Of Legions – Face Value

With already a rather potent reputation for their voracious live presence, UK outfit Of Legion offer the fullest introduction to their hardcore ferocity with debut album Face Value. Enticingly irritable, enjoyably raw, and emotively abrasive, the nine track trespass is a potential rich suggestion of a band carrying all the qualities to make a lingering mark on the British hardcore/punk scene.

Emerging in 2015, Stoke hailing Of Legions have evolved a sound which could be said to have found its true roar around the release the following year of second EP,. They have continued to hone it with essences of metal, rock, and punk blossoming within and as evidenced by their first album, though it still feels like it has a way to go to fulfil its potential, it is a sound that has grown into one ear grabbing, imagination stirring proposal. Alongside, the quartet has further earned increasing plaudits with a live presence which has seen them share stages with the likes of Gideon, Desolated, Silent Screams, Liferuiner, Martyr Defiled, TRC, Machete 187, Continents, and Brokencyde. Now it is Face Value looking to push the band’s growing presence and fair to say it makes for one hefty invitation to ears and awareness.

The album’s title track opens things up, Face Value looming in from a distance with heavy coaxing riffs and crisp rhythms; already that multi-flavoured mix of sound grabbing ears. Once in full view, the initial vocal blast from Luke Mansfield triggers a rapacious surge of sound and emotion but one which prowls rather than violates to great effect. Swiftly it is all over the song brief but a great start setting up a real appetite for the rest of the album which the following Let Loose soon feeds. It instantly walls ears in a tempest of intensity and noise, the scything swings of drummer Nath McCue full of ill-intent next to the thick grumble of Ollie Lewis’ bass. With Mansfield venting with emotive passion, the guitar of Sam Morrey casts an enterprising web of intrigue and animus which just grips attention, the four way combination uniting in another two minutes plus of creative animosity and pleasure.

La Familia is another which prowls the listener, its threat and energy in check but fully felt as riffs and rhythms badger rather than strike the senses. With hungry hooks and rhythmic imagination at its centre, the song easily keeps predictability away before Worthless springs a bedlam of acidic grooves, vocal discontent, and rhythmic voracity. It similarly twists and turns with adventure and tenacity, blending familiar essences with real imagination carrying Of Legions individuality.

Grouchy bordering on choleric, Scum crowds and bullies ears next, Mansfield leading its corrosive holler with his throat scraping outpourings. Yet at its core is the most irresistible of grooves which inspires a similarly infectious lining across all traits as it leaves the senses withered, even more so with its final bearish incitement.

Even in their individuality, all songs to this point have their seeds in recognisable hardcore beddings but with Suicidal Thoughts the band really push themselves as progressive lined melodies and atmospheric intimation envelop ears as vocals share emotional scars. It is a compelling start which develops into a melodic rock/punk stroll, Morrey colouring it with some great fiery yet suggestive melodies. Leaving food for thought and a whole new current of potential flowing from the band it is another inescapably enjoyable moment within Face Value.

With the adversarial and constantly shifting dynamics of No Loyalty and the bullish rock ‘n’ roll of Hard Time, the album only confirms its potency if neither track quite stirs personal tastes as forcibly as other songs. Nevertheless, each only builds on the blending of styles the band embraces before Wormfeeder brings things to a close with its snarly intrusive quarrel. With death metal essences in its barbarous and suffocating tempest, the track is sonic pestilence and so easy to willingly succumb to.

Face Value is a great next step in the Of Legions’ growth, yes there are elements which might not grab as much as others but its promise is undeniable as too the enjoyment it delivers.

Face Value is out now.

https://www.facebook.com/OfLegions     https://www.instagram.com/of_legions_uk/

Pete RingMaster 20/02/2018

Copyright RingMaster: MyFreeCopyright

Tall tales within the wings of reality: an interview with Pegasus

Pegasus_RingMasterReview

Hailing from Arras in France, Pegasus is a metalcore band which has lured keen attention with the recent release of their striking debut EP, Fairytale. Following a pair of well-received singles over the previous two years, the new proposition from the quintet of vocalist Thomas, guitarists Damien and Florent, bassist Raphaël, and drummer Sylvain, suggests Pegasus has the potential to make a firm mark beyond their local metal scene. Wanting to know more and with thanks to the band, we look at the beginnings of Pegasus, their new EP, and plenty more…

Hi guys and thanks for taking time out to talk with us.

