Impulsive Compulsions – SAMPLER 4

Another compelling issue of the In The Club Magazine from Perfect Pop Co-Op and another treat in word and sound had us basking in some of the very best independent goodness. The autumn 2019 edition of the online magazine from the label, issue 41 to be exact, comes with the fourth edition of their free sampler Impulsive Compulsions featuring artists and sounds from within the embrace of the Perfect Pop Co-Op family. It is fair to say that its three predecessors left us and an increasingly great many basking in a rich array of sounds and flavours but No 4 might be the most eclectic and irresistible mix yet meaning to ignore it would be an act of great stupidity.

Formed in 2011 by members of The Tuesday Club; Dave Worm, The Beautiful Wolf and Andreas Vanderbraindrain for the sole purpose of releasing their own music, Perfect Pop Co-Op has grown and stretched its reach to, as mentioned earlier, bring a great many other artists into the family; they regularly featured on The Andreas and The Wolf Radio Show, the in house monthly podcast, and teasing the imagination within the Impulsive Compulsions samplers.

The latest begins with Andreas and the Wolf and their track All I want is you. Its relatively calm entrance belies its pop punk instincts yet it is the melodic enterprise and drama from guitar and keys which enlists the imagination most firmly. The track is a ridiculously catchy affair, an aural romancing of ears and for us the most captivating offering from the band yet as the Sampler gets off to a potent start which continues with the mystic rock magnetism of Nashville hailing duo Hello Dearies. Like a shadow bound nursery rhyme All The Pretty Boys and Girls simply beguiled, its Wicker Man-esque spiced chant a tenebrific celebration and just delicious upon our musical palate.

Nine Day Decline is a newcomer to these ears but swiftly through their contribution to the sampler had us rushing to their social media profiles to learn more. With the likes of Altered States, Dead Heaven, Complicity, Christian Death, Counting the Mad, F.O.C., Section 3 and more in their histories, the British trio cast a goth clad post punk tempest as atmospheric as it is emotive. Decisions is a haunting slice of sonic dissonance, its raw melodic drone and impassioned breath akin to a mix of Play Dead, Sisters Of Mercy, and London After Midnight but openly unique to the London based outfit.

Inadequacy (day 197) is the track from sampler regular Reverse Family, an electro spattered piece of DIY enticement from the solo project of Dermot Illogical and a piece of soul searching reflection with its own sneaky swing while Dislocated Flowers immediately after wraps its psychedelic seduction around ears and imagination with Orange Roses and Yellow Tulips. Both tracks quickly and easily got under the skin being rapidly joined by The Scratch through their punk nurtured power pop rocker No two castles are the same. Taken from their excellent last album, Great Adventure, the song infested and resonated beyond its stay; always a sign of something rather tasty.

Equally flavoursome and a spark to greed is 50ft Woman and Psychic Hygiene. From its initial sonic squeal a devious swing erupts, the just as guileful tones of Minki riding its infectious pop punk ‘n’ roll sway. The track is another which leaves on-going tendrils of flirtation igniting continual companionship before She Made Me Do It ensured they get their chunk of the passions through their track, Fun and Games. The union of Shaheena Dax (Rachel Stamp) and Will Crewdson (Rachel Stamp, Adam Ant, Scant Regard) is one of our favourite propositions to erupt from speakers and their latest song is pure alt-pop manna, a virulent contagion defeating any ill wished cure.

One of the biggest traits of these samplers is that we have yet to come across anything which merely satisfied, no fillers ever on offer and the fourth is no different as it continues with GLUE from The Dodo, a keenly catchy post punk/punk rock stroll with a definite Swell Maps tinge and heart to it, and straight after Night of the Wild Mind courtesy of Suicide Tapes. A quartet from Ware in the UK, the band similarly has post punk instincts to a goth rock heart and upon a contagion of rhythms weave a magnet of a track which had us hungry for more. Originally formed in 1983, the band reformed a short while back and are raising a stir, no surprise with tracks like this Flesh For Lulu scented incitement.

The Tuesday Club and Venus Overload bring this particular treat to a close. The first gives us a live slice of fan favourite Lady Gargar, a track revelling in all the mischief, imagination, and uniqueness which fuels the band and its rare fusion of punk, indie and the creative devilment which shapes the best rock ‘n’ roll. The latter of the two provides Afghanistan Bananastand, a ravening dance of garage and psych rock intimation which had hips and feet as keenly engaged as ears and imagination.

That is Impulsive Compulsions 4, a release which had us basking in great sounds, fresh adventures, and new explorations of artists which like those before them deserve proper attention. The fun involved was just icing on the cake.

