Audio Poets – Make a Scene

artworks_RingMaster Review

Such the almost scattergun diversity escaping Make a Scene there are times you wonder how it works with such coherent unity but it does and what is on offer is one gloriously rousing and dynamically imagination incitement for ears and emotions. The new album from US rockers Audio Poets, it is a thumping merger of pop punk, alternative rock, and unbridled rock ‘n’ roll, to try and slim it down, which leaves an increasingly greedy appetite breathless for more.

Formed in Dallas as 2014 made its goodbyes, Audio Poets quickly hit the live scene the following year, playing their first show in Buffalo with Rookie of the Year. Debut EP Colours had its successful release the following month before the quartet spent the spring of 2015 recording Make A Scene. The latter months of the year saw the album uncaged and the band relocate to Los Angeles, as well as hungrily hitting the live scene across the US. The UK and Mainland Europe are now in their live sights for 2016, the band ready to pounce on the already eager reactions to the galvanic sounds and the quickly impressing adventure of Make a Scene.

Recorded with producer Geoff Rockwell (Forever The Sickest Kids, Memphis May Fire, Crown The Empire), the band’s album swiftly hits a rousing plateau with opener The Anthem. A scuzz lined guitar makes the first invitation with its sultry hues, the lead vocals of guitarist Chris Durio quickly adding their punch to the attitude loaded proposal. As the track develops there is no escaping the potent and enjoyable Rage Against The Machine essence to the track, it coming bound in just as appealing stoner-esque grooves from the fiery guitar enterprise of Bru Whitley and Durio who create a magnetic web around the increasingly defiance loaded narrative and vocal tones.

It is a riveting and contagious start to the release but soon overshadowed by the outstanding Wake Up. Straight away that variety in sound and imagination is arousing ears and thoughts, the second song bounding around with pop punk energy and revelry whilst casting an aggressive CIV like snarl and melodic tempting. There is a touch of UK band Hawk Eyes to the romping escapade too, enslaving hooks aligned to rowdy but controlled dynamics colluding excitedly with the darker inviting prowess of bassist Mike Knight and the sinew swung beats of drummer Landon Jett.

Next up Not My Time is a triumph to match the last, this time the band exploring a My Chemical Romance meets Fall Out Boy like theatre of invention and creative mischief. Feet and hips are soon seriously involved with the more restrained, compared to its predecessors, yet feistily swinging canter of the spellbinding song and its unpredictable invention. There is a serious urge to dive right back into the track after its conclusion, though that is soon diverted by the punchy roar of Burn and after that, the album’s Marilyn Mansion scented title track. For the first, Durio mixes his strong clean tones with more rap bred vocal jabbing, though this time The Kennedy Soundtrack is a closer hint to the adventure of sound and voice on offer. As the song evolves between standing toe to toe with grouchy agitation and seducing with poetic melodic infectiousness, a touch of Lost Prophets slips into the captivation, that one more arguably familiar colour which, as within every song, simply helps flavour something openly unique. Next up Make A Scene flirts with and barges across ears with a virulence of craft and sound which again has the body and emotions subservient; electronic and industrial ingredients as powerfully persuasive as the punk infused rock ‘n’ roll at its heart.

Fiery interlude Space is more the doorway into a new turn to the album than a break, its cosmic air a progressively textured tempting for the imagination before Revolution stands tall and defiant in attitude and sound. Featuring Jay Miller of Texan band Drudge, the song is a brooding maelstrom of imposing rock ‘n ‘roll spiced with melodic hardcore imagination and an array of intriguing sonic colours and styles. It easily holds attention and enjoyment tight and leaves satisfaction full though it is maybe not as inventively bold and tenacious as earlier songs, a success found by the equally weighty emotive and tempestuous embrace of Wounded Eyes. Mixing a rich blend of varied metal infused rock flavours, the track is again an encounter fulfilling all wants and hopes if without quite breaching the same plateau the album set in place early on.