Can you first introduce the band and give us some background to how it all started and what brought you all together?

We are Pegasus from Northern France, and we play loud music! We can define it as metalcore with little djent or progressive metal parts.

Originally formed by the drummer and the singer, there have been some changes in the line-up of the band and some of us met before being in the band, some of us met by joining the band.

Have you all been involved in other bands before? If so how has previous experiences impacted on what you are doing now, in maybe inspiring a change of style or direction?

Some of us have been involved in different bands which had good levels, but still this is not the first band for any of us.

Indeed there are impacts on what we do because the advantage of every first time is to show you how not to do things. Thanks to our former bands, we are more sure of what we want and what goals we need to reach, and how to reach them.

Pic Matthieu Lepoint _Directeur Artistique

Pic Matthieu Lepoint _Directeur Artistique

What inspired the band name?

Continents is band which inspired me a lot these last years. Their song Pegasus, Pegasus is a call for freedom, to free yourself from your chains and live without drowning. It makes you understand that when really you want something you have to go for it. It’s the perfect representation of Pegasus, and a state of mind which fits us.

Was there any specific idea behind the forming of the band and also in what you wanted your sound to offer?

It’s always more enjoyable to play the music you love with people than playing it alone in your room. And playing it with people you find agreeable to be with is even better. We had a pretty accurate idea of the kind of music we wanted to play and our way to compose makes everyone in the band love all of what we do. We did not try to make something in particular; it just came out like this.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

Our minds, motivations and ways to compose and play have not changed. We see things in the same way, but bigger. We first met to play music we love with people we love, and we still do.

Since your early days, how would you say your sound has evolved?

With the arrival of new people the band stabilized itself and our style has become more complex, more complete. The band is more solid, more mature and we can feel it in our music. We tried to leave out easy or rehash parts and let our role model bands inspire us more

Do you have more of an organic movement in your sound or do you deliberately go out to try new things?

We can say both. As we said, with new people even with the same state of mind, our music has changed. And to please everyone, we had to try new things. Seeing the result, we all agree that these changes happened for the best.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

We listen to a lot of bands of many different styles so we sure have a wide range of inspirations. It has impacted us by opening our minds, showing us plenty of ways to compose music. We are no more limited to the genre we listened to first when we were young. And even in our style, a lot of bands play the same genre with very different methods. There are no limits when you want to do music!

Is there a regular process to the songwriting of the band?Pegasus Art_RingMasterReview

Our guitarists first compose the song. Then we all add our personal touch. We change some parts if it doesn’t suit everyone and we add some little details to make it more brutal, catchy or atmospheric.

The biggest part is done by the guitarists, but we all work on it. Of course we are inspired by bands we like a lot, but we are careful not to copy them.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Events of the past and future inspire us a lot. Our society is fucked up; many things are faked or hidden on different levels. That’s what we want to say through my lyrics. In our EP, the point is to show the strengths and weaknesses of people through a Fairy Tale metaphor

Give us some background to that release.

It’s our first release and we have been working on it for a long time. We had to deal with changes in the line-up and it delayed the creative process a lot.

But it’s finally here, and we are proud of the result. The work was really worth it. We released it via White Tower and now we want to play it a lot, in every place we can!

And the themes and premise behind it and its songs?

We tried to denounce how some things in our society are hidden or kept secret from the masses, how only the good sides of things are shown. The Fairy Tale in our songs is the part made for the masses. A story made to be beautiful without mentioning the hard truth.

Tell us about the recording of the EP and the studio process.

It’s difficult to answer this question. We recorded the guitars, the bass and additional parts at home. Our guitarists have really good material and know how to use it very well!

