Mayflower Madame – Observed in a Dream


When looking back at the end of the year, we suspect that April will be noted as one of the most fruitful months for stunning albums, with a great many of them striking debuts. To a list running into double figures we can add the outstanding first full-length from Norwegian band Mayflower Madame. The band’s sound is a captivating weave of post punk, shoegaze, and psych rock textures but given its own distinct character by the imagination of the Oslo quartet, and Observed in a Dream a release which commands attention with a presence slightly nostalgic but as fresh as the dew on a spring morning, and as radiant.

Formed in 2011, Mayflower Madame has already drawn potent attention and praise with the Into the Haze EP in 2013 and last year their single Lovesick. Comparisons to bands such as My Bloody Valentine, Bauhaus, Spacemen 3, and The Jesus & Mary Chain have readily been offered, and understandably with the band’s provocative dark and sensuous sound. Live they have earned a strong reputation too, sharing stages with the likes of Crystal Stilts, Night Beats, La Femme, Disappears, Crocodiles, and Moon Duo along the way and making successful appearances at Norway’s largest festivals, Oya and Norwegian Wood. Now released on their own Night Cult Records and Custom Made Music in North America, Observed in a Dream is ready to wake up the biggest and most attentive spotlights upon the band.

As soon as opener Confusion Hill envelops ears it is a success easy to imagine, and then be sure of as each track seduces imagination and appetite. The first song emerges from a haunted atmosphere with already slightly portentous shadows to its air. Its approaching tempest though is quickly turned into a strolling seduction upon arrival, psych and surf rock flavours shining, almost sighing, over the infectious darkly hued prowl of Petter Gudim Marberg’s bass and Ola Jørgen Kyrkjeeide’s crisp beats. The guitars of Rune Øverby and Trond Fagernes swiftly spin a bed of evocative colour and suggestiveness too as the latter’s also quickly impressing vocals lay emotively upon the strands of sound. It is easy to see where those Bauhaus and Jesus & Mary Chain references come from, though the bigger and bolder the song becomes it reminds more of Gene Loves Jezebel, echoes and resonance on voice and melodies a delicious shimmer.

art_RingMasterReviewAn outstanding start is still eclipsed by its successor Lovesick, a song which plays second fiddle to no one. From its beguiling dark rock ‘n’ roll strum, the song canters along with a devilish swing led by another highly flavoursome throaty bassline and catchy riffery matched by flirtatious beats. Think The Birthday Party meets Helldorado and Tones on Tails as a clue to the track’s virulent alchemy; a song with as much fascinating drama as it has addictive infectiousness.  Its exceptional incitement is as good as matched by that of Self-Seer; another track rolling along on an enslaving rhythmic tenacity and ingenuity. It explores a mellower climate of sound yet still has an energy and sonic clang to physically stir the spirit. If looking for another hint, Echo and The Bunnymen would be a suggestion for the otherwise unique rock ‘n’ roll of the mouth-watering proposal.

A sixties instrumental twang adds to the seduction of Upside Down (The Death Loop), guitars a sultry lure with again a surf rock like tone to their imagination whilst within their searing elegance a cinematic drama infests rhythms and hooks. As much as there is variety to the sound within Observed In A Dream, so too the vocals craft similar diversity, here harmonies glowing with a hazy beauty around the matching delivery of Fagernes.

Latest single Weightless rumbles in next, carrying a far heavier tone and intent in its creative espionage and welcome trespass. A Play Dead/ Sisters Of Mercy like breath soaks the song, its heavy shadows and provocative textures as invasive as they are seductive. Personally, it is not the song we would choose to lead into the release of Observed in a Dream with other more irresistible options, yet the song in its brief moment is a thrilling and rousing protagonist only making the appetite for album and sound greedier.

The calmer landscape and presence of Into The Haze (Redux) hugs ears next, the song a gentle but again lively adventure into noir lit pastures with more cinematic lures whilst the album’s title track, which follows, from a similar template casts its own tantalising and riveting psyche embedding web of sound and emotion which at times is like The Shadows in collusion with House Of Love and Flesh For Lulu.

The album closes with the psychedelically atmospheric Forever//The End Of Everything, a track which equally expresses post punk discord and causticity within its pulsating and bewitching theatre of sound and emotion. It is a powerful end to a tremendous first introduction to most of us to Mayflower Madame. They and Observed In A Dream grab attention, grip tighter with every pleasure giving twist and turn, and emerge as a reason why Mayflower Madame is one of the most exciting bands to make their mark on 2016 so far.

Observed In A Dream is out now via Night Cult Records in Europe and Custom Made Music in North America as an Ltd Ed vinyl, CD, and Download. All options available @

Pete RingMaster 29/04/2016

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The TenFiveSixty: Do This For Me

Pulsating and thoroughly absorbing the debut single from electronic/indie trio The TenFiveSixty,  is a vibrant and mesmeric treat for the senses. Do This For Me is a song which lights up the air with an expansive enveloping breath of melodic warmth and magnetic harmonic energy.

Formed by Jen Bailey and Rik Hornby the band found its seeds sown when the pair met in a deserted music shop. Finding a mutual understanding and sharing thoughts and feelings about bands and songwriting they began working together and The TenFiveSixty was born. Drummer Seb Sternberg came in on drums to bring the band up to a three piece and soon they grabbed acclaim and attention with the track Killer’s Son which was released as a free download earlier this year. Released through Giant Haystacks/Fierce Panda the new single is sure to trigger the same reaction and invite a fuller and louder acclaim.

Opening with programmed beats reminding immediately of Fad Gadget and early Mute Records, the song soon brings in a beckoning guitar and the excellent voice of Bailey. With a littering of atmospheric touches and sounds the song moves into a stroll as it lifts the energy and pace to an insistent. The voice of Bailey is wonderfully emotive with the music surrounding her offering an equal passion and emotion. Once in its full stride the song finds a keener mesmeric caress as it wraps its melodic weaves around the senses, the warmth and radiance from voice and synths subtly infectious.

Accompanying the single there is a remix of the single by San Diego indie rock/noise pop band, Crocodiles. The band twists the song inside out with Bailey emerging from behind an electrified scuzz of haunting sounds and blistered melodic energy. The track is a great interpretation of the single, a distinct variant and certain equal to the original.

With an album in the works, Do This For Me is a great invitation and taster for The TenFiveSixty and the future release. With its warmly crafted soundscape and inciteful energy there is a great blend of drama and emotion wrapped within the hard to refuse invitation to move your body and heart. The single also makes the wait for more from the band impatient and the finger trigger happy as it hits replay persistently.

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