that is Hacksaw. The most barbarous exploit on the album, it is a bestial and concentrated blitz on the listener, manna for the beleaguered senses and primal rock ‘n’ roll instincts.

A pause as things take a breath simply marks the insatiable devouring sprung by closing instrumental Earth Shaker. It is a rampage driven by a horde of voracious riffs and fearsome rhythms with grooves and twists just as mercilessly toxic and though it does not quite hit the spot as fully as what came before, the track consumes attention and satisfaction with ease.

There are few bands which truly excite just from news of a new encounter with them but Possessor is among them and will continue to be so with hellish offerings like The Ripper.

The Ripper is available now through Graven Earth Records on cassette, Wicked Lester Records on CD, and digitally @ https://possessor.bandcamp.com/album/the-ripper

https://www.facebook.com/possessorband

 Pete RingMaster 10/01/2017

Copyright RingMaster: MyFreeCopyright

Possessor – Dead By Dawn

Possessor_RingMasterReview

Still drawing new attention with their previous offerings, British metallers Possessor unleash new album Dead By Dawn, a mouth-watering threat of their rawest, most voracious sound yet. Continuing to conjure their individual fusion of old school fuelled metal embracing everything from heavy and blackened death metal through to doom/occult and stoner infused thrash the London trio cast a viciously malevolent and addictively compelling infestation of ears and instinctive pleasure with their latest offering.

Formed in 2013, Possessor teased and tempted with the Wings of Fire demo in 2014 before making a far greater impression with their self-titled debut album later that year. Hellacious and demonic in equal enterprise, the band’s reputation and acclaim garnering stature was given another injection of energy with last year’s Stay Dead EP. Its four tracks breached a new level in sound and adventure by the threesome of vocalist/guitarist Graham Bywater, bassist Marc Brereton, and drummer Matthew Radford; one now pushed again by Dead By Dawn.

The album opens with Afterburner and its sinister, cinematic intro. As shadows collude with aural drama, it fades into the ravenous jaws of the opener, a mesh of riffs and rhythms which go straight for the jugular. The meatiest groove aligns to a primal energy and intensity, they soon entwined in a sonic twine of guitar and the effect cloaked tones of Bywater. Previous releases hinted at a Nurse/Troublegum era Therapy? essence in the band’s sound; the first song shows it has become an even more intense flavouring but still without diluting the distinctive tone and invention of the Possessor sound.

Predatory and inescapably infectious with Sabbath meets Electric Wizard overtones also to its body; the excellent start makes way for the similarly immense and thrilling Scorpion Swamp. Straight away the grievous growl of Brereton’s bass has ears gripped and lips licked, the appetite enflamed further by the sorcerous grooves and rabid hooks joining the mix. Again echoes of the Northern Ireland trio are a vibrant spicing as Possessor and track rumble and grumble upon the senses and imagination, the song an ever twisting web of thrash driven, multi-flavoured metal.

art_RingMasterReviewBeneath the Chapel takes over next, an encounter growing in ears with a less forceful character compared to its predecessors but one soon sharing its own captivating net of flesh whipping beats and rapacious grooves to seriously please. Again within an ever tempestuous nature irresistible hooks taunt and tempt, providing rich bait within the rawest roar of sound to come from the band in any offering yet and the same template seeds the following Without Warning, a design breeding another individual treat within the album. A tempest of grooves and antagonistic ferocity it simply blossoms into a psyche infesting avalanche of predacious animosity to leave a hunger for more.

Things take a breath just a touch as Slaughter High enters next upon another evocative bassline from Brereton, its suggestive twang absorbing bait deviously leading the listener into another waiting beast of sound. Arguably the most old school sounding song on the release, it gnaws at the senses as riffs venomously prowl and the swinging beats of Radford flail flesh with rapier like effect. More destructive and gripping with every passing minute the brute of a proposition departs in a cold storm to let Terror Tripping step forward with its own cantankerous and primal rock ‘n’ roll. Taking a touch more time to thickly persuade compared to the other songs before it, the track is soon seeing swinging bodies and eager satisfaction in its rip tide, especially when it shares another ear exciting hook.

A pair of instrumentals comes next, The Creeps another cinematic scene setting piece parading a glorious and voodoo-esque rhythmic enticement before Midnight devours the body and imagination with its blackened heavy metal and feverishly stomping aural necromancy. Both tracks has ears enslaved and thoughts conjuring before the closing drama of The Curse of the Hearse revels in the individual skills and craft of all three Possessor members, aspects uniting in an incendiary provocation bringing Dead By Dawn to an almighty end.