With this way of working, we always make the songs evolve until our sound engineer (Harry from Efficient Records) gets it for mixing and mastering. But we recorded the drums parts in the first place (at the Boss Hog Studio) as we did not want a digital drum song and preferred it natural. So the biggest parts of each song were done before the beginning of any recordings, and minor changes were still made during the recordings.

Pegasus2_RingMasterReviewWhat about the live side to the band?

We work hard to give the best of us and of our music! We always end up exhausted after a show; we put a lot of energy in it. We have recently worked countless hours on light programming. But the effort was worth it!

This is the side we enjoy the most. That’s the best way for us to show our songs to the people. Seeing the public enjoying the moment while we play is always something really thrilling!

It is not easy for any new band to make an impact regionally let alone nationally and further afield.

How have you found life as an emerging band in France? Are there the opportunities to make a mark if the drive is there for new bands?

Make the music the way you feel. You can always do perfect music, but if you do it just because you know it will work without feeling it there is something missing a people can easily feel it. But doing good music and feeling it is always good!

And you need to not be afraid to contact people/organization that can help you promote your work. If you expect opportunities to come on their own, they won’t. We have the chance to work with White Tower for promotion and digital distribution, and Ventures Group for the booking.

How has the internet and social media impacted on the band to date? Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

The internet offers the opportunity to share your music really easily. The negative side is that everyone can do it too, and you are lost in a sea of new bands/artists. By having an easy way to be visible, you have fewer chances to be noticed. It forces bands to find new ways to promote their work, and it can be really positive.

We can see a lot of amazing stuff today. Knowing how to use tools on the internet is very important today. Doing this today without the internet seems impossible.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thank for listening to us!

 

Explore the world of Pegasus and their new EP further via the following…

https://www.facebook.com/pegasusband   http://pegasusband.bigcartel.com/

https://pegasusband.bandcamp.com/   http://instagram.com/pegasus_music/   https://www.youtube.com/user/pegasusofficialband

Pete RingMaster

The RingMaster Review 19/03/2016

Idols Of Apathy – Life Lessons

Idols Of Apathy Promo Shot_RingMaster Review

Truly standing out in the vast horde of metal bands with a hellacious bully of a sound seems to get harder and harder with every passing year and diversely brutal release. Originality is a premium numerous touch upon, often impressively, and few rarely blossom to something which really does stand alone and become the inspirer rather than the inspired. British extreme /tech metallers Idols Of Apathy fall into the former with their sound, but equally strongly impress with their five track tempest of fury and raw ingenuity, the Life Lessons EP. The release is a volatile and skilfully invasive proposition which never leaves a moment dulled by a lack of imagination and passion, qualities woven in with recognisable hues to suggest that influences breed as much of the band’s invention as their own explorations. At the same time though, the highly enjoyable Life Lessons leaves ears and appetite fiercely attentive as a rich fuel of potential hints of even bigger and individually bolder things ahead as Idols Of Apathy evolve.

Idols Of Apathy Cover Artwork_RingMaster Review   Bursting from the Essex landscape in 2013, Idols Of Apathy were soon stirring up a potent local fan base, spreading further afield once they swiftly released debut single Deceiver. Its success was backed by first EP Unheard Words, which was recorded by Dan Keer. Picking up strong national and media recognition, it was the spark to the band sharing stages, to continuing acclaim, alongside the likes of Climates, Canvas, Lock & Key, Shields, Sworn In, Continents, Create to Inspire, Carcer City, and Falling With Style amongst many more. It is easy to see similar and bigger responses to the release and persuasion of Life Lessons coming up, and though it might not roar from that plateau of major originality it powerfully gives the already strong reputation of the band a new shot in the arm.

The release opens with Bipolar, a song inspired by vocalist Jack Dervish’s own condition and living up to its title in sound and character from its first evocative breath. In no time the inviting coaxing is an anger driven and heart spawned tearing of the senses, with a sound seemingly drawing on the savage intensity and hues of a Slipknot, Devil Driver, or As I Lay Dying. The lethal swings of drummer Stuart Roche resonate like masonry through ears and bone whilst the raw vocal invasion of Dervish, backed as strongly by guitarist Dean Chignell especially with his eventful clean tones, abrase and entice simultaneously. It is the web of invasive grooves and technical imagination from Chignell and fellow guitarists Tom Johnston and Joe Gregory that majorly helps turn a very decent track become a striking offering, their entwining enterprise helping the EP get off to an immense and impressive start.

