Ben Wood and The Bad Ideas – Cora Cora Cora

You will forgive us, like the band we hope, for bringing this single to your attention a little late but it is a must for all those with a bold adventure in their indie rock hearts and rapacious fever in their indie pop instincts. The track is Cora Cora Cora and it comes from UK outfit Ben Wood and The Bad Ideas, and the first song in a planned project which if all prove as striking will make 2020 a highly busy and successful time for the UK band.

January saw the launching of a 12 month campaign which will see the London based band release a single per month for that period, songs set to feature guest performances from the likes of drummer Nick Maybury (Juliette Lewis & The Licks/ Scott Weiland Band) and prog pioneer Billy Ritchie (Clouds/ The 123) on keys alongside lead vocalist/guitarist Wood, lead guitarist Andy Duke (Flesh Tetris), bassist Ed Sonsino, and drummer Clive Bissell.

Cora Cora Cora as mentioned is their first offering and sees the legendary Dave Barbarossa (Adam & The Ants/ Bow Wow Wow) featuring on drums. Fair to say the track immediately gripped ears with its almost sinister melodic lure which emerged from the initial blast of rhythmic temptation. That fruitful hook continues to wind across the song, increasing its intoxication as Woods potent tones swing on the creative threads of the band led by Duke’s ever magnetic craft.

It is a captivating encounter which is only grips tighter with its post punk seeded shadows and rhythmic nagging and erupts to greater heights with its enlivened chorus and increasingly virulent sound.

The track is superb and a thrilling introduction to the band’s proposed endeavour so go grab now before its greedily anticipated successor is uncaged. Ben Wood & The Bad Ideas are out to grab your ears and attention and already it is easy to feel it could be a done deal.

Cora Cora Cora is available now via Back2Forward Records.

https://www.facebook.com/BenWoodTheBadIdeas/

Pete RingMaster 16/02/2020

Copyright RingMasterReview: MyFreeCopyright

Nomad Stones – Self Titled

ns good band pic_RingMasterReview

The press release from Brutal Panda Records for the debut album from US trio Nomad Stones suggests that their “punk-infused blast of rock n’ roll sounds like Dinosaur Jr. meets Black Flag.” It is a description which it is hard to dismiss though throughout the eight-track encounter with the New England band we could not help thinking this is what The Dickies might have sounded like if they had slowed down, got grungy, and embraced the raw rock ‘n’ roll of Johnny Thunders. Numerous times the punk pop mischief of the LA punksters is encroached within the Nomad Stones album but always infused into their bubblegumless and fiercely rousing punk ‘n’ roll.

Formed in 2015, Nomad Stones consists of guitarist/vocalist Adam McGrath (Cave In, Zozobra, Clouds), drummer JR Conners (Cave In, Doomriders, ex-Goatsnake, etc.), and bassist Erik Szyska. With already shows under their belts alongside Mutoid Man, United Nations and numerous others, the threesome has certainly stirred intrigue and attention, and easy to hear why now their first release is spreading its ferocious yet contagious temptation.

Wrapped in the art work of Converge’s Jacob Bannon, the album opens up with Dead Batteries. Firmly punching beats set things off, grumbling riffs soon in tow as McGrath shares his vocal prowess in a virulent stroll mixing the punk of The Damned with the dirtier scent of Dinosaur JR and the dark growl of Misfits. It is a rousing and compelling start, a spirit and appetite sparking beginning reinforced by the following stomp of Dirty Boots and A Friend Named Goo. With swinging rhythms and mischievous hooks entangled in another scuzzy antagonistic snarl of a sound, the song brings seventies punk into the visceral infectiousness of modern punk ‘n’ roll, hitting the sweet spot within seconds and only reinforcing its persuasion as distorted guitar enterprise plays.

mininomadstones_RingMasterReviewDrain Brain comes next bringing a monotone nagging of the senses as riffs groan and shimmer while vocals add their singular but magnetic coaxing. Grungy and again old school punk seeded, the song grumbles and transfixes before The Frugal Yankee strides in and inspires that Dickies reference. Previous songs hinted but the fourth track especially recalls a sterner and heavier take on the Leonard Graves Phillips, Stan Lee, and Chuck Wagon led band, whether by coincidence or just in our ears.

A slower prowl comes with Glory Days next, its slow but eager crawl thick with emotive and rhythmic shadows adding another creative shade to the EP and an intriguing proposition for ears and imagination to embrace. Carrying a bit of Fugazi in its character, the excellent encounter steps aside for a rousing version of the Buddy Holly classic, Heartbeat. Just beefing it up gives the track a fresh lure but Nomad Stones also add fiery melodies and even more aggressive nagging to its riffery to leave ears greedy and pleasure rife.

The rowdy air and intent of In Too Deep ensures satisfaction is full next too, the song without the same spark as its predecessors for personal tastes still only leaving a want for more which closing track, The Sandwich Police provides as again, much like the last song, Nomad Stones venture into the epidemic strains of pop punk united with the threat of Black Flag/Converge scented confrontation.

The track is an outstanding end to an excellent introduction to Nomad Stones. There is buzz rising around the band and we can only add to it as raw and punk infused rock ‘n’ roll does not come much more enjoyable than this.

