Cavaverman – Women, Monsters & Cazzottis

After the acclaim lured by their album Tales From Cavafistool around Europe, Italian horror punks Cavaverman release their new EP, Women, Monsters & Cazzottis. Offering three tracks as a name your own price download, their latest encounter is equally as irresistible with the band stretching their sound to embrace an even richer array of flavours in its rock ‘n’ roll stomp. It builds on the last album with relish and enterprise with suggestive hints of where the band is going next.

Hailing from Monza, the trio of guitarist/vocalist Sal Champion, bassist Apocalypse Giò, and drummer Doktor Hell draw on the inspiration of bands such as The Ramones, Misfits, Alkaline Trio, and Entombed for their own enjoyably raw yet adventurous sound. A trio of albums in Dead Brains For Brain Dead, James Dead, and the aforementioned Tales From Cavafistool have more than marked Cavaverman out from the crowd and the Undead Artists released Women, Monsters & Cazzottis is no different.

It opens with Deadly Touch, a track featuring the potent vocals of Irene from Milan punks Viboras. The song itself is the punks inside Cavaverman coming to the fore; its horror punk ’n’ roll mixing with punk metal tendencies to unleash something akin to UK’s Trioxin Cherry meeting US bands Mongrel and Calabrese. From its first breath, the track stomps with attitude and an infectious lilt, the vocal union of Sal and Irene ear grabbing with the latter just as potent when tempting alone. Instinctive grooves and nagging hooks only add to the thick lure of the antagonism soaked song before Jamie Sommers steps forward.

The second song has a calmer persona, its psychobilly nurtured stroll and hearty croon showing a new maturity in the Cavaverman songwriting. Of course there is a snarl in the belly but one restrained as guitars weave their sultry serenade within a coarser tide of riffs and swinging rhythms. As the first, it is a richly magnetic affair captivating ears and imagination with swift ease before King of Cazzottis concludes the EP with its hard rock meets horror punk stomp. There is a healthy spice of pop punk to the chorus of the song too, another flavour in its bold mix needing little time to have body and vocal involvement from the listener on board.

Women, Monsters & Cazzottis is a band doing what they do best, unleashing instinctive rock ‘n’ roll whilst involving sound and creativity in new textures and explorations. There are surprises and plenty of familiar essences colluding in a slice of Cavaverman goodness which gets better and more tempting with every listen.

Women, Monsters & Cazzottis is out now through Undead Artists as a name your price download @ https://undeadartists.bandcamp.com/album/women-monsters-cazzottis  or https://cavaverman.bandcamp.com/album/women-monsters-and-cazzottis

https://www.facebook.com/Cavaverman/

Pete RingMaster 09/05/2017

Copyright RingMaster: MyFreeCopyright

Undead Artists presents Monster Mash-Up

Always one to push his music family and label’s adventure, founder and owner of Undead Artists, Johnny Rose (Thirteen Shots) set the task for his bands to record a cover of a track from the other label companion he paired them up with. It was not just to be a simple version though but a task with the remit to make the song their own helped by Rose’s sly move of matching up different genre bred bands and their contrasting textures and sounds. What emerged is the ten track treat of Monster Mash-Up; eight songs not to be found anywhere else as well as a pair of additional slices of very appetising goodness.

The compilation gets off to a flyer with The Bloodstrings and the track Dead In Berlin. Grabbing the song from horror punks Cavaverman with relish, the German quartet swiftly grip attention as the throaty upright bass twangs of Nick waggle a beckoning finger. As the swinging melodies and rhythms of Manuel and Fest respectively, only add to the growing lure soon led by the captivating tones of vocalist Celina, the band fully infuses the track with their punkabilly touch and contagion. In no time hips are swaying and feet a skittish blur in union with the excellent start to the album and just as enthused by next up Motel Transylvania, and indeed the rest romping across the already appetite pleasing release.

The 2015 formed Italian horrorbilly outfit get their claws into Stolen By The Night from Silpha and The Corpseboners next, gnarly riffs and firmly kissing beats from stand-up drummer/vocalist T.Ghoul prowling the senses before sparking a ferocious roar led by the sonic fire of The Wolfman and the grumbling bass of Fish”The scarecrow”. Within that raw dirty confrontation, warm suggestive melodies radiate and deceptive calm seduces until the blaze is ignited again. As those around them, the band live up to instructions and make the outstanding fan favourite song of its creators into something distinct to themselves, the texture of male instead of female vocals alone giving it a new carnivorous air.