The great creative irritability and hostile dynamics of the first song continues in the following Addiction, its trespass an insatiable incursion into the senses but bolder in its embrace of provocative ambiences and ‘mellower’ textures led again by clean vocals. The song itself jerks around at times like it has creative Saint Vitus Dance, twisting and lurching from idea to carnivorous intent with seamless and eventful prowess. The bass of Elliott Black is a predator in the mix, his lines and lures bestial, and though not always as open in the mix as in the first song are always there tempering or inciting the calmer and fiercer moments.

Once A Cheat / Always comes next, smothering ears in an atmospheric angst around similarly driven vocals before spilling its own animus of sound and emotion. The scything strokes of one guitar collude with a net of off-kilter sonic from another as the track blossoms a turbulence which merges moments of rich catchiness with winds of blustery causticity; the technical craft and ideation of the band from all angles ensuring predictability is an unused issue.

The scent of Whitechapel meets Revocation of the track merges with the rancorous intensity of the following Backstabber too, lining the melodic expression lighting up a track which maybe does not make the same initial impact as earlier propositions within Life Lessons but comes into its thrilling own over time and listens. It is an increasingly virulent tapestry of crippling rhythms and spiky guitar intrusiveness bursting with resourceful vitality and physical tenacity from across the board before leaving Lessons Learnt to bring the EP to an imposing like-minded and pleasing close. As well as essences which savage as old friends, there is an element of similarity between songs in certain areas but always saved from dominating things by the turbulent adventure the band builds each track upon. Whereas its predecessor’s assault was sonic and lyrical venom, the final track feels like it is an understanding incitement, melodic and harmonic essences a hug around the shoulder giving a reassurance echoing the words shared, though it still snarls and bites like a rabid beast too.

Idols Of Apathy is a band destined to more and greater attention, a suggestion hard to resist making on the evidence of the excellent Life Lessons, and if they can find that real element of originality too, the real potential of big things ahead.

The Life Lessons EP is available from December 4th.

https://www.facebook.com/IdolsOfApathy   https://twitter.com/idolsofapathy

Pete RingMaster 04/12/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

UK post-hardcorers ‘CONDUIT’ have just unleashed new video single for the ‘Others’

Conduit Shot Online Promo_Reputation Radio/RingMaster Review

Born in the West Midlands in 2009, Conduit are comprised of Dave Boyle working on bass & guitar, Ian Harris dishing out the riffs, Steve Hodge providing rhythm guitar and Dave Roberts hammering at the drums. Far from possessing the typical CVs you’d associate with many of today’s up-and-coming melodic hardcorers, two of the band members helped create a floor that appeared in a James Bond film, another volunteered for work in Bosnia and Herzegovina, and their lead singer used to spend his days working in a giant freezer. There is certainly something oft-kilter about Conduit, and it makes the ascending quartet even more intriguing.

The four-piece have a strong bond and friendship, and this solidarity seeps from their music. The Midlanders have a clear philosophy and have grafted diligently for the past seven years on shaping their sound and spreading their manifesto. With influences ranging from Underoath, Haste The Day and Rise Against, Conduit have fashioned a brand of post-hardcore that will batter its way through your skull, tug at your heartstrings, and genuinely make you think. The foursome maintain an earnest approach to song-writing united with meaningful lyrical content, rhythmic refrains, and thoughtful arrangements.

The band have also clocked up the mileage on the road, and after a successful run of shows throughout the UK supporting everyone from War Of Ages, As Cities Burn, Listener, Continents, Heights, Oh Sleeper, Hacktivist, Through Solace, Max Raptor and Fathoms, to name a few, the foursome squirreled away, bracing themselves for a lengthy stint in the recording studio. They soon began work on their debut album, ‘Life On Repeat’, and emerged from the studio in 2015 with an absolute gem of a record.

