Adrenechrome – Tales From Adrenechrome

Pic Credit Dave Saunders_

Pic Credit Dave Saunders_

Just like a blurring of reality and fantasy, the sound of Canadian metallers Adrenechrome is a muggy fusion of styles and flavours, and just like a drug addled climate, it provides an adventure which devours and permeates every pore of the senses and emotions. Taking their name from the a fictional drug in the film Fear And Loathing In Las Vegas, Adrenechrome cast a kaleidoscope of rigorous and virulent tempting as creatively progressive as it is thunderously rock ‘n’ roll, as predatory thrash bred as it is spatially grooved, and as imaginatively ravenous as it is simply seductive. The evidence is all there within new album Tales From Adrenechrome, a seven track encounter which from its classic comic like cover, created by Clownbaby and Tim Kehoe, through to its final suggestive note, is a compelling exploration of self experiences, fantasy, sci-fi, and classic literature.

Hailing from Ontario, Adrenechrome began in 2010, formed by veterans of the music scene with bands such as Gaswitch, Shimmy Rabbits, and The Doug Trucker Band in their histories. Debut EP Hideous Appetites emerged in 2012, inspirations from artists such as Pantera, Black Sabbath, Thin Lizzy, Metallica, Mastodon, High on Fire, and Children of Bodom colouring a sound which soon lured strong support and attention to the release and equally the band’s adrenaline driven live presence which over the years has included playing with Corrosion of Conformity, Green Jelly, Ninjaspy, and Manahan. It is a reaction and success sure to be matched and overshadowed by Tales From Adrenechrome as it spreads its creative rabidity from hereon; with it the band ready to breach and incite richer and broader spotlights.

Album Cover - Adrenechrome - Tales From Adrenechrome _RingMaster Review   The album opens with A Familiar Face, an immediate tempting of bold rhythms and melodically spun sonic enterprise woven into a warm instrumentally led tapestry. The track swiftly captivates as its hooks and grooves seduce as the bass swings and drums badger, a union which only captures ears and imagination with vocal harmonies adding just one more flavoursome texture to the album’s initial temptation.

Things quickly get rugged and heavy as Lockstep storms in next; its thrash breeding is full rabid evidence as vocalist Chris Friesen rides his own riffs and the raw flames of fellow guitarist Tim Kehoe. As becomes the norm, the track is soon evolving within ears. The fury of more extreme metal hues collude with heavy Mastodon resembling grooves and a Torche likened web of flavours as the licking of thrash seeded and groove metal honed flames continues. It is riveting stuff, the body and emotions involved in the devilment as easily as pleasure and an appetite for more, which the song continues to offer with its persistently twisting proposal and Black Brubeck continues with its superb jazz lit imagination and progressively sculpted inventive waltz. As avant-garde as something from a Trepalium or a Pryapisme, and as heftily compelling rock ‘n’ roll as a predacious roar from an Anthrax or High on Fire, the song is irresistible; a fascination with mischief in its heart and fiery passion in its soul.

As all tracks, God Sized Shadow is nurtured with the same fire of intent and character, it even more rapaciously dirty and intrusive than its predecessor but with, greater degrees, the same kind of cosmic air and aggressive volatility, the blackened shades of the latter especially potent. Bewitching and intrusive, with the excellent dark grouchiness of Mike Van Dyk’s bass and the lethally swung beats of drummer Matt Copeland gripping, the track is a primal yet worldly blaze with the rawness of a Triggerman and dark seduction of a Faith No More.

The Heart and The Feather instantly incites ears and thoughts as clean vocals impress within a hug of spidery grooves and sonic expression, Friesen becoming even more compelling as he mixes up his delivery with dirtier tones and rasping expression. Musically the song matches him, again that bedlamic quality a perpetual enticement of unpredictability and highly persuasive surprises woven in to a mix of fierce and richly spiced metal and heavy rock styles. Hips are soon swinging and imagination entangled in the proposition, a success just as easily inspired by Hideous Appetites, a manic appearing and skilfully conjured smog of ferocious enterprise and dynamic devilment; a ravenous beast of a song with melodic and antagonistic weaponry.

