Son of Skooshny – Confection

cover_RingMasterReview

Three years on from releasing the Mid Cent Mod EP, US band Son of Skooshny returns with its successor Confection and another collection of melodic rock/pop tracks simply warranting attention.  Admittedly, three of the songs making up the encounter were released as singles along the way but it is as part of Confection that they really blossom, each adding a magnetic aspect to its engaging whole.

Son of Skooshny is the creation of vocalist/guitarist/songwriter Mark Breyer, a project evolving out of acclaimed seventies band Skooshny who despite eventually breaking up found their releases still becoming collector items around Europe. Reforming in the nineties, they soon released a new EP with an album and compilation following, the latter in 2004. Six years later Son of Skooshny stepped forward, Breyer uniting with producer/collaborator Steve Refling, before unveiling debut album Lovers Leap of Faith. Its magnetic melodic pop sound further evolved within the 2013 Mid Cent Mod EP, a mellower blossom of imagination with a country/folk rock twist now pushed on again, while embracing the band’s pop instincts, by Confection.

The EP opens with Just a Test, a track swiftly seducing ears and attention with its tangy melodies and gently nagging stride. Equally a sixties pop air nuzzles song and imagination as Breyer’s expressive tones and suggestive melodies spread through the heart and body of the richly enticing encounter. As catchy as it is sultry, the song continues to coax body and appetite, its sound not a major leap from the last EP but richer in the weave of flavours and seductive prowess it bears.

That mentioned country scent spices the following No Ho, a slower gaited song which saunters with creative confidence as suggestive keys wrap Breyer’s words and the sonic romancing of the guitars. A melodic shimmer also lines the song replacing the snappier touch of its predecessor with its alluring presence and though it does not quite spark the appetite as forcibly, the track grows into a similarly potent proposal over time.

A similar design of flavours and textures shape the melodic caress of Cloud Cover straight after, a soft slice of catchy mellow pop deceptively low key as tempting harmonies cuddle and melodies conjure. Within this tranquil serenading though, an orchestral scented theatre rises within the song’s multi-layered landscape which only draws the imagination deeper into its beauty.

Half of the World is next, a melodic rock ‘n’ pop croon with its own adventure in catchiness draped in sixties inspired melodic flames and vocal smooching, before The Subtle Eye closes up the release with its smouldering country twanged caress. Both tracks have a XTC Oranges & Lemons / Elvis Costello Almost Blue like fusion to them, a flavouring adding to the sixties and melodic pop invention Son of Skooshny persistently show themselves so adept at casting.

Released earlier this year on Bandcamp but now being given a broad release through CD Baby on iTunes, Amazon, Spotify, and other stores by the band itself, Confection is a warm melodic snug with Son of Skooshny deserving of greater attention.

The Confection EP is out now across most stores and @ https://sonofskooshny.bandcamp.com/album/confection

http://www.skooshny.com/

Pete RingMaster 13/12/2016

Copyright RingMaster: MyFreeCopyright

Scott Swain – Oil!

scott-swain_RingMasterReview

By his own words, “This track is what you get when you cross the film There Will Be Blood with Johnny Cash“. That description sums up Oil!, the new single from Scott Swain perfectly; its flavouring and emotive atmosphere encapsulated in those few words and living up to hopes equally raised by such a suggestion. The song is a swarthy slice of melodic rock within a country/mariachi spiced cinematic climate of suggestiveness which swiftly captures attention and imagination.

Having played in bands for almost a decade, supporting Biffy Clyro among the highlights, Swain decided to explore his solo side when his main bands, How to Dress a Monster and Fire at Night, took breathers earlier this year. Drawing on inspirations ranging from Elliot Smith and Mark Lanagan to cult cinema, he soon ventured onto the live scene with just his voice and acoustic guitar. As Oil! shows, in the studio Swain expands his sound and emotive adventure with the help of others but without losing that organic raw character and texture luring increasing praise.

Inspired by There Will be Blood, with Swain lyrically examining “the relationship between wanting to be ambitious and the things which can be sacrificed in the process”, Oil! is a natural seduction of ears and thought. From its first melodic strum and metronomic lure of beats it has ears gripped, ambling in with purpose before hitting an even eager stride as guitars and bass unite around warm harmonies. The country kissed twang of guitar and melodies hold a myriad of pictures for the imagination to conjure while feet and hips are employed by the gentle but keen swagger of the infection loaded song and its lively gait.

Managing to smoulder in emotion and atmosphere while providing a tenacious canter to get involved in, the song is pure magnetism which lingers long after taking its leave and increasingly impresses with subsequent listens.