The Nomad Stones EP is out now via Brutal Panda Records @ http://nomadstones.bandcamp.com/

https://www.facebook.com/Nomad-Stones-564184443733217/

Pete RingMaster 02/09/2016

Copyright RingMaster: MyFreeCopyright

Dark realms and shadowed emotions: an interview with Déhà of We All Die (Laughing)

 

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The union of musician and composer Déhà (C.O.A.G., Maladi) and vocalist Arno Strobl (Carnival In Coal, 6:33) for the project We All Die (Laughing) has resulted in one of the most extraordinary experiences and towering creative tempests of recent times. Consisting of a single thirty three minute track sending the listener on a continually expanding landscape of emotionally drenched progressive dark metal, the Kaotoxin Records released Thoughtscanning is a powerfully provocative and enthralling immersion for thoughts and emotions. Keen to learn more about the project we took up the offer to talk with Déhà, questioning him about the band and album as well as news on his other projects.

Hello Déhà and thank you for sharing time with us so we can dig into the creative world of We All Die (Laughing).

The first question is obvious, how did the union of you both come about for the project?

Just out of nowhere, Arno & I started to discuss with an artist/fan relationship because I am a huge appreciator of Carnival in Coal. I talked to him about my different projects and I sent him the first demo of WADL back then, he fell in love and we decided to make this true!

You both guested on The Deceit EP from Eye Of Solitude; was that actually working together or just happened to be both appearing on the same song?

Well… I kinda forced my appearance on that song, haha! I was recording Arno’s voice for this song and I was like “oh fokdatchit, I’m going to scream a bit and in any case, they can remove my stuff” and they liked it really much! Funny fact it was before we released the album so many people were just asking “what the hell is “wadl” ?” and that was someway a good thing.

So We All Die (Laughing) is the first time you have intensively worked together creatively then?

Exactly. And that was fantastic. We understood each other without a need to talk or else.

Was there a particular spark which brought the actual project to life and specifically determined its direction?

That “power” we have together was the sparkle that started the fire. This mood we had was just “the” stuff we needed.

A bit of a naughty question 😉 but has each other’s music been something which has thrilled and inspired your individual passions or has it been more an encounter which has artistically impressed without lighting feverish emotions?

As for me, despite everything you might hear on this album, I was not inspired by any other music at all. This is emotion, as cliché as it sounds…

 A quick mention about your other bands/projects if we may; 6:33 has been a lustful passion for us since discovering Arno and co through the Giggles, Garlands & Gallows EP in 2012 whilst admittedly it has been only recently with C.O.A.G and Maladi that we have been drawn into the imaginative aggressive fire of yourself, Déhà. For you is there anything from those and other of your projects which have helped spawn or inspire some of the We All Die (Laughing) sound?

Absolutely not. The most “influential personal band” on this album might be some “imber luminis” stuff (an own project of mine) but it’s not even that hearable.

You have just released the extraordinary Thoughtscanning, your stunning one track epic debut album. How have responses cover Artwork by Maxime Taccardibeen and have they matched your expectations?

We have absolutely nice reviews all over the world and this is really great! I was not expecting that much positive reviews as the music’s complex, but I am really happy and grateful!

I will be honest and we said so in our review that a single thirty minute plus track was a daunting and initially not the strongest lure…that was until we plunged into its depths for the first time.  Did you have worries about a similar fear and maybe assumptions about a single track album scaring people off or was that something which never crossed your minds?

It did, but I am used to composing long tracks for one purpose : the trip, the journey given by the music has to stop only when we state it. And this album, even if lyrically divided in parts, had to be one song because it’s a circle closing on itself. And we wanted to keep it that way.

Was the release always planned as one piece of music?

Absolutely.

Thoughtscanning is an enthralling, intimidating, and breath-stealing adventure, certainly challenging but equally a virulently stimulating and dramatic journey for the emotions and imagination. Tell us about the premise behind the album and its theme.

It’s emotion. I won’t say it’s the purest emotion I might release, since I have different projects and bands for my different emotions, but WADL is mainly this constant struggle between you and yourself, wanting to be healed and at the same time, you don’t want to be healed, you’re tired, or else. It’s a cliché, but to hell with it. People are all clichés.

How did Thoughtscanning emerge; did it grow and come to life as we hear it on the album or was it more like a movie, scenes created and recorded in random order to be shaped after into the sonic narrative we are confronted with?

From the beginning until the end, I would fuse your two metaphors : It’s a movie which was shot from start to finish

We imagined that the album evolved right up to its final moments, is that the reality or did you have it in a finished state before recording?

It was exactly like what you’re hearing.

How long did the album take to create?

The Composition took one year, the voices recording took 2 months of demo & 1 week for the final recordings

The first pressing of Thoughtscanning also included an Amy Winehouse cover; tell us about that and how you approached a song which is distinctively hers?

It was our label’s idea for this song, we had plenty of choices but we never really agreed. When Nico told us about this song we totally agreed in one shot, since we’re appreciating Winehouse’s music and it was a pleasure, since her lyrics went perfectly with our concept.

Can we assume We All Die (Laughing) is an on-going project or will you be disappointing us with little or no more releases?

On-going.

Portraits by Maxime Taccardi.What comes next for We All Die (Laughing) and for you individually?

An EP, at some point, and more stuff at some point. We’re not stopping. As for my side, you can expect releases for Merda Mundi, COAG, Imber Luminis, Maladie and Clouds.

Once again thank you for talking with us.

Any thoughts or last words to inspire or provoke the readers?

Act.

www.facebook.com/wealldielaughing

Read the Thoughtscanning @ https://ringmasterreviewintroduces.wordpress.com/2014/01/14/we-all-die-laughing-thoughtscanning/

Pete RingMaster

Copyright RingMaster: MyFreeCopyright

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The RingMaster Review 11/03/2014