Completed by the cauldron of warmth and hostility that is The Lead Elephant, a track which majestically merges melodic tempting, sonic trespasses, and cantankerous metal ‘n’ roll within its tenacious and often enjoyably bruising tempest, Tales From Adrenechrome is a thrilling beast. There is no moment where emotions and appetite are not inflamed and pleasure thicker than the grooves it unleashes.

Grabbing a dose of Adrenechrome is a no brainer as far as we are concerned, Tales From Adrenechrome the release declaring a new band to challenge if not quite now certainly ahead those ‘giants’ mentioned.

Tales From Adrenechrome is out now @ https://adrenechrome.bandcamp.com/album/tales-from-adrenechrome and through most online stores.

http://adrenechrome.com/    https://www.facebook.com/Adrenechrome   https://twitter.com/adrenechrome

Pete RingMaster 28/11/2015

Copyright RingMaster: MyFreeCopyright

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All Tomorrows – Sol Agnates

All Tomorrows_Reputation Radio/RingMaster Review

With the release of their second album Sol Agnates, Chilean metallers All Tomorrows are hoping it will be the doorway into establishing them within a European if not global metal spotlight. Listening to the encounter it is easy to suspect it is a desire destined to find success at some point as their impressive release and sounds assaults more ears and appetites. It is not a startling proposition, the band’s sound as familiar as it is promisingly fresh, but the album is a certainly stirring and increasingly magnetic incitement hitting the sweet spot of ears and emotions with persistent regularity.

All Tomorrows began in 2010, emerging from Santiago with the inspirations of bands like Gojira and Meshuggah in their creative blood and vision. 2011 saw the release of debut album Opilion, an acclaimed release at home and further afield. It helped push the band to broader attention, a recognition reinforced and increased by a live presence which has seen All Tomorrows share stages with bands such as Children of Bodom, Voivod, Megadeth, and At The Gates over the subsequent years. Their sound is tagged as progressive metal, if an extreme strain of the style, but as Sol Agnates reveals there is equally a death metal voracity and nature to their music which adds to the drama and intensity of songs. It also suggest that this is a band which gives equal concentration to every aspect of sound and to creating a release, the album an imposing proposal of clarity which allows every note, syllable, and rhythm to individually resonate and linger whilst uniting for a riveting predatory provocation.

All Tomorrows - Sol Agnates_Reputation Radio/RingMaster Review     It all begins with the album’s title track, a song which takes a mere second to unveil a web of sonic intrigue and temptation through the guitars of Pepe Lastarria and Ramón Pasternak backed by rigorously intimidating rhythms. Choppy riffs and beats stalk and badger the senses whilst the fiercely, raw vocal delivery of Lastarria is as abrasive as it is magnetic. You can openly hear the Meshuggah influence but equally as the outstanding opener vents its hostile creativity, there is a sense of Mudvayne and In Flames to the striking confrontation. The sonic enterprise of the guitars persistently flare up with sizzling endeavour across the song whilst the bestial tones of Oscar Arenas’ bass are as compelling as the wild but skilled swings of drummer Pablo Martinez are punishing.

The album could not have got off to a better start and keeps the raw power and impressiveness going through both Undying Seasons and Eidien. The second track equally rampages into view on a torrent of inhospitable rhythms and ravenous riffs, all seriously inviting whilst bound in acidic grooving and pierced with spiky hooks. Again unexpected whispers emerge as the track expands its turbulence, Slipknot and Tool reminded of as much as those earlier mentioned Gojira and Meshuggah spices. The trespass of the senses continues to twist and rage, erupt and seduce across its length before making way for its similarly hectic and tenaciously flavoursome successor. Slightly less hostile at its start, grievous riffs and rhythmic barbs holding some restraint as vocals rasp with predatory intent over ears, the track sculpts its own individual maelstrom of persuasion equipped with rich grooves blossoming in another bed of contagious imagination.

A devouring stalking of ears by Fiver’s Visions keeps enjoyment high and thoughts impressed even if the track lacks a certain spark of its predecessors, whilst next up Downpour spills an animus of stabbing beats and fiercely scything riffs across a barbarous landscape. Loaded with antagonistic vocals and a sinister sonic narrative, the track is arguably the first to really begin exploring the rich progressive depths of the band’s imagination. Previous songs hinted at rather than fully employed that provocative side of the band’s songwriting, and even this track does not dig too deep whilst thrilling ears, but Burnt by Call of the Bleak after definitely makes a bolder leap as it lights up the senses. Also fuelled by a relatively uncompromising aggression, the track’s guitars entwine imaginative textures with evocative invention whilst even the rhythms rein in their rabidity as song and band create a certainly intensively tempestuous but equally absorbing kaleidoscopic adventure.