Oil! is out now via iTunes, Spotify etc.

Upcoming Live Dates:

06.12.2016 Apples and Pear Bar, Brick Lane. London

14.12.2016 Fu Manchu Bar, Clapham. London.

22.12.2016 The Bricklayers, Hitchin.

http://scottswainmusic.com/   https://www.facebook.com/scottswainmusic

https://twitter.com/scottswainmusic

Check out the video for Hitman from Scott Swain @ https://ringmasterreviewintroduces.wordpress.com/video-selector/

Pete RingMaster 29/11/2016

Copyright RingMaster: MyFreeCopyright

Welcome Back Delta – Sucker

WBD_RingMasterReview

As commandingly infectious as it is resourcefully muscular, Sucker is one of those propositions which just demands attention. The second album from British rockers Welcome Back Delta, the album is a spicy brew of classic and blues rock with a stoner/grunge scent to its captivating aroma. It embraces familiar flavours and textures but in a creative devilment and character all of the Welcome Back Delta making.

Hailing from Cheltenham, Gloucestershire, Welcome Back Delta emerged in 2011 and quickly made an impact on their local music scene. Since then they have toured the UK several times and supported the likes of Clutch, Nick Oliveri’s Death Acoustic Tour, And So I Watch You From Afar, Lionize, and Karma to Burn. 2014 saw the well-received release of debut album Shocker, a success sure to be eclipsed with style and strength by Sucker.

Band and album get straight down to business with opener Beast Mode where from an initial ear catching ear spun hook and a swiftly joining rally of beats attention is hooked, riveted as Clutch like grooves and great group vocals uncage their catchy and dirty exploits around the lead and enjoyable slightly grouchy tones of vocalist/guitarist Joe Kelly. With the brooding bassline of Phil Davies carrying its only steely nature to align with the potent lures of Rob Duncan’s grooves, the track is soon in command of ears and appetite with a rousing chorus to complete the persuasion.

The bluesy tendrils of the following Snake In The Grass keep the commanding start going, grooves a smouldering lure of classic and familiar blues infection luring the listener into another potent chorus of group vocals. Caged by the firm and magnetic rhythms of drummer Steve Roberts, the song strolls along with a swagger and melodic glint in an intoxicating combination sparking listener participation with ease before the heftier weight and growl of Thrones takes over. Again there is no lack of contagiousness to its boozy grooves and imposing presence as ears and imagination are ignited alike again.

cover_RingMasterReviewGood variety across Sucker is another potent attribute, the country blues drama of Arms Dealer, which features guest Damon T, providing a flavoursome turn in the album’s landscape while Dadgerous featuring Bison Steed wraps itself in a Kyuss meets Red Fang-esque roar. The track is outstanding, a virulent trespass of the senses which ignites the spirit and energies of those it touches.

Jeremy’s Iron rumbles and grumbles next, its heavy riffs and cracking rhythms colluding with more of the smouldering grooves and instinctive catchiness Welcome Back Delta conjures at will while The Magic Of Flight shows the band is as adept at serenading ears, the track a tantalising mix of darkly grained vocals and simple but suggestive melody courted by the shadowed air of bass. It is hard to say that either is overly unique but both tracks, as the album, simply tempt and persuade with a sublime touch and invention.

More of that country breeding infests the lively Black Tie next with the following Preacher entangling itself in a web of blues endeavour and though neither quite match up to songs before them, each leave satisfaction thick and ears hungry for more which the closing and fiery rock ‘n’ roll of Don’t Hold It Against Me, Unless It Gets Hard provides in fine style. With rampant rhythms and tangy grooves it leaves a lingering taste of the album and the inspiration of a swift return into the rousing triumph of Sucker.

Sucker might not be the most unique slab of rock ‘n roll heard this year but it is one of the most enjoyable so we dare you to take a punt on Welcome Back Delta.

Sucker is out now and available @ http://welcomebackdelta.bandcamp.com/

Upcoming Live Dates

11th November- HARD ROCK HELL Festival

26th November- The Exchange, Bristol (Supporting Planet of Zeus)

http://welcomebackdelta.co.uk/   https://www.facebook.com/Welcomebackdelta

Pete RingMaster 22/09/2016

Copyright RingMaster: MyFreeCopyright

Richie Syrett – Silhouettes and Outlines

RS_RingMasterReview

If we had not read that Richie Syrett was from England’s North West, we would have sworn he was a southern bred artist from the US taking new single Silhouettes and Outlines as evidence. The song is a hazy slice of country rock and Americana spiced folk which infectiously strolls along with a warm smile over an emotive spine while all the time suggesting its origins are as its authentic charm and tones certainly hint at.

