Noseholes – Ant And End

 

 

Such the dark majesty and ravening twisted exploits of debut album Danger Dance last year, we found it hard to imagine that Noseholes could eclipse its striking character and triumph. Well with its successor the German outfit has done just that whilst taking their sound into new intrigue loaded, virally compelling devilment. Ant And End has not wiped the floor with its illustrious predecessor but built on all its dark and aberrant brilliance to forge a whole new and sensational Noseholes escapade so easy to greedily devour.

Within a sound bred from the voracious instincts of post punk, no wave, and anomalous disco, the Hamburg hailing quartet of Henk Haiti, Steve Somalia, ZooSea Cide, and TH have ventured into darker corners and brighter trespasses with Ant And End. Still the body was a puppet to the band’s fiercely manipulative antics as they sprung a creative harassment to drool for, but the imagination was taken into the crevices of a more dystopian exploration bringing new esurient peril to their compulsive dance.

The album opens with Snowsuit Ranger and instantly roams the body with devious grooves and atypical enterprise. Rhythms tease and taunt, directing song and listener with their infernal bounce as eagerly tantalising vocals and deviant electronics are embraced by a quirky web of guitar. Like a distant relative of a merger between Au Pairs and Blood Red Shoes, the track is glorious, setting the voracious tone of the album and submissive mood of its victim alike.

The following IQ Model is just as rich a tempting, its gait a calmer virulent but clothed in mysterious atmospheric smog of intimation. The similarly reserved stroll of the radiantly dour bass fuels the blossoming industrial espionage of the song, vocals the magnetic narration to its seduction before the album’s title track got under the skin and had feet, hips, and instincts abound again. Whether an inspiration or coincidence, again eighties bred post punk/new wave spices up a slice of inescapable insistence, the likes of Delta 5, ESG, and Pylon hinted at.

The pure captivation of Vacuum Flies followed, its initial teasing shadows and suggestive drama alone hooking unbridled attention, the Essential Logic-esque flame of sax ear manna across the equally compelling rhythmic saunter which riveting vocals intimately drape over. With a Bauhaus hue adding to the pleasure, the song just mesmerised before letting Glimmering Mamba infest body and spirit with its hungry contagion. Not for the first or last time, there is a Gang Of Four lining to the irresistible rhythmic pestering, a nagging matched by the often simple but skilfully woven hooks and swarm of electronic baiting, but as always for all the hints given song and sound are unapologetically uniquely Noseholes.

Casino E Vino provides its own infective canter next, breeding a pandemic of temptation which lingers far beyond its final greed soaked lure while Radio Universe links its wires to body and imagination, the body in turn dangling and dancing like a willingly submissive puppet.

The album closes out with the pair of Jackson 4 and Baked Beans. The first springs its indie pop involved post punk exploits with boisterous intent, once more hooks and chords as lively and hungry as the inimitable rhythmic shuffle infesting is persuasion. Its successor though heavier, darker, and far more sinister manages to be even more viral like in its strands of temptation and collective jeopardy. Increasingly catchier and irresistible by the second, the track is a glorious end to a simply stunning album from Noseholes.

 Ant And End provides one of those moments when music proves why it is the most addictive and vital thing in a chaos searching world; indeed the second such revelation with Noseholes.

Ant And End is out through ChuChu Records on May 17th; available @ https://noseholes.bandcamp.com/releases

https://www.facebook.com/pg/NoseholesBand/

  Pete RingMaster 17/05/2019

Copyright RingMaster: MyFreeCopyright

Noseholes – Danger Dance

If you are looking to have your imagination twisted into torturous shapes matching those drawn from the body, then checking out the twisted disco of German outfit Noseholes is a must. The ticket to its no wave/post punk/noise rock devilry comes with debut album Danger Dance, an encounter living up to its title in deed and temptation.

The Hamburg hailing quartet of Henk Haiti, Steve Somalia, ZooSea Cide, and TH have already been teasing and tempting through a host of well-received tracks which now collude with equally as compelling adventures within the band’s first full-length. Danger Dance opens up with its title track, a flirtatious bassline leading the coaxing as beats stroll alongside. Soon an equally seductive melody escapes the guitar, the combination reminding of the Au Pairs even as vocals spring their web of temptation and intrigue. The suggestive spice of keys and the alternating female and male vocals all add to the captivating drama relentlessly driven by addiction stirring rhythms

A just as potent rhythmic lure fuels the following post punk shuffle of Lush Box. Spirals of guitar and flames of sax latch onto the swagger of beats and bass; the song’s jazz bred discord and post punk dance bouncing around like a Delta 5 meets Blood Red Shoes tango before Styling shares its own riveting devilment with a similar but quickly individual template of flavours. To be honest the rhythmic heart of the first trio had us trapped hook, line and sinker, all the other psyche infesting imagination icing on their inimitable cake with only the briefness of each song a frustration, a common niggle across the album.

Yelzins Affair makes a more tempered start but one with intrigue and noir lit shadows in its breath and sound from the off. Creating a tapestry of creative languages and suggestion over rapacious rhythmic pulses and lean but potent melodic tendrils the song is a mysterious fascination allowing a breath for the body and adventure for thoughts.

Tenacious endeavour and energy breaks again in Ex Driver, a track which in its sonic webbing has a definite early XTC deviousness, while Bed Smoker bounds in on a boisterous rhythmic skip and melodic manipulation which has the body and imagination eagerly bouncing like a four year old. Both are manna to any post punk/noise pop bred appetite while the closing Aspirin Nation is pure joy to jazz infested noise rock mania. Its acidic instrumental dissonance and rhythmic pounce is captivation enough but add the Essential Logic-esque squirts of sax and again attention was lustful.

Danger Dance teased, taunted, and pleasured pretty much our every personal want from music; it may very well do the same for yours. Only one way to find out…

Danger Dance is out now through ChuChuRecords / Harbinger Sound; available @ https://noseholes.bandcamp.com/releases

https://www.facebook.com/pg/NoseholesBand/

Pete RingMaster 27/02/2018

Copyright RingMaster: MyFreeCopyright