Immanence draws on the more truculent side of the band’s sound for its physically predacious proposal but the guitars ensure they flirt with a melodic tempting between moments of sheer carnivorous majesty. It is a blistering challenge and treat, a bruising entrapment of the passions leaving the listener embracing the melodic opening of Ophidian Vibrations like a comfort blanket. The song allows that security to be assumed before uncaging its own nefarious enterprise and creative nature, riffs and rhythms fuelled by destructive hunger but perfectly tempered by the band’s venture into melodic flames of sound and progressive imagination.

Sol Agnates is concluded by the epic turmoil of Union, vocals and musical expression angst soaked as rapacious rhythms roam alongside a sinful bass tone. It is a bewitching roar of volcanic emotions and turbulent sounds aligning for a powerful and lingering conclusion to the riveting release.

It is impossible to imagine that All Tomorrows will be a South American ‘secret’ for much longer once Sol Agnates gets to work on new ears and attention. As ever of course, a hefty slice of fortune will be needed but if not with this album there can be no stopping the band breaking into the strongest recognition if they carry on creating treats like this as their music evolves.

Sol Agnates is available from May 19th via most online stores.

http://www.alltomorrowsband.com/   https://www.facebook.com/alltomorrows

RingMaster 19/05/2015

Copyright RingMaster: MyFreeCopyright

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Twilightfall – The Energy Of Soul

BandPhoto

An experience which leaves you in two minds about its impact and triumph yet embeds a compelling enticement in its wake which ensures you want more of its presence and adventure, The Energy Of Soul, the debut album from Ukrainians Twilightfall is a riveting and torrential onslaught of sound and ideation which can best be described as a maelstrom. It is not a release which lit a fire in the passions yet its invention and persistently alluring twists bred a hunger in an appetite for Melodic Death Metal which cannot be ignored.

The band’s sound is bred from the same well of imagination and hostile seduction which the likes of In Flames and Children Of Bodom have spawned their provocations yet there is plenty more to the album. Potent essences of thrash and black metal, as well as progressive tendencies all add to the thick and almost at times bedlamic voracity of the songs within The Energy Of Soul. The album unleashes its intent and relentlessly shifting enterprise with almost disorientating urgency and appetite which brings those somewhat confused reactions to its weight and fiery offering but all the time it is laying imaginative bait which easily draws thoughts and emotions back to its enthralling depths.

Twilightfall is the creation of guitarist Wortherax, a veteran of Ukraine metal scene with his most notable roots going back to death metal band Suppuration who he joined in 1993, a band which went on to evolve into the more renowned Nokturnal Mortums. The lead guitarist on the latter’s band’s seminal albums Lunar Poetry and Twilightfall, as well as performing session work on prominent releases from bands like Munruthel and Khors, Wortherax formed Twilightfall in 20112, adding guitarist Aywar, bassist Freyr, and drummer Odalv to the project.

Recorded last year and now released via Svarga Music, The Energy Of Soul takes little time in unveiling imagination awakening endeavour and intent as the title track sets the album off in rigorous motion. Guitars immediately are FrontCover1400pxbusying ears with aggressive riffs and sonic expression, aided by some equally magnetic strokes of keys. There is a portentous air to the track even with the swirling melodies and their rich poetic narratives which consume the senses just as eagerly as the sinew sculpted rhythms. The raw vocal growl of Wortherax makes a predatory tempering to the fluid revelry of the song yet it too has an enticement which only coaxes ears and appetite into the song’s web. As subsequently with all tracks attention is needed to define some of the evolving twists, hooks and grooves are open but soon lost from aural gaze as the next flood of adventure persistently soaks thoughts. The slow slip into gentle melodic scenery later in the track allows a breather, though it also lacks the spark of the landscape before and after it. It is still an enticing lead into a terrific climax of sonic temptation, a sizzling end to what is a heavily impressing song.