It is truly fair to say it is a success all the swaps achieve, the bloody punk ‘n’ roll prowess of Dr. Hell taking Don’t Say The Z Word from Lupen Tooth’s debut EP and infesting it with punk vivacity and aggression as well as a delicious almost ska inspired devilment half way in. A repetitious chorus backed by group vocals demands involvement to top one virulent stomp to keenly embrace before we get an alternative version of a song recently part of a release already exciting the year. From Hamme in Belgian, horrorpunks Deadite recently released their album The Damned, a compelling slab of ravenous rock n’ roll within which its haunting Tiger Army-esque title track provided one of many major highlights. The trio offer an alternative take for this album, a just as captivating and in many ways even more seductive temptation with its cleaner cut yet thicker smoulder, a twist giving it a more Dommin like air.

Bremen hailing Jamey Rottencorpse and The Rising Dead are next to step forward, laying their hands on I Sold My Soul Tonight by Raizing Hell, a band sadly no longer with us who split up before they could return the favour. The enjoyably scuzzy horrorpunk of Jamey and co easily infuses into the original’s more punk based rock ‘n’ roll, giving it a dirtier toxicity without losing the boisterous virulence which just hits the spot like a doppelganger to its counterpart.

The UK’s Lupen Tooth ignites the senses yet again straight after, the Bristol band grabbing the visceral punk of Hamburg’s Dr. Hell found in the track Carl The Metrosexual Werewolf to give it two minutes plus of their horror punk revelry, resulting in an insatiable slab of infection loaded rock ‘n’ roll. In the often rare climate of every track within a compilation being as equal in quality and invention as any other, bigger favourites did still arise with personal instincts, this one of them but persistently challenged with every listen by all with Silpha & The Corpseboners proving the fact with Go Psycho. The Stein/Nürnberg based three piece led by the temptress tones and presence of Silpha Obscura bring their bloodlusting horrorpunk trespass to the Motel Transylvania track. As ever, theirs is a sound with a glorious schizophrenic nature; sax and keys sultrily toying with jazzy intent as the band deconstruct and rebuild the track in their own devilish design to bewitch ears and imagination.

From one treat to another as we get a glimpse at label newcomers, Wanton next. Undead Artists is poised to release the Finnish band’s new album Harmageddon Get-Together in the near future. Censor This! is taken from that encounter, a psychobilly roar quickly taking body and spirit on a ruggedly tenacious and contagious romp. With a flavoursome spurt of punk in their caustically catchy sound and a vein of melodic temptation, the Rauma hailing band makes a thrilling introduction to label fans, one sure to incite plenty of anticipation for their second album.

The Bloodstrings get their song In Love With A Monster devoured and ignited again in their own way by Italian horror punks Cavaverman right after, the band blending English and their homeland tongue in a fiery and energetically rousing version luring air lashing limbs and aroused vocal chords as easily as the original.

The album is completed by Somewhere Under The Graveyard, the Jamey Rottencorpse and The Rising Dead anthem seized by a host of musicians from the Undead Artists Family and given their own seriously rousing punk and rock ‘n’ roll zeal. It is a riotous and fiercely enjoyable end to a release which not only has you bounding feverishly around the room but hungry to check out its occupants even closer.

Last year was a big and successful year for Undead Artists with Monster Mash-Up suggesting we and they have seen nothing yet.

Undead Artists Records Monster Mash-Up is released March 24th with pre-ordering, also for Limited Edition CDs and T-Shirts/CD packs, available now @ https://undeadartists.bandcamp.com/album/monster-mash-up-2

http://undeadartistsbooki.wixsite.com/undeadartists   https://twitter.com/ArtistsUndead   https://undeadartists.bandcamp.com/

Pete RingMaster 07/03/2017

Copyright RingMaster: MyFreeCopyright

Cavaverman – Tales From Cavafistool

Cavaverman _RingMaster Review

It was Johnny Rose, the band behind Birmingham rock ‘n’ rollers Thirteen Shots and the independent label Undead Artists, that pushed our gaze the way of Italian horror punks Cavaverman, and boy are we grateful that he did. The trio released their new album Tales From Cavafistool this past Halloween, a thirteen track proposal that rocks with the bloodlust horror punk should always do but equally with an imagination unafraid to involve other bold flavours and twists of invention. The result is a fascinating and seriously rousing stomp fuelled with a potential that says even bigger and bolder adventures are ahead, so time the world woke up to the sonic zombie hunters.