Possessor get bigger, better, and more creatively barbarous with every release and indeed more irresistible. A treat for fans and a thrilling introduction to Possessor for newcomers, Dead By Dawn and its creators are the kind of propositions metal probably does not appreciate or notice enough but would be a much blander place without.

Dead By Dawn is out now @ http://possessor.bandcamp.com/album/dead-by-dawn

https://www.facebook.com/possessorband

Pete RingMaster 21/08/2016

Copyright RingMaster: MyFreeCopyright

Dead By Dawn – Dead Time Stories

Courtesy of George Martin Photography_

Courtesy of George Martin Photography_

You can never have enough ghouls rocking the breath from your lungs by our reckoning, so it is great lusty pleasure that we bring you Dead Time Stories the new EP from UK horrorbillies Dead By Dawn. It offers four tracks, which like a swarm of the undead, unleash contagious bloodlust and decayed virulence across relentless stomps which increasingly become ravenously addictive.

Dead By Dawn rose from the cold dank earth in 2013; escaping graveyards in the North East of England and coming together to brew a plague of rockabilly, punk, and ska; all strains soaked in horror. Before their enrolling in the walking dead, the band’s members earned their musical claws and experiences playing in a host of hard rock, punk, metal, and ska bands. Their subsequent resurrection as Dead By Dawn has already seen the release of the well-received Re-Animation EP and attention grabbing debut album 13 Nightmares. Now it is Dead Time Stories prowling the nation and devouring the psyche with one thoroughly welcome and thrilling rock ‘n’ roll rampage.

The defilement starts with Romero & Ghouliet, its first touch a raw scraping of riffs quickly bolstered by the deeds of Shovel, who with a name like that you just know will be the drummer. His beats are like sledgehammers on the senses as guitarist Dead Bundy weaves a tendril of sultry enterprise around the mischievously alluring voice of Siouxsie Psycho once she joins the already forcibly infectious proposal. Her string prowess backs up her joyful vocal enticement and the spicy grooves of Dead Bundy whilst Ruby Morgue swings thick lures from her upright bass like a big boned seductress. It is striking stuff with a smiling chorus so catchy it borders on candy pop and works superbly within the predatory and salaciously enticing sounds around it.

Deadtime-Stories_RingMaster ReviewThe great start to the EP only get musically juicier and more creatively ravenous as Bloodlust: Hellbound Hearts takes over. Shovel brings the song in on a rousing roll of his ever intimidating beats, the guitars adding their lures swiftly as boisterous riffs and another web of wicked grooves and sonic endeavour escapes, their temptation lined with an exciting tinge of discord. The track’s body continues to rock like a dog in heat, bass and drums cultivating an addictive swing over which guitars devilishly prowl and Siouxsie spreads her siren-esque intent.

The Dead By Dawn sound lies somewhere between HorrorPops, The Bloodstrings, and Dragster but continues to find its own increasingly unique character as shown over the band’s trio of releases and indeed American Mary. The third track on the EP leaps from a slither of a cinematic tempting into a rhythmic stalking draped in punk hooks and intoxicated grooves, the guitar’s winey lure as compelling as the psychobilly growl uncaged alongside them. A whiff of The Creepshow and Zombie Ghost Train seeps through in different ways from within the bracing dark tango but again it only colours a heart bred devouring which is primarily Dead By Dawn.

Dead Time Stories saves the best till last in the mouth-watering heavy canter of its title track. Once more hooks and grooves provide a constant supply of inescapable traps laced with delicious discord whilst the band unleash their inner vocal bedlam around enchantress lures laid by Siouxsie’s delivery. There is great simplicity to the infection loaded bait uncaged within Dead By Dawn songs but it is with instinctive imagination and craft that it becomes so successfully woven into fiercer, predacious exploits without either contrast losing its impact. The final track, with another impossible not to get involved in chorus, is the perfect example as it gives a rousing end to one exhilarating encounter.

It might be fair to say that Dead By Dawn is still looking for their majorly unique sound but when they do, and you feel they certainly will on the evidence of Dead Time Stories, there is little to stop them finding real success ahead; though the fact that every genre of heavy music it seems has at least one band with the same name might be a shadow the band has to escape from too.

The Dead Time Stories EP is available now

Pete RingMaster 23/09/2015

Copyright RingMaster: MyFreeCopyright

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