   Spirit Of Ancestors comes next riding a lumbering wave of rhythmic predation and dramatically fuelled keys with guitars matching their picturesque colour. It is not a startling start as with its predecessor but one which still holds attention, especially with the caustic rub of riffs and the now confidently striding drum swipes. We mentioned thrash elements to the band’s sound previously, not the most obvious of flavours across the album to be honest, but certainly here make for a cunning and infectious lure to the initial charge of the song. The move into a reserved flight of melodic and emotive endeavour has the opposite effect in its drive. It is beautifully and impressively crafted turn with the musicianship glorious at times, but loses the essence which initially gave the encounter the potential to be another highly scintillating proposition. Nevertheless the song is a commanding figure within the release and again has plenty to encourage constant investigation just like A Mirror Of Dreams And Reality. The third song is a similar merger of elegant melodies and hostile energies with arguably a more muscular intent and rabidity than on the previous songs. There is a devilish swagger to the track but also a darker attitude which shadows the intimidating hooks and seductive grooves which flirt within the tempestuous body of the song. Again there are moments where things make a less than impacting suasion yet times where the track strikes with pure brilliance to ultimately trigger a greed for more. The song is simply a cyclone of intensity and ingenuity which never gives ears and thoughts time to settle leading to, as the album overall, an undecided conclusion but one you want plenty more of to reach a decision.

From a definite highlight, the album dips into a more gothic breath with Welcome To New Day, its keys a shadowed drenched beauty paced by the guttural rapacity of the vocals, and the more classically cultured Your Chance. Whereas the first of the pair launches into a bordering on maniacal gait and urgency within its evocative emprise, its successor is a solemnly orchestrated incitement with flourishing melodies and provocatively shadowed textures. Both tracks continue the inescapable lure of the album yet again leaves questions and decisions to be e contemplated.

The album closes with the impassioned and dark breathed Go A Long Way To Each, its keys and melodies fuelled by an emotional cloud of again gothic sombre, and lastly the rabid ferocity and incendiary adventure of Storm, a track which lives up to its name in sound and creative turbulence as it brings another major moment for the release. The Energy of Soul is an album which you cannot pass by without finding its seeds and qualities have left a lingering tempting behind. Impressing more and more with each play whilst still not quite overturning any reservations it inspired early on, the album is a thoroughly captivating and enjoyable encounter from Twilightfall, a band impossible not to spawn a potent appetite for.

The Energy of Soul is available via Svarga Music now @ http://www.svarga.eu/en/webshop#!/~/product/category=3027770&id=37705371

http://www.svarga.eu/en/twilightfall

8/10

RingMaster 12/08/2014

Copyright RingMaster: MyFreeCopyright

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Dissension – Of Time And Chronic Disease

Dissension Press Photo

If you are ever undecided which genre to grace your day with then veering over to the debut album from Canadian metallers Dissension could very well solve your indecision. Combining a core of thrash, black, and power metal with numerous other flavoursome essences from multiple metal bred aspects into a coherent and fluid rapacious adventure, the band is a striking proposition with a debut album in the shape of the thrilling storm Of Time And Chronic Disease which simply exhilarates and captivates. Certainly the release needs time to lay out its ultimately irresistible persuasion and imaginative narrative but the effort is rewarded with a thoroughly invigorating and scintillating fury of inventive rabidity and deeply satisfying enterprise.

Formed in 2007 as Set to Kill with a different sound to what evolved and rampages through the ear on their first album, the Montreal quintet of vocalist guitarist Nathan Afilalo, guitarist Matteo Conti, keyboardist Andrew Proppe, drummer Anthony Pulcini, and bassist Oli Aveline (since left to be replaced by Giancarlo Cininni), took little time waking up appetites and attention locally and beyond. Shows with the likes of Tyr, Threat Signal, and Cryptopsy and an appearance on the prestigious Heavy MTL stage in 2011 all enhanced and accelerated their brewing stature but you can only suspect that Of Time And Chronic Disease will lead Dissension to a loftier height of awareness and recognition worldwide such its impressive encounter.