Syrett though is a Manchester hailing singer/songwriter and fair to say that the more you listen to his new single, the more British spawned flavours in sound are glimpsed. He is no newcomer to pleasing ears either; a well-received self-titled debut followed by the equally embraced Good Morning Midnight in 2011 drew potent attention which was pushed again by third full-length From the Feet Up last year.

Silhouettes and Outlines looks like being able to continue that attention luring success; the song a hug of melodic and harmonic enterprise with guitar and voice finding themselves awash with sultry waves of southern air. Syrett’s voice has a great warble to its expression and potency whilst the backing female harmonies are siren-esque as they dance on the throbbing bass lines and magnetic weave of guitar.

For three and a half minutes, the song provides a warm and catchy proposition which is very easy to like. Fair to say, the style of music Richie Syrett that masterfully creates is definitely not our usual cuppa but the fact that even our feet were bouncing to and voices getting involved with Silhouettes and Outlines tells all you need to know about the song and his “Americana flecked folk/rock.”

Silhouettes and Outlines is released April 22nd via To Die For Records.

http://www.richiesyrettmusic.com   https://www.facebook.com/richiesyrettmusic   https://twitter.com/richiesyrett

Pete RingMaster 21/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Steve Young – Hold Me Close featuring Gemma Mewse

Steve Young _RingMaster Review

With a crowd funded album heading our way in 2016, British singer/songwriter Steve Young potently whets the appetite for it and simply his evocative sound with new single Hold Me Close. Featuring the rich vocal tones of Gemma Mewse alongside Young’s own, the track grabs ears from start to finish, confirming why a great many are sending acclaim and strong attention the way of the Londoner.

Before venturing into his solo exploits, Young has been a keenly sought after musician over the last clutch of years, his talents as a session guitarist seeing him work with a host of popular artists. Starting out in a London based rock band which undertook many successful UK tours, Young’s craft and prowess subsequently saw him playing with artists such as Lionel Richie, Peter Andre, Gareth Gates, and Delta Goodrem. In 2007, Young became the touring guitarist for former Savage Garden front man Darren Hayes, a gig taking him across Europe, Canada, Australia, and the US, allowing him to perform in venues like The Royal Albert Hall, Wembley Arena, and Sydney State Theatre. Also a co-writer on Darren Hayes’ 2012 album Secret Codes & Battleships as well as joining forces the same year with West End Superstar, Ramin Karimloo (Phantom, Les Mis, Miss Saigon), it had been and was a busy time, which prevented Young getting time to work on his own music.

That moment to concentrate on his personal music came the following year though and Young seized it, exploring his love of blues, rock and country thereon in. Last year saw the release of debut EP Little Things, a well-received encounter employing essences from inspirations like early Clapton, John Mayer, David Gray, The Eagles, and Turin Breaks. Since then, Young has been taking his sound to the live scene, playing Country 2 Country Festival at the London O2, Rhythms Of The World Festival, and The Edinburgh Fringe amongst many other shows. Now as mentioned ahead of his first album, Young has unveiled Hold Me Close, an appetite pleaser from start to finish which tempts even those of us with a more hellacious taste in music.

The song opens on a piano’s caress, a guitar swiftly joining the reflective lure before the strong voice of Young brings further expression and temptation. With strings soon an additional warm melancholic suggestiveness, as the song broadens with the beguiling tones of Mewse, everything blossoms into an inviting croon of melodic and country rock. Ebbing and flowing like waves on an inviting yet lonely beach, the song continues to enticingly engage ears and thoughts, with poise and beauty. Fair to say the vocals steal the show, with strings and keys in close order, but across the track everything works as one to incite and keep keen attention involved.

Written and sung from the heart, Hold Me Close is a melodic and harmonic romance sure to awaken many more to Steve Young, and anticipation for his upcoming album.

Hold Me Close is out now.

https://www.facebook.com/steveyounguk   http://www.steveyounguk.com   https://twitter.com/steveyounguk

Upcoming Steve Young live dates:

Nov 26th – West End Centre, Aldershot – with Jo Harman

Dec 10th – Coach and Horse, Wellingborough

Pete RingMaster 23/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Mojo Slide -Twist Your Bones

 

mojo slide_RingMaster Review

Uniting blues and rock ‘n’ roll, and many other colours with their own feverish climate of imagination and dirt encrusted textures, UK rockers The Mojo Slide release their first album this month, an encounter as fiery and sonically smoky as an alcohol fuelled barbecue. Twist Your Bones offers eleven faces of blues scented dark rock ‘n’ roll, each song a fresh twist on another whilst breeding their own distinctive dose of contagious devilry.

It is an infection loaded flavouring which has captured loyal and eager support for the Cambridge, St Neots, and Cambridgeshire hailing quintet since they formed in 2011. Locally and further afield, The Mojo Slide has built a rich reputation for their live stomp, an earned stature backed by a clutch of singles leading to the release of their gripping full-length debut, it a proposition easy to imagine pushing the band to national attention with the potential for much more.

Twist Your Bones opens with the glorious Addicted, a song which from its first breath of scuzzy guitar seizes ears and attention. In a few moments more rhythms are strolling with carnival-esque revelry as the voice of Mark Wilks stands astride sharing the track’s narrative like a side show barker. With quaint keys courting the thick enticing of Mike Fenna’s guitar backed in potency by the prowess of rhythm guitarist Matt Legg, the song swings along with vaudevillian virulence, simultaneously riding a rhythmic contagion cast by bassist Danny Savage and drummer Michael Graham. There is a touch of Th’ Legendary Shack Shakers to the impressive opener which continues into the just as thrilling Jesus Don’t Love Me. The second song similarly opens on thick guitar bait, scything riffs aligning with a throaty bassline too as an instant catchiness comes the way of the vocals. Again as its predecessor, the outstanding track has its and the listener’s hips swinging with zeal whilst it roams the imagination with a jazz/funk bred tenacity entwined in warped rock ‘n’ roll.

The Mojo Slide - Twist Your Bones - Front Cover art_RingMaster Review     From an old single to the band’s new one in the warm embrace of Smiling. Just released to make a potent teaser for the album, the country bloomed croon gently glides along on a southern twang and again highly enjoyable vocals, that union alone brewing a catchy tempting under the track’s sultry air and blues seamed The Black Keys type serenade. Though not as dramatic as the first two, the song reveals the depth and adventure to the band’s songwriting and sound whilst indeed laying down a strong invitation for Twist Your Bones.

The following High is a blaze of harmonic and sonic causticity and again an inescapably addictive persuasion, with Wilks the ringleader of a gloriously compelling chorus and the energetic bubbling of blues acidity around it. As many songs, there is a sense of recognition to the inspirations and flavours within the song, yet brewed and boiled up into a distinctive swagger. Norwegian rockers Electric Woodland do come to mind during already another big highlight of the album but as suggested, only a welcoming spice in The Mojo Slide stomp.

     Make You Bleed is similarly styled sound wise but leaning more towards a Rolling Stones meets White Stripes flame of sonic seduction whilst previous single Bad In Every Bone, is a slice of delta blues inspired tempting spun by the conflagrant craft and enterprise of the guitars. Stalked by the throaty shadows of bass and intimidating beats, the track seduces as it prowls, adding a funk infused essence to its blues which definitely has a tang of Red Hot Chili Peppers to it. Both tracks impress and get the body keenly moving, with the latter a real incendiary incitement before Rattlesnake Humbug Blues gets feet and hips bursting with further energy with its classic Jerry Lee Lewis toned rock ‘n’ roll.

A transfixing dance of vintage/modern keys brings a captivating texture and enticement to The Ballad Of Satan The Devil next, at times the song laying a Doors like touch on ears whilst in other moments eighties electro pop nudges as an Arctic Monkeys like spicing lurks in the heated roar of the song. It is another shade of sound and creativity in the album, as mentioned its diversity an enjoyable trait continuing in the Dylan-esque canter of Little Bird and in turn the soul blues meets rockabilly, bluegrass seeded Drunk Dog Blues. If an appetite for the album was wavering, something highly unlikely as we found, the track chains it back up again in rich style, quickly backed by the closing psych rock burn of The Sky Is Falling In, a sizzling ramble of rock ‘n’ roll also searing ears and exciting the senses.

For those with a bent for blues and firebrand rock ‘n’ roll, Twist Your Bones is a must, but equally it has a twisted and slightly psychotic tinge to its voice and invention which will appeal to those with a taste for bold alternative adventures. Our recommendation is to go find out if it is for you anyway as fun is a sure fire reward.

Twist Your Bones is released November 14th @ http://www.themojoslide.com/music–2

http://www.themojoslide.com   http://www.facebook.com/themojoslide   http://www.twitter.com/themojoslide

Pete RingMaster 11/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Billy Vincent – Stand On Me

Billy Vincent_RingMaster Review

A plaintive slice of British Americana but fuelled as potently by hope as it is shadows, the new album from Billy Vincent is an ear and imagination catcher. Stand On Me brings twelve tracks of streetwise intimacy and heart bred in the darker corners and depths of London. Their seemingly personal tales entangle the listener in sound and narrative and as shadow exploring as they are, come equally built on blind optimism in a host of individual ways for a landscape of vital rock ‘n’ roll.

Stand On Me is the successor to the band’s well-received debut album She and comes via Swiss label Deepdive Records to whom Billy Vincent recently signed. As mentioned its songs are themed around dark times and shadows but also explore the light to be found in the support of others and indeed hope. Co-writers and vocalist/guitarists Billy Barratt and David Vincent talked about Stand On Me before its release, revealing “We thought it important to choose a title that represents the bigger part of the songs on the record, and Stand On Me is one of those reassuring statements that if you’re lucky, someone close to you might say to you when you feel like you’re out of options, letting you know you can lean on them and it’s all going to be alright”. They went on to say, “A lot of these songs are about that, not letting people you care about crumble and disappear with the rain, it’s a positive thing and we wanted to embrace it”.

With the line-up completed by bassist Joseph Kinsey, lead guitarist Adam Roylance, keyboardist Alex Leith, and drummer Dave Rowlands, Billy Vincent open up Stand On Me with Across My Street and a swift caress of guitar and keys spiked by crisp beats. The song soon settles into a vibrantly magnetic stride wrapped in welcoming melodies and equally alluring vocals, they courted by a darker but no less gripping bassline. A southern spice is never far from the surface of the guitar enterprise either whilst an Elvis Costello meets Pretenders air soaks the song to fine effect. Foot tapping and vocal involvement is simply unavoidable as the song offers a masterful start to the album’s persuasion.

cover_RingMaster Review  A country climate blossoms with the following Sleep When You’re Dead but equally a folkish drama and reflection makes a pungent hue in the sultry presence and emotion of the song too. As in the first track, and most to follow, there is a swing to proceedings, even in its slow croon, which just grabs the imagination as forcibly as the heart spawned lyrics. That catchiness is more unmissable in Hell For Leather. Its opening lure of vocals from across the band is like a fanfare, enticing within the mellower but no less lively stroll of rhythms and melody honed hooks. The track reveals itself to be persistently bewitching, like a snarling fusion of Following Foxes and Seth Lakeman which just gets more rousing and vocally incendiary with every passing minute.

Everybody Else is another with a Costello like texture to its melancholic heart whilst Learning To Drink casts a dark acoustically honed seduction which just grows in sound and strength as its reflective narrative becomes more fiercely soulful. There is enthralling adventure to its evolving scenery and creative drama too, providing ears and emotions with a compelling proposal which as great as it is quickly gets overshadowed by the excellent Loveless Man. With bulkier rhythms and a blues bred lilt to its guitar and melodic endeavour, the song sizzles in ears, the vocals similarly inflamed with their emotive declaration for another lingering highlight.

Both the piano lit, forlornly pensive Dark Are My Days and the crestfallen Waifs & Strays wrap ears in Americana ambience and emotional encouragement, the vocals in the latter especially rosy in their glowing harmonies whilst Cheap simply smoulders in sound and emotion. All three with distinct characters uniting to lure thick attention and pleasure to this part of the album do have to bow to the outstanding You, Me, The World though, a rousing eager stroll with a touch of Denim Snakes’ Russell Toomey to its songwriting and vocal expression. The track is irresistible, stealing top song honours so far and setting another lofty plateau in an increasingly impressive encounter.

The country folk contemplation of Black Suits & Dresses embraces more imposing shadows but immerses them in its own light of optimism and warm soulfulness, leaving the rocking Sheriff Cook to bring the album to a thrilling close. From its first breath, discord and warped strings are toying with the appetite before erupting into a southern lined shuffle of enticing rhythms and smiling melodies skipped over by great grit lined vocals. There is a rebelliousness to the song, an open hint of roguishness which ensures every note and beat has the possibility of breaking ranks and sparking mass discordance. It never happens but assists in making the track increasingly bolder and unpredictable to ultimately give Stand On Me its pinnacle.

Americana and definitely country is not a flavour which gets much attention or eagerness in giving it the opportunity to be part of our ever evolving personal soundtracks here, but Stand On Me just engrosses from start to finish, with particular moments which, as the final song, lights a blaze in ears and appetite. Billy Vincent is a band gearing up to a massive future we suggest with plenty of evidence to be found within Stand On Me.

Stand On Me is available from August 28th via Deepdive Records.

Ringmaster 27/08/2015

Copyright RingMaster: MyFreeCopyright

For more independent exploration check out http://www.zykotika.com/