Mosley Bar – Royalties

Following up their well-received debut EP, Another Record Sleeve, which sparked strong attention the way of the band and airplay from the likes of BBC 6 Music BBC Introducing, Mosley Bar uncage successor Royalities this month to show that the potency of the first was no flash in the pan. Offering four tracks with a fine line in instinctive catchiness and enterprise, the EP reinforces the British North West hailing quartet’s potential of making a real impression on the UK rock scene.

Formed in 2015, Mosley Bar draw on the inspiration of bands such as Arctic Monkeys, The Libertines, Catfish and the Bottlemen, Two Door Cinema Club, and Circa Waves in a sound which has a certain familiarity to it but equally a freshness of youth and imagination. Certainly the first pair of artists in that selection of influences comes to mind easily with the band’s sound but infests without disguising the potential of bolder adventures ahead; a promise which is richer and already more imaginative in their new offering against the strong showing within Another Record Sleeve.

Royalties opens up with a song which has already lured praise carrying attention, Two Apart quickly enticing ears with its initial guitar jangle around the distinctive tones of vocalist/guitarist Ryan Ward. In no time, the swinging lure of Tim Williams’s bass and the melodic enticement of guitarist Adam Eccleston add to the song’s blossoming, the lively beats of Matthew Wright driving things with spirit. It is easy to see why the infectious exploits and dynamic prowess of the track has drawn keen plaudits, its boisterous exploits and web of melodic and sonic enterprise an accomplished and riveting proposal lined by that enjoyable Arctic Monkeys spicing.

With increasing drama and emotive intensity roaring through ears, the excellent opener makes way for the similarly instinctively catchy Wide Awake. Its own line in hooks and flirtatious industry is even swifter in persuasion than that of its virulent predecessor, Eccleston and Wards’ guitars infesting feet and hips as the latter continues to bring his magnetic voice to the rousing mix. For us, the track simply outshines the first and pretty much anything from the band to date; its body boisterous and character a fine blend of recognisable and new essences colluding in one irresistible incitement.

The punchy stroll of next up Philip is aligned to a melodic shimmer and psych pop flavouring, contrasting textures which unite with evocative imagination around the hearty stomp of a song erupting with persuasive zeal. It is another frisky and buoyant landscape of sound which grows listen by listen into a rousing temptation; a growing temptation also emulated in Chasing which brings things to a fine close. The slow burner of the bunch, though its breezy energy and playful nature is a quick success on ears and appetite, the song simmers and shines with increasing potency to provide another highly enjoyable outing with Mosley Bar.

Listening to Royalities, it feels like now is the time for Mosley Bar to add bolder, more unpredictable elements to their music. Their new release does have a whiff of that evolution to be fair and added to the band’s natural weaving of infectious music around insightful words, there is no reason that the journey ahead for band and fan will not be eventful and thoroughly enjoyable.

Royalties is out now across  most online stores.

https://www.facebook.com/mosleybar/    https://twitter.com/mosley_bar

Pete RingMaster 16/05/2017

Copyright RingMaster: MyFreeCopyright

Whitecliff – 5 Minutes / ’Till The End

Whitecliff_RingMasterReview

It is fair to say that British rock band Whitecliff is gaining a reputation as rich and inescapable as their drama soaked sound has proven to be, and it is safe to say that it will only increase with the release of new single Five Minutes. The two song offering is a captivating example of the band’s indie/melodic rock imagination with even bolder exploration coming in the atmospherically thick ’Till The End which accompanies the lead track. Released via 25 Hour Convenience Store, the label of The Libertines’ Gary Powell, the single has all the qualities to spark another successful year for the band to match 2015.

The first band signed to 25 Hour Convenience Store, Whitecliff first lured attention with debut single Everybody Knows, its success backed and pushed last October by the Young Lovers EP. Both releases grabbed ears with their fresh and vibrant sounds, in turn drawing potent media attention and support across terrestrial and internet radio. Live too, the band has grown from strength to strength, supporting The Libertines at one of their sold out Alexandra Palace shows and playing London’s Old Blue Last and the Notting Hill Arts Club amongst highlights so far.

art_RingMasterReviewReuniting on the new single with producer Ken Nelson (Coldplay, Paolo Nutini, Badly Drawn Boy) and for mixing Dan Grech (Lana Del Rey, The Vaccines, Circa Waves), both handling the previous EP too, Whitecliff need mere seconds to grip ears with 5 Minutes. Its initial guitar jangle alone has the imagination engaged whilst the subsequent thick bassline of Paul Bates and the skittish beats of Tom Taylor soon spring hips and head bobbing into action. Vocalist Olli Nagy as potently as ever exudes confidence and charm whilst guitarist Jonny Ball gives a new wave character to his flirtatious dance of pick and imagination on strings.

The track is an addictively infectious and provocatively rousing proposal easily whipping up an eager appetite for its prowess before ’Till The End sees the band slip into atmospheric waters with the resonance of bass colouring the poetic suggestiveness of guitar. As Nagy then lays his beguiling tones on the emotive canvas, a Muse/Coldplay like scent arises in sound and tone though pleasingly Whitecliff hone it into something individual to them. Almost prowling ears with its slow gait, the track is a fascinating look at another side to the band’s songwriting and invention; a new strain of variety sure to flourish across future releases.

As much as the Young Lovers EP solidly impressed, both 5 Minutes and ’Till The End outshine any previous Whitecliff endeavour. The single is a rousing and transfixing proposal across its two tracks and yes with it as evidence; it might be safe to say that 2016 is going to be another potent year for the band.

5 Minutes / ’Till The End is released April 8th via 25 Hour Convenience Store /Believe Digital through most online stores and @ http://whitecliffband.bigcartel.com/product/five-minutes-single

http://www.whitecliffband.co.uk     https://www.facebook.com/WeAreWhitecliff

Pete RingMaster 05/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Whitecliff – Young Lovers EP

cover_RingMaster Review

There has been a flowing amount of praise and expectations of big things ahead for Whitecliff since the release of their first single Everybody Knows a year ago, and the Liverpool based band can expect plenty more thanks to their excellent debut EP Young Lovers. The first band signed to 25 Hour Convenience Store, the label of Gary Powell from The Libertines, Whitecliff have crafted and delivered a new exploit to which acclaim is set to be a given. Three tracks of virulent and inventive indie pop rock, the Young Lovers EP is simply a tonic for the ears and imagination.

Consisting of vocalist Olli Nagy, guitarist Jonny Ball, bassist Paul Bates, and drummer Tom Taylor, Whitecliff recorded the Young Lovers EP with producer Ken Nelson (Coldplay, Paolo Nutini, Badly Drawn Boy), its mixing taken care of by Dan Grech (Lana Del Rey, The Vaccines, Circa Waves), both also scheduled to work with the band on their first album scheduled for recording next spring. The latest release opens with its title track, and an instant blaze of warm melodies and enticing hooks tempered perfectly by a moodier bassline. The voice of Nagy is just as swiftly enticing, his tones gentle yet forceful in their expression and power to match the potent rhythmic jabs and sonic seducing masterfully and creatively at play across the song.

It is a rousing rock pop incitement to start the EP but straight away eclipsed by The Talk. From its opening tease of guitar and accompanying groove, the song is a virulent stroll which just gets more flirtatious and compelling with each vocal harmony around the potency of Nagy and every catchy twist slipping easily into ears with lingering effect. There is a feel of Black to the song and the overall songwriting of Whitecliff, in the blend of emotive passages and inescapable melodically honed hooks which just light up ears and appetite with increasing effect over every listen.

Final song Say What You Want is the same, but individual in character with its emotive croon through crystalline melodies in a creative romance of the imagination. On first listen the previous two songs outshine the third but time and plays has seen it bloom into an irresistible serenade to rival all whilst revealing more of the depth and substance to the Whitecliff sound.

As we predicted the quartet will be no strangers to acclaim over the next weeks and months but already there is the thought that we have barely tapped into their potential, even with the strength of Young Lovers so exciting times for them and us.

The Young Lovers EP is out now via 25 Hour Convenience Store / Believe Digital through iTunes and Amazon

http://www.whitecliffband.co.uk     https://www.facebook.com/WeAreWhitecliff

Pete RingMaster 13/10/2105

Copyright RingMaster: MyFreeCopyright

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