Do You Feel It (Now) brings a feistier and in some ways creatively livelier proposal with its tapestry of styles soon after, vocals and sounds from every corner of the band helping draw physical participation before closer Make It Through, escorts ears into a broader electronic landscape that sees the album go out on a potent high.

For personal tastes the album produces its richest and most ingenious mastery across the first five or so tracks, exploring more emotively shadowed and intensive depths to matching success thereafter, and from start to finish Make a Scene is one irresistible and rousing temptation from a band surely heading towards major attention.

Make a Scene is out now through most online stores.

https://www.facebook.com/audiopoetsmusic   https://twitter.com/audiopoetsmusic

Pete RingMaster 07/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Heaven Asunder unleash their new video single!

Heaven Asunder Online Promo Shot

“The UK’s answer to Trivium” – Metal Hammer

“With momentum picking up on a national scale, it won’t be long before we see a lot more of these boys” – Bring the Noise

British Metallers Heaven Asunder exorcise their demons in the name of new single ‘Redemption’-

Back with their spanking new single ‘Redemption’, UK heavyweights Heaven Asunder are pushing the envelope harder than ever. The song itself is a blistering four and a half minute powerhouse of riffs, breakdowns and hooks to boot. The track showcases the quintet’s new sound, which is much more aggressive than the sound crafted on their 2014 debut album ‘Among The Damned’. The new video for ‘Redemption’ sees the band mercilessly performing to a kidnapped nun in a dilapidated, rotting church, while a priest hunts them down. The clip features an exorcism that shows members of the band vomiting mid performance. “We puked for real! We necked 20 pints of milk between us and just let nature take its course; it was f**king horrible!” insists vocalist, Matt Boyd.

Formed at the Bristol Institute of Modern Music in 2009, Heaven Asunder are comprised of Matt Boyd – Vocals, Lewis Blake – Lead Guitar, Ally Roberts – Guitar /Backing Vocals, Lewys Ball – Bass, and James Whitlock – Drums. The rising five-some have become a dominant presence within the UK’s thriving metal scene, due to their combustible live shows and their ruthless determination to make their name synonymous with contemporary metal. Heaven Asunder are as brutal and rage-fuelled as they are melodic and heartfelt—a war cry for the underdog and an anthem of grit, executed with precision and raw emotion.

The new video single, ‘Redemption’, will be featured on the yet to be titled follow up to 2014’s ‘Among The Damned’ album. Currently being recorded with producer Jonny Renshaw (Devil Sold His Soul), the EP sees the band move into heavier territory. “Among the damned for us was the culmination of two years’ worth of writing, and releasing it felt like the end of an era. We’ve been working on new material since the day Among The Damned came out, and we really can’t wait for people to hear it”, states vocalist Boyd.

Having shared the stage with the likes of 36 Crazyfists, Issues, Fearless Vampire Killers, Crown The Empire, Shining (Nor) and Deathstars, Heaven Asunder are quickly becoming ones to watch. After a recent sold out hometown show in Bristol, the band set out on a seven-date UK tour at the end of February, with the intent to gig and tour as much as humanly possible throughout the whole of 2015.

 

HEAVEN ASUNDER LIVE IN FEBRUARY –  26th Glasgow Audio; 27th Bolton The Alma; 28th Plymouth Tiki Bar.

 

– HEAVEN ASUNDER HAVE UNLEASHED ‘REDEMPTION’ – https://www.youtube.com/watch?v=-u9nMIm8gjQ

https://www.facebook.com/heavenasunder     https://twitter.com/heavenasunder

http://www.heavenasunder.co.uk/

Heaven Asunder – Among The Damned

  Heaven Asunder Online Promo Shot

    From their explosive live performances and previous Dead Man’s Waltz  EP, UK metallers Heaven Asunder has bred a very healthy anticipation for their debut album Among The Damned. Now with its unleashing the ten track blaze of melodic passionate metal gives potent evidence as to why there has been such an awaiting appetite. The release may be does not set new markers to fully challenge originality but impressively accomplished and rigorously engaging, the album is soaked in a captivating promise and invigorating strength which marks out the Bristol band as a proposition to eagerly indulge in.