‘Life On Repeat’ showcases the band at their best, casting a brilliant light on their shrewd ability to fuse and unify genres, despatching intoxicating songs that contort and wrap themselves around your ears. The rising combo have also just released new single ‘Others’; the video single highlights the foursome’s guile and astute use of dynamics to dramatic effect. Stay tuned to the band’s Facebook for further updates and show announcements.

WATCH ‘OTHERS’ NOW AT

https://www.youtube.com/watch?v=sY5bjtQPvvA&feature=youtu.be

https://www.facebook.com/thisisconduit https://twitter.com/ThisisConduit

Islasorna – E.D.E.N

Islasorna Online Promo_Reputation Radio/RingMaster Review

Band and sound might be tagged as progressive metal, but the best description for both elements and the creative and technical fury of Scottish band Islasorna, is psychotic. The Edinburgh quintet’s debut EP E.D.E.N is a tempest of bedlamic ideation, a deranged onslaught of inventive noise which could be declared a sonic psychosis and should be acclaimed as one intoxicating slab of thrilling turmoil.

Formed at the beginning of 2014, Islasorna create the most unpredictable maelstrom of sound. It is indeed bred in from a progressive seeding, but from second to second comes infused with a diverse array of flavours and psyche twisting imagination. Inspirations for the band are drawn from the likes of The Devil Wears Prada, Northlane, Whitechapel, Sikth, The Dillinger Escape Plan, Animals as Leaders, and Metallica, varied spices adding to a striking proposition in sound matched by a live presence which has increasingly earned acclaim and attention as the band shared stages with bands such as Bleed From Within, Carcer City, Demoraliser, Martyr Defiled, and Continents over the past year or so. E.D.E.N is a fierce nudge on broader awareness and recognition, and though for some it might be a creative turbulence too far such the intensive nature of the EP, Islasorna will surely be a name on a much wider roar from hereon in.

The EP opens with Obliteration and a melodic twang of guitar which alone soaks the air in a sultry yet slightly portentous suggestiveness. It is a hint quickly realised by the forceful beats of Michael Devlin and the vocal roar of Justin Dilworth. At first their presence only brings a small element of imposing urgency with it, a slither of increased intensity but also a stronger and darker apocalyptic hue which toys with and ignites the imagination. At the song’s climax a voice skirts the senses and provokes thoughts, menacingly flirting from the shadows before the following Achluophobia emerges to bring its words to thicker destructive reality.

Islasorna cover_Reputation Radio/RingMaster ReviewThe second track instantly expels a djent spawned predation around a blaze of vocal scowling and sonic intimidation from the guitars of Dean Watson and Jamie McArthur. As the first track, it is more a prowling ravenous predator than a vicious onslaught yet the pathological agitation its title suggests is fuel to the attention gripping enterprise and imagination cast by the band. Simultaneously the track is savage and seductive, extremes entwining and in revolt against each other as the listener is dragged through a landscape of metalcore and grindcore to name two of the open essences sculpted in a progressive and experimental voracity.

Judas in comparison is a calmer incitement on ears and senses, and opens with a thoroughly engaging melodic caress of guitar courted by the darker lures of Mark Brunton’s bass. It is a fascinating start, the equally mellow tones of Dilworth adding to the tantalising proposal. The feeling that something is brewing is never far from the surface though and by midway the brief but potent offering has uncaged a caustic climate of sound and emotion though it is still with restraint as the band reveals more of their diversity in songwriting, sound, and individual prowess. Its magnetic bellow makes way for the harsher but no less inventive Choices. The song continues the melodic and dazzling progressive elements of its predecessor but cages them in a jagged confrontation of riffs and barbarous rhythms, both Devlin and Brunton as carnivorous in their attack as the guitars are melodically riveting. Arguably the encounter fits into the more expected template of progressive metal and the inspirations to the band mentioned earlier, yet it is a perpetual provider of unique twists and senses spearing sonic flirtation again setting the band apart from the crowd.