Produced by Kevin Jardine of Uplift Productions, (Slaves on Dope, What Comes To Life, One) and mastered by Ryan Morey (Arcade Fire, Album Cover - Dissension - Of Time And Chronic DiseasePriestess, Half Moon Run), the album immediately tells you what it is all about with opener Thralls To The Crucified. The track opens with a sturdy thrash inspired regimented attack of riffs and rhythms, their restrained but firm stance opening up the senses for the evocative keys which lay a suggestive wash over the growing hunger. Opening into a scenic melodic and sonic landscape crafted by the excellent invention of guitars and keys, the vocals of Afilalo caustically growls and squalls over the enticing venture adding to the intimidation stalking the track through the bass of Aveline and the predatory beats of Pulcini. Never seemingly staying in one gait and certainly one style for longer than is needed to get the sonic point across, the track is a riveting expanse of ingenuity subsequently echoed across the whole album.

The following Graceless Death is a venomous charge of blackened metal with symphonic winds smouldering in the background whilst their frequent louder whispers make a fuller seduction from time to time. With an intensive twisted groove and a flight of predacious riffing the song steals the breath, soothes the violation, and steals it once again across its inventively startling length. As becomes apparent in all the songs, it is impossible to take everything in the first, second, arguably even the third and fourth listen but that just makes each confrontation a giving and ever evolving pleasure.

The likes of Blacksteel with its less demanding heavy metal breath, though the track soon menaces and threatens with muscular intensity and ravenous creativity, the magnetic merger of light and dark suasion Set To Kill, and the finely crafted Legacy continue the enthralling start. The last of the three opens with an elegant melodic descript before unleashing flames of technically expressive and compelling shadow drenched emprise, the track another which seamlessly bringing light and dark, melodies and savage intrusion into an absorbing and continually evolving provocative triumph.

Immense and enthralling from the start Of Time And Chronic Disease reaches another plateau with its title track, the first single from the album. From a potent and rich atmospheric soundscape impressively carved by riffs, drums, and bass, and coloured by as now expected precise and imaginative melodic hues from keys and guitars, the track slowly unveils its sinister serpentine like bestial intent, the vocals a dangerous portent against the excellent discord tainted piano. The track like the imagination is soon at the mercy of the malevolence at the heart of the song though once more the track is a thrilling scenic passage through the darkest corners alongside the brightest sonic torches.

Dissention and Apotheosis bring the album to a stimulating intensive close, both like all before exploring the darkest depths of human nature and its accompanying shadows. As mentioned the layers and creative depths of the songs and album are only really discovered over numerous engagements thus making it impossible to truly portray all that the album contains in written word but that the rewards are rich and plenty is all you really need to know. Of Time And Chronic Disease is an outstanding debut and declaration of an emerging force in Dissension which you sense could be inspiring many future bands as the likes of Children of Bodom, Dimmu Borgir, Darkthrone, Sepultura, Kalmah, Nile, and Amon Amarth inspired them.

https://www.facebook.com/DissensionMTL

9/10

RingMaster 11/09//2013

Copyright RingMaster: MyFreeCopyright

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InfiNight -The Vision

InfiNight_Band

Whether The Vision, the new EP from German heavy metallers InfiNight, is exactly offering anything new or unheard before is debatable but for straight up enjoyment and anthemic irresistibility there are no questions over its offering. The five track release is a strongly satisfying and pleasing slab of power metal fuelled enterprise, one which leaves you licking lips for more whilst it unleashes an expanse of sound which feeds appetites from numerous aspects of melodic metal.

Formed in 2001, the quintet of vocalist Martin Klein, guitarists Dominique Raber and Marco Grewenig (ex-Inner Logic, ex-Arctic Winter), bassist Kai Schmidt (ex-Inner Logic), and drummer Hendrik Reimann (ex-Inner Logic, ex-Godslave) has built and earned a loyal potent fan base and reputation for their sound and shows. Their impressive sharing of stages with the likes of Children of Bodom, Motörhead, Nevermore, Six Feet Under, and the Scorpions across gigs and festivals has enhanced their status certainly in their homeland and within Europe whilst their two albums, Sea of Knowledge (2005) and Like Puppets (2011), has brought great responses and good acclaim upon the band, InfiNight being compared to the likes of Nevermore, Queensrÿche, and Iced Earth. The Vision EP is their next exploit in gaining wide recognition and whether it will be the key to that awareness is up for discussion but it will recruit plenty more eager fans their way quite easily.

Hideaway opens up the EP and instantly seizes attention as guitars carve out a fire of compelling riffs as the drums hold court with Infinight_TheVision_Coverthumping heavy beats. Taking mere moments to hit its stride the song enthralls the senses further with an energetic stroll of predatory riffs ridden by the excellent vocals of Klein. There is a dark almost carnivorous tone to the guitars and certainly the bass which offers constant intimidation even when the melodic flames of Raber and Grewenig ignite air and passions, and it is this depth of sound which grips tightly as the smouldering charms of the excellent song flare up throughout to provide another richly appetising aspect to the song. The slip into a more hard/alternative rock aside with again Klein impresses powerfully is unexpected and thrilling, that moment alone questioning that earlier thought that there is not much new going on. In invention that can be argued for sure. As the rising crescendo of passion and intensity climbs to forge a tremendous climax, the song is simply a virulent contagion which lingers wonderfully.

The following short instrumental The Passage is a raw and abrasive post-apocalyptic like strength of evocative ambience evolving into closing seconds of orchestral colour which make way for A Loss of Love. The song opens with the vocals of Klein crooning over the melodic elegance of keys and warmth. It is an ok start soon elevated by the epically honed expulsion of melodic and symphonic lilted persuasion. Superbly crafted and presented, with guitars and vocals a tempting heat over the eighties fuelled melodic caresses of the keys, the song is a welcoming adventure that does struggle to match the heights of the opener but grasps the listener all the same in a blaze of anthemic power which is hard to turn down or resist participating in.

Transformation is another short instrumental, a piano led emotive piece with towering rhythms and a symphonic breath. To be honest as intriguing and interesting as both instrumentals are, and excellently delivered too, they are too short to make the impact the band probably wanted. They do not hang around long enough to inspire distinct thoughts and visions in the listener which really leaves them as feeling like fillers, something the composing and craft does not deserve. That is soon forgotten though when final song, the title track, explores the ear and passions with another scintillating stomp of riffs, rhythms, and sonic imagination. It makes a powerful conclusion to the release, it and the first track stirring riotous bookends to The Vision.  As the guitars scorch the song with sizzling melodic fire, their touch searing the tantalising spine of incessant rebellious drums from Reimann, it makes for a brilliant finish to an impressively decent and enjoyable release.

The EP does feels like a teaser in many ways to something bigger and whilst listening to The Vision you only hope that is the case, InfiNight having something bigger and longer in the works for the near future. An exciting thought.

https://www.facebook.com/InfiNight

8/10

RingMaster 05/08/2013

Copyright RingMaster: MyFreeCopyright

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Blynd: Punishment Unfolds

It seems extreme metal has saved its very best releases for the dying weeks of the year, the likes of Nidingr, Deus Otiosus, and Aeons each releasing colossal albums which are pushing limits, imagination, and most of all passions to immense heights. Adding their own titanic and inventive weight to the list if Cyprus metallers Blynd with their deeply impressive album Punishment Unfolds. Released though Pitch Black Records, the album is a fury of death, groove, and thrash metal which incites a riot in the heart and unbridled rapture in the senses and vice versa.

Formed in 2003, the Nicosia based quartet of bassist and vocalist Andreas, guitarists Dino and George, and drummer Alex, has slowly but firmly gathered a strong and ardent fanbase within a growing wash of acclaim through their impressive sound across firstly their duo of EPs and 2010 debut album The Enemy, as well as live performances alongside the likes of Sodom, Children Of Bodom, Rotting Christ, Sepultura, and Septic Flesh and a triumphant appearance at the 2012 Bloodstock Festival. Punishment Unfolds steps forward with all the aural armoury, sharp imagination, and aggressive intent to thrust Blynd to the top tier of extreme noise makers and bring a wider and hungrier recognition their way. Featuring guest appearances from Sakis Tolis (Rotting Christ) and George Charalambous (Winter’s Verge), the album also sets up the full spark of anticipation for their part in the Creatures From the Black Abyss Tour 2012, alongside Cradle Of Filth, God Seed and Rotting Christ, starting November 27th.

The opening instrumental Divine Gathering gives no real warning of the storm to follow though the brewing symphonic grace and thrilling rise of intensity does offer an epic atmospheric feel and climactic confrontation as its grand arms expand to wrap firmly around the ear.  It soon makes way for the rampaging Arrival of the Gods with its gnawing riffs and caustic breath of squalling vocals and scarring sonics. The harsh rub fires up the senses as fully as the greedy urgency of the song leaves them breathless, whilst the impressive melodic scorching from the guitars is a feisty encounter which pushes the song to greater heights.

The immense start is left ‘floundering’ in the wake of As Punishment Unfolds, a track which steals top honours and takes the contagion of the album to its highest pinnacle. From a start of thumping incendiary drums against the serpentine vocal lesions, the song spawns a groove which incites the strongest infection and a brawling seduction of riffs and beats to ignite primal passion. The mesmeric swarming which overwhelms the ear is delicious whilst the interchanging intensity and energies just provoke insatiable lust for more. As with the previous song the guitars produce melodic flames to stretch the track excellently around the crushing framework of antagonistic rhythms and raptorial vocals.

Following tracks such as Never for the Fallen with its carnivorous riffs and sonic greed, the challenging and glorious The Chosen Few, and Convicted in the Devil’s Land, further the pleasure with stunning enterprise and power. The second of the three is a turbulent journey of abrasive invention and unpredictable breaks wrapped in magnetic melodic ingenuity and heart. It is a masterful soundscape which can only lead to a full and potent devotion to its explosive imagination. The last of the trio is an intimidating predator with impacting sinews and a rabid intensity to leave one cowering whilst loving every second of its muscular threat.

Right through to its end Punishment Unfolds is sensational, from the outstanding Sins to the Cross with a progressive groove as wanton as it is insidious, across the snarling yet heated and irresistible presences of The Final Resistance and Divine Conspiracy, through to the closing feast of invention that is Infinity Race, it transfixes, erodes, and thrills senses, thoughts, and heart with accomplished and inventive ease.

Blynd before Punishment Unfolds may have been an unknown underground force for a great many but with its release and impressive content, the amazing album is set to change that stature one suspects and hopes. It would be a deserved outcome for a greatly pleasing and stirring gift from the band.

www.blyndmetal.com

RingMaster 20/11/2012

Copyright RingMaster: MyFreeCopyright

Apache Gunship: Unleash

If you read that Apache Gunship is a thrash metal band then take it with a pinch of salt. Well to be fair they do have an aggressive core to their sound which is pure thrash but with an insatiable progressive heart to their music as well as an apparent exploratory hunger, the band and their debut single Unleash, only leaves one thoroughly impressed.

The quartet from Larne in Northern Ireland, take their influences from the likes of Metallica, Slayer, Anthrax, Testament, Exodus, Dream Theater, and Children of Bodom, to name a few. A band for only six months and making their debut live appearance on August 17th, Unleash makes an instant declaration of a band with enormous potential and promise. The fact that just one song can inspire such strong feeling shows just how impressive it really is.

Unleash announces its arrival with celestial harmonies and a melodic stroking of the guitar before exploding into an inferno of destructive riffs and guttural growls. It is immediately mouth watering, guitarist Aaron Gowdy churning treacle thick riffs over with an intensity which is near crippling whilst bassist Jamie Mills ravenously chews on the ear with deep predatory basslines. It is powerful and concussive especially with the rhythms of drummer Scott Rodd knocking ten bells out of the senses with precision and venom. If this was all the song had to offer one would be satisfied but the band do not deal in the same stock as most other thrash bands and soon vocalist Warren Boyd from his rabid growls produces an excellent clean delivery to temper the persistent onslaught. It is unpredicted and welcomingly enterprising as is the seamless turn into a progressive aspect. With guitar and bass skilfully expressive and teasing every facet out of their notes it is a jaw dropping and inciteful twist, enhanced by the vocals of Boyd finding yet another distinct approach to impress with as do the great harmonies behind. The track emerges into its rampaging corruption again to add a climax as immense as its introduction to the ear. Once the final concussive note has smashed against flesh, feeling breathless and glowing with respect is the order of the hour.

The intent from the band is to try and release a one track a month until they assemble an album which makes the anticipation already feverish and impatient for their next imaginative assault. With a band like Apache Gunship there is no option or decision to take other than to go check them out and with Unleash being a free download the only surprise is you are still here.

https://www.facebook.com/apachegunship

Ringmaster 16/08/2012

Copyright RingMaster: MyFreeCopyright

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