     Formed in 2009 by five guys at University sharing the same flat, the quintet of vocalist Matt Boyd, guitarists Lewis Blake and Ally Roberts, bassist Lewys Ball, and drummer James Whitlock took little time in creating a live presence which seeded the reputation firing up the hunger for their album. Heaven Asunder has ignited stages alongside the likes of 36 Crazyfists, Idiom, Fearless Vampire Killers, When We Were Wolves, Odessa, Shining (Nor), The Smoking Hearts, The Dead Lay Waiting, Crown the Empire, and Issues since forming whilst Dead Man’s Waltz only added to their brewing stature. Thoroughly enjoyable and a powerfully satisfying encounter, Among The Damned expands the rising presence of the band whilst paving the way for stronger expectations of major things ahead from the band.

      The album hits hard right away with opening track Shallow Graves and though in hindsight the song is not the most Heaven Asunder - Cover Artworkgrabbing and gripping on the release it sets things off with hunger and energy. Immediately riffs are greedily stroking the ears whilst the rhythms of Whitlock slap the same from pillar to post. With a great melodically seeded breath wrapping the senses after the aggressive start to allow things to settle, the track is soon back to a keen rampage, the guitars casting well-crafted and alluring sonic patterns which entice and tease whilst the bass of Ball prowls within their bait with menace and depth. The vocals of Boyd backed ably by Roberts are equally as appealing as the sounds and though there is better to come from the release the track is a formidable and appealing blaze of melodic metal.

     Of Coat And Arms keeps up the momentum and potency of the start, the initial melodic coaxing similar to its predecessor but soon expanding with greater growl to the riffs and expressive adventure to vocals and melodies. Admittedly there is little strikingly new going on but there are no doubts about the imagination and skill employed in the use of the previously trodden spicery as the song wraps the listener in something richly appetising and thoroughly accomplished. This is right away built upon by the thumping presence of the excellent Nothing More, the track the most carnivorous and belligerent on the album yet again bringing an impressive and perfectly sculpted merger of violent passion and intent with equally powerful melodic and inventive exploration. Keys add another texture and evocative persuasion to the absorbing encounter whilst the bass, as all aspects, digs into a deeper corner of enticement to help forge the first major pinnacle of the album. The accompanying promo to the release mentions 36 Crazyfists as a reference, and it is hard to disagreed, but to that you can add the better moments of Avenged Sevenfold and the power of Killswitch Engage as well as other essences, all brought into a wholly enjoyable and exciting proposition.

      The likes of the fiery Reviver, a track which flares up and bites at various moments within another pleasing provocative meeting between band and thoughts, and the confrontational Another Broken Soul ensure the album continues to ignite the senses even if both fall slightly before the height set by Nothing More. That plateau is soon seriously challenged though by the next up The Silencer, the track a bruising and challenging treat soaked in rhythmic rabidity and vocal spite whilst driven hard by predacious enterprise and voracious guitar creativity. Its successor, the ravenous Last Rites, is no slouch in seizing and tossing around the senses and passions either. With nagging riffs and a great mixed vocal attack from Boyd laying down irresistible temptation from within the emerging dramatic and merciless aggression, the song is another commanding peak of the album.

     Both Lest We Be Scattered and Stranded provide an appealing closing stretch to Among The Damned, even if neither quite lives up to the previous duo. Despite that it is impossible to pull yourself away from their strong suasions before they make way for the outstanding conclusion to the release, State Of Things To Come. Sinews ripple viciously across the enthralling provocation whilst riffs and hooks saunter and prey upon the senses with rapacious intent and imagination. It is a stirring intensive end to an equally blistering and exhaustive release. Among The Damned is a great full introduction to a band you can only see going from strength to strength. The album does not carve out new adventures but certainly provides a tempestuous and thrilling storm of enjoyment to make Heaven Asunder a band to embrace fully in 2014.

www.facebook.com/heavenasunder

8/10

RingMaster 06/01/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com