Check out the latest and past editions of In The Club Magazine @ https://perfectpopco-op.co.uk/magazine/  and further releases from within Perfect Pop Co-Op @ https://theperfectpopco-op.bandcamp.com/

Pete RingMaster 31/10/2019

Copyright RingMaster: MyFreeCopyright

The New Jacobin Club – This Treason

Though This Treason from Canadian shock rockers The New Jacobin Club has been out for over a year,  it and the band are new discoveries here at The RingMaster Review and because the find is so immensely enjoyable a review though late was an inevitable outcome. The first question was how on this internet connected earth it has taken until now for a band this good and formed in 1995 to capture these eagerly searching ears though the fact they have is all that matters.

Since its rise from the depths of its original conception in the dark creative minds of the original trio of which vocalist/guitarist The Horde remains, The New Jacobin Club have released four album and various EP’s, cassette singles and contributions to compilations, the first official release by the trio coming in 1998. The debut self titled album arose in 2001 and was the first to have bassist/vocalist The Swarm within the band’s dark ranks. Second album Retake the Throne was the moment the band really started to divert ears and eyes their way as college radio and international media began taking notice then in 2006 third album Wicked City and the single from it ‘Creeping Flesh’, pushed the band further out from their own home shadows as their undeniably eye catching live shows and wonderfully darkly intrusive sounds toyed with more and more senses. This Treason takes the band even further out into the masses with a wonderfully flamboyant theatrical wicked essence combined with impressive striking heavy intense sounds and senses treating dark gothic creativity.

Alongside The Horde and The Swarm the band consists of guitarist The Fury, Brother Vitruvius on keyboards, drummer Rat King, plus The Luminous and Poison Candy on cello and theremin respectively. Together they have created a gothic punk , rock metal veined tour de force concept album which takes the listener into its eager and black bloodied depths as it explores the relationship and events surrounding the true life and death of England’s notorious warlord Sir Hugh Despense and his relationship with King Edward II, or as the band’s website calls it ‘A morality play set to music’.

Having read The New Jacobin Club being compared to a mix of Judas Priest and modern era Misfits there was an uncertainty as to what they would sound like and maybe a little fear too not being an enjoyer of classic heavy metal. There was thought s that maybe they would be a band bringing the overblown pomp and excess of 80’s artists who over indulged with concepts and rock operas or maybe another Gwar type beast where they venture to close to ridiculous to win real credibility, though there might have been the warped corruption from the likes of Macabre to enjoy too. As the title track opened the album the theatrical grandeur was there, the welcoming soaring keys inviting with a flourish but then came a delicious grumbling bassline and gothic keys taunting the ear. One minute in here was one hooked, captured and trussed up victim to the merciless bombardment of pleasure feasting upon the senses. Tumbling riffs and dominant rhythms seize the ear as incisive hot guitars slither through  and the suggestion of sweet insanity  comes with the theremin intrusions. The track and subsequent songs have a little of everything and sounds from numerous sources but it is all distinctly The New Jacobin Club.

This introduction to the album and the tale to unfold could not be more satisfying and as subsequent tracks play and unveil the people and the events in the life of and leading to the death of our lead protagonist in the opener we are treated to an array of sounds, skill and pleasure. ‘Private Hell’ is a more heavy rock based track with Jerry Only like vocals, and gives reason for the often used comparison previously mentioned. The cello of The Luminous swarms and soars all over the track wonderfully and lifts it to even greater heights.

The musicianship of all is stunning as it offers up sounds and influences of bands like the two previously mentioned and often stated The Damned, Christian Death, Killing Joke, The Birthday Party and Maiden but others less expected spices oozed out too. ‘Countess Scorned’ offers up a taste of Wall Of Voodoo whilst the punk fuelled ‘The Fall’ is expanded with a heady mix of Asking Alexandria  and Alien Sex Fiend, and throughout one is reminded at moments of bands like The Mission, Southern Death Cult and fellow gothic bands. The best track of all on the album ‘Like Dogs’ which brings an irresistible mix of psychobilly spawned rock with a blend of The Cramps, Calabrese and Danzig.  A triumph that ignites the passions within and takes one on a primal dance around the length of its mighty display.  All proof that This Treason offers up a mesmerising array of sounds and despite referencing many it is all uniquely The New Jacobin Club once given their inimitable touch.

There really is not anything negative to be found about the album, even the meandering 13 minute epic ‘All Mourning Long’ with its abyss spawned bedlam that eats away at the senses and throws torment and despair by the moat full at the listener is wonderfully effective despite its testing soundscape and alarmingly hypnotic caustic aural assault.

The album comes in a cd/DVD package with an included live performance that corrupts as it engages and shows the band as dominant and irresistible on stage as they are aurally from the studio, and why The New Jacobin Club has graced shared stages with the likes of KMFDM, Nashville Pussy, Groovie Ghoulies, Voltaire and Discover Channel’s Guinea Pig show. Eventful, dramatic and most of all wonderful, everyone should have one.

http://www.newjacobinclub.com

RingMaster 06/01/2012

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