Following Foxes – Self Titled EP

1509243_401429133348802_4696697141626334446_n

When an artist or band has a background which involves in part the Academy of Contemporary Music in Guildford, there is always an intrigue to learn more, partly because the town is a part of our musical heritage too and mostly because of some of the talent which has been nurtured at the ACM. From one of the UK’s most potent and impressive place of musical education, the likes of Newton Faulkner, Guy Davis who was part of the UK’s finest alternative rock antagonists Reuben, Joe Butterworth of Talanas, and Alexis Demetriou who formed the criminally unrecognised rockers Lost In Wonderland, have made varying impacting but potent marks on the British music scene. It is a long list also including members of Lawson and some bloke named Ed Sheeran, successes to which you can now add home town boys Following Foxes.

With its members all meeting at ACM, Following Foxes formed in 2013 and having a strong past year on the live scene now release their self-titled debut EP to nudge a broader attention to their presence. The five track release is a captivating introduction to the quartet, a handful of songs bred in a melodic caress of folk and indie/acoustic rock which energetically and skilfully bring a summery and creatively tenacious proposition to the senses. Drawing in inspirations from bands such as Biffy Clyro, Mumford & Sons, City and Colour, and Pink Floyd, Following Foxes shows themselves to be a thoroughly magnetic proposal and their EP more than likely to pick up wider media attention to back up already eager play on local radio stations across the South East of the UK.

The band’s new single, Almost Lost It is first up and right away with punchy bass lures from Mike Chapman and a great shuffle of beats within a caress of guitar, has ears and imagination paying close attention. The song relaxes soon after to welcome the strong vocals of Gid Sedgwick, his tones as warm and alluring as the melodic venture already shown by his and Alex Hill’s guitars. Subsequently with ears transfixed, another bait of thick beats from Steve Price adds fresh adventure before the song settles into a vibrant stroll loaded with a folkish revelry and melodic

Artwork by Harry Murr @ Roberts Clothing

Artwork by Harry Murr @ Roberts Clothing

swagger. There is still plenty of variety to gait and sound across the song though, sometimes more subtle than in others but a great unpredictable essence which grips the appetite and certain enjoyment.

The following I Saw, You Saw Me Back makes a less dramatic entrance though Sedgwick immediately holds court with his melodic croon and lyrical intimacy. It is still a strongly appealing first touch though which expands into a feisty but composed dance of voice and rhythms within a melodic seduction. As its predecessor, the track soon worms under the skin and into the psyche, a Lennon and McCartney whisper spicing part of the song whilst others times it romps along like a mix of Knots, Common Tongues, and The Radioactive Grandma.

Waiting for Someone, like those before it, simultaneously manages to be a warm reflective hug and a fiery little rocker, the great vocals across the band and occasionally a rigorously driving rhythmic thrust respectively igniting another memorable and increasingly enjoyable offering. It does not quite match up to the first pair such their might, but leaves satisfaction full before making way for Mother Brother. Though you cannot describe any of the songs as aggressive, there is a definite edge to the song when it steps up its energy around harmonically and melodically seductive embraces. It is a compelling end to a fine release; well not exactly an end as there is the brief melodic Outro to come but the party has ended by this point, its atmospheric haunting that drifting away of guests and excitement like after any slice of major fun.

Following Foxes has made a very impressive first step with a release which could straight away set them on a potent journey towards sparking the country’s attention. If not now it is impossible not to think or expect it will happen eventually but seems silly to wait, so go check out this highly pleasing release.

The Following Foxes EP is available now @ https://itunes.apple.com/gb/album/following-foxes-ep1-ep/id964894157

https://www.facebook.com/FollowingFoxes     http://followingfoxes.com/

RingMaster 02/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

 

 

 

 

Jet Pack – Heat Of The Moment

jp

Reinforcing the success and presence of their recently released Chasing Sunsets EP, UK alternative rock band Jet Pack have added to its impressive persuasion with new single Heat Of The Moment. The second to be taken from their acclaimed EP, the track even away from the wrapping of its initial very potent appearance, leaves appetite and expectations for the band’s presence and future high and eager.

The Cheltenham quartet of vocalist/guitarist Dennis Cook, lead guitarist Paul Roberts, bassist Richard Beattie, and drummer Sam Haskins, came together in university and took little time but plenty of energy in sharing their melodic rock invention, shows alongside bands such as Hype Theory, General Fiasco, Attention Thieves, and Hildamay marking the way as well as acoustic slots supporting Blink 182, City and Colour, and Biffy Clyro. Chasing Sunsets has certainly taken awareness of the band to another level countrywide which you can only assume the single will give another dose of adrenaline to.

Heat Of The Moment makes a restrained yet fiery entrance, guitars coaxing out evocative melodies whilst the beats of Haskins punctuate their narrative with firm punches. The vocals of Cook make a smooth and expressive narrator for the lyrical emotion and with the great throaty tone of Beattie’s bass tempering the elegance and flaming invention of Roberts, it all combines for a smouldering slice of emotive pop which impresses and grows stronger with each impacting caress. Soaked in hungry but respectful intensity and melodic enterprise, the Matt O’Grady [You Me At Six, Deaf Havana] produced song is an appealing simmering temptation.

Accompanied by a directed Ant Thornton video and followed by a string of dates with Conduit, The Heat of the Moment confirms Jet Pack as one of the more promising and exciting melodic rock/pop bands to have emerged in recent times. We await the next unveiling from the band with keen anticipation.

https://www.facebook.com/wearejetpack

8/10

RingMaster 28/11/2013

Jet Pack Gig dates in December 2013

Thurs 5th – The Grapes, Stafford

Fri 6th – The Abbey Inn, Oldham

Sat 7th – The Derby, Barrow-in-Furness

Sun 8th – The Asylum 2, Birmingham

Mon 9th – The Golden Cross, Coventry

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

The Heights – Drag Race On The Moon

the heightspromo1

Hailing from Toronto, Canadian pop rock band The Heights are set to make the summer a warmer and more melodic place with their new EP Drag Race On The Moon. Made up of five vibrant and enterprising alternative/melodic rock songs which flirt with the ear from start to finish, the release is sure to bring the band to a stronger and wider spread attention.

Initially a solo project for Gavin Sutton (vocals / guitar / piano), The Heights soon expanded to a full encounter with the addition of guitarist Nick Dooley, bassist Colin Jacques, and Tyler Jones on drums. The self-titled and Bonacres EPs from the band set appetites alight but it is Drag Race On The Moon which looks set to make the quartet a name on a greater array of lips and passions. Employing inspirations from the likes of Coldplay, City and Colour, and John Mayer, which are open whispers in their clean cut and honed sound, there is a freshness and invention to the band which is impossible to dismiss even if they do not find the spark to ignite your passions. Earning further acclaim for their live performances which has seen them play with bands such as Set Your Goals, Silverstein and Fireworks to name a few, The Heights with the release of the EP stand at the door to greater recognition, whether it is the actual key the next months will tell but certainly the band offers everything available within them to provoke success with their new offering.

Opening song Soldier is an immediate rich attraction, its initial atmosphere brewing behind the emotive and excellent vocals of drotmcoverSutton as intriguing as the keys which also add their voice. Those impacting lures open up a deeper bait for the senses as drums and bass walk around and cage the melodic flames beginning to lick at the ear. Once its chorus erupts for the first time there is a contagion at large which wraps tightly around thoughts and emotions and continues throughout the rest of the song. Reminding of UK band Candidate23 though arguably not quite as virulently addictive, band and song add further drama and energy to the excellent track and secure certain acclaim well before its final note kisses the ear.

The following Some You Give Away has a sense of The Wonder Stuff to its first melodic caresses but then evolves into a boisterous and energy fuelled pleasure complete with jangly guitar strokes and evocative keys. Again the vocals are outstanding and ably aided by the rest of band in voice and inventive sound. A track which prods and leaps through the ear at times,  it is a heated blaze of melodic imagination and impressively crafted songwriting continuing the strong start with ease.

Both Devil and Spinning Webs unveil their feisty yet elegant depths, the first another song with punchy rhythms and sonic crescendos which ignite around the chorus as the keys spread a resourceful and smouldering ambience to the emotive tones of vocals and words. With an element of Doves to it the track passes the baton on to its successor who runs with a piano led narrative which is coated in a melodic beauty which demands total clarity. That the band gives as harmonies lead in sultry bass persuasion and rhythmic tenderness to support another great vocal and keys invitation. Maybe not as impacting as previous more energy driven songs it is still a treat of honed and sculpted excellence.

Closing song You Make Me is the weakest on the release, though still a more than satisfying encounter, which lacks the individuality of earlier songs to set the band and release apart from the rest but with strong craft and passion coaxed enterprise it makes a more than decent conclusion to a fine EP nevertheless. It is hard to say that Drag Race On The Moon got our passions excited enough to ignite any lingering ardour but undoubtedly it got feet dancing and sparked lively reactions in its eager company which is not a bad thing.

www.theheightsofficial.com

8/10

RingMaster 09/07/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Jet Pack – Chasing Sunsets EP

Photo by Philipp Richter

Giving the ranks of alternative rock a rousing and vibrantly melodic addition in the shape of their Chasing Sunsets EP, UK band Jet Pack is an unexpected treat which ignored expectations to show themselves as an exciting, inventive, and impressively promising band. The excellent release undoubtedly suggests there is plenty of room within the imagination of the band still to emerge in their probable rise to the fore of melodic and emotive UK rock but also brings one satisfying and appealing appearances to fully enjoy right now.

Hailing from Cheltenham, Jet Pack was formed out of university in 2008 by a group of musicians linked by their mutual love for pop-punk as much as anything else. Consisting of vocalist/guitarist Dennis Cook, lead guitarist Paul Roberts, bassist Richard Beattie, and Sam Haskins on drums, the quartet has exhaustingly travelled and played the lengths of Britain with their live performances which have included sharing stages with bands such as Hype Theory, General Fiasco, Attention Thieves, and Hildamay, as well as playing acoustic slots before Blink 182 at the LG Arena in Birmingham as well as similar appearances before Biffy Clyro and City and Colour. The band has earned at the same time strong plaudits for their sound and stage energy which they have brought into their new release.

The Matt O’Grady (You me at six, Deaf Havana) produced Chasing Sunsets EP starts with the excellent Back To Life, a track Jet Pack Cover Artworkdancing with the senses and passions from its first second and impacting on thoughts and emotions just as long and eagerly. Vocals, resonating rhythms, and fiery guitars open up the track with enterprise and hungry energy, their combined enthusiasm and qualities securing instant attention and keen commitment. Infectious without being blatantly obvious in its hook, the song is a sizzling burn of the melodic prowess of Jimmy Eat World and the more abrasive confrontation of No Trigger honed into a pleasing and incendiary result by the accomplished foursome.

The following Now I Know How John Locke Felt and Heat Of The Moment continue the impressive start, both with a less forceful but no less hungry enterprise and melodic intensity. The first of the pair brings some great coaxing from keys within and behind the melodic haze of passion and great vocal harmonies which compliments and tempers the grazing touch of the guitars. It is an inviting and ardour recruiting stroll of skilful persuasion whilst its successor steps into a more deliberate slower gait where emotive expression and sonic rain showers the ear for an appealing heated temptation. Not quite as magnetic as the first two songs, the track still leaves a happy and elevated appetite for more.

The title track is a real slow burner, a song which initially left doubts and dormant reactions but as it continued its narrative sparked intrigue and increasing mesmerism. The initial acoustic wrap with the vocals of Cook laying the plaintive lyrical statement is underwhelming and sparks insecurity over its presence in what so far has been an impressive release. Once the vocals of guest vocalist Lauren Pryke steps forward into the mix with the shadows of melancholic strings in tow, things take an elevated turn with the atmosphere and breath of the song darkening yet equally blazing with a bright and entrancing wash. It is a cloudy almost muggy mix which covers the song and it is that enveloping tempest as much as the beauty of Pryke’s contribution and the glorious emotive strings which makes the final and long term convincing.

The final pair of All I Need with its towering rhythms from Haskins and the closing potent  epic tasting instrumental This Is The End close out the release in strong and compelling style, both without reaching the heights of the start of the release but strongly complimenting its impact and the pleasure given. Chasing Sunsets certainly sets up Jet Pack as a band with the destiny of their success firmly in their own hands  and shows they have all the armoury and ability to make it a successful one.

www.facebook.com/wearejetpack

8/10

RingMaster 05/05/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com