Creative mania returns in full lung bursting vocal and noise driven devilry next with 4-2-8, the track full warfare on the senses as Dilworth reveals his broadest vocal derangement yet and musically the band twists like a sonic and rhythmic dervish. The track is outstanding, not necessarily better than any other upon E.D.E.N but staking a favourite claim with increasing success over every listen. Its rigorous and rugged turbulence is instantly contrasted by the EP’s closing title track where once more Islasorna pull back the shades on another side of their imagination. An initial breeze of melodic beauty kisses ears and thoughts first, keys colouring a shadowed ambience with elegant charm before evolving into an electro rock seducing around militant rhythms and a union of harsh and harmonic vocals. Post hardcore, scream, post rock, they are all amongst the spices within the encounter, whispering hues within the enthralling finale going towards further proof of the band’s originality.

As outstanding as it is, E.D.E.N still feels like it is only the first big step of the band, one loaded with such promise that it suggests it is merely going to be the springboard for bigger, bolder exploits ahead. This only adds to the excitement of the emergence of potentially a new force in European metal.

The E.D.E.N EP is available from June 1st through all stores.

http://Facebook.com/islasornauk

RingMaster 01/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Conduit – Life On Repeat

Conduit Shot Online Promo_Reputation Radio/RingMaster Review

‘All things come to he who waits’ they say and certainly that is the case for fans of UK band Conduit as they release debut album Life On Repeat six years since emerging upon the melodic hardcore scene. Since stepping forth in 2009, the West Midlands quintet has encouraged a rich and loyal fan base alongside earning a rich reputation for their live presence. Now national attention is under potent persuasion through Life On Repeat, and from someone having their first introduction to Conduit through the album, it is a fine quest bound for success.

The Coventry band consists of vocalist/bassist Dave Boyle, lead guitarist Ian Harris, rhythms guitarist Steve Hodge, and drummer Dave Roberts, a foursome taking inspirations from the likes of Underoath, Haste The Day, and Rise Against into their thick mix of sound within a post/melodic hardcore template. Lyrically there is a seeding in the band’s faith which never imposes yet has clarity within the bustling sounds around them. As mentioned, live Conduit has earned their spurs and rich praise, the sharing of stages with bands such as War Of Ages, As Cities Burn, Listener, Continents, Heights, Oh Sleeper, Hacktivist, Through Solace, Max Raptor, and Fathoms acclaimed moments on their CV. There is open energy and dynamism to Life On Repeat which can only echo the band’s stage vivacity, and though for personal tastes the release ebbs and flows in its demands on ears and emotions, from start to finish Conduit offer a thoroughly magnetic proposition.

Eyes Wide Shut sets things rolling, a blaze of guitar amidst a sonic wind an immediate coaxing soon evolving into a vivacious tempest of sound and vocal intensity. Boyle offers a duel attack, at times his delivery a raw squalling enticement and in others a strong clean roar. Riffs and hooks align to keep ears under intensive encouragement and hostility too, whilst rhythms demand attention as they frame the creative turbulence within. It is a striking start to the album continued with equal success by Sovereign. A sonic jangle awakens ears first, its lure quickly joined by eager rolling rhythms, and in turn another web of vocals. A lot of attention is given to the vocals by the band, not to the detriment of anything else but to provide a varied and just as energetic offering as the music. It is an on-going side to the album which works a treat with the melodic tones of Boyle the scene stealer against his coarser incitements. As the opener, the track bellows and entices with invention and craft, even if it uses existing genre templates rather than crafts its own.

Conduit cover_Reputation Radio/RingMaster Review    The lighter and warm infectiousness of The Road swiftly shows there is more to the songwriting and imagination of the band than vociferous intensity. An electro bubbling lies in the belly of the proposal, whilst the melodies cast spring emotion and warmth in song and ears. The harsh assaults of vocals are not as successful for personal tastes against the excellent clean delivery of Boyle and the flow of the encounter, but do not prevent ears and satisfaction being captivated before making way for the bands new single, Others. The song is a lively, emotive stroll of pop rock with dramatic shadows and a fiery enterprise leaving only satisfaction in its wake.