Consisting of guitarist/vocalist Sal Champion, bassist Apocalypse Giò, and drummer Doktor Hell, it is fair to say that Cavaverman wear many of their inspirations on their sleeve the likes of The Ramones, Misfits, Alkaline Trio, and Entombed included, weaving them into their own contagious and visceral romances of sound and horror. As previous releases like Dead Brains For Brain Dead and James Dead showed, at times there is no escaping the familiarity to those influences but more often than not they merely spice fresh pools of bloodied Cavaverman imagination.

Tales From Cavafistool quickly stirs the blood and passions with opener Vampiro; a pull back on a shotgun the spark to a charge of spicy riffs and thumping beats driven by the potent tones of Champion. With a snatch of psychobilly to its character and straight forward rock ‘n’ roll in its instincts, the song rumbles and swaggers with expectations feeding horror punk tenacity and zeal, but with a wealth of enterprise it only thickly excites before Dead In Berlin offers its own breed of lusty punk ‘n’ roll. As in the opener and many more, Misfits is an obvious spicing but one, as suggested earlier, honed into the ways of Cavaverman with fresh and imaginative resourcefulness. The rhythms of Giò and Hell stalk and grumble magnetically throughout its scavenging whilst Champion shows himself as alluring with fingers on strings as voice on lyrics.

Cfront_RingMaster Review     The more restrained Yellow King shows a fuzzier melodic string to the band’s creative bow whilst still creating a virulent offering hard for body and voice to resist whilst the mighty Green Goblin is a two and a half minute addiction that you will be crooning long after leaving its and the album’s side. Familiarity is once more a potent hue but entangled in a pungent pop punk weave, the track is like all your best friends partying in the ears.

Such its contagion and slavery upon the passions, the following Don’t Cross The Streams has a harder task to shine alongside but its efforts are strong and enjoyable, especially with its excellent sinister entrance on intimidatingly anthemic rhythms. Into its stride, the song loses some of its potency in energy and impact but it still has feet romping and pleasure aflame by the time it makes way for Inside You and straight after Hero. The first of the pair also embraces the punk pop side of the band, breaking into an easy going and vibrant rocker before its successor grows from a scuzz kissed croon under atmospheric cold into an impassioned serenade with rising crescendos. The track might be another not quite matching some of those around it, but what it lacks in a persuasive spark it more than makes up with in bold and fiery blends of varied rock styles to show the strength of the band’s songwriting and imagination.

Lora Ashley is a delicious straight forward incitement of hooks and united vocals, an inevitable horror punk sing-a-long raising the spirits and greed ready for the drama laded rock ‘n’ roll of Dead Boys Of Summer. Resistance is futile here too as the track prowls ears with its sturdy rhythms and grinning hooks, vocals the final lure in a lustful anthem. Irresistibility continues in the old school punk joins fifties spawned rock ‘n’ roll of Don’t Worry About Me next, the song something you could imagine a collusion between The Damned, Flogging Molly, and Calabrese producing whilst the irresistible Teenwolf is less than two minutes of boisterous incitement with anthemic effect on body and emotions.

     Tales From Cavafistool is finished off by fiery rocker Just Another Day where blues spicing adds to rich flames of melodic and heavy rock aligning to a rockabilly swing, and finally the short sepia toned instrumental epilogue of Dawn Of The Cavaverman. The final piece is like the closing of the theatre curtain at the close of a creative triumph, and that is just what Tales From Cavafistool is, a triumph from a band previously in the shadows but now bounding forward with a real punch. As uniqueness and imagination continues to grow within the craft of Cavaverman, there is no reason to dismiss the thought that something special for horror punk is brewing in Italy.

Tales From Cavafistool Cavaverman is out now via Undead Artists and @ https://cavaverman.bandcamp.com/album/tales-from-cavafistool

https://www.facebook.com/Cavaverman

Pete RingMaster 04/11/2015

Copyright RingMaster: MyFreeCopyright

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