The reflective throaty melody bringing next up Pulled From The Water is a mouth-watering entrance backed up by leaner but no less enthralling lures of guitar and bass. The raw vocals again do not quite work with ears, at this point the realisation that the draw for us is definitely the cleaner side of Boyle’s vocal presence coming through, though once the song erupts within its balladry with a caustic climate the growling tones make a pleasing hue. The song smoulders for the main though, making stronger proposals with every listen as does Let Your Breath Become Your Sound, after the brief intro presence of Interlude leading into it. The song is a tempest of angst cured calm and volatile emotion drenched atmospheres, an unpredictable and gripping landscape of sound and creative tenacity.

Previous single Outstretched Arms makes a telling hook for the senses and appetite, its voracious flaming and contagious catchiness combining for an encounter which intimidates and seduces simultaneously. The prime groove and rhythms are addictive bait whilst melodies and vocals create anthemic potency even with agitated and unsettled emotion coating their every move. It is no surprise the song alone raised additional anticipation amongst newcomers to Conduit for the album, such its forceful but endearing tempest.

Endearing is a great description for the closing We Were Kings too, the song a masterful tapestry of all the key and potent essences of the Conduit songwriting and sound. Light and dark essences court each other’s strengths whilst aggression and warm radiance almost battle as they align within the outstanding end to the album. The best song on Life On Repeat brings it to an end and ensures the release is a lingering memory.

It is fair to say that the admittedly increasingly enjoyable Life On Repeat did not ignite a fire inside as often as we would have hoped but only down to personal wants than any real deficiencies found within what is a thoroughly enjoyable and appetite awakening release. We watch the next step of Conduit with keen interest, and if it is more of the same then there will still be few particularly disappointed.

Life On Repeat is available from June 1st through all stores.

https://www.facebook.com/thisisconduit    https://twitter.com/ThisisConduit

RingMaster 01/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

ISLASORNA REVEAL THEIR E.D.E.N’ ON 1st JUNE

Islasorna Online Promo shot

SCOTTISH PROGRESSIVE METAL OUTFIT ‘ISLASORNA’ NATIONALLY RELEASE THEIR DEBUT EP ‘E.D.E.N’ ON 1st JUNE, THROUGH ALL STORES.

Spawned from the depths of Edinburgh, and conceived at the start of 2014, Scottish experimental metal crew ‘Islasorna’ have picked up a legion of fans throughout the far North. And through dedicated and rampant gigging, word is beginning to spread about the band’s high octane live shows further afield in the UK. Adding more fuel to their fiery cause, the progressive metallers have supported the likes of Bleed From Within, Carcer City, Demoraliser, Martyr Defiled and Continents.

Consisting of vocalist Justin Dilworth, Guitarists Jamie Mcarthur & Dean Watson, bassist Mark Brunton and drummer Michael Devlin, Islasorna fuse together colossal riffs, tech playability and even hints of jazz to the melting pot. With inspiration coming from everyone from The Devil Wears Prada, Northlane, Whitechapel, Sikth, The Dillinger Escape Plan and Animals as Leaders to Metallica, the band offer a sound that is inherently steeped in metal, but undoubtedly pushes the envelope.

Islasorna are set to break out to the UK with the official release of their earth shattering debut EP, ‘E.D.E.N.’. The opening track ‘Obliteration’ pulls you in with its haunting atmospherics and pummelling drop beats. The five-some then crank it up with the sludgy riff assault of ‘Achluophobia’, which immediately grabs you by the nether regions. The band showcase their astute use of dynamics for the hypnotic track ‘Judas’, while the guttural attack of ‘Choices’ slams your eardrums, and the craft of ‘4-2-8’, framed by blistering guitars and jagged rhythms, is just pure intensity. The metallers draw the record to a close with the EP’s namesake ‘E.D.E.N.’, and it’s an eerie slab of moody heavy electronica which displays the band’s growing maturity. With shows in the can for this Summer, Islasorna are bursting to rise.

-ISLASORNA RELEASE ‘E.D.E.N.’ ON 1st JUNE THROUGH ALL DIGITAL OUTLETS-

Islasorna cover

http://Facebook